Events

Continuing our documentation of the twelfth edition of Boone Avenue Walls, founded and directed by legendary Bronx graffiti artist WEN COD, we recently  returned to Mott Haven, home to dozens of new exuberant walls. Featured above is a brilliantly executed collaboration by Blame 1 and Chicago-based Ese 353, aka Cool Disco Rich, whose work appears on top.

Veteran Bronx writer Ovie One and Chicago UAC writers on top

NYC-based stylemaster Nemz and Chicago’s Tamper 1 on top

Queens-based Cortes and Queens-native Dr Greedy

The masterful Miami-based Eskae 545

Brooklyn native Bom4 with Brooklyn pioneering multidisciplinary artist E Solo aka Sneakz

The hugely accomplished graffiti writer Rath

Note: Keep posted to the Street Art NYC Instagram for more images from Boone Avenue Walls in Mott Haven.

Photos: Sara C. Mozeson and Lois Stavsky

 

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Earlier this month, Inwood’s annual Old Timers Day once again brought legendary, pioneering NYC writers—along with their guests, friends and fans—to 215th Street, just off the 1 train. Featured above is veteran graffiti writer and b-boy Bom 5 breaking in front of his freshly painted piece, as captured by urban photographer Richard Alicea. Several more images from the multifaceted production follow:

First-generation style master Part One, TDS

NYC-based Japanese graffiti writer and muralist Shiro One shares her iconic character, Mimi, with her mentors

Pioneering writer Snake 1 to the left of Shiro, and first generation subway writer KING 2 (Hodgee) below 

1980s subway graffiti pioneer and abstract calligraphic artist Sharp

    Subway graffiti pioneer Frank Del Toro and graffiti icon Break Uno below the legendary Ebony Dukes  founder Staff 161 

Pioneering subway king Comet, Staten Island-based classic writer Braze One and more

First-generation New York City subway graffiti pioneer Ree, veteran graffiti writers Ira 1 and Cose TDS & Sweden-born Scratch 

Legendary graffiti pioneers Charmin 65, Mike 171, T-Kid, Rocky 184, Keon, Clyde and the late Lava (preserved)

Mike 171, Rocky 184 and  Brooklyn-based documentarian Karen Merz

Photo credits: 1, 3, 5 & 10 © Richard Alicea; 2, 4, 6 & 9 Lois Stavsky and 7 & 8 Sara C. Mozeson

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Continuing our documentation of the twelfth edition of Boone Avenue Walls, founded and directed by legendary Bronx graffiti artist WEN COD, we returned to Foxhurst in the South Bronx. The image featured above—a segment of a huge collaborative production—was painted by the inimitable veteran NYC-based artist KA TVT. What follows are several more images captured while visiting the festival’s Foxhurst location:

Zesto, TVT

Brooklyn-based Minus 2DX

The talented Wase‘s tribute to the legendary Salvador Dali

Famed NYC-based graffiti writer and designer Claw Money PMS

Megs of the Staten Island-based GOMD graffiti crew

Native Brooklynite Ideals TVT

TVT crew member City in Ruins aka CIR

Photos by Lois Stavsky

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Founded and directed by legendary Bronx graffiti artist WEN COD, Boone Avenue Walls — now in its twelfth year — continues to bring beauty and intrigue to the borough that birthed graffiti. Pictured above is Will Power‘s artfully rendered portrait of Grammy Award-winner GrandMixer DXT, a segment of a huge production, painted in collaboration with Jason Martinello.

What follows are several more images captured while visiting the festival’s home base in West Farms.

Ricky Montalvo aka Soze 527

3Modes

Abe, Bronx Team

Jew, Bronx Team

BG 183, Tats Cru

Somar

Up next: Boone Avenue Walls in Foxhurst

Photo Credits: 1 & 2 Sara C Mozeson; 3-5, 7 & 8 Lois Stavsky

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Veteran NYC writers—members of the original MSK (Manhattan Subway Kings)—recently reunited in Inwood for their annual graffiti jam. Working in their distinct styles, they and their invited guests dedicated this year’s production to the memory of graffiti legends Tracy 168, Sane, Omni, Flite, Tech, RaM, Mean, Fraze, Blitz, Near, Louie 167, Five Justice and KAR FK.

The image featured above was painted by the iconic graffiti pioneer Smith. Several more pieces follow:

Veteran NYC subway king KC One in collaboration with his niece, Vicky

  Pioneering NYC subway writer Sakk

MSK Vice President and event co-organizer 2New by Luis Hernandez

    Iconic NYC writer Fernando Bermudez aka Most who had spent over 18 years in prison for a murder he hadn’t committed

Special shoutout from event co-organizer and MSK president Kister to the Hec, Zook and the Fresh Kings Crew. 

