Events

Apostrophe NYC Transforms Subway Station into a Pop-Up Gallery

July 25, 2016

Earlier this year we met up with the wonderfully talented and intrepid Apostrophe founders and curators — Sei and Ki Smith. Since, they’ve successfully hosted guerrilla pop-ups at The Whitney Museum of American Art — from which they’ve been banned for life — and at MoMA PS1. This past Friday we attended Apostrophe‘s Base 12 Subway Show, a pop-up exhibit at the Kosciuszko Street stop on the J Line featuring works from Apostrophe‘s 12 artists. And what fun it was!

Sei Smith, curator and recently featured, along with his brother, in Time Out New York’s 10 NYC artists 35 and under you should know

Morell Cutler and artwork by James Rubio on right

Alana Dee Haynes

And healthy non-alcoholic beverage — provided by Costa Brava — served at artists’ reception on subway platform!

Apostrophe‘s Base 12 Project will continue throughout the year with three pop-ups in city parks, three in European galleries, one more museum pop up and then finally a project retrospective at Mana Contemporary that will exhibit all 144 paintings from the 12 pop-ups.

Photo credits: 1-7 Lois Stavsky; 8 & 9 Tara Murray; additional photos on the Street Art NYC Instagram

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Icy and Sot Pop-Up Exhibit and Book Signing at 51 Orchard Street

July 22, 2016

The newly released LET HER BE FREE documents Iranian brothers Icy and Sot‘s foray from skateboarding teens in Iran to politically-conscious, internationally acclaimed artists. To celebrate the launch of their book, the artists invite you to a pop-up exhibition of small and mid-scale stencil artworks that have been created exclusively for this book launch. Opening tomorrow evening. July 23 at 51 Orchard Street with a book signing, the exhibit continues through July 30.

Unity, spray paint on canvas

Justice, spray paint on cut-out wood

In Long Island City

And book cover

Published by Lebowsi Publishers with an introduction by filmmaker and poet Jess X Chen and an afterword by Brooklyn Street Art‘s Jaime Rojo and Steven P. Harrington, the artists’ first collection of works features over 200 full color photos.

All images courtesy Icy and Sot

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“HomeStyle” — Cap Matches Color’s First International Exhibit — to Open Tomorrow, July 22, at Bristol’s HANGFIRE Gallery

July 21, 2016

Celebrating the history of today’s spray paint culture, Bristol-based HANGFIRE has teamed up with U.S.- based spray brand collectors Cap Matches Color to present HomeStyle. On display and for purchase will be a strong collection of spray paint memorabilia from the archives of Cap Matches Color and U.K. based collector, Ticks. Also on exhibit will be limited edition photographic prints from worldwide traveller and photographer Mr. Yoshi and original artwork and limited prints from Cheo.

Copies of Two Decades of Digging will be available for purchase, along with limited edition silkscreened skate decks featuring vintage spray paint graphics of Marabu Buntlack, Krylon and Rust-Oleum by HANGFIRE.

The exhibit opens at tomorrow — Friday evening — at 49 North Street, BS3 1EN Bristol, UK on the eve of Bristol’s famed Upfest Festival and continues through August 5th.

Images for this post courtesy HANGFIRE and Cap Matches Color; photo of Cap Matches Color by Lois Stavsky

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STIK Book Signing at Strand Book Store Tomorrow, July 21, 6-8pm

July 20, 2016

We’ve been huge fans of Stik and his distinctively singular — now iconic — character since he first visited NYC several years ago. We are delighted that his first book that was released in the UK last year is now available here throughout the US.

Featured in STIK are dozens of artworks ranging from unsanctioned pieces on the streets of East London — painted when the artist was homeless — to huge international murals across the globe. All are fashioned from six lines and two dots, the style Stik began when he had to paint quickly to evade the authorities.

Described by the artist as “a journal of the progression of the Stik Project,” STIK is a fascinating journey into the artist’s consciousness and aesthetic. Stik’s strong social mindfulness and acute political awareness are evident in this first collection of his works, as he increasingly devotes his talents and energies to a range of causes, often working in collaboration with children and members of vulnerable communities.

With over 200 heavy gloss pages and an exclusive, limited edition print, the book — published by Penguin — has now made its way into bookstores across the globe.

You can meet Stik and purchase a signed copy of his book with an orange or teal print — exclusive to the first US edition of the book — tomorrow, Thursday evening from 6-8pm at Strand Books, 828 Broadway on the corner of 12th Street.

Anyone who buys a copy of STIK or brings in a pre-purchased copy of the book for Stik to sign at Strand Books is eligible to enter a lottery to win a pair of artist’s unfolded, card stock Stik posters, signed by Stik himself. The posters, one orange and one blue, are number one of only five artist’s proofs and depict the same image seen on the book’s cover.

