Currently on view at Martos Gallery in Manhattan’s Chinatown is Surface to Air, an exhibition featuring more than 30 works in diverse media on varied surfaces by the legendary Keith Haring. Spanning 1980 to 1989, several of these artworks have never  been shown publicly before. The untitled image pictured above was fashioned by the artist in 1984 with Sumi ink on paper: Additional images from Surface to Air — captured on our recent visit to Martos Gallery — follow:

Painted leather jacket

“Untitled,” 1983, Brush in orange-red and black ink on firm wove paper

“Untitled,” 1985, Steel and enamel

“Untitled,” 1982, Vinyl ink on vinyl sheet

“Untitled,” 1981, Marker on plastic

In collaboration with Eric Orr, “Untitled Subway Drawing,” 1980’s Chalk on paper — fezturing Orr’s iconic Rappin’ Max Robot

“Andy Mouse,” 1985, Acrylic on canvas

Located at 41 Elizabeth Street in Manhattan’s Chinatown, Martos Gallery is open Tuesday – Saturday, 10am – 6pm

Photo credits: Lois Stavsky

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The legendary artist Chris “DAZE” Ellis is currently at work on newly commissioned artworks at 550 Madison Avenue on the corner of 55th Street. The following interview with him was conducted by Street Art NYC contributor Ana Candelaria.

How did this wonderful opportunity come your way? And why this location?

This project came about through my ongoing relationship with the Museum of the City of New York. I was informed that there might be an opportunity to activate this huge space in Midtown Manhattan. And so, I didn’t choose the location; the location chose me.

What was your vision for this project? And how did it evolve?

We began with an offsite meeting, where we saw firsthand what the space would look like. We tossed
around ideas, and I thought that whatever composition I come up with should be bright
and colorful — not dark and somber. It should, somehow, really lighten up the space. I started
thinking about color first and then composition.

Then I started thinking about this building which is really iconic. The chief architect is Philip Johnson, and I thought,”Okay, my work is very New York-based. I work in New York everyday, and I draw inspiration from my daily commute.”

I wanted to come up with something that is easily recognizable as very New York, but — at the same time — something related to the natural world, as the site’s atrium is so beautiful.

Were there any particular challenges that you faced in seeing your vision through?

Not really. Once I came up with an idea for this particular space, there weren’t any challenges.

Your artwork at this site is still in progress. How has the response been so far?

The response so far has been 100 percent positive. And, most importantly, we’ve gotten great respect
from people who are just walking by in the street. Those people come from all walks of life. There are lots of tourists in this area, as well as people who pass by on their way to work. This area has a great mix of people.

Interview conducted by Ana Candelaria

Photo credits: 1 Brad Farwell, 2-4 Ana Candelaria

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Under the curatorial direction of Jonathan NevilleFirst Street Green Art Park continues to be home to a wondrously diverse array of local, national and international artists. The delightfully intriguing image pictured above was painted by the Amsterdam-based artist Ottograph. What follows is a  close-up from Ottograph‘s mural and several more photos of artworks currently on view at First Street Green Art Park.

Detail from Ottograph mural

Queens-based Turtle Caps and UK native Klonism

Colombian artist Yurica Uno and Queens-based Chris Cortes

Brooklyn-based Lexi Bella does Volodymyr Zelensky

Bronx-based El Souls and NYC/VA artist Humble Makes Art

NYC-based Colombian artist Osk

Bay Area-based artist Steel MSK

Photo credits: 1, 3-5, 7 & 8 Lois Stavsky; 2 & 6 Tara Murray

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On my recent visit to Newark, arts educator and photographer Rachel Fawn Alban introduced me to The Golden Life, a joyous, brilliantly crafted mural project adjacent to the city’s Broad Street Station. Eager to find out more about this transformative venture, I  posed a few questions to Rachel, who created this richly radiant mural project in collaboration with Newark-based artist Armisey Smith.

This mural project is such a rich addition to Newark’s visual landscape. Whose concept was it?