Photos: Lois Stavsky

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Located on 10th Avenue between 207th and 215th Streets in Upper Manhattan, The Ghost Yard — the largest train yard in NYC — was once home to many legendary writers. Among the first writers to hit parked trains there in the early 1970’s were MIKE 171 & SJK 171, also known as The Boys from the Heights, along with graffiti pioneer SNAKE 1, co-founder of the legendary Writers Corner 188. And earning the title King of the Yard in the 80’s, T-KID 170 began writing at the Ghost Yard in 1977.

TALES FROM THE GHOST YARD, curated by artist and arts educator Christine DeFazio, features works by these writers along with photographs illustrating writing at the Ghost Yard from the early 1970s to the late 1980s. While visiting the exhibition at the always-welcoming Bronx Art Space, I had the opportunity to pose a few questions to Christine:

This exhibition is so interesting and informative! What sparked your interest in graffiti?

In the early 2000’s, I began teaching in Mott Haven here in the Bronx. That’s when I started noticing graffiti. But it wasn’t until 2019, after I transferred to a school in Soundview, that my interest intensified. I started paying closer attention to the graffiti walls on the streets, and I  began attending gallery exhibitions in spaces — like Wall Works — that featured graffiti.

And what inspired you to curate this particular exhibition?

As I began researching graffiti, I read about the Ghost Yard, and it captured my interest. I was particularly interested in its history and its relationship to the history of graffiti.

What would you like your viewers to walk away with?

A sense of the history and evolution of writing — how writers went from writing on trains to painting with aerosol on canvases.

What were some of the challenges you faced in curating “Tales From The Ghost Yard?”

No challenges come to mind. MIKE 171 and SJK 171 were eager to answer any questions that I had, and I loved hearing Mike’s stories about playing in the Ghost Yard with his friends when they were children.

How has the response to the exhibition been?

The response has been great! There was a really good turnout for the opening. and a wide range of visitors have been coming by.

What’s ahead?

There will be a closing celebration this coming Saturday, February 14, from 5-7pm, along with a launch for my new book, Bronx Visual Identity. Tracing the deveopment of writing “from its inception in 1970’s Washington Heights to the golden age in 1980’s Bronx,” the book can be purchased here.

Good luck with your book! I’m looking forward to reading it. This exhibit has certainly sparked my interest.

Note: Located at 700 Manida Street in the South Bronx, Bronx Art Space, is open Thurs.-Fri., 2-6pm and this Saturday, Februry 14, from noon – 7 for its closing celebration and book launch of Christine’s book, Bronx Visual Identity, published by Lived Places Publishing.

Images:

  1. Christine DeFazio to the left of T-KID 170‘s tribute piece to the late Tracy 168

  2. T-KID 170 and French artist BLEK Le RAT, Aerosol on repurposed street sign

  3. MIKE 171, “Golden Dreams,” 2016, Acrylic and gold paint marker on canvas

  4.  SJK 171, “New Piece with Old Flair,” 2017. Acrylic markers on canvas

  5.  SNAKE 1, Orange and red signature piece, Aerosol on canvas

Photo credits: 1, 3, 4 & 5 Lois Stavsky; 2 Tara Murray

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Directed by award-winning filmmaker Emmitt H Thrower, Spray Can Stories features not only in-depth personal interviews with legendary Tats Cru members BG 183 and Nicer, but also provides a fascinating glimpse into the entire hip-hop culture that emerged in the Bronx. After viewing the film, I had the opportunity to pose several questions to Emmitt:

What inspired you to produce a film focused on graffiti, particularly Bronx graffiti culture?

Growing up in Brooklyn in the early ’80s, I wasn’t all that aware of graffiti. I always liked to draw, and a few of us began writing our names with chalk in public spaces, but it never went any further. Years later, when I moved to the Bronx, I became intrigued by graffiti—its raw beauty, its democratic spirit, its impact. It was everywhere around me, and I was eager to explore its history and learn more about it. Once I did, I wanted to share what I discovered with others.

Who is your intended audience? The film is such a powerful educational resource—students around the globe are certain to love it.

My intended audience is broad. It includes anyone engaged in hip-hop culture, as well as those interested in learning how an illicit art form born in impoverished neighborhoods became a global phenomenon. As BG 183 and Nicer relate, they went from asking local stores for wall space to earning thousands of dollars creating ads for worldwide corporations.

What would you like your viewers to walk away with?

A deeper understanding how this original American art form began, along with an appreciation for the young people who started the culture.

How did you decide when and where to incorporate AI?

