Exhibits

Styles and Storytellers: Volume I Continues at La Maison d’Art in Harlem with J.T. Liss, Misha Tyutyunik, Marthalicia and Jeff Henriquez

May 26, 2017

Currently on view at La Maison d’Art in Harlem is Styles and Storytellers, the first installment of a series of exhibits and artist talks conceived and curated by artist J.T. Liss. In this intriguingly provocative exhibit, four different artists present four unique stories in four distinct styles. Each of the four artists — J.T. Liss, Misha Tyutyunik, Marthalicia Matarrita and Jeff Henriquez — also share their talents with us on our city streets. Pictured above is Face Value by J.T. Liss. Here are several more images from the show:

J.T. Liss, Face Value II, Photographic art on canvas

Misha Tyutyunik, Mourning, Acrylic on canvas

Marthalicia Matarrita, Frida Kahlo, En la Lucha, Mixed media

Jeff Henriquez, Night Moves #5, Photographic art on canvas

Styles and Storytellers: Volume I continues until June 30th with an artist talk and open-mic poetry/spoken words/music next Friday, June 2, 6-9 pm. To schedule an appointment to visit the exhibit at another time, you can contact gallery owner Stephanie Calla at stephanie@lamaisondartny.com or at 917-533-4605. La Maison d’Art is located at 259 W 132nd Street in Harlem.

Photos of artworks by Lois Stavsky

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At Street Art Expo NYC with: Plasma Slug, Murrz, Epic Uno, Turtle Caps, Free5, Kepts, KingBee, Jaylo & more

May 8, 2017

The 3rd edition of Street Art Expo NYC took place yesterday afternoon at the Elks Lodge in Elmhurst, Queens. Visitors had the opportunity to meet dozens of artists and vendors and to purchase an amazing array of urban art in different media — from stickers to huge canvases. Here are a few images we captured:

Plasma Slug

Murrz, tribute to Diva, RIP

Epic Uno

Turtle Caps

Free5

Kepts

The Royal KingBee

Jaylo, signed by KingBee

Sponsors for the event included: Ironlak, TYO Toys,The Alski Show, Bombing Science and Stick Em Up.

Photo credits: 1-7 Lois Stavsky; 8 Tara Murray

Note: Hailed in a range of media from Wide Walls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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A Benefit Fundraiser for Young New Yorkers Honoring Michael K. Williams with: Icy and Sot, Guerrilla Girls, Jordan Seiler, Kara Walker, Distort, Nicholas Galanin, Shepard Fairey & more

May 1, 2017

Committed to using art to transform the ways that teens are prosecuted and sentenced in New York’s adult criminal justice system, Young New Yorkers’ fifth annual Silent Art Auction will fund its grassroots arts program for teens facing criminal charges as adults. Curated by Layqa Nuna Yawar and Ann Lewis, the fundraiser features works by over 80 artists. On Wednesday, May 10th, the Annual Silent Auction will take place from 7-10pm at 548 W. 28th Street in Chelsea, Manhattan. Its special honoree is the wonderfully gifted, Brooklyn-based actor and activist Michael K. Williams. Among the artworks to be auctioned are several with a distinct political consciousness. Featured above is Icy and Sot, Stop Police Brutality, Spray paint on wood. Here are several more socially-engaged artworks to be auctioned:

Guerrilla Girls, What’s The Difference Between A Prisoner Of War And A Homeless Person?, Offset lithograph

Jordan Seiler, Collisions – Bullseye, Inkjet

Kara Walker, Lost Mountain at Sunrise: Harper’s Pictorial History of the Civil War (Annotated), Offset lithography and screenprint on Sommerset textured paper

Distort, Estranged, Enamel and engraving on aluminum

Nicholas Galanin, The American Dream is Alie and Well, Archival Ultrachrome ink on Epson ultra smooth fine art paper

And with the purchase of any artwork from Young New Yorkers, you will receive one of these Amplifier prints designed by Shepard Fairey

You can purchase tickers here for May 10th’s Silent Auction and bid on the artworks at Paddle8 here.

Images of artworks courtesy Young New Yorkers

Note: Hailed in a range of media from Wide Walls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Fast Forward: Painting from the 1980s at the Whitney Through May 14: Jean-Michel Basquiat, Keith Haring, Martin Wong, Kenny Scharf & more

April 28, 2017

Among the diverse works on display in Fast Forward: Painting from the 1980s at the Whitney Museum are several by artists whose contributions to the graffiti and street art movement have been monumental. Pictured above is LNAPRK by Jean-Michel Basquiat. Here are several more:

Keith Haring, Untitled, Fiber-tipped pen on synthetic leather

Martin Wong, Closed, Acrylic on canvas; the artist’s extensive graffiti collection was the subject of City as Canvas at the Museum of the City of New York in 2014

Kenny Scharf, When the Worlds Collide, Oil and spray paint on canvas against wallpaper adapted from Keith Haring mural at the Pop Shop

Kenny Scharf, close-up

Fast Forward: Painting from the 1980s continues through May 14 at the Whitney Museum, 99 Gansevoort Street in the Meat Packing District. Check here for hours. Admission is Pay-What-You-Wish on Friday’s, 7-10 pm.

Photos by Lois Stavsky

Note: Hailed in a range of media from Wide Walls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Richard Hambleton: I Only Have Eyes for You Continues Through May 5 at Woodward Gallery on Manhattan’s Lower East Side

April 24, 2017

A contemporary of Keith Haring and Jean-Michel Basquiat, Richard Hambleton, the Godfather of Street Art, began making his mark on the streets of his native Vancouver in the mid-70’s. His Image Mass Murder Art — a recreation of crime scenes — hit the streets of 15 major cities throughout Canada and the US from 1976 through 1979. In the 80’s, his iconic Shadowman paintings surfaced across NYC and through Europe, including the Berlin Wall. He has since attained legendary, though infamous, status. To coincide with the highly anticipated World Documentary Premiere of SHADOWMAN by Oscar-nominated director Oren Jacoby, a historical selection of paintings by Artist Richard Hambleton his now on view at Woodward Gallery.

Woodward Gallery Windows, Shadow Jumper, center with Shadow Head portraits to the right and left

Dancing Shadowman

Wide view, as seen through Woodward Gallery windows, featuring the Marlboro Man to the left of Shadow Man portraits on paper

Another variation of the Marlboro Man as seen from the outside

At the Tribeca Film Festival

With a rare public appearance by the elusive Richard Hambleton

Woodward Gallery is located at 132A Eldridge Street off Delancey on Manhattan’s Lower East Side. Visitors are invited to observe Richard Hambleton’s works from the outside and through gallery windows, as Hambleton intended in his vision. Special viewings are available by appointment. The artworks remain on view through May 5th.

Images courtesy Woodward Gallery

Note: Hailed in a range of media from Wide Walls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Louie “KR.One” Gasparro on: DON1, the Production of KOLORSTORM, His Upcoming Exhibit at the Urban Foundation Gallery and more

April 21, 2017

Born in East Harlem and raised in Astoria, Queens, Louie “KR.One” Gasparro has been sharing his vast creative talents — both as an artist and as musician — with us for decades. “Louie was an original,” Sacha Jenkins writes in the introduction to the recently-released KOLORSTORM: The Art of Louie “KR.One” Gasparro. “KR was a master of paint at a time in graffiti when there were more court jesters than kings, more tags and throw ups than masterpieces.” Earlier this week, I had the opportunity to catch up with the impassioned artist while visiting his studio.

It’s been almost three years now since your first book Don1: The King from Queens was launched with a panel discussion at the Museum of the City of New York. How has the response to that book been?

The response has been overwhelming. I put a light on a NYC graffiti master who had been forgotten. He had influenced so many of us, but was living in obscurity. I was determined to uncover his story and share it with others. I spent nine years doing that. But my persistence paid off. I had folks from Italy writing to me after the book was released.

And what about your current book? It’s quite impressive! How did that come about?

While working on Don1: The King from Queens, I developed a relationship with its publisher, Schiffer Books. And when I proposed a book of my own works, I was encouraged to see it through.

I love the way your new book is organized into distinct chapters on different themes — such as The Early Days, Black Books, Model Trains, Abstracts, Walls and more. There is such an amazing variety of works and styles represented here, as well as a documentation of your journey as an artist — from subway graffiti pieces dating back to the early 80’s to contemporary urban art. How long did it take you to get it all together?

I spent two years working on it. The greatest challenge was deciding which works to include. Originally, I had 600 images. I then had to cut that down to 400.

Kolorstorm is also an amazing foray into your inspirations and passions. Can you tell us something about your influences?

There are many. Comic books, cartoons, graffiti art, rock & roll, heavy metal…

Who were some of your favorite musicians back then?

Among them are: Jimi Hendrix, Rush, Yes… For me — and for many of us — graffiti was never related to hip-hop. The connection was largely an illusion that was accepted by many as “fact.” Graffiti transcends all concepts of race, religion, culture and class. That’s what makes it so great.

In what ways has your work evolved through the past few years?

The entire process has become easier. My artwork is more detailed, and my line works are better.

Your Abstrakts are on a whole different level! What inspired them?

I was just experimenting with colors and shapes. The Abstrakts evolved from the experimentation. I’ve been told that they are “informed by graffiti.” And so they may be!

What’s ahead?

More art, of course! And opening Saturday (tomorrow) night is Art As An Answer, a one night only pop-up show with new works, presented by The Astoria Boyz and The Urban Foundation Gallery, at 208 East 73rd Street in Manhattan.

Congratulations! It’s certain to be wonderful!

Images:

1. Cover of KOLORSTORM: The Art of Louie “KR.One” Gasparro, published by Schiffer Books

2. Louie “KR.One” Gasparro in his studio

3. Louie “KR.One” Gasparro, The Lost Art of the Tag, True York

4. KR.One and Fome 1, IRT #2 Line, Bronx, 1982, Photo © Martha Cooper

5. Louie “KR.One” Gasparro, Abstract, Greyburst3

6. Louie “KR.One” Gasparro, Band Member, Keyboardist

Interview conducted and edited by Lois Stavsky; images 1, 4, 5 & 7 courtesy of the artist; 2, 3 & 6 photographed by Lois Stavsky in Louie’s studio

Note: Hailed in a range of media from Wide Walls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Fem-is-in Continues Through Next Saturday at Fat Free Art with: Lady Pink, Alice Mizrachi, Queen Andrea, Jane Dickson, Swoon & more

April 8, 2017

Curated by Alice Mizrachi, Fem-is-in is an homage to the female spirit in this time of female-led activism. Featuring a diverse range of work by female artists who have forged their distinct paths, Fem-is-in engages and entices. The artwork pictured above is by the legendary Lady Pink. What follows is a small sampling of works that can be seen at Fat Free Art through next Saturday.

Alice Mizrachi

Queen Andrea

Jane Dickson

Swoon, close-up

Also featured in Fem-is-in are works by: Lady Aiko, Diane McClure, Ann Lewis aka Gilf!, Janette Beckman and Martha Cooper.

Located at 102 Allen Street on Manhattan’s Lower East Side, Fat Free Art is open Tuesday-Saturday 11AM-7PM and Sunday 12PM-5PM.

Photos of images: 1, 4 & 5 Lois Stavsky; 2 & 3 Tara Murray

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Felipe Pantone at GR Gallery on the Bowery and on the Streets of Greenpoint, Brooklyn and more

April 6, 2017

Within the past year, we came upon Felipe Pantone‘s mesmerizing vision on the streets of Miami, Montreal, Atlanta, NYC and Valencia, Spain. And recently we viewed his distinctly bold, infectious aesthetic in a gallery setting here in NYC. Until Sunday, April 16 several of the artist’s studio works remain on view in the brilliantly alluring group exhibit, Interferences: Contemporary Op and Kinetic Art, at GR Gallery, 255 Bowery. Pictured above is OPTICHROMIE 85, enamel on wood panel. What follows are two more of Felipe Pantone‘s works on exhibit at GR Gallery.

CHROMADYNAMICA 16, Enamel on wood panel

SCROLL PANORAMA 11, Enamel spray paint on aluminum and acrylic

And while here for the opening of Interferences: Contemporary Op and Kinetic Art, Felipe Pantone shared his talents with us on the streets of Greenpoint, Brooklyn

Several other of his works we sighted outdoors these past few months include:

In Atlanta, Georgia for the Outer Space Project

In Montreal, Canada for the Mural Festival

And spotted this past weekend in Valencia, Spain, where the Argentine artist is based

Featured along with Felipe Pantone at GR Gallery are Gilbert Hsiao, Nadia Costantini, and Sandi Renko, whose innovative works “investigate and advance the discourse around pattern, optical and perceptual abstract painting.” Located at 255 Bowery — between Houston & Stanton — GR Gallery is open Tue- Sat 12:00pm – 7:00pm.

Photo credits: 1 – 3 Courtesy GR Gallery; 4-6 Tara Murray & 7 Lois Stavsky

Note: Hailed in a range of media from Wide Walls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Synopsis of an Urban Memoir: An Homage to Brazilian Street Art Continues at Andrew Freedman Home through April 14

March 30, 2017

A sumptuous selection of artworks by Brazilian street artists is currently on exhibit at the historic Andrew Freedman Home in the Bronx. This past Sunday, we had the opportunity to speak to the lovely Larissa Ferreira, one of the exhibit’s curators.

What an exhilarating exhibit! What inspired it? Any significance to its timing — as it opened on March 26th?

It is an homage to Brazil’s rich street art and graffiti tradition. And, yes, the date is significant! Brazil’s “National Day of Graffiti” on March 27th was established in 1987 after the death of the artist Alex Vallauri (1949-1987), one of the pioneers of contemporary urban art in the country.

What, exactly, was your role in producing this exhibit?

I curated it in collaboration with Ligia Coelho Martins of Duetto Arts and Roberta Prado