News

Celebrating the diversity of street art and its power to transform neighborhoods, the Wide Open Walls mural festival is now underway in Sacramento, California. Continuing through August 20th, it is bringing over 40 local, national and international artists to Downtown Sacramento and beyond. Pictured above is Spanish artist Okuda. What follows are several more images captured on site by street art and travel photographer Karin du Maire:

Madrid-based Okuda, close up

Paris-based Ludo

NYC-based How & Nosm at work

Nevada City-based Miles Toland with his mural

And on view at Beatnik Studios in coordination with the festival:

Sacramento-based Shaun Burner

And local artist Bryan Valenzuela

Organized by festival founder David Sobon and Branded ArtsWide Open Walls is one of the capital’s key attractions.

Photos by Karin du Maire

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Run by the NYC Department of Health & Mental Hygiene, the New York City Mural Arts Project has brought two murals to the Bronx and one to Manhattan this past year.

“Art has the ability to profoundly change the way we think, feel, and even spark meaningful conversation to begin to break down the strongholds of isolation and stigma,” said First Lady Charlene McCray.”The Mural Arts Project is an important investment…in improving our city’s mental health infrastructure.”

Earlier this year, lead artist Andrew Frank Baer began collaborating with Fountain House Gallery and members of the Hell’s Kitchen community in designing and painting a huge two-segment mural. Many of the Mural Arts Project’s participants struggle with mental illness and/or substance abuse problems.The impressive artwork they created has since found a home on West 34th Street between 9th and 10th Avenues. After visiting the site, I spoke to Andrew Frank Baer.

I love the the collaborative nature of this project.  How would you describe the principal mission of the New York City Mural Arts Project?

Its principal aim is to integrate people with mental health issues into the community and to destigmatize mental illness.

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Could you tell us something about the process? Its beginnings?

Yes! The Fountain House Gallery hosted workshops where its members actively designed and sketched the artworks. And as the local community is involved in all stages of the process, there is constant interaction among us all.

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What is it about the project that engages you?

I’ve worked with similar mural-making projects for a few years now. I love drawing, and I love listening. And I especially love working with others and serving people with mental health issues.

What were some of the challenges that this project has faced?

Deciding on a design that would work — one that people would respond to. And, then, getting to know everyone on a sincere level.

The site of the two mural segments is ideal. The two wide, highly visible spaces couldn’t be more perfect! And I think we can all relate to its message: Some days I have to push myself to go outside and walk to the park. Say hello! We can embrace ourselves and open doors together. How has the community responded to it all? 

The response has been overwhelmingly positive. We even had construction workers enthusiastically coming up to us while we were working on site!

Congratulations! I’m looking forward to future collaborations!

Photos by Lois Stavsky; interview conducted and edited by Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Continuing through this week at Avant Garde LES is Queens-based ZA ONE‘s exuberant solo exhibit, The Evolution of ZA ONE. While visiting last week, I had the chance to speak to its curator, Kate Storch.

ZA ONE is a style master; that is certainly evident here. And it was great fun watching him paint over at First Street Green Park last month. 

Yes! ZA ONE is a true artist. He is fearless in his determination to keep on pushing his craft further and further.  He spent the past two years working on these canvases.

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When did ZA ONE first hit the streets?

He first hit the streets in the mid-eighties. And in 2012, he started going all-city. It was non-stop adrenalin. He is a street killer, as well as a masterful artist.

How did you meet ZA ONE

Jerms introduced us about two years ago. I feel like ZA ONE was a gift. And I love the way he involves his children in his art.  He is a dedicated father, as well as a dedicated artist.

How did the opening of the show go? I’ve heard great things about it!

Yes, it was amazing. There was so much love from other writers. And the exhibit attracted a wonderfully eclectic mix of people including fine artists and musicians.

What’s next for you?

I’ve been busily planning and promoting this coming Friday’s Summer Classics Block Party in honor of National Hip Hop Day.

What can folks who attend it expect?

It will feature live DJs and some of the best graffiti artists and muralists — a mix of both legendary classics and contemporary talents.

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It sounds great! Good luck with it all!

