Walls

Speaking with BR1

May 14, 2013

Italian artist BR1 is committed to creating work that transmits a message and raises awareness.  His artworks have not only made it onto public spaces in Italy and beyond, but increasingly into galleries, festivals and art fairs, as well. Intrigued by his images that surfaced in Bushwick during his recent visit here, we were delighted to have the opportunity to meet up with him and ask him a few questions.

BR1

When did you start getting up?

I was about 14 when I started tagging in my native town of Torino, Italy. Then I gradually moved from stickers to posters to full size images.

What motivates you to get up on the streets?

Everything about the streets inspires me. I’ve always been attracted to walls. Walls talk to you. And I like to raise questions.

Like what kinds of questions?

I’m particularly interested in the image of the veil and all that it represents, particularly the clash of cultures. I’m intrigued by paradoxes.

BR1

As someone from South Italy, how did you become interested in this theme?

My grandmother wears a black scarf. Her sensibility is similar to women who wear veils.

Where have you gotten up besides Italy?

I’ve gotten my work out in England, France, Turkey and Spain. And here in the U.S. — in Boston and New York City.

Any favorite cities?

I like Paris as its people are generally open-minded.  Istanbul was my least favorite.

BR1

What are some of your other subjects besides the veil?

I’m interested in billboard intervention. Billboards are a natural spot and easy to work with.

Do you have a formal art education?

No. My degree is in Law and my thesis was on the veil.

BR1 public enemies low 4

Any favorite artists?

I’m particularly inspired by Iranian photographers. I find Shirin Neshat’s work especially strong.

How do you feel about the movement of street art into galleries?

At first I did not like it, but now I see it as an opportunity. But I prefer to work with nonprofits.

BR1

What’s ahead?

I want to return to the U.S. and spend some more time here. I’d also like to continue studying the veil and work on installations, particularly using found objects.

The first image featured was photographed by Tara Murray in NYC; all other images are courtesy of the artist.

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We love JR and José Parlá’s The Wrinkles of the City, Havana not only for its exquisite beauty, but also for the artists’ mission. While in Cuba last year, JR and José Parlá’ interviewed dozens of senior citizens, whose portraits made their way onto Havana’s walls. Twelve of them featuring JR’s masterful photos fused with José Parlá’s stunning calligraphy can be seen through July 12 at Bryce Wolkowitz in Chelsea. Here are a few from this must-see exhibit:

Man with Can

JR and Jose Parla

Elio Milanés

Jr and Jose Parla

Rafael Lorenzo and Obdulia Manzano

JR and Jose Parla

Alicia Adela Hernandez Fernández

JR and Jose Parla

And a close-up from huge outdoor mural featuring the regal Leda Antonia Machado

Jose Parla and JR mural

Also outstanding is a short, moving documentary on view at the gallery at 505 West 24th Street in Chelsea.

Photos of images by Lois Stavsky

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Currently based in Charleston, South Carolina, Patch Whisky is best-known for his zany, wildly appealing characters that surface both on and off public spaces. We recently had the opportunity to speak to the wonderfully talented artist during his visit to New York City.

Patch Whisky

When did you first start getting up?

I tagged some in the late 90’s, but I wasn’t serious about it at the time. Then three years ago, when I moved from West Virginia to Charleston, I met Ishmael, and that changed things. I began painting in public spaces.

What inspires you to keep doing it?

The street is the most important canvas. It is for everybody; that’s the beauty of it.

How does your family feel about you’re doing?

At first, they said, “You need to get a real job.” Now they love it.

Patch Whisky

Have you exhibited?

I’ve shown work at the Museum of Sex in NYC, the Columbia Museum of Art in South Carolina and galleries all over the country. I’ve shown in a range of places — from flea markets to street fairs. I once stumbled across one of my pieces at a yard sale. That’s when you know you’ve made it. Ha! Ha!

That is funny! How do the graffiti writers respond to what you do now on the streets?

Well, they haven’t tagged all over my stuff, so I take that as a good sign. Even though I don’t write, I definitely pay attention to what is going on with writers. We share the same love and mission, and some are my good friends.

With whom have you collaborated?

En Masse, Ishmael and Dustin Spagnola

Patch Whisky

How do you feel about the role of the Internet in all this?

It’s important. You do something in New York, and it can be seen all over the world in seconds. Having such a large audience keeps you on your toes!

Who are some of your favorite artists?

Da Vinci, Picasso, Jeremy Fish, Jeff Soto and Skinner.

Do you have a formal art education?

I graduated from the Art Institute of Pittsburgh in 2004.

Any thoughts about art school. Was it worthwhile?

Definitely! It was great being with other artists and sharing ideas. Many of the artists I met back in art school became my close friends.

