Exhibits

Organized by Ayana Ayo and coordinated by Kathleena Howie aka Lady K-Fever, Uptown Counts: Art as Activism is an exhibition of artworks by over 20 artists who lent their works to a range of uptown spaces to draw attention to the importance of the 2020 Census, particularly in East Harlem.

The number of East Harlem residents who respond to the 2020 Census will determine how much of the $675 billion in federal dollars the community will receive over the next 10 years — funding essential to schools, housing, healthcare, infrastructure and food assistance.  Yet, only 40 percent of East Harlem residents are predicted to respond to the 2020 Census.

Among the artists featured in the exhibit are several who also use the streets as their canvas.  The image above, “Mother and Child,” painted by East Harlem-resident Marthalicia Matarrita, has found a temporary home at the legendary Sylvia’s Restaurant. A small sampling of  images —  featured in Uptown Counts: Art as Activism —  by artists whose works also surface in public spaces follows:

 Danielle Mastrion, Offering — at Harlem Yoga Studio 

 Lady K-Fever, Justice at Last — at Sisters Caribbean Cuisine 

Royal KingBee, BEE Cautious

MED, Resist

Al Diaz, Flowers Will No Longer Grow…

Because of the pandemic, the spaces hosting the artwork are largely inaccessible for the next several weeks. But you can check out the entire exhibit — sponsored by the nonprofit organization Uptown Grand Central — online here.

And — now — be sure to take the 2020 Census!  It is a political and social justice issue. You can do it online, by phone (844-330-2020) or by mail.

Images and info for this post courtesy exhibition coordinator, Kathleena Howie aka Lady K-Fever

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The following post is by Street Art NYC contributor Ana Candelaria

An artist, curator, dancer and filmmaker, NYC native Savior Elmundo has long been a huge force in the urban art scene. Recently, I had the opportunity to find out a bit more about him.

When and where did you start tagging?

I was fifteen years old when I started. I grew up on the Upper West Side. My tag was REIN. It stands for Ruler – Equality – I – Now. My partner and I tagged and bombed everywhere — Harlem, the Heights, Queens and Brooklyn.

Were you down with any crews?

Yes. My mother moved us to Woodside, Queens. She thought a change of environment would be good for me. But it actually made things worse. I joined a graffiti crew in Queens, and I’d sneak down the fire escape at three o’clock in the morning just to go bombing. Everyone at that time was pretty much down with a click or a group, and there were lots of them.

And then what happened? Did you stay in Queens?

No. I couldn’t take Queens for long. I traveled to Manhattan and hit the club scene. Downtown — Soho and the Village — became my new home as I began working as a professional dancer. Hip Hop was — and still is — a big part of my life. I wouldn’t have become a street artist or filmmaker if it wasn’t for dancing.

What led you into filmmaking?

I wanted to tap into something else. I didn’t want to be a dancer for the rest of my life. A friend convinced me to do a short film based on a story I had shared with him. Reflection was my first short film. It was accepted into several festivals including the NY Film Festival. I directed and produced five short films in total. Life was going great until one day, in the midst of preparing for my first feature film documentary, I received word that a family member had passed away. I picked up the brush and began to paint as a form of therapy. That’s when art took over my life.

When did you first come up with your particular logo “MAKE ART?”

Ten years ago — when I first stepped into the art scene. I wanted to get a message out there that would make people think. “MAKE ART” incorporates art, film, and dance. It also serves as a reminder for people to make art. It’s simple, and I write it in a distinct way so people know that it’s me. I sign all of my pieces with my name Savior Elmundo, “MAKE ART,”  and the year.

Did any particular artists influenced you?

Icons such as Andy Warhol, Dali, Picasso, Frida and Matisse. Studying their work has helped me come up with my own style and ideas. For example, in one of my designs Dali and Picasso face each other wearing boxing gloves with my tag “MAKE ART” in the middle. Another one of my creations was inspired by an image of the boxer Muhammed Ali holding a draft notice from the army. I inserted a graphic design image of my tag “MAKE ART” on the document.

I consider myself a mixed-media artist. I like working with different things and I love texture. I do a lot of message work, but, lately, I find myself gravitating more towards my 3D art work. I’m also working on a couple of other styles that I will be releasing some time in the near future.

Are you generally satisfied with your work when you’re finished? 

