News

Cern

Piece, a wonderfully eclectic exhibit featuring a range of artworks from sketches to completed pieces, remains on exhibit at Spreadhouse through March 28 at 116 Suffolk Street on Manhattan’s Lower East Side. While most of the artists are familiar to us street art aficionados, some simply have a distinctly urban or outsider sensibility. Curious as to what was going on here, I posed some questions to Robert Aloia who spearheaded the show.

This is a great venue here. Can you tell us something about it?

It is an all-around creative space launched by the film production company, Spreadhouse, aka shny.

"Matthew Denton Burrows"

How did you discover it? It’s the perfect space to showcase art and its location is ideal.

My friend, the artist Peter Passuntino, had an exhibit here last month, curated by his son Greg. It was the first art show at shny and it introduced me to this space.

"icy and sot"

What is the concept behind Piece?

This exhibit is my way to showcase this space at Spreadhouse and to give viewers a glimpse into the creative process – from inspiration to finished product. Many of the pieces were created right here!

"Leah Weber"

Among the dozens of artists featured here are many who are active on the streets and others who are new to me. How did you hook up with so many talented folks?

Friends and friends of friends and assistant curators.

"Leo Uzai"

What’s ahead?

We’re at work on a number of wide-ranging exhibits. But you can expect to see some street art elements in all of them.

That sounds great. Good luck!

Images: 1. Cern  2. Matthew Denton Burrows  3. Icy and Sot  4. Leah Weber and 5. Leo Uzai

Photos of images by Lois Stavsky

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"Royce Bannon"

Do you ever wonder what music your favorite street artists listen to?   Well, Bomarr has the answer!  And in addition to presenting first-rate podcasts that share this music with us, the Bomarr Blog also features brief interviews with these artists and selections from their artworks. We love what Matt is doing and recently posed some questions to him:

Tell us something about yourself – your background.  

I grew up in a small town in New Hampshire.  When I was 21, I moved to Oakland to put out records and tour with my friends on a label called Anticon.  We were a very art-focused group of creative and inspiring people. After spending 10 years in the Bay Area, I moved with my now-wife back to the East Coast and have been in NYC ever since.

What spurred this project?

The Background Noise project grew out of my interest in the New York art world. Initially, it was going to solely focus on NYC-based street artists. The NYC art scene in particular has a completely different energy and feel than the Bay Area one, and I sensed it as soon as I landed here. Don’t get me wrong!  There’s some great art out there in galleries and on the streets, but again, just a completely different feel.  I had seen a few ASVP wheatpastes in San Francisco before I moved, but when I got here, I saw them all over the place, and they seemed to make more sense here. Soon after, I discovered Jim Joe and started, with two friends, a Jim Joe-dedicated site called Cult of Joe, which is now just an Instagram account that I maintain (@cultofjoe) .  It was this general interest in what was going on, and a curiosity I had about what sort of music gets the creative juices flowing for artists whose work I enjoy that really started the project.

RAE

How do you decide which artists to interview? 

It pretty much comes down to people whose work I personally am drawn to and have some sort of respect for. Whether it’s a legend like Futura or the guy who writes Spring Break everywhere, it’s all stuff that I like. It can be mindblowing art, political, or humor-based. It’s all art to me, and if it’s something that sparks my curiousity, I will try to reach out to them to see if they’re interested.

How have the artists responded to this project?

Everyone has responded with great enthusiasm so far. I think what helps is that I’m providing yet another way for these artists to express themselves, which is what artists do.  So when given another avenue to do this, they often jump on it right away.  Some take longer than others, but they always come through. It’s also great for the artists who have maintained anonymity for quite some time. This still allows them to remain anonymous. I’m not meeting up with them in person, talking to them on the phone, or anything like that. It stays strictly through email, so I think the feeling of safety has really allowed people to be willing to participate. I’ve met quite a few of these people since starting the project because I think it’s built a bit of trust, which is great.  But if I never meet some of these people, I’m completely fine with that.

Enzo-Nio

 Have any particular responses to your questions surprised you?

I think the only response that has surprised me so far is one from last week’s Futura episode, where I asked him how important he thinks music is to his creative process.  I was surprised when he, a legend — who has appeared on a Clash song, recorded music himself, and worked with musical artists such as UNKLE — replied, “Not that important.”  But, we all get inspiration in different ways. He has great taste in music, regardless.

Who are some of the other artists you’d like to interview?