All photos courtesy Stik and Penguin Press

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NET on TAGSTRACTION, Tonight’s Unsanctioned Exhibit, the Art World and more

June 23, 2016

As NET was getting ready for TAGSTRACTION, tonight’s unsanctioned exhibition on the streets of NYC, I had the opportunity to speak to him and find out a bit about it all.

Just what is TAGSTRACTION?

It is a mix of tagging and abstraction, blurring the lines between graffiti tagging, abstract expressionism and stylized signatures.

And when was NET born?

NET was born in 1987, but I’ve been tagging since I was a child.

Were you ever arrested?

I was arrested about fifty times for graffiti since I was 14.

Who are some of your inspirations?

There are many: Barry McGee aka Twist, Adam Cost, Jon 156, Al Diaz, Easy, Phantom 13 aka P13, Old English, Enx, Phil Frost and multiple Brooklyn artists.

You define TAGSTRACTION as “too hood for the nerds and too weird for the thugs.” Who is your audience?

Anyone and everyone who’s on the street with eyeballs.

How can folks see tonight’s exhibit?

The location will be announced one hour prior to the 7pm opening. Check out my Instagram for it.

And why did you choose an unsanctioned outdoor location for an art exhibit? Is there a message here? You seem to be on a mission of some kind.

My message is that you do not need the approval of the Art World to accomplish your goal. It is time for us to take it into our own hands.

Yes!

All images courtesy NET; interview by Lois Stavsky

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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At Welling Court’s 7th Annual Block Party: Lady Pink, Caleb Neelon, Katie Yamasaki, Fumero, Mike Makatron, Dirt Worship, Erasmo, Chris Cardinale, Joel Artista, Chris Soria, Marc Evan, Pyramid Guy & more

June 13, 2016

Engaging a wide range of artists and art lovers of all ages, along with members of the local community, the Welling Court Mural Project celebrated its 7th anniversary with a huge block party on Saturday. Pictured above is the legendary Lady Pink at work. Here are several more images captured from the Welling Court Mural Project‘s annual event organized by Garrison & Alison Buxton.

Caleb Neelon at work on collaborative mural with Katie Yamasaki

Fumero at work on tribute mural to Muhammed Ali

Mike Makatron and Caroline Caldwell aka Dirt Workship at work on a collaborative mural

Cre8tive YouTH*ink, close-up of huge mural painted by youth under the direction of Jerry Otero aka Mista Oh

Erasmo

Chris Cardinale at work

Joel Artista at work on collaborative mural with Chris Soria and Marc Evan

Pyramid Guy

Joseph Meloy, Ellis G and Abe Lincoln, Jr

Photos by Tara Murray

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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At the Bushwick Collective Museum with: Giz & Ghost, Dan Witz, Tim Okamura, Enx, Anna Orcutt-Jahns, Nicer, See One and more

June 4, 2016

While visiting the Bushwick Collective on Thursday as it was readying for its 5th Annual Block Party, we had the opportunity to spend some time in its wondrous pop-up museum at 198 Randolph Street. The brainchild of Bushwick Collective founder Joe Ficalora, it showcases an extraordinary array of works by Bushwick Collective artists, along with art by community members, local youth, Parsons School of Design at the New School students and more. We also had the chance to speak to the Bushwick Collective Museum‘s director, Asja Gleeson.

This is all so amazing! There are works here by artists who’ve exhibited in museums, along with art by children who live in the neighborhood. Just about every art genre and style is represented here. How did you connect to so many diverse artists?

Joe Ficalora simply gave me a list of the folks he’d already reached out to. In the five years since he’s founded the Bushwick Collective, he’s made so many wonderful connections.

How did you connect to Joe?

Dan Witz introduced me to Joe two years ago, and I worked with Joe and Dan on the exhibit for the Collective’s 3rd Annual Block Party. The experience was so fantastic that I was thrilled to have an opportunity to be involved once again with the Bushwick Collective.

As director, what are some of your responsibilities in managing an exhibit of this scope?

I had to contact all the artists and make sure that their work arrived in a timely fashion. I assisted Stan Sudol the director of the Mana Urban Arts Project, in installing the works. And, basically, I was in charge of organizing the exhibit and assuring that it runs smoothly.

What — would you say — was your greatest challenge?

Getting it all together in the span of a week.

That’s quite an accomplishment! Have you an academic or professional background in art?

Both my parents are artists, and I studied Art History and related fields at Bard College at Simon’s Rock. I’ve also worked in several Chelsea galleries.

How does working here differ from working in Chelsea?

It’s more of a labor of love here! The pace is faster, and there’s far more community involvement here in Bushwick than in Chelsea.

What is your impression of the art on exhibit here? Have you any favorites?

I’m so impressed by the quality of it all. There are so many wonderful pieces. Among my favorites is the one by Enx. It speaks to me!

How can folks see this exhibit? It’s an amazing opportunity to not only view such an eclectic selection of quality artworks, but to purchase art at remarkably reasonable prices — with all proceeds going directly to the artists.