I’ve destroyed so many pieces, but I’ve learned not to do that anymore. One day, I painted a canvas and uploaded a picture of it onto my website. Two days later, a client contacted me to buy it, but I didn’t have it anymore. I had gone over it and created a different painting. That’s when I learned that my work is not for me; it’s for them.

Your work has been showcased in dozens of exhibitions in a range of spaces. Do any particular ones stand out?

The 21st Precinct, curated by Robert Aloia, was one memorable show! Each artist was given one room in the 21st Precinct building on East 22nd Street to showcase their work. The building,  had three floors with about sixty rooms. I used an image from Rene Magritte’s, Son of Man, one of my favorite paintings, and turned it into one of my own images. I designed a man with a Goya can — instead of an apple — on his face standing in front of a stack of Goya cans. I covered the entire wall with a black and white wheatpaste of this design. As a Latino, Goya is a big part of my culture.

Another particularly memorable exhibit was at the World Trace Center. For that I  did an installation using a door that I had found on the curb side as a tribute for 9/11  The door read “Always In Our Hearts 9/11” in 3D letters.

And my first solo show was in 2019. All of my work was displayed in 3D. The show was a reflection of the past thirty years of my life. The words displayed were key elements of my past. Since 2010, I’ve been in a total of 70 group shows.  So many that are memorable!

How did you come up with the concept for Collage NYC, the hugely popular weekly live art event at The Delancey?  

As soon as I started to make some money from selling art. I wanted to do something to give back.  I wanted to build a home where artists could come together to create freely and inspire each other. I imagined a place where people could have a good time after a long, stressful day. I also wanted to bring back the paint parties that Basquait and Keith Haring used to participate in back in the 80s. The vibes are super chill! You can watch the artists paint; you can dance, or you can just lounge at the bar and have a drink. This year marked our 10th anniversary.

Have you words of wisdom that you’d like to share with up-and-coming artists?

Pay your dues and know the rules. Learn the process and put in the work. Don’t be late! Get your name out there. Learn how to talk about your art and how to sell yourself. Get out to every gallery in Soho and Chelsea on a Thursday night and just introduce yourself!  You have to hustle to get what you want. Also, it’s very important to understand the history of art and respect it. Don’t be afraid to take things to the next level. That’s how I got my start as a curator.

What’s ahead?

A two-man show with my brother A.J. LaVilla. I’m really excited about it. I’m also working on a project with a corporate company that people will hear about. There are more solo shows in the pipeline and other creative ideas are brewing.

Good luck!

Interview conducted by Ana Candelaria and edited for conciseness by Lois Stavsky

Photo credits: 1 Ana Candelaria; 2 & 3 Courtesy of the artist; 4 Dani Reyes Mozeson; 5 Tara Murray & 6 Lois Stavsky

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I first encountered JoDo’s now-iconic bee on a wall in Bushwick several years ago. And this past week, I had the opportunity to visit it in all its glory in JoDo’s first retrospective exhibition on view at The Yard on 85 Delancey Street. We, also, had a chance to speak:

When and where did your now-iconic bee first surface in the public sphere? 

In November, 2015 here in NYC.

What inspired you to hit the streets with it?

Once I moved to NYC, I started noticing all that was happening on the streets here. And so I decided to take my bee – that first appeared indoors in a group exhibition – outside.

Can you tell us something about your bee? What does it represent? 

It is a divine creature that represents the communication between the Gods and us humans. Each bee is distinct.

And what about its name — JoDo?

It’s a reference to my parents. Jo from my father’s name; and Do from my mom’s.

I’ve seen your bee on a wide range of surfaces. Have you any preferred ones?

I love stone and brick, but any kind of surface is fine.

Do you prefer to paint on the streets “with permission?” Or would you rather do it illegally?

I like both. Generally what I do is unsanctioned, but there are advantages to painting legally. For example, when I paint with Paint for Pink in Newark, I am given not only a wall, but paint and all the time I need!

What is your first graffiti memory?

The writing I noticed while growing up in Mexico City. I didn’t get involved with it because I assumed it was associated with gangs. But I loved trying to decipher its letters. 

What about cultural influences? What are your principal ones?

Definitely NYC graffiti, and I’ve been influenced by the time I spent working within Mayan communities in the jungles of Mexico.

What is your most memorable graffiti experience?

My time in St. Petersburg, Russia. I met up there with the graffiti writer AKA6. It was the first time I bombed with spray paint, rather than with mops.

And the riskiest thing you’ve done?