I have a laundry list. There are a few I’m actively trying to get, to the point where I might be annoying them. And some of them are long shots, but my wishlist in no particular order: Judith Supine, Jim Joe, ASVP, Paul Insect, Ron English, Neckface, Erik Yahnker, How & Nosm, Icy and Sot,  Sheryo + The Yok, Adam Wallacavage, Skullphone, Raymond Pettibon, Cameron Gray, Asger Carlsen, ElSol25, Douglas Kolk, Swampy, David Shrigley, Stinkfish, Theo Rosenblum, Maurizio Cattelan, Trustocorp, Olek, Jean-Paul Malozzi, Faile.  If anyone can help me out with any of these, please message me!

OverUnder

What kind of music do you like to listen to?

I literally listen to it all. I’m a bit fan of 80’s synths, whether it’s synth pop or obscure minimal synth music — Gary Numan/Tubeway Army, all that stuff.  I love 60s psych rock, hip hop, metal, John Fahey, Fennesz….I’m all over the map.

What do you think of New York City’s current street art scene? 

I think it’s great! It’s really starting to gain some momentum too lately. Maybe I wasn’t as in tune with it a couple of years ago, but it seems like there’s a lot going on right now. It’s great seeing things like Hanksy’s Surplus Candy show, another Jim Joe solo show at the Hole, all these shows that Royce Bannon is curating, the Yoav Litvin Outdoor Gallery book. The New York City current street art scene is really bustling, and I think people are going to start to notice even more very soon.

Tony DePew

What’s ahead for you?

I’m having a baby girl in a few weeks, so that’s first and foremost on my mind right now.  But outside that, I just want to keep this project going for as long as I can. I have a lot of great artists lined up: Jilly Ballistic, Elle, Left Handed Wave, Don Pablo Pedro, C215, Beau, Cash 4, Hellbent, Joseph Meloy, Hanksy, N’DA….all very exciting. Stay tuned!

Congratulations! It all sounds great!

Images with links to their podcasts

1. Roycer  2. RAE  3. Enzo & Nio  4. OverUnder & 5. Tony Depew

Questions for Bomarr by City-as-School intern, Annie Loucka; interview edited by Lois Stavsky. 

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Logan-Hicks-artist-talk

Love Never Saves Anything, a solo exhibit of stencil paintings and photographs by the wonderfully talented Logan Hicks, opened last week during Armory Week and remains on exhibit through Wednesday, March 19. Here’s a small sampling of the haunting stencil paintings on view:

A Drop of Blood Shed

"Logan Hicks"

Her Hands Said What her Lips Couldn’t

Logan Hicks

Behind Her Eyes

"Logan Hicks"

 Treading Water

"Logan Hicks"

Deep Sleep

"Logan Hicks"

The following scenes were captured at last week’s opening:

Logan-Hicks and-artwork

Logan-Hicks-opening-night

Logan-Hicks-signs-book

And the artist talk with Logan Hicks, led by Lori Zimmer, will take place 4PM this Sunday, March 16, at the gallery on 154 Stanton Street on Manhattan’s Lower East Side. This exhibit is the artist’s second solo show with PMM Art Projects.

Photos of artwork by Lois Stavsky and Dea Sumrall; images of opening by Dani Reyes Mozeson

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This is the fourth in a series of occasional posts showcasing sticker art that surfaces on an array of NYC public surfaces:

Screwtape’s homage to Army of One

Screwtape

Skullphone goes small

Skullphone

One of Kosby‘s many musings

Kosby

Fling’s curious creature

Fling

RAE’s lovable, zany character

RAE

Faust‘s calligraphic handstyle

Faust

Milwaukee-based RealAbstract‘s magnetic sticker

"Real Abstract"

CB 23’s now-iconic character in the rain

"CB 23"

Zato’s much-loved fellow

Zato

And for those stickerheads who’d like to participate in the upcoming Sticker Nerds 3, organized by the inimitable Skam Sticker, the deadline to get your slaps in is this Friday, March, 14th.  Send them to Sticker Nerds 3, Post Office Box 13492, Portland, Oregon 97213.

sticker-nerds-3

Photos of NYC sticker art by Lenny Collado, Dani Reyes Mozeson and Lois Stavsky

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Featured in SCOPE New York 2014 are over 30 artists who are, also, active on our cities’ streets. Here’s a small sampling:

Judith Supine at Black Book Gallery

"Judith Supine"

Beau Stanton at Moniker Projects

"Beau Stanton"

My Dog Sighs at Vertical Gallery

"My Dog Sighs"

Stormie Mills at Vertical Gallery

"Stormie Mills"

Know Hope at Thinkspace Gallery

"Know Hope"

Peeta at C.A.V.E. Gallery

Peeta

Mark Jenkins at Fabien Castanier

"Mark Jenkins"

And Banksy at ArtNow NY

Banksy

Located at 312 West 33rd St between 8th & 9th Ave, the fair continues through tomorrow, Sunday, March 9.  General admission is $25.00; student admission is $15.00.