The Golden Life is a collaboration between Armisey Smith and me. Armisey is a talented artist and close friend who believed in me long before I believed in myself. She encouraged me to partner with her, and together we set out to create something special and meaningful for Newark.

We chose to honor real community members—not famous or historical figures—which made the project deeply personal. The mural features large-scale portraits of 14 women and girls who live or work near the intersection, celebrating the diversity and creativity of Newark women and girls. The portraits are connected by vibrant lines and color, symbolizing community, connection, and sisterhood.

Can you tell us something about its process?

Creating this mural was both challenging and rewarding. In April 2023, Armisey and I hosted a free art workshop at the Newark Public Library for women and girls of all ages. We presented the project, took portraits, and led participants through creative exercises including a selfie station, collage-making, and haiku writing—all centered around the theme of The Golden Life.

One of my favorite aspects of the project is the audio component. While we couldn’t feature everyone’s portrait on the wall, we were able to present all of their poems—so even more voices were included. The recordings are accessible via the Bloomberg Connects app, along with a beautiful introduction by Newark artist Kween Moore. It’s a way for people to experience The Golden Life beyond the visual—listening while walking around the site adds another layer of engagement and accessibility.

What were some of the particular challenges involved in seeing this project through?

There were quite a few! It took about six months of planning before the workshop, then about a year from the time of the workshop to the ribbon cutting. Scheduling was a challenge since we are all educators and artists juggling multiple projects. And, since the project spanned multiple seasons, weather impacted our fabrication and installation timeline.

This was a complicated project with many stakeholders and technical processes. In fact, just before we were set to begin, two of our original walls became unavailable. This required a complete redesign and budget revision, which pushed us back several months. Thankfully, our amazing project manager, Rebecca Jampol, and our partners helped us stay on track. In the end, it all came together beautifully.

How has the community responded to it?

The response has been overwhelmingly positive. People have shared how they love seeing it every day and how meaningful it is to see their stories reflected in public art. In a diverse, majority-Black city like Newark, it’s especially powerful to create space for women and girls of color—who are often underrepresented in public art and media — to be honored and celebrated. The project also beautified a neglected and dilapidated intersection at Broad Street Station—used by hundreds of residents and commuters every day—transforming it into a welcoming and inspiring space. It’s a powerful reminder of how art can profoundly alter one’s environment and strengthen community.

What’s ahead for you?

I’m excited to continue creating art that celebrates diversity and brings people together. As a Jewish woman in Newark, I’ve been reflecting on the Black-Jewish alliance in America—a historic and ongoing partnership rooted in shared struggles and a commitment to justice. I’m eager to work on future projects that explore and honor these intersections, amplifying stories that haven’t always been told.

I’m also thrilled to keep collaborating with Armisey. Working together on this mural was incredibly rewarding, and we’re already brainstorming future projects. I’m confident that whatever we do next will be just as meaningful.

And before we wrap up, I want to thank the key supporters who made this project possible: Project for Empty Space for organizing and managing the initiative; the City of Newark’s Department of Arts and Culture; and Bloomberg Philanthropies for their incredible support. I’m also deeply grateful to our team of local artists who helped facilitate the workshop, fabricate, and install the mural—and of course, to all the participants who brought their creativity, stories, and spirit to the work. Golden Life for Life!

Interview and photos 1-5 by Lois Stavsky

Featuring Newark community members:

  1. Reine Campbell and Quincy Campbell
  2. Antoinette Ellis Williams, Rachel Fawn Alban & Tamia Thomas
  3. Denise Toney
  4. Klymora Smith
  5. Adele Rae Hayes Harris

Photo 6  © Charles David, featuring Armisey Smith, Rachel Fawn Alban and members of the Newark community

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Continuing our documentation of ILLicit Creatives claiming space on the streets of NYC, this post focuses on the unsanctioned markings that have surfaced on open spaces in Brooklyn. Featured above is Qzar, Son, Flash, Dink and more. Several additional images captured these past few weeks in a range of Brooklyn neighborhoods follow:

Ecal, Abys, Zerz, and Flash

EXR and Werds aka Optimo NYC

Homesick

Keans and Notice

Bella

Angr

Post and photos by the Pushing It Forward Collective

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The striking image featured above was fashioned by the noted duo Faile — multimedia artists Patrick McNeil and Patrick Miller. It has been part of Long Island City’s visual landscape since fall, 2022. Several more images of girls currently gracing NYC walls follow:

Bronx-born and bred Andre Trenier does the esteemed late African American writer Zora Neale Hurston 

The legendary Lady Pink with community artists in Astoria, Queens, close-up from huge mural

California-based Mexican artist Cova at the Bushwick Collective

The wonderfully talented BK Foxx, in Bushwick

Pittsburgh-based Ashley Hodder does artist Wavy Wednesday at the Bushwick Collective

Multidisciplinary Spanish artist Tirso Paz aka Bublegum at the Bushwick Collective

Photos: Lois Stavsky

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Located at 701 Washington Avenue and Clark Place in Prospect Heights, Brooklyn, Washington Walls continues to host a wondrously diverse array of murals. We recently visited its current iteration, strikingly curated by community resident and leader Jeff Beler. The ingeniously fashioned mural/installation featured above is the work of Brooklyn-based Humble, who had earlier been immersed in the Richmond, Virgina art scene. What follows are several more images of murals that we captured last week:

Brooklyn-based multidisciplinary artist Vince Ballentine

The passionate painter Natural Eyes and multidisciplinary artist Lisart

Brooklyn-based, Rio de Janeiro-born Barbtropolis

Painter and photographer Luci

Dumbo-based Craig Anthony Miller and veteran writer BC NBA

Classic graffiti artist Rebs

Photo credits: 1 & 7 Tara Murray; 2-6 Lois Stavsky

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A new Tats Cru mural at their usual spot on East 2nd Street off Avenue A is always a cause for celebration. And when the legendary British artist Nick Walker joins the talented native Bronx artists, it’s even more festive! The image pictured above features Bio‘s signature heart. Additional images from the newly painted mural follow:

Nicer

Bio and Nicer with neighborhood passersby

Tats Cru collaboration

And UK native Nick Walker

Photo credits: 1 – 3 Lois Stavsky; 4 & 5 Tara Murray

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Currently on view at Kreate Hub is an exuberant exhibition featuring a diverse range of distinctly stylish work by the hugely talented Puerto Rico-born, Bronx-based artist Sen2 Figueroa. With its swooping visual rhythms, striking lines and infectious energy, Sen2’s ever-evolving aesthetic seduces the viewer’s eyes — as it blurs the boundaries between, graffiti, pop art and fine art.

The image featured above was fashioned with mixed media on canvas. Several more images on view in “El Bronx” follow:

From the “X-ray Series,” Mixed media on canvas

From the “Mecanico Series,” Mixed media on canvas

From the “Mecanico Series,” Mixed media on canvas

“Fragile,” Mixed media on canvas

From the “Graffiti Pop Art Series,” mixed media on wood panel

From the “X-ray Series,” Mixed Media on canvas

Located at 15 Canal Place in the Mott Haven neighborhood of the South Bronx, Kreate Hub is open by appointment, Monday – Friday: 8:30 AM – 4:30 PM. Phone: 718.500.4151. “El Bronx,” Sen2 Figueroa‘s first solo exhibition in the Bronx, remains on view through April 12.

Photos: Tara Murray

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As we continue our monthly posts of illicit graffiti, we are back to the streets of Queens. Pictured above are: Wevs429, Dase, Oldeath, Angr and South LNE. What follows are several more images of unsanctioned graffiti captured in Queens public spaces:

Tocer and Anso LNE

Kitty and Degrupo

 Exr and Werds aka OptimoNYC 

Kempe and Cros

Mer

Gour

Loom

Post and photos by the Pushing It Forward Collective

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