Also in Russia. Painting by myself inside the ruins of buildings. I didn’t know what could happen to me.

Are you generally satisfied with your finished piece?

Yes, I kiss and hug all of my pieces after I finish them and whenever I pass them by

Have you exhibited your work?

Yes. Among the spaces I’ve shown in are: the Living Gallery, 17 Frost and here at the Yard.

How does your family feel about what you are doing?

My family is very supportive. They both hugely appreciate art.

What percentage of your time is devoted to art?

When I’m not working at marketing or art curation, I’m doing art. And when I’m not doing it, I’m thinking about it.

What are some of your other interests?

Discovering other people’s talents. 

Have you any feelings — positive or negative — regarding the engagement of graffiti artists with the corporate world?

I love the idea of infiltrating the corporate world. That’s how we artists can have more influence and reach people who otherwise might not see our work. It’s like playing with the system to get our message out.

Who are some of your favorite artists?

They include: the late British painter JM William Turner; the late Japanese conceptual artist On Kawara; the late Italian-Argentine artist Lucio Fontana Rubens; the Italian conceptual artist Maurizio Cattelan; the late Spanish sculptor Eduardo Chillida, and the late American sculptor Robert Smitson.

Do you prefer painting alone or with others?  

I’m very independent, but I also like painting with others. Among those I’ve gotten up with are: Easy, Sev TDT, the ACK Crew, Blitz, Rambo, Pork, Glazer, Token, ZB-Bunny, Myster, TCOB, Slae, AKA6, Lansky, Sohr, Freaky, Uncle Robert, Hank, Trice, Regalos Margot, ET, Avocado, CaseEx-Vandals, Delay, DB, Umii, Pariah, Dwel, Hiss, El Sol, Chupa and the O’s, Image, Jel, Nic 707, the TDT Crew, KRR, Masters of Massacre, Extremely Humble  and Optimo.

Have you any thoughts on the graffiti/street art divide? 

Graffiti and street art are both art, but they’re totally different categories of expression. Most street artists just bring their fine art sensibilities outdoors. Most writers are driven to make their mark and be part of graffiti history.

Have you a formal art education?

No. I studied art curation. My father taught me how to draw. He took me to museums just about every week. And then when I lived in Europe, I visited museums all the time.

How has your iconic bee evolved through the years?

It used to be very stiff. Now it flows. It’s definitely improved!

Where else besides NYC and St. Petersburg has it surfaced?

It’s made its way to Moscow, Asilah, Malaga, Cadiz, Ek Balam, Mexico City, Playa del Carmen and Miami.

What’s ahead?

I want to create more art – some with the bee and some without it. I want to work on a larger scale, and I want to continue to make my parents proud of me.

How can folks see JoDo Was Here — your current show on the 2nd and 3rd floors of The Yard on the Lower East Side?

Viewing hours are Monday – Friday 10-5 and weekends by appointment. They can direct message me via my Instagram or drop a note to Lee Wells of the International Fine Arts Consortium (IFAC) at Lee@ifac-arts.com. The exhibit  continues through March 22.

Great! And congratulations on this exhibit! 

Interview conducted and edited for clarity and brevity by Lois Stavsky

Photo credits: 1 Ana Candelaria; 2, 5 & 8 Courtesy of the artist, and 3, 4, 6, 7 & 9 Lois Stavsky

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Featuring a superlative documentation of NYC’s golden age of graffitiHenry Chalfant: Art vs. Transit, 1977-1987 remains on view at the Bronx Museum through March 8With his remarkable eye, vision and passion, the award-winning visual anthropologist Henry Chalfant captured a culture that has since evolved into a global phenomenon impacting the entire art establishment. Featured above is Henry Chalfant, as seen at the Bronx Museum several days after the exhibit’s official opening. What follows are several more photos — some captured at the September 25 2019 opening by travel and street photographer Karin du Maire aka Street Art Nomad — and others as seen on subsequent visits.

 Documentation of graffiti on NYC subway trains

Re-creation of Futura graffiti on subway train, 1980

Henry Chalfant — with Bio, Tats Cru to his right — as captured on opening night

Recreation of Henry Chalfant,‘s early studio featuring Tats Cru, Tracy 168 and more

John “Crash” Matos with noted graffiti documentarian and author Jim Prigoff  to his right — as captured on opening night

Martha Cooper — with camera in hand on opening night — turns her lens on Bgirl Rokafella, Jose Parla, Jerry MazeJorge Fabel Pabon and DJ KaySlay 

More photos of trains with quote by Carlos Mare aka Mare 139 to their left: “We may have lost the trains, but we’ve gained the whole world.”

