Walls

noe-two-paints-urban-art-fair

Last evening, the first edition of the New York Urban Art Fair opened its doors at Spring Studios in Tribeca. It continues through Monday, July 3, with three dozen international exhibitors showcasing a diverse range of urban art, along with live painting and book signings. Pictured above is the Parisian artist Noe Two — represented by Les Galeries Bartoux — at work. What follows are several more images — all captured by travel and street art photographer Karin du Maire at yesterday’s launch.

London-based Mr Cenz, also represented by Les Galeries Bartoux

mr-cenz

Paris-based Hopare, represented by Galerie 42b

hopare-urban-arts-fair

NYC-based Logan Hicks with WallWorks NY

lohan-hicks-urban-art-fair

 Brooklyn-based Dain with Joshua Geyer in collaboration with Street Art Direct

dain-urban-arts-fair

UK-based Prefab77 and NYC’s Dan Witz with Jonathan LeVine ProjectsJonathan LeVine pictured

jonathan-levine with prefab-and-dan-witz

The Urban Art Fair is open at 50 Varick Street today until 10pm; tomorrow from 11am to 10pm; Sunday from 11am to 9pm and Monday from 11am to 3pm.  Ticket information is available here.

Photos by Karin du Maire

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

en-play-badge 2

{ 0 comments }

nda-mural-art-market-surplus-nyc

This past weekend, the now-abandoned Essex Street Market at 140 Essex was the site of Market Surplus, an exhibit featuring ten huge striking murals in a range of styles — from meticulously rendered photorealistic to brightly colored expressionistic. Largely site-specific, they were the perfect homage to a soon-to-be-demolished historic Lower East Side building.  While visiting late Sunday afternoon, I had the opportunity to pose a few questions to its curator, Adam Lucas aka Hanksy.

hanksy-mural-art-market-surplus

This is quite impressive. When did you begin working on it?

It all started a week and a half ago.

That’s quite remarkable. It must have been quite an intense week and a half! What moved you to curate it? 

Essex Crossing has been committed from early on to bringing public art projects to this neighborhood. Awhile back, they tapped me to help them accomplish this. When they offered me this building as a site for this exhibit, I took the opportunity to curate Market Surplus.

sonni-

It seems like so much effort for a weekend event. It’s wonderful, but I wish it weren’t over so quickly!

Large murals like these generally have long lives.  But I actually like the twist on permanence. Bringing these kinds of murals indoors for this transitory exhibit turns the notion of permanence on its head.

How did you decide which artists to engage?

I reached out to artists I know and like — who were in town. And some of the artists recommended other artists.

faust-market-surplus-calligraphy

There are quite a few references to the neighborhood in these works.

Yes. Among them is NDA‘s painting of Luis and his son Felix of the Luis Meat Market that is housed at the Essex Street Market.  A key mission of the exhibit was capturing the spirit of the Lower East Side.

I love the variety of styles and sensibilities featured here. Each is distinctly wonderful!

My intention was to present a range of styles. That was one of my criteria in selecting artists.

bk-foxx-surplus-market-mural-art-nyc

With Market Surplus behind you and now part of the history of the Lower East Side, what is next?

In two weeks, my work will be featured in a pop-up show at the Krause Gallery here on the Lower East Side. Later in the summer I will be painting a mural for the L.I.S.A Project. And there is much more to come!

It sounds great! And congratulations on this weekend’s exhibit.

Images

1. NDA

2. Adam Lucas aka Hanksy

3. Sonni

4. Faust

5. BK Foxx

Photo credits: 1, 2, 3 & 5 Lois Stavsky; 4 Karin du Maire; interview conducted and edited by Lois Stavsky

{ 2 comments }

This is the 13th in a series of occasional posts featuring the range of faces that have surfaced in NYC open spaces:

Toofly at the Welling Court Mural Project in Astoria, Queens

toofly-street-art-welling-court

David Choe, close-up from his all-too-ephemeral mural on Bowery & Houston

david-cho-street-art-nyc

Cernesto at the Welling Court Mural Project in Astoria, Queens

cernesto-street-art-astoria-nyc

Tristan Eaton at Coney Art Walls

tristan-eaton-street-art-coney-island

See One in Long Island City for Arts Org

see-one-street-art-LIC_edited-1

Berlin-based Spanish artist Victor Landeta aka Aum in Bushwick

Victor-landeta-Bushwick collective_edited-1

 Photos by Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

en-play-badge 2

{ 0 comments }

meres-graffiti-nyc

The walls at and in the vicinity of  Brooklyn Reclaimed brim with first-rate graffiti by artists from near and far. Pictured above is by Brooklyn Reclaimed curator, Meres One.  Several more images that I recently captured follow:

The legendary T-Kid 170

t-kid-graffiti-nyc

NYC-based Rath

rath-graffiti-nyc

Bronx-based Pase

pase-bt-graffiti-nyc

The itinerant VIP Rap

vip-rap-graffiti-nyc

Texas-based Sloke

sloke-graffiti-nyc

New Jersey-based 4Sakn

4-saken-graffiti-nyc

 Photos by Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

en-play-badge 2

{ 0 comments }

Lee-quinones-mural-art-coney-art-walls-NYC

Curated by Joseph Sitt and Jeffrey Deitch, Coney Art Walls has officially launched its 2017 season with the addition of ten new murals:  Featured above is the work of the legendary Lee Quinones. What follows are several more:

Noted comic artist, muralist and tattooist Mark Bodé, captured while gated

mark-bode-mural-art-coney-art-walls-NYC

NYC-based stencil artist Chris Stain

chris-stain-street-art-mural-coney-art-walls-nyc

Queens-native Skewville, close-up

skewville-street-art-mural-coney-art-walls-nyc

Egyptian artist Mohamed Fahmy aka Ganzeer

Ganzeer

Puerto Rican artist Alexis Diaz, work in progress

alexis-diaz-street-art-mural-coney-art-walls-nyc

UK native multidisciplinary artist  Shantell Martin

 Shantell-Martin-mural-art-coney-art-walls-NYC.

Miami-based Jim Drain

Jim-Drain-street-art-mural-coney-art-walls-nyc

 Bronx-based John Matos aka Crash and BR 163

Crash-BR163-TatsCru-street-art-mural-coney-art-walls-nyc

Bordered by Bowery Street, West 15th Street and Stillwell Avenue near the Coney Island boardwalk and beach, Coney Art Walls is open daily 12pm – 10pm through September. Throughout the summer, Coney Art Walls — launched by Thor Equities — will host dozens of appearances and live entertainment.

Photo credits: 1-6 & 8 Lois Stavsky; 7 Roy Rochlin & 8 courtesy of Thor Equities

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

en-play-badge 2

{ 0 comments }

marcelo-ment-close-up-JMZ

Brazilian artist Marcelo Ment recently brought his infectious, spirited aesthetic back to NYC, where he painted in Bushwick for JMZ Walls, on the Lower East Side for the New Allen and at First Street Green Park for International Hip Hop Day. While he was here, I had the opportunity to interview him.

When and where did you first get up?

It was in 1992 in Rio. I was 15 at the time.

What inspired you back then?

I always loved graffiti. My friends used to bring back graffiti magazines from the States, and I loved what I saw. I wanted to do it too. And from the time I was a young child, my older sister had always encouraged me to draw.

How did it feel at the time – the first time you got up?

It was great! I was so excited, I had butterflies in my stomach. It was love at first touch.

marcelo-ment-street-art-jmz

How did your family feel about what you were doing back then?

My mom didn’t understand it.  She said, “You have talent. So why are you doing this?” But now my entire family is proud of me.  They respect that I can make a living from what I love doing.

Yes, that’s the best! What is the principal source of your income?

Commissions, graphic design and canvasses.

What was the riskiest thing you’ve done?

Painting in high places that were not safe.

So then why did you?

I told myself that I have to.

marcelo-ment-street-art-jmz-walls-bushwick-nyc

What about these days? Do you prefer to work in legal spots or in unsanctioned ones?

