Brooklyn

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“Helping to make the JMZ lines more colorful one wall, one gate, one space at a time,” JMZ Walls continues to bring a diverse range of first-rate street art and graffiti — by both local and global artists — to South Bushwick. I recently had the opportunity to speak to its founder, Alberto Mejia.

When was JMZ Walls first launched?

In the fall of 2014.

What spurred you to initiate it?

I’d been living in Bushwick – off the JMZ lines – for 20 years. In the past several years, I saw positive changes in in other parts of Bushwick that I didn’t see happening here.

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And many of these changes are directly related to the art that had begun surfacing on the streets.

Yes! My vision was to bring street artists, graffiti writers and muralists to my end of Bushwick. And I didn’t think that these genres should be kept separate from one another.  Why shouldn’t graffiti writers share space with street artists and muralists?

I agree! And the visual impact of JMZ Walls has been great. How did you go about getting walls for artists?

I know many of the building owners. At first I started asking for gates, and soon the owners were offering walls to me.

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Who were some of the first artists to paint for JMZ Walls?

The first piece was by a German graffiti writer, Byond.  He was followed by Queen Andrea, Claw Money and Dasic Fernandez.  I was inspired by Queen Andrea, in fact, to dedicate an entire block — Lawton Street — to female artists!

How do you decide which artists to include?

I’m interested in giving opportunities to local graffiti artists who haven’t had all that many occasions to paint in legal spots. And I love hosting talented artists from abroad who are seeking a space to paint.  I also like giving opportunities to artists who don’t generally paint in public spaces.

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Yes! I was introduced to several artists – including BK Foxx – through JMZ Walls. How has the local community responded to JMZ Walls?

Families have been very appreciative, and the kids love the art. I often hear them saying, “That’s cool!” when they pass by.

Yup! You have certainly enlivened this end of Bushwick! It’s worth a ride on the J, M or Z line out here just to see these walls you’ve curated! I’ve done it often! What – would you say – has been your greatest challenge?

My greatest challenge has been financing it. Supplies and paints are expensive, and artists’ budgets are often limited. You can find out here how you can help support us through our recently launched GoFundMe Campaign.

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Thank you for all that you’ve done for the community and for all of us street art and graffiti aficionados. We look forward to what’s ahead for JMZ Walls.  And good luck with your GoFundMe Campaign.

Images

1. BK Foxx

2. Brazilian artists Thiago Valdi & l7m

3. Rio de Janeiro-based  Marcelo Ment

4. Kesta 

5. Montreal-based Philippe Mastrocola aka Spraycam

Photo credits: 1 & 2 Tara Murray; 3-5 Lois Stavsky; interview conducted and edited by Lois Stavsky

Note: Hailed in a range of media from Wide Walls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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A self-taught, multi-disciplinary artist, Sara Erenthal has a strong presence on the streets of Park Slope, Brooklyn. We recently spoke.

You’ve established quite a presence here on the streets of Park Slope. What keeps you coming back?

There is a lack of public art in Park Slope, and there seems to be a hunger for it. Folks here have been so receptive to what I am doing. They seem excited to have something interesting and different to look at.  Park Slope is where I am living these days, and so it’s easy for me to get around either by foot or by bike.

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With the exceptions of the walls you are commissioned to paint, your canvas is almost always some type of discarded object. Why is that?

Since folks take many of my works home with them, I feel that I am saving trash from ending up in landfills. Also – what I am doing is not illegal. I cannot take the legal risks of doing unsanctioned artworks that could land me with a fine, time in jail or both.

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You almost always seem to be drawing faces. Can you tell us something about them?

They are variations of myself – subconscious portraits. Growing up in a cloistered ultra-Orthodox world, I was limited to just one hairstyle. The changes in the hairstyles represent the changes in myself.

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I’ve noticed folks stop and often photograph you while you are drawing.  Do any particular interactions with passersby stand out?

Yes! Recently a woman ran after me as I was rushing out of my house — in my pajamas — to the local health food store to buy some ginger. I was sick at the time. She asked me if she could bring her father – a huge fan since he had seen my work on a mattress — to meet me. He showed up almost instantly for his daughter to snap a photo of the two of us  — with me decked in my pajamas!

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In addition to your work on found objects, you’ve also painted on a range of sanctioned surfaces this past year. Any particular challenges? Any favorites?

Painting on a shuttered gate was definitely a challenge as I generally paint on flat surfaces. Among my favorites is the artwork that I painted at D’Vine Taste.

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Yes! I love the stark simplicity of the white on black. It’s beautiful! And what about the piano? How did that become your canvas?

A local pre-school threw it out last spring with a sign “Free piano.” Six months later it was still there. I asked then for permission to paint it. And I love that it is still there! I feel as though I gave it a new life.

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You did! What’s ahead? 