The Bronx Museum is located at 1040 Grand Concourse and is easily accessible by the B, D and 4 trains. Visiting hours for this “must see” exhibit are: Wednesday, Thursday, Saturday and Sunday 11:00 am – 6:00 pm and Friday, 11:00 am – 8:00 pm.

Photo credits: 1, 2, 4, 6 & 7 Karin du Maire aka Street Art Nomad;  3, 5 & 8 Lois Stavsky

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On view from February 7 through February 29 at the The Catholic Institute of Toulouse is Next Wave, an exhibition featuring new works by the NYC-based graffiti legend Chris Ellis aka Daze. What follows are several images of artworks from the upcoming show produced in collaboration with the art agency City Of Talents, founded by Geraud Jean Claude:

Taxi Ride, 2019, Aerosol, acrylic, oil on canvas

Undersea Dream, 2018, Acrylic on canvas

Brooklyn Sunset, 2019, Aerosol, acrylic, oil on canvas

Don’t go that way, go this way, 2019, Acrylic and aerosol on canvas

The exhibition opens on February 6 at 6:30 pm with the artist in presence and remains on view Wednesdays to Fridays from 3:30 to 8:30 PM and Saturdays from 3 to 8 PM at 31 Rue de la Fonderie in Toulouse through February 29.  To request  a digital copy of the exhibition catalog, contact Geraud Jean Claude at cityoftalents@hotmail.com,

Photos courtesy Geraud Jean Claude

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The following guest poet is by Lower East Side-based photographer Ana Candelaria:

Curated by Fernando “Ski” Romero, Here & Now honors the works of Bronx graffiti legends Tats Cru a.k.a The Mural Kings and the legendary John “Crash” Matos “for laying the groundwork for so many other aspiring artists and helping establish Graffiti for the true art form that it is.” Also featured alongside Tats Cru and Crash are the works of Daze, Nick WalkerEric Orr and curator Ski. The exhibition continues through January 12 at Pop International, 195 Bowery at Spring Street.

The image feature above, Dreams Don’t Die, was fashioned by Bio Tats Cru with spray paint, markers and ink on canvas. Several more images follow:

Nicer Tats Cru, The Mattress, Acrylic and spray paint on canvas

BG 183 Tats Cru, The Night That Never Sleeps, Mixed media on canvas

Crash, Silver Color Swatch, Spray paint on canvas

Daze, The Dark Night, Oil, acrylic, spray paint on canvas

Nick Walker, RGB Supreme, Mixed media on canvas

Eric Orr, Painting, Mixed media on canvas

Fernando “Ski “Romero, Break Up, Mixed media on canvas

Gallery hours are: Monday through Saturday 10:00am to 7:00pm; Sunday 11:00am to 6:00pm or by appointment 212.533.4262.

Photos of artworks:  2-4, 7 & 8 Ana Candelaria; 1, 5 & 6 Lois Stavsky

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Featured yesterday morning on NY1, Of Women, By Women, a group exhibition on view through this Sunday, December 22, presents original artwork by 18 contemporary women artists who have also made their presence on our streets. While visiting the exhibit this past Sunday at the Storefront Project on the Lower East Side, we had the opportunity to pose a few questions to its curator, Wendy Horwitz aka Love From NYC.

The word is that this is your first curatorial experience. How did this exhibition come about? 

I never planned on curating an exhibit. This wasn’t my idea. A male friend, in fact, suggested last summer that it would be a good idea to present an all-women street art show. He said, “If anyone could do it, you could do it!” And I decided to do it.

What was the greatest challenge you faced in seeing this through?

Finding a venue. And then when I heard that the owner of the Storefront Project is a woman, Gina Pagano, I approached her.

Yes! This space is ideal. How did you decide which artists to include?

I researched as many female street artists as I could. I was interested in featuring artists with a strong local presence who could work together cohesively.

How have folks responded to the exhibition?

They’ve been really enthusiastic. I’ve received very positive feedback from visitors, as well as the artists themselves. They were very excited to come together and meet one another.

What’s ahead?

I’m not sure. This has been a “passion project.” I don’t know if I will curate another show, but people are encouraging me to do a series of shows featuring women artists.