These days I tend to do more legal work. I’m 40. I’m not a kid anymore, and I have serious responsibilities. But I respect illegal art and I miss the adrenalin rush.

Have you any thoughts about the graffiti/street art divide?

I don’t feel it in Rio. There’s a sense of mutual respect.

Are there any particular cultures that have influenced your style?

My initial and principal influence was classic NYC graffiti. I love letters.

Do you have a formal art education?

No! I’m self-taught.

marcelo-ment-paints-east-village-nyc

What percentage of your time is devoted to art?

Almost 100%.

Have you any other interests? Passions?

Music is very important to me. I especially love reggae – all kinds of it.

Have you shown your work in galleries?

Yes, I’ve exhibited in Rio and in Amsterdam.

Do you prefer working alone or collaborating with others?

I love collaborating with friends.

marcelo-ment-bushwick-street-art-nyc

Are there any artists you would particularly like to collaborate with? Artists who have inspired you?

Among them are: Marko 93 from Paris, Germany’s Can2 and the Brazilian artist, Tarm.

What is your ideal working environment?

Anywhere I have access to paint!

Do you work with a sketch in hand or do you let it flow?

It varies. I prefer to freestyle.

Are you generally satisfied with your finished work?

I don’t think I am.  We are all so far from our best.

ment-street-art-lic

How has your work evolved through the years?

It’s evolved from painting letters to painting women. Painting women has been particularly challenging. And as I continue to grow as an artist, I tend to fuse my various styles and skills.

How do you feel about the role of social media in all of this?

It’s good and bad. Some are too eager to share what’s not worth sharing.

What do you see as the role of the artist in society?

To share knowledge and awareness.

marcelo-ment-allen-street

Photos: Lois Stavsky; interview conducted and edited by Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

en-play-badge 2

{ 0 comments }

gats-art-at-spoke

A huge fan of the Oakland-based street artist GATS since I first saw his iconic mask imagery across the globe several years ago, I was delighted to view his artwork here in NYC — both in the brilliantly conceived and curated exhibit Against the Grain at SPOKE ART NYC and on the streets of Little Italy. Pictured above is a segment of a huge mural featured in Against the Grain. Here are several more images — all fashioned on found objects — from the exhibit:

Death by Pebble, Acrylic on 1960’s skateboards, 4 of 8

gats-skateboards

Traveler, Acrylic on found wooden case (top); Trackside, acrylic on spraycan (bottom)

gats-traveler

Stripes, Acrylic on found shipwreck

gats-stripes

Eliminator, Enamel on vintage sprayer

gats-reclaimed-fire-extinguisher

 And on the streets of Little Italy — with the L.I.S.A Project

gats-little-italy

 Close-up

gats-little-italy-close-up

Against the Grain continues at SPOKE ART NYC through June 25th. The gallery is located at 210 Rivington Street on Manhattan’s Lower East Side and is open Wednesday through Sunday from 11:00 am – 7:00 pm.

Photo credits: 1, 3-7 Lois Stavsky; 2 Karin du Maire

Note: Hailed in a range of media from Wide Walls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

en-play-badge 2

{ 0 comments }

charlie-ahearn-in-scratch-ecstasy-PPOW

Scratch Ecstasy, an exhibition of  work in a range of media by visual artist and legendary filmmaker Charlie Ahearn, continues through June 24 at P.P.O.W in Chelsea. A chronicler of the rise of hip-hop and street art culture, Ahearn has documented the movement since the 80’s through photography, film and slide shows.  The following is adapted from an interview conducted by travel and street photographer Karin du Maire with Charlie at the gallery:

Can you tell us something about the title of your current show, Scratch Ecstasy? To what does it refer? 

Yes! The word “scratch” actually has a double meaning. It refers to scratching on a surface, but it also refers to a technique pioneered by Grand Wizzard Theodore of a needle going back and forth on a record — which creates a very jazzy, electronic effect.

Ectasy-Garage-flyer

And what about the word “Ecstasy” in the title? What is its reference?