Photos by Lois Stavsky; interview with Kate Storch conducted and edited by Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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werc-and-gera-luz-paint-jersey-city

A strikingly beautiful mural has surfaced across the street from the Jersey City Municipal Court. Spearheaded by the Jersey City Mural Arts Program, it is the work of the incomparable duo, Werc and Gera Luz. Contemplating the theme of justice, it features Maat, the Egyptian Goddess of Justice. Pictured above are the two artists at work. What follows are additional photos — all captured on site by street and travel photographer Karin du Maire.

Gera Luz, posing beneath Maat — the Egyptian Goddess of Justice — whom she remarkably resembles!

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An admirer with a gift for Gera Luz

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Close-up featuring the weighing of the heart with a feather — that determined the fate of the departed soul

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Werc and Gera Luz pose in front of their completed mural

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Special thanks to Karin du Maire for capturing and sharing these images.

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guache-praxis-irving-ramo-street-art-bushwick-nyc

Four new murals — all fashioned by South American artists — have found a home on Harman Street off Knickerbocker Avenue in Bushwick, Brooklyn. Curated by Spread Art NYC, each is distinctly intriguing. The wall segment pictured above features Colombian artists Guache and Praxis and Ecuadorian artist Irving Ramó. Several more photos captured at this space follow:

Guache at work

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Praxis gets some assistance

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A close-up from Irving Ramó‘s completed mural

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And the most recent addition to the wall — painted by  by Brazilian artist Raul Zito

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Photo credits: 1-3  Karin du Maire; 4 & 5 Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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The third edition of Festival Inspire — held earlier this month in Moncton, New Brunswick — has brought 13 wondrous new murals to the Canadian city’s urban landscape. Greater Moncton is now home to 31 strikingly beautiful murals by international and local artists. The artwork pictured above was painted by Mexican artist Senkoe. What follows are several recent murals:

UK-based Wasp Elder

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Portuguese artist Bordalo II

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Toronto-based Jerry Rugg aka Birdo

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Athens-based WD

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French artist Etien

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Mexican artist Eva Bracamontes

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All photos courtesy Festival Inspire: 1 -6 Louis Philippe Chiasson; 7 Edward deo Dingle

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Plasma-slug-A-colony-of-love

Portal, a thoroughly enticing exhibit of new artworks in a range of media by the legendary Brooklyn-based artist Plasma Slug, continues through tomorrow at ArtHelix, 289 Meserole Street in Bushwick. When I stopped by yesterday, I had the chance to pose a few questions to the artist.

This is so impressive! Can you tell us a bit about the title of this — your third solo exhibit?

Yes! The exhibit is a portal — an entrance — to another world. Viewers will step into something that will take them out of their routine and they will, hopefully, leave with their minds expanded.

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These are all new works. About how many are in this exhibit? And how long have you been working on this particular body of work?

There are over 40 new pieces, and I’ve been preparing for this exhibit for the past four months.

How do the works on exhibit here differ from your previous ones?

I did not use spray paint to create these new pieces; after much soul-searching, I decided to paint with a brush.

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And why is that?

It was a way for me to “cross over,” — to gain more respect as an artist. The tools we artists use are important as to how we are perceived.

Any other differences between these new works and your previous ones?

This is the first time I’m showing three-dimensional work.

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What prompted you to do that?

My son was flipping out over a 3-D chalk board he was using, and I liked the effect.

Everything here is so engaging, and your prices are so reasonable.  How can folks see the exhibit if they missed the opening or if they wish to see it again? I could spend hours here!

We’re open today and tomorrow, Sunday from 12-6.

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 Congratulations! It’s quite amazing!

Photos by Lois Stavsky; interview conducted and edited by Lois Stavsky

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The masterful Puerto Rican artist Alexis Diaz returned to NYC earlier this month, where he completed his mural for Coney Art Walls and fashioned a new one in Nolita. Featured above is his wondrous new work  — painted with the assistance of Esagente — at rag & bone on Elizabeth Street. What follows are several more images of the work in progress and the completed mural:

In the beginning

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Both artists continue painting on one of the hottest days of the year–

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Alexis Diaz takes a brief break; Esagente paints 

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Alexis Diaz photographs the final piece

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Photo credits: 1 Lois Stavsky; 2 & 3 Tara Murray; 4 & 5 Karin du Maire

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Frank+Ape+-+Over+The+Rainbow

Opening tonight at Contra Galleries at 122 West 26th Street in Chelsea is Over the Rainbow, an exhibit of new works by Frank Ape, the iconic character created by Brandon Sines. Curious about Frank Ape? I was!