I was drawn to the visual impact of AI and the way it could be incorporated into the documentary as an added element to enhance the narrative. I also appreciated how AI allowed me to revisit the past and capture the sense of community that hip-hop culture fostered. My son was especially helpful in this particular aspect of the film’s development.

What were some of the challenges you faced in producing this film?

I kept asking myself how to create an immersive story that would authentically capture this rich culture and engage audiences. Another major challenge was overcoming the suspicion of the graffiti artists I had initially approached.

How did you support the production?

It was made possible with regrant funds from the New York City Department of Cultural Affairs administered by the Bronx Council on the Arts. I supplemented these funds with some of my own.

Although Spray Can Stories has already been nominated for and won several awards, it hasn’t yet debuted in New York City. How can folks see your film?

The film will make its debut this SUNDAY, Jan 11th, at 4 pm at La Nacional– 239 W 14th street, Manhattan followed by a Q and A with me and with special guests Cose TDS and Riff 170.  Additional showings will take place: TUESDAY Jan 13th 5 pm La Nacional – 239 W 14th Street, Manhattan;  SATURDAY Jan 17th 7:30 pm – Andrew Freedman Home – 1125 Grand Concourse, Bronx, and SUNDAY Jan 18th 7 pm – Sankofa House – 2422 Third Ave Bronx. You can check out the official trailer here.

 

Interview conducted and edited by Lois Stavsky with Tara Murray

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Founded and directed by legendary Bronx graffiti artist WEN COD, Boone Avenue Walls continues to transform the historic South Bronx Mott Haven neighborhood into an open air gallery — showcasing masterful murals and mesmerizing graffiti. The mural pictured above was painted by Oklahoma City-based artist Pyramid Guy. What follows is a small sampling of artworks we captured while visiting Mott Haven:

Local style master Soze

Classic Bronx graffiti writer Ovie

Veteran writer and skateboarder Cycle

Connecticut’s masterful 3Modes, TVT 

Algeria-born, NYC-based Pazzesco with his portrait of Biggie

The wildly distinctive stylist KA, detail from TVT ZOO Goosebumps production

Colombia-born, New Jersey-based Jose Bustamante aka Busta

Bolivia-born, Florida-based Ales Delpincel‘s portrait of Nas

Photos: 1-6, 8 & 9 Lois Stavsky; 7 Tara Murray

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Now in its 11th year, Boone Avenue Walls — founded and directed by legendary Bronx graffiti artist WEN COD — continues to beautify the Bronx, as artists from far and near bring their talents to several sites beyond its home base in West Farms. This past weekend. over 30 artists transformed  Whitlock Avenue’s walls — directly under the 6 train —  into blazing outdoor canvases and stirring open-air productions.

The image featured above — one segment of a huge “Oceans Deep” production — is the work of the veteran South Bronx aerosol king Nic1. What follows is a small sampling of artworks captured while visiting Whitlock Avenue on Sunday afternoon.

Bronx-based artist Sebar7 at work

Comeske TM7 at work in his distinct free-flowing style

Queens native Greed who was active largely in the 90’s 

Alongside Queens-based artist Chris Cortes

TA graffiti crew member Krizer and the lovable Ratchi

The delightful Bronx-based muralist and textile artist Mrs captured at work

Brooklyn-based writer East

Close-up from astounding alien-themed production by Johnny Samp, Disem, Kelo, DaCaptainSkorner, Bulldogpirate1, Dreps and  J.P. Cvjl 

Up Next: Boone Avenue Walls in Mott Haven

Photos by Lois Stavsky

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This year’s 45th Annual Edition of the Graffiti Hall of Fame once again hosted not only first-rate walls, but also dozens of cubes showcasing a huge range of artistic talents and sensibilities. Featured above is Queens-based artist Chris Cortes at work. What follows are several more images of artworks on cubes captured this past Sunday, August 17th — the second day of this annual event, produced under the curatorial direction of Sharif Profit.

Bronx native Andre Trenier‘s tribute to the late journalist and documentarian Sacha Jenkins

Queens-based Mexican artist El Onel 

Brazilian-American multidisciplinary artist Jon Souza AKA Phes salutes Eddie Murphy and the late Richard Pryor

Brazilian urban artist Wagner Wagz

BedStuy Walls co-founder and artist Miki Mu 

Philippines-born, Queens-based artist Jappy Agoncillo

Colombian artist Yurica Uno

Steve the Bum in collaboration with NYC-based artist Juliet Schreckinger

Photos: 1-5, 8 & 9 Sara C. Mozeson; 6 & 7 Lois Stavsky; special thanks to Tara Murray for her assistance with this post

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