Photos of artworks by Dani Reyes Mozeson and Lois Stavsky

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Early last month, on some of this year’s coldest days, a group of dedicated artists — once again — transformed the exterior of East 1st Street’s once-neglected trailer into an intriguing outdoor canvas. Here are a few of the images that will continue to greet passersby through April 10:

Michael DeNicola’s tribute to the late actor Philip Seymour Hoffman

Centre-fuge-public-art-project-NYC

BK

BK

Col Wallnuts

"Col Wallnuts"

Vernon O’Meally, Edapt, Foxxface and Numb DSI

"Centre-fuge-Public-Art-Project"

Vernon O’Meally

"Centre-fugePublic Art Project"

Edapt and Foxxface

"Centre-fuge Public Art Project"

Numb DSI

"Centre-fuge Public Art Project"

Photos by Dani Reyes Mozeson and Lois Stavsky

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"Bio, Tats Cru"

Tats Cru members — Bio, Nicer and BG183 — express their distinct creative visions in Blood, Sweat and Tears, a playful exhibit on view through Friday at TT Underground, 191 2nd Avenue in the East Village. Here is a sampling of the recent artworks on display by the legendary Bronx-based Mural Kings:

Another painting by Bio with his iconic heart

Bio

Close-ups from Nicer’s superheroes

"Nicer, Tats Cru"

"Nicer, Superhero"

A huge canvas by BG 183

"BG 183" "Tats Cru"

And one of BG183’s smaller ones

"BG183, Tats Cru"

And just a few blocks away — on Second Street off Avenue A:

Bio

"Bio Tats Cru"

Nicer

Nicer

BG183

BG183

Photos of Bio’s paintings and mural by Lois Stavsky; photos of Nicer’s and BG183’s by Dani Reyes Mozeson 

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"Wallplay"

Curated by the brand WAT­AAH!, Taking Back the Streets is a dazzling celebration of street art in honor of Drink Up, an initiative of the Partnership for a Healthier America (PHA).  On exhibit at Wallplay, 118 Orchard Street, through today — Tuesday, March 4 –  is a range of enticing artworks inspired by the Drink Up water drop logo. Here’s a small sampling of what can be seen at Wallplay, before the exhibit travels to Washington D.C., Philadelphia, Los Angeles and Miami:

Kenny Scharf

"Kenny Scharf"

Maya Hayuk

"Maya Hayak"

Damien Mitchell

"Damien Mitchell"

Lichiban

Lichiban

Swoon

Swoon

And on the streets — on Jersey and Lafayette — Metro Zu

"Metro zu"

All photos of images by Dani Reyes Mozeson; Metro Zu in SoHo by Lois Stavsky

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"Outdoor Gallery NYC"

Currently on view at 17 Frost is an exhibit of artwork by artists featured in Yoav Litvin’s remarkable book, Outdoor Gallery NYC. While visiting the exhibit on Thursday afternoon, we had the opportunity to speak to Yoav: 

This exhibit is in many ways a reflection of your book. It is wonderfully eclectic.

Yes, like the book Outdoor Gallery NYC, it celebrates the diversity of the incredible range of street art that surfaces in NYC’s public spaces.

"Enzo and Nio"

How did you connect with all of these artists – whose works are featured in your book and in this Outdoor Gallery NYC exhibit?

I initially met most of them through encountering their works on our streets. I further connected with them via Facebook or Instagram.

Cern

Can you tell us something about the process from the time you had your resources – your photos and interviews — to the actual production of the book?

Working with the designer, Steve Mosier, I created a template for a book. I then presented my concept to about 30 publishers. In late summer, I signed a contract with Gingko Press, my first choice.  The first copies of the book became available last week.

Billy Mode

The book looks wonderful, and your book launch party was quite remarkable. We’ve heard that folks waited on line for hours to get in.

Yes, that was quite humbling. And I feel grateful to everyone.