Congratulations on this! We do look forward to more! And how wonderful to be featured on NY1!

Note: A panel discussion will be held tomorrow, Thursday, December 19, from 7-8pm. Moderated by Vittoria Benzine of UP Magazine, it will feature Butterflymush, Lexi Bella and LOVEMKM. Located at 70 Orchard Street, the Storefront Project is open today through Sunday, 1-7pm and and tomorrow, Thursday, until 8pm.

Photos:

1 LMNOPI

2 Isabelle Ewing with Wendy Horwitz aka Love From NYC to her left

3 Swoon

4 Surface of Beauty

5 Dee Dee 

6 Alice Mizrachi

Also featured in Of Women, By Women are: Butterflymush, Chinon Maria, Jilly Ballistic, La Femme Cheri, Lexi BellaLOVEMKM., Magda Love, My Life in Yellow, Nora Breen, Sara Erenthal, Shiro and Toofly.

Interview conducted by Lois Stavsky and edited by Lois with Ana Candelaria

Photo credits: 1, 2, 3, 5 & 6 Ana Candelaria; 4 Lois Stavsky

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The following guest poet is by Lower East Side-based photographer Ana Candelaria:

Born in Rochester, New York and currently based in Queens, City Kitty makes his presence wherever he happens to be. And each piece that he creates is distinctly intriguing. 

When did you first discover your love for art?

I’ve always loved art, and it’s always been a part of my life. I come from a very artistic family. My grandparents were both painters. They met when they were students at Pratt. My mother was a singer. I, myself, was a musician for many years, and my brother is a musician. It’s just something that has always been encouraged.

Do you have a formal art education?

Yes. My undergraduate degree is in Art Education from Nazareth College in Rochester. I worked as a substitute teacher for a bit, but I did not end up pursuing teaching as a career. I then went back to school and earned an MFA in Painting from the University of Albany, where I taught undergraduate courses in drawing for two years. I have an entirely different career in the Fine Arts. That work looks nothing like my street art.

On the streets we identify you with your City Kitty character. When was your City Kitty character born? And how did you come up with its design?

I moved to NYC in January 2010. And two months later, I met a couple of friends who were working at the Fountain Art Fair. They ran a collective that I ended up joining, and I started meeting more and more street artists. I used to do graffiti as a kid, and I saw that if I were to do street art, I’d have to make up a character.

So I thought, “All right I’ll come up with a character!” I grew up in a house with five cats. And when I lived in Bushwick, there were two gangs of cats on either side of the adjacent factory, and they were always having kittens.

Do you remember your first City Kitty piece?

Yes, the first thing I did was make a silkscreen. The style of work that I do now is similar to what I did back when I was in a band. When I moved down here, I was still making band posters. But since hanging posters here is illegal, I decided that if I’m going to get into trouble, it might as well be for my own work! That’s when I started burning silk screens. I would make all of my work by hand for the posters, but then I would print them out. I would make one cut paper piece, scan it and print multiple copies and put them out. All the other poster artists that I knew and fell in love with were silkscreen artists, so if I’m going to change gears, I’m going to want to start with silkscreen.

Who are some of your favorite artists?

There are poster artists and fine artists. Jeff Soto is kind of a crossover, as are Michael Motorcycle and Tara McPhearson. Jeff is a great painter, but he also does murals. Tara designs toys that she shows at Comic Con and she’s, also, represented by galleries. I like that balance. I do a lot of posters between working on fine art paintings.

I have seen some of your sketches on MTA service announcement posters on the New York City subway platforms.

Yes! I usually grab the posters on my way to work. I’ll draw them on my lunch break, and I’ll put them up on the way back home. And they get around — as I work in different parts of the city from the Lower East Side to Harlem. And when I have to get to New Jersey, I travel through Midtown.

When did you start putting up these MTA service announcement sketches? And why?

About a year and a half ago, I put up 113 of them. Sometimes they’re up for a few days, and other times they stay up for as long as a month. After 10 years of doing street art, I felt like I was making work for the same audience. On the subways I can reach a different audience and, perhaps, make some people smile. And I don’t sign my subway sketches. I like that feeling. And since I’ve begun doing this, I’ve only been yelled at by a couple of transit workers.

Have you ever done a wall?

Yes, I have done several. My first wall was in Ithaca at a bar where I used to play with my old band.