It’s a reference to a real place in a real time — the Ecstasy Garage, where I was listening to not only Grand Wizzard Theodore scratch his music, but also to Chief Rocker Busy Bee on the microphone or Grand Master Cass, along with many other artists who were performing there. I spent a lot of time at  the Ecstasy Garage doing a slide show and watching different hip-hop performances, largely to an audience of high school kids. It was a very out-of-the-way place.

charlie-ahearn-map

What was your mission back then? 

It is similar to the mission of this show — to create a record of what was going on so that people today can pinpoint certain people and places that should get recognition and be remembered.

What about your own paintings that are on exhibit here? Can you tell us something about the process?

It started with me doing the painting on canvas with the forms that would be in it. The colors I chose reflect the bright fluorescent colors that were prominent in inexpensive flyers that the kids would hand out to get others to show up.

charlie-ahearn-survival

And what about the slide show that is going on? 

It is the slide show that I gave at the Ecstasy Garage with Grand Wizzard Theodore as the DJ. As presented here with the music, it is a reflection of what was going on back there at the time. I gave it at the Ecstasy Garage as a kind of way of working on Wild Style — the slides in a particular order to tell a story, and it all ended up in the movie, one way or another.

lee-quinones-graffiti

Thank you for preserving and sharing so much history with us.

Note:  P.P.O.W will be screening Charlie’s 1979 kung fu film, The Deadly Art of Survival, tomorrow, Friday evening, at 7pm. The gallery is located at 535 West 22nd St, 3rd Floor, in Chelsea.

Images

1  Charlie Ahearn at P.P.O.W — as interviewed by Karin Du Maire — with Data Rock, silkscreen on canvas

2  Scratch Ecstasy, silkscreen on canvas

3  The World of Hip Hop, silkscreen on canvas

4  Nathan, silkscreen on canvas

5  Howard the Duck, Lee Quinones, LES mural

Photo credits: 1 & 2 Karin Du Maire; 3, 4 & 5 (still from slide show) Lois Stavsky; interview conducted by Karin Du Maire and edited by Lois Stavsky

{ 0 comments }

see-one-street-art-welling-court

Curated by Ad Hoc Art, the Welling Court Mural Project is once again bringing a diverse range of intriguing murals to Welling Court and its neighboring blocks in Astoria, Queens. Many artists have already begun painting in anticipation of tomorrow’s Block Party. A few have already finished. Pictured above is a completed mural by See One. Here are several more images I captured today:

Queen Andrea

queen-andrea

 SP One at work

sp-one-paints

Bluze

bluze

Sinned NYC

sinned-nyc

Onel and Roberto Castillo

onel-and -robert-castillo

ASVP at work

asvp

Tomorrow’s Block Party begins at noon at 11-98 Welling Court at 30th Avenue & 12th Street in Astoria, Queens.

Photos by Lois Stavsky

Note: Hailed in a range of media from Wide Walls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

en-play-badge 2

{ 0 comments }

Montreal-Mural-Festival-June-2016-Felipe-Pantone

As part of this year’s edition of the Montreal Mural Festival, Station 16 Gallery will host PLANAR DIRECTION, a solo exhibition by the wonderfully talented Argentine-Spanish artist Felipe Pantone. Opening this Thursday evening, June 8, PLANAR DIRECTION will showcase a series of Pantone‘s striking works, characterized by distinct geometric shapes that fuse black and white designs with bold florescent colors. Pictured above is the mural that Pantone painted for last year’s Mural Festival. What follows is a brief preview of his new works for PLANAR DIRECTION:

Planar Direction 3

Planar-Direction-3-Felipe-Pantone

Planar Direction 6

Planar-Direction-6-Felipe-Pantone

Planar Direction 4

Planar-Direction-4-Felipe-Pantone

Station 16 Gallery

pantone-exhibit

Station 16 Gallery is located at 3523 Boul St-Laurent in Montreal.

All images courtesy Station 16 Gallery

Note: Hailed in a range of media from Wide Walls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

en-play-badge 2

{ 0 comments }