Patch Whisky

What is your main source of income these days?

I have been a full-time artist for about ten years now. I earn money through gallery sales and though commissions for both indoor and outdoor murals.

What’s your impression of New York City?

What a tasty little treat New York City is! It’s everything I could have dreamt of.

Where else have you painted?

I’ve painted all along the East Coast — from Miami to New york City.

Patch-whisky-and-en-masse-in-Bushwick-NYC

What are some of your other interests?

I love to watch wrestling and play video games

What’s ahead?

Traveling and painting all over the world.

Photos by Tara Murray, Lois Stavsky and courtesy of the artist

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See One on Miru

May 8, 2013

See One

For the past few years, See One’s dragon, Miru, has surfaced throughout NYC – on murals, on wheatpastes and on stickers. He even made an appearance this past fall at the Centre-fuge Public Art Project in the East Village.  Now Miru is featured in See One’s first zine, Dragon Life.  We recently had the opportunity to meet up with See One and find out a bit about the talented artist’s endearing creature.

Just who is Miru?  And where does he live? Tell us something about him.

He is a small blue dragon that feeds on stars. In dragon years, he’s about three hundred years old. His current home is a two-family tree house with a separate entrance not far from here – on the Lower East Side.

See One and 2Esae

Gee, he certainly gets around! When was Miru conceived?

He first surfaced in my sketchbook in 2005. I was riding the train from my home in Queens to my job in SoHo and drawing – as I almost always did on these travels. I thought about him for a while, but never did anything with him. And then about three years ago, I began wheat-pasting him onto walls.

How did you come up with the name Miru?

I typed the name “See” into a Japanese online translator and that’s what came up. It sounded weird and cool enough to work.  He couldn’t have an ordinary name.

See One

What inspired you to create a zine?

I love zines! I always thought that they were cool. So, one Saturday morning, I decided that I would create my own featuring Miru. A week later, three issues were completed, and the first one was just released.

What’s ahead for Miru?

A stop motion music video collabo with Motion Graff was just released a few weeks ago.  It’s great to see Miru animated! Next, I’m working on a web-comic. I hope to release that by June 2013. After that, who knows? This guy is crafty!

See One’s zine, Dragon Life, featuring Miru, is available here.

Photo of See One painting Miru for Centre-fuge Public Art Project by Tara Murray; close-up of 2012 Bushwick mural with Miru & 2ESAE by Lois Stavsky

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A range of faces surface daily on NYC’s public spaces — from RAE’s offbeat, endearing characters to JR’s remarkable Inside Out NYC project. Here are a few:

RAE in Manhattan

RAE

Youth Waste in Brooklyn (with Werds on top left)

Youth Waste

Veng at Welling Court in Astoria, Queens

Veng

The Yok in Brooklyn

The Yok

Ewok in Bushwick

Ewok-street-art-in-Bushwick-Brooklyn-NYC

Joseph Meloy in Manhattan

Joseph Meloy in Manhattan

Aimee Cavazzi in Manhattan

Aimee Cavazzi

JR’s Inside Out NYC Project in Times Square

JR

JR

 Photos by Dani Mozeson, Tara Murray and Lois Stavsky

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Several first-rate writers have been busy in Bushwick this past week. Here are a few images:

Versatile style master Curve

Curve

Veteran NYC writer Wane COD

Wane

NYC-based Enue COD

Enue

West Coast-based Vizie MSK

Vizie

Jick in action

Jick

Mast in action

Mast

West Coast legend Rime MSK

Rime

Keep posted to our Facebook page for many more first-rate graff pieces that have recently surfaced in Bushwick.

Photos by Lenny Collado and Lois Stavsky

 

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The walls at the Bushwick Collective continue to showcase a range of masterful artistic expressions. In addition to the wonderful mural featured here earlier by Sheryo & the Yok, an astonishing variety of new works —  by  local, national and international artists —  have found a home here. A sampling follows:

Puerto Rico-native David RIMX Sepulveda

Rimx

Baltimore-based Billy Mode at work earlier in the month

Billy Mode

The final mural by Billy Mode and Chris Stain

Chris Stain and Billy Mode

Baltimore-based artist Mata Ruda at work

Mata Ruda

South Carolina-based Patch Whisky

Patch Whisky

The prolific Fumero

Fumero

South Africa-based Nard Star

Nardstar

Nardstar

 Atlanta-based Trek Matthews

Trek Matthews

South Carolina-based Ishmael

Ishmael

Keep posted to our Facebook page for the latest news on the Bushwick Collective and for photos of Gaia’s new piece.