It remains open to the public from 10am-5pm through the weekend.

Images

1. Giz and Ghost, RIS

2. Dan Witz, with director Asja Gleeson

3. Tim Okamura

4. Enx

5. Anna Orcutt-Jahns

6. Nicer, Tats Cru

7. See One

Photo credits: 1, 2, 4 – 7 Tara Murray, 3 City-as-School intern Sol Raxlen; interview conducted and edited by Lois Stavsky

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Painter and Performance Artist Gregg Deal on Silenced Indigenous Voices

June 1, 2016

A member of the Pyramid Lake Paiute Tribe, Colorado-based Gregg Deal is an accomplished muralist, painter and performance artist. I first encountered his artwork awhile back on the grounds of the EBC High School For Public Service in Bushwick, Brooklyn. This past weekend, I met him down in DC at the Smithsonian Arts & Industries Building, where he was one of 40 artists featured in CrossLines, presented by the Smithsonian Asian Pacific American Center.

What spurred you to so fervently embrace your Native American identity?

I don’t know that I specifically embrace it. It is just one of my many identities. I am, foremost, a human being. I am also an artist, a husband and a father.

You are sitting here in a tipi. What does this particular setting represent?

This tipi represents Washington DC. It is where museums, politics, sports and commerce all contribute to a view of Native Americans.

What about the paintings inside this tipi? How did you decide which to include?

I had to include works that would be acceptable to the Smithsonian. They had to be safe. And so I chose identifiable stereotypes of Native Americans — the only image most others have of us.

And as today’s event progresses, you continue to cross out the mouths of your portraits with bold red lines.

Yes! That is because of voices our censored. We have not been permitted to speak for ourselves. I, myself, have been censored.

What about your interpreter? You often speak through an interpreter.

That is because our lives — our experiences, feelings and thoughts — are almost always interpreted through others. Authentic indigenous voices have yet to be heard or recognized.

You are certainly creating awareness of that here.

Photo credits: 1, 2, 4 & 5 Lois Stavsky; 3 Sara C. Mozeson; interview by Lois Stavsky

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At Pow! Wow! DC with The Yok, Sheryo & Persue, Wooden Wave, Caratoes, Hoxxoh, Decoy, Vero, Jacob Eveland, HKS181, Naturel, Drew Merritt & Insa and more

May 31, 2016

Founded in 2010 by artist and curator Jasper Wong, Pow! Wow! has since staged several cultural festivals across the globe. While down in DC this past weekend, we had the chance to check out the final days of Pow! Wow! DC in the Capitol’s NoMa district. Organized by DC artist and designer Kelly Towles, Pow! Wow! DC features the talents of 17 local, national and international artists. Above is a segment from a huge mural painted collaboratively by the Yok, Sheryo and Persue. Here are several more images we captured:

Hawaiian duo Wooden Wave

Hong Kong-based Caratoes

Miami-based Hoxxoh

DC-based Decoy at work

Puerto Rican artist Vero

Richmond, Virginia-based Jacob Eveland, close-up from huge mural

Local artist HKS181 at work

DC-based Naturel

LA-based Drew Merritt and London-based Insa

Photo credits: 1, 3, 5. 7-10 Tara Murray; 2, 4 & 6 Lois Stavsky

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Coney Island Public Art Wall Project Returns This Weekend with: Tats Cru, Icy and Sot, Lady Aiko, Eric Haze, Pose, Mister Cartoon, Daze, Crash, John Ahearn, Nina Chanel and more

May 26, 2016

Coney Art Walls, one of last summer’s highlights, returns this weekend to its home at 3050 Stillwell Avenue in Coney Island. Joining such internationally acclaimed artists as Retna, el Seed, Miss Van and Ron English, is a wonderfully diverse array of artists, including several who returned this year to paint new murals. The following images were captured these past two weeks in this outdoor museum of street art, curated by Joseph J. Sitt & Jeffrey Deitch and presented by Thor Equities:

Tats Cru at work

Icy and Sot at work

Lady Aiko at work

Lady Aiko‘s completed piece

Eric Haze with his completed mural

John Ahearn at work

Nina Chanel at work with Khari Johnson Ricks to her right

Bordered by Bowery Street, West 15^th Street and Stillwell Avenue near the Coney Island boardwalk and beach, Coney Art Walls encompasses Greenwood Beach featuring popular food vendors including Dinosaur Bar-B-Que, Calexico, and Table 87. All murals will be completed in time for the Mermaid Parade on June 18. In addition, three walls will be painted by children and young adults from the local community this summer. Opening tomorrow, Coney Art Walls will remain open from 12pm to 10pm daily — with the exception of Monday, Memorial Day — through October.

Photo credits: 1-4, 6, 9-12 Tara Murray; 5, 7 & 8 Lois Stavsky

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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