I am now preparing for a solo show to open at FiveMyles Gallery at 558 St Johns Place on March 9 from 6-9pm. And later in the spring, I will be exhibiting my work at Google’s New York site in Chelsea. An outdoor mural in Gowanus is also on the horizon.

I’m looking forward to it all! Good luck!

Photo credits: 1-5 & 7 Lois Stavsky; 6 Tara Murray; interview conducted and edited by Lois Stavsky

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Back in NYC, in the place he calls “home,” Bisco Smith — the first artist in residency at Okay Space — has been busy!  At work during one of the most tumultuous weeks in the history of our country, the artist proposed that creating his newest body of work, MANIFEST, helped “center” him, as he strives to find “the goodness amidst the chaos.”  This past Friday, MANIFEST was unveiled at Okay Space at 281 North 7th Street.  Here are several images captured shortly before it officially opened to the public:

Bisco Smith adding info to Methods, serigraph on paper, edition of 111

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 Manifest Moments #9, acrylic & spray paint on canvas

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Manifest Moments, the series — each, 18 x 18 — acrylic & spray paint on canvas

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Gratitude for all things past, service for all things present, responsibility for all things future

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 And as seen at night from the outside, shortly before it opened

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Okay Space is open Monday through Friday, 11-6, and on Saturday 12-5.  For further info, you can contact the space at 929-250-2388.

Photos by Lois Stavsky

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Several stunning new murals recently surfaced on Morgan Avenue and Stagg Street in Bushwick. While visiting Livestream last week, I spoke to visual artist and curator Bianca Romero about Skillosophy, the movement behind these artworks.

Just what is Skillosophy? And when was it launched?

It’s an exhibition/showcase series that takes place four times a year with a focus on multi-disciplinary artists. It was launched last year by the co-founders of Lyricist Lounge & Defiant Ent and Livestream. For this past quarter, Danny Castro — Lyricist Lounge co-founder — and I decided to feature outdoor murals for the fall exhibition during Bushwick Open Studios, in addition to the art that is on exhibit inside the Livestream headquarters.

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What spurred you to add this outdoor element to Skillosophy?

Typically, Skillosophy is indoors, inside the Livestream studio space. But we wanted to take it outside for Bushwick Open Studios. It seemed like a great way to give exposure to the talented muralists and street artists, and it was a great addition to our Block Party to have it done live. We loved the communal and public aspect of it.

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You’ve done a wonderful job of curating it all. The art both inside and outside is wonderfully eclectic and is beautifully presented. Have you a background in art? 

Both my parents are artists. My father, in fact, was a pioneer in graphic design and has taught design at the School of Visual Arts and at the Parsons School of Design. My mother was a fashion designer, and I, myself, am an artist.

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And can you tell us a bit about Livestream? When was it first founded and what is its mission?

It was founded in 2007 with the mission to make any every event available live online through video.

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And how has Livestream responded to Skillosophy?

The love it. They’ve thoroughly embraced it. They love the idea of bringing the extraordinary talents of Bushwick into our offices. A walk through our offices — that are covered with work by local artists — is like a walk through the neighborhood!

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Who is Skillosophy‘s audience?

All art lovers! Anyone who loves any aspect of art — music, dance, film or visual art.  The venue has hosted hip-hop shows, film industry mixers and skillshares in addition to art exhibits. We’ve had a very diverse audience…from working class folks to art collectors to party people!

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How can folks best keep up with your events? And how can they arrange a visit to Livestream‘s headquarters for private viewings of the indoor art?

They can follow Skillosophy on Instagram, and they can contact us at skillosophyshow@gmail.com to schedule a private viewing and inquire about pricing and events. And any artist or performer interested in participating in a future Skillosophy exhibition and showcase can contact as at this email, as well.

 Images

1 & 2 Fin DAC at work

3 Rubin at work

4 Danielle Mastrion and Lexi Bella

5 Jerms

6 Misha T 

7 N Carlos J

Photo credits 1-5 & 7 Karin du Maire and 6 Tara Murray; interview with Bianca Romero conducted by Lois Stavsky

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Celebrated for his captivating characters that have surfaced throughout the globe, Buff Monster forever delights us with his playful imagination and creative energy. In addition to painting murals across the world, the wildly talented and prolific artist has fashioned a wide array of artworks from prints and stickers to vinyl toys. He has also collaborated with numerous brands. Curious about this collaborative process, I recently caught up with him where he had just finished painting a mural in partnership with Miller Lite at Dobbins Street and Norman Avenue  — where Williamsburg meets Greenpoint.

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You were born in Hawaii and lived on the West Coast for several years. What brought you to NYC?

I’ve been to all 50 states, but I’ve only lived in states with good weather. I lived in LA for 15 years, and I grew tired of the same climate all the time. I needed a change. I wanted to be somewhere where there are seasons. I was looking for something different — personally and professionally.