"Alice Mizrachi"

To what do you attribute the incredible success of the book launch?

My sense is that folks appreciate my particular approach. I have deep respect for all of the artists who share their works with us in public spaces. I admire their visions and their skills. I particularly love the way they challenge conventions.

"Chris Stain"

You are a scientist, as well as a photographer and street art documentarian. Has your background as a scientist affected the way you approach street art?

I suppose it has. It is essential that my research and findings remain “clean” and unbiased. I am interested in presenting something that is important not only on a local level, but on a global one, as well.

Bishop203

In what ways has this project impacted you?

I feel that I’ve developed a distinct personal style and approach to documenting street art.

"Icy and Sot"

If you had the opportunity to spend time in another city and work on a similar “Outdoor Gallery” project, which city would you choose to visit?

I’d probably choose São Paulo, Brazil.

NewMerica

The exhibit, curated by Yoav Litvin with Royce Bannon, continues through March 8 at 17 Frost Street in Williamsburg, Brooklyn. Yoav can be contacted at yoavlitvin@gmail.com; for updates, visit the book’s Facebook page.

Interview with Yoav Litvin conducted at 17 Frost by City-as-School intern Anna Loucka with Lois Stavsky; photos of artworks by Lois Stavsky. 1. Exterior of 17 Frost painted by Bishop203, elsol25 and Royce Bannon; 2 .Enzo & Nio, Retro Bomba; 3. Cern, Jardim Electrico; 4. Billy Mode, Love; 5. Alice Mizrachi, Queen, close-up; 6. Chris Stain, Up in the Bronx; 7. Bishop203, Jesus Christ Superstar;  8. Icy and Sot, Race and 9. ÑEWMERICA, small segment of collaborative mural 

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Speaking with 0H10M1ke

February 27, 2014

You may have seen 0H10M1ke on the streets of NYC or at a public event where he creates instant matchbook portraits of strangers he meets. We discovered him at work on his serially numbered one-minute portraits at the opening of LA2’s solo exhibit at the Leila Heller Gallery this past December.  We recently had the opportunity to find out more about him.

OHIOMIKE

When did you begin drawing? Is this something recent?

I never had a formal art education, but I’ve been drawing all my life. I started way back as a kid in Ohio. I can’t remember a time when I wasn’t doodling or sketching on some surface.

When did you first come to NYC? And what was your initial experience like?

I moved here in 2002, and I became involved with a cult. I gave two years of my life to it, and by the time I left it, I couldn’t even draw a circle. I knew then that I had to reinvent myself.

How did you go about doing that?

The year of my 30th birthday – in 2006 – I did 1,000 drawings.  I started my matchbox series of portraits, and my work was featured in a show in Williamsburg. I completed portrait 10,000 on June, 2011 at Governor’s Island.

OHIOMIKE

Have you continued to exhibit your work?

Yes, I’ve exhibited in a range of places from Berlin, Germany to Governor’s Island here in New York City.

What inspired you to create your artwork in public settings – where you interact almost entirely with strangers?

My inspiration came from seeing UFO’s work on NYC streets.  I love the way his iconic character surfaces unexpectedly.

These days, about what percentage of your time is devoted to art?

About 50%. I am a social worker by profession.

OHIOMIKE

 

How has your work evolved in the past few years?

I began with one-line drawings and I have moved to color, digital and live drawings that I incorporate into performances.

How does your family feel about what you are doing?

My family loves me, but I don’t think they get it.

Any other interests?

Music. All kinds of music. I draw to music. It’s all about art and music. I create live drawings to the music of Comadante Zero, a Brooklyn-based electro funk music/art collective.

OHIOMIKE

How do you feel about the role of the Internet in all this?

I’m over it. We’ve been oversaturated.

What do you see as the role of the artist in society?

I learned from Robert Henri how important it is to be a creator. According to Henri, the artist “enlightens and opens ways for better understanding.”

What about you? What’s ahead for you?

My goal is to create 100,000 matchbox portraits and tour with my band as its resident artist.

OHIOMIKE

Editor’s note: 0H10M1ke will be drawing live with Comandante Zero at The Rubin Museum April 4 at 7 PM.

Photo 1 and 2: 0H10M1ke at the Leila Heller by Dani Reyes Mozeson; photo 3: 0H10M1ke sketch, courtesy of the artist; photos 4 and 5: PhotosL1ght Graff1t1 projected onto Brooklyn rooftop by Oz Skinner

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