Photos by Dani Mozeson, Tara Murray and Lois Stavsky

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This is the first in a series of occasional posts featuring images of children that surface on NYC public spaces:

Chris Stain and Billy Mode at the Bushwick Collective

Chris Stain and Billy Mode

Joe Iurato at the Bushwick Collective

Joe Iurato

And at Cheryl Hazan Contemporary Art

Joe Iurato

CAW — Creative Arts Workshops for Kids — in East Harlem

CAW public art

 Iranian artist Mad in Bushwick

Mad

Icy and Sot in Bushwick

Icy and Sot

Baltimore-based Nether in Brooklyn

Nether

John Ahearn and Rigoberto Torres in the South Bronx

John Ahearn

Swoon — close-up — in Red Hook, Brooklyn

Swoon

 

Photos by Dani Mozeson, Tara Murray and Lois Stavsky

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Singapore native Sheryo and Aussie’s the Yok are back in New York City.  And that is a cause for celebration! After gracing Long Island City’s 5Pointz with their wondrous whacky characters, they got busy at the Bushwick Collective.

At 5Pointz

Sheryo and the Yok

Sheryo at the Bushwick Collective on Friday afternoon

Sheryo

Sheryo and the Yok in the early stages of the Bushwick Collective wall

Sheryo and the Yok

The Yok back at the Bushwick Collective on Saturday

The Yok

Sheryo back at work on Saturday

Sheryo

The cast of characters — as of late Saturday

Sheryo and the Yok

Photos by Tara Murray

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Speaking with Sen2

April 2, 2013

Sen2 graffiti

Huge fans of Sen2’s masterful artworks on an array of surfaces — from canvases to walls — we were delighted to have the opportunity to visit his South Bronx studio and pose a few questions to him.

When and where did you start getting up?

I first started hitting walls in Puerto Rico – where I grew up – when I was about 15. That was back in 1986.

What inspired you at the time?

I used to spend my summers with family in NYC up in the Bronx. There I discovered pieces by DazeCrash and Seen. I also started noticing pieces in magazines by writers like Hex and Slick,

Have you a formal art education?

No.  The streets have been my teacher. One’s experience is the best teacher.

Sen2's studio

Besides the 4Burners, have you belonged to other crews?

I learned a lot from Tats Cru when I was a member a number of years back. But I am no longer with them. And when I was in Puerto Rico, I painted with BWS.

What about collaborations? Have you collaborated with other artists on specific pieces?

When I’m in my studio, I generally work alone. But I’m currently working with KingBee for an exhibit of our works that opens on Friday, April 12 at Gallery 69 in Tribeca.

KingBee and Sen2

How do you feel about the movement of graffiti into galleries?

I feel it’s a great opportunity for artists. It opens the doors for many of us.

Besides Gallery 69, where else have you exhibited?

My artwork has been featured at the Smithsonian, at the Volkinger Hutte Urban Art Biennale 2013 in Germany and at Miami Art Basel. I’ve also been in other galleries abroad.

Have you any favorite cities?

New York City. The Bronx. That’s where it all began. But I also love Madrid, Spain and San Juan, Puerto Rico.

Sen2

Why do you suppose graffiti is held in higher esteem in Europe than it is here?

There’s no unity here, and that’s part of the problem. We don’t work as a group to present ourselves in a way that will gain us respect and recognition. Every writer has too much pride.

Any thoughts about the graffiti/street art divide?

I like street art, but I will always consider myself a graffiti writer. Everything that I do is rooted in graffiti. And I’d like to see graffiti writers have the same opportunities that street artists have.

Who are some of your favorite writers?

There are many. Among them are: Bio, Beacon, Kem5 and KingBee.

Sen2 in studio

And does anyone — in particular — inspire you these days?

The late Dare TWS from Germany.

What percentage of your time is devoted to art?

100%. I’m all in. Just about all the time – from early morning until late at night.

Any other passions?

I’m also a soccer fan. And I love spending time with my family.

How does your family feel about what you do?

They’re 100% behind me. My wife loves what I do.

Sen2

Your art seems to be always evolving. Your work that was on exhibit at Fountain certainly blurs the lines between graffiti and fine art. Could you tell us something about that?

It all started with wild-style. Then I began to incorporate 3-D elements. And, more recently, my influences have been pop art and abstract art. Everything I do, though, is inspired by graffiti, and all of my current works have graffiti elements in them.

How do you feel about the role of the Internet in all this?

I like it. It keeps me up with what’s happening – both on the streets and in the galleries.

What do you see as the role of the artist in society?

To share with others one’s personal interpretation of the world.

What’s ahead?

Just getting better and bigger for me and my family.

Photos by Lenny Collado, Dani Mozeson, Tara Murray and Lois Stavsky

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