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And has NY met your expectations?

Absolutely! I love it! NYC has brought me new opportunities and projects. And snow is amazing! But you wouldn’t catch me painting outdoors in the winter!

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You’ve created dozens of murals on the streets and an incredible range of your own products. You’ve worked, as well, with many brands. Among them are: Disney, Converse, Hello Kitty, Samsung, Nike, Coca-Cola and here with Miller Lite. What are some of the challenges that working with brands imposes?

The challenge is to make it work for everyone — for me, for the company I’ve teamed up with and for its intended viewers. Any collaboration I take on has to be consistent with my brand, and it has to make sense!  A successful collaboration forces me to think. And I like to think! I like challenges!

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What about this particular project — this collaboration with Miller Lite?  What’s happening here?

This blank canvas was donated to me by Miller Lite as the first installation of  its Our Can, Your Canvas project, a program aimed at celebrating the character and soul of iconic neighborhoods. My challenge was to capture the distinct spirit of Brooklyn — its energy and integrity. And so I came up with symbols that represent Brooklyn as I see it.

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You studied Business Administration and Fine Art at The University of Southern California.  How has your education in business administration impacted your art career?

It made my art career. If you don’t make money from what you do, it is just a hobby.

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We love your characters. Your Melty Misfits are so much fun. What are some of your influences?                  

Among them are: Heavy Metal, Pop Art, ice cream, Japanese culture and graffiti.

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How has your artwork evolved through the years?

It has become more expressive.

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What’s ahead?

I’m headed now to the Life Is Beautiful Music Festival in Las Vegas, Nevada where my Self Portrait will be on display at the Crime on Canvas group exhibit. ( Buff Monster has since returned and is now at work in Jersey City with Mana Urban Arts Projects.)

Note: Buff Monster’s mural for Our Can, Your Canvas remains up through October 30.

Photo credits: 1, 2, 4 & 8 Tara Murray; 5 Courtesy of Our Can, Your Canvas 3, 6 & 7 and interview Lois Stavsky; 

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lamkat

This past summer, a distinctly elegant mural surfaced on the streets of Williamsburg by Brooklyn-based artist LAMKAT. Last week, I had the opportunity to meet up with the talented artist and find out a bit about her.

When did you first share your vision in a public space?

The very first time I painted outdoors was this past June in Krakow, Poland.  It was in collaboration with Marcin Kowalik and sponsored by Galeria Dystans.  I loved the experience, and was instantly inspired to continue painting outdoors.

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 Were you always conscious of street art? Have you any favorite street artists?

Yes! I was always aware of it and I’ve always loved it! Among my favorite street artists are Bogota-based Gauche — whom I met in Berlin — and Li-Hill.

Can you tell us something about your particular aesthetic? What inspires it?

My father’s black and white photography has been a huge inspiration. He’s the one that taught me the importance of perspective and depth, both visually and as a way of observing life.  And I’m inspired by math.

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Are there any particular cultures that have influenced it?

My Chinese heritage plays a role, and growing up in Texas, I was influenced by Mexican culture.

Do you prefer working alone or collaborating with others?

Both! I like working alone, and I love collaborating. This summer I collaborated with One Thousand Birds, a commercial sound studio. We created interactive sound murals that were featured at Likeminds Camp, a creative and tech conference set in the middle of the woods in Beacon, NY.

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Have you a formal art education?

I started with Fine Arts, but I then studied Advertising and Art Direction at The University of Texas at Austin. And I earned a degree in Communication Design from The University of North Texas.

Do you feel that your formal education benefited you?

It did when I worked in advertising. It taught me about the relationship between art and business…how to turn art into a business.

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Now that you are now longer focused primarily on advertising, what is the main source of your income? 

My art still is — through commissions — in such venues as restaurants — and also through my work as an illustrator.

Your illustrations — as evident in the gate you recently painted for the 100 Gates Project — certainly exude a different feeling than your huge abstract murals!

Yes! I’ve always loved drawing birds, robots and goofy characters!

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 Do you work with a sketch in hand or do you just let it flow?

I do have an initial sketch.

How do you generally feel when your piece is finished?

I feel happy and sad at the same time! I’m happy, of course, that it’s completed, but I love painting so much that I feel sad that it’s over!

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What do you see as the role of the artist in society?

It is to bring a sense of vibrancy to our environment.

What’s ahead?

The interactive sound mural from Beacon will be at the Art Mart, 395 Johnson Avenue, at Bushwick Open Studios (ed.note: beginning today through Sunday); I will also be selling my smaller-scale works there. On October 20th, I will be participating in a skate deck show at Fillin Global, 160 Bowery. I’m also scheduled to paint next month up in the Bronx at the BMX Park. And in late October, I’m heading to Austin.