I’ve been a huge fan of Frank Ape since I first came upon him on our streets several years ago.  Just who is he?

Frank is a fun-loving Sasquatch who lives in NYC among us humans.  Always caring and positive, he is an ape that often takes the form of a cartoon.

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When and where was he born?

He was born in NYC in 2010 shortly after I moved here. He evolved from a mix of various mythological creatures, pop-icons and original characters that I’d used in my earlier artwork.

Can you tell us about the relationship between you, Brandon Sines, the artist and the lovable Frank Ape — whom we’ve come to associate with you?

I identify with Frank Ape on a highly personal level. He gives me an opportunity to be invisible — while, at the same time, present — in his work.

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What can visitors to tonight’s opening expect to experience? 

From 6-10pm, visitors can expect to be taken on a magical adventure in the multi-roomed gallery through the eye of Frank Ape. They will be able to interact with several site-specific exhibitions, view new large-scale Frank paintings, scoop limited edition collectibles at the pop-up gift shop and dance through the night to some of Frank’s favorite songs. And they will have the opportunity to meet the real life Frank!

It all sounds great! What’s ahead?

On August 10th, a new exhibit at Contra Galleries will feature my non-Frank paintings, along with a launch of my book Lips and Drips.

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Good luck with it all. It’s quite ambitious!

Photos courtesy Brandon Sines

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Fashioned by the hugely talented Jerry Rugg aka Bird0, a delightful range of brightly-hued, surrealistic geometric creatures have made their way onto Toronto’s visual landscape.  We were delighted to meet the artist while visiting Toronto and have the chance to interview him.

When and where did you first get up?

It was in 2002 in Toronto with a wretched, shitty, embarrassing tag.

What inspired you at the time?

The 90’s freight graffiti that I saw on the Canadian Prairies.

Do any early graffiti-related memories stand out?

Discovering that someone in my local town — Rove CBS — was a great graffiti artist and watching him paint.

Have you painted with any crews?

Six years of mayhem with the DMC crew!

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These days, would you rather work legally or illegally?

 I’d rather not be in handcuffs!

What is the riskiest thing you ever did?

Quit my day job.

What are your preferred surfaces?

I like painting outdoors – the bigger the surface the better.

Have you any thoughts regarding street artists’ engagement with the corporate world?

We have to pay our bills and we have to sleep at night. I guess it’s up to the individual to strike a balance.

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What about exhibits? Have you shown your work in formal settings?

Yes. I’ve participated in quite a few group shows.

Would you rather paint alone or collaborate with others?

I’m a lone wolf. But I like the concept of collaborating and I like interacting with others. It’s part of our evolution as artists.

Any thoughts about the graffiti/street art divide?

There is friction; they’re different mentalities painting the same surfaces. I’ve always believed that you gotta give respect to get respect.

What percentage of your time is devoted to art these days?

All if it!

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Do you work with a sketch in hand or do you let it flow?

I always have a sketch. I’m very strategic.

Have you a formal art education?

The graffiti culture has been my teacher.

Are there any particular cultures – besides the graffiti culture – that have influenced your aesthetic?

Not any specific cultures  — but movements, like Surrealism and artists like Escher and Dali.

Are you generally satisfied with your finished work?

People who know me best would likely say I’m rarely satisfied with anything.

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How has your work evolved through the years?

My style is similar, but my technique has evolved, particularly the way I work with shapes.

How do you feel about the photographers and bloggers in this scene?

I love it!  We artists are in the business of exposure.

What do you see as the role of the artist in society?

Artists are independent thinkers.  Our role is to mix things up.  Artists should challenge, disrupt, or beautify.

 What’s ahead?

Traveling, painting, drinking tea. Repeat.

Sounds good! We hope you make it to NYC soon!

Photo credits: 1, 3-5 courtesy the artist; 2 Lois Stavsky; interview conducted by Lois Stavsky with Tara Murray

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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