What about collaborations? I’ve seen your collaboration with Turtle Caps. Do any others stand out?

I‘ve collaborated with a lot of people. For years, I did a lot of work together with my street art friend Bludog. I also collaborated with Grey Egg from New Jersey, and I worked with some people from Europe.

What gives you the biggest thrill in this street art scene?

Traveling to new cities and putting my work up in them — especially since it’s such a worldwide thing. It’s a global community. I love seeing what other people are doing and I love contributing to it.

Are you generally satisfied with your work?

I’m satisfied when I finish, and then a few days later, I hate it!

How has it evolved over the years?

I use more colors and my characters have evolved over time.

Running into your pieces always makes me feel happy! And I’m looking forward to seeing more of them…especially on my way to work! What’s ahead?

I’m now working on the wall at Second Avenue and Houston. A solo exhibition of my hand-embellished MTA posters will open this Friday evening from 6-10 pm and continue through Saturday, 12-8 PM, at the Living Gallery Outpost, 246 East 4th Street.

Collaborations:

3. City Kitty with London-based  Neon Savage

5. City Kitty with Queens-based Turtle Caps

6. City Kitty with Toronto-based Urban Ninja

Interview conducted by Ana Candelaria and edited by Lois Stavsky

Photo credits: 1 Lois Stavsky 2-7 Ana Candelaria

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Opening this week in Wynwood, Miami is the Museum of Graffiti, the world’s first museum dedicated solely to graffiti art.  Fostering an understanding of the work of the pioneering graffiti artists, who started tagging in the New York subways in the early 1970s, the museum’s permanent exhibition, under the curatorial direction of Alan Ket, features paintings, photographs, mixed media sculptures, assorted memorabilia and interactive installations “that will allow visitors to travel through time and learn about the evolution of the worldwide graffiti art movement.”

Featured above is veteran all-city writer Charles Henry aka Flip One, captured back in the day by graffiti writer and photographer Flint Gennari.  Several more photos, taken by travel and street photographer Karin du Maire aka Street Art Nomad while previewing the Museum of Graffiti last week, follow:

Museum co-founder and lead curator Alan Ket

Vintage spray paint cans 

NYC-based writers Ghost aka Cousin Frank and Giz

Graffiti pioneers Mare139, Blade, Ero, Sonic Bad and Lady Pink

Masters Mare139Doze Green, Defer and JonOne

Defer , closer up

And the branding of the art form

Also featured at the Museum of Graffiti’s inaugural exhibition is a special exhibit showcasing works by Amsterdam-based calligraffiti master Niels Meulman a.k.a. Shoe. Open daily, except for Tuesday, from 11am to 7pm, the Museum of Graffiti is located in the heart of Wynwood at 299 NW 25th Street, Miami. And in addition to what is housed and takes place indoors, the exterior boasts a range of rotating murals by first-rate graffiti artists.

Photos: Karin du Maire aka Street Art Nomad 

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Last year at about this time, the NYC Department of Sanitation issued a call for volunteers to transform 23-ton collection vehicles into works of art using paints that had been discarded. Over 100 artists submitted design concepts.

The final participants selected for this innovative project were:  Misha Tyutyunik, Victor A. Saint-HilaireDisterJillian White, and Lady K-Fever, along with visual art students from Long Island City-based Energy Tech High School. First displayed this past summer in Times Square, all five trucks were then on view this past Sunday in Union Square Park. Pictured above is one side of a  truck painted by Brooklyn-based Misha Tyutyunik.  Several more images we captured from the “Trucks of Art” parked in Union Square Park follow:

Misha Tyutyunik and Yonkers-based Victor A. Saint-Hilaire, aka Vash, the other side of the truck

Manhattan-based Dister pays tribute to the sanitation workers

Brooklyn-based Jillian White, DSNY civilian employee in Staten Island, with a message, “Rethink, Renew Reuse.”

Long Island City-based Energy Tech High School students

Bronx-based Lady K-Fever, Recycle, so the future can smell the flowers too’

And the other side of Lady K-Fever‘s truck

Note: Lady K-Fever‘s truck will be on display during the the official launch of The Bronx Graffiti Art Gallery’s “I love Graffiti” clothing series this coming Saturday, November 23, from 12 pm to 8 pm at Scrapyard NYC, 300 West Broadway.

Photo credits: 1, 2 & 5 Ana Candelaria; 3, 4, 6 & 7 Lois Stavsky

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