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It sounds great! Good luck with it all!

Photo credits: 1 Tara Murray; 2-8 courtesy of the artist; interview conducted and edited by Lois Stavsky

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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This is the tenth in a series of occasional posts featuring images of children that have surfaced on NYC public spaces.

BK Foxx with JMZ Walls in Bushwick, Brooklyn

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Joe Iurato and Logan Hicks at the Bushwick Collective

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Ernest Zacharevic — based on photo by Martha Cooper — in Bed-Stuy, Brooklyn

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Swoon in Red Hook, Brooklyn

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Long-running Cekis in Clinton Hill, Brooklyn

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Rubin 415 and Joe Iurato with the Welling Court Mural Project in Astoria, Queens

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Photos 1 Courtesy of John Woodward; 2-4 Tara Murray; 5 Dani Reyes Mozeson and 6 Lois Stavsky

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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While visiting the Bushwick Collective on Thursday as it was readying for its 5th Annual Block Party, we had the opportunity to spend some time in its wondrous pop-up museum at 198 Randolph Street. The brainchild of Bushwick Collective founder Joe Ficalora, it showcases an extraordinary array of works by Bushwick Collective artists, along with art by community members, local youth, Parsons School of Design at the New School students and more.  We also had the chance to speak to the Bushwick Collective Museum‘s director, Asja Gleeson.

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This is all so amazing! There are works here by artists who’ve exhibited in museums, along with art by children who live in the neighborhood. Just about every art genre and style is represented here. How did you connect to so many diverse artists?

Joe Ficalora simply gave me a list of the folks he’d already reached out to. In the five years since he’s founded the Bushwick Collective, he’s made so many wonderful connections.

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How did you connect to Joe? 

Dan Witz introduced me to Joe two years ago, and I worked with Joe and Dan on the exhibit for the Collective’s 3rd Annual Block Party.  The experience was so fantastic that I was thrilled to have an opportunity to be involved once again with the Bushwick Collective.

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As director, what are some of your responsibilities in managing an exhibit of this scope?

I had to contact all the artists and make sure that their work arrived in a timely fashion. I assisted Stan Sudol  the director of the Mana Urban Arts Project, in installing the works. And, basically, I was in charge of organizing the exhibit and assuring that it runs smoothly.

What — would you say — was your greatest challenge?

Getting it all together in the span of a week.

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That’s quite an accomplishment! Have you an academic or professional background in art? 

Both my parents are artists, and I studied Art History and related fields at Bard College at Simon’s Rock. I’ve also worked in several Chelsea galleries.

How does working here differ from working in Chelsea?

It’s more of a labor of love here! The pace is faster, and there’s far more community involvement here in Bushwick than in Chelsea.

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What is your impression of the art on exhibit here? Have you any favorites?

I’m so impressed by the quality of it all. There are so many wonderful pieces. Among my favorites is the one by Enx. It speaks to me!

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How can folks see this exhibit? It’s an amazing opportunity to not only view such an eclectic selection of quality artworks, but to purchase art at remarkably reasonable prices — with all proceeds going directly to the artists.

It remains open to the public from 10am-5pm through the weekend. 

Images

1.  Giz and Ghost, RIS

2. Dan Witz, with director Asja Gleeson

3. Tim Okamura

4. Enx

5. Anna Orcutt-Jahns

6. Nicer, Tats Cru

7.  See One

Photo credits:  1, 2, 4 – 7 Tara Murray, City-as-School intern Sol Raxlen; interview conducted and edited by Lois Stavsky

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Splendidly curated by Ellis Gallagher, Collaborations features selected works by Crash fashioned collaboratively with both local and global artists. The mural pictured above was painted by Crash in collaboration with Stash. What follows is a sampling of works — representing the diverse range of collaborative styles and sensibilities — inside the gallery at 17 Frost Street in Williamsburg:

Crash with Nick Walker and Bio, Tats Cru

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Crash with KAWS

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 Crash with Remi Rough

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Crash with Bio

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Crash with BR163

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 Crash with James Choules aka She One

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Collaborations remains on exhibit through June 26 at 17 Frost by appointment only.

Photo credits: 1 & 7 Lois Stavsky; 2, 4, 5 & 6 City-as-School intern Sol Raxlen and 3 Tara Murray

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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We love how the walls at Brooklyn Reclaimed — under the curatorial direction of Meres One — have become rotating outdoor canvases.  Pictured above is Panic Rodriguez at work. Here are a few more recent murals —  some captured while in progress, and others when completed.

Amuze

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ZA One at work

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Kais

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Wore at work

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Kenji Takabayashi aka Python

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Pase, BT

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Meres

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Photo credits: 1, 3 & 5 Tara Murray; 2, 4, 6-8 Lois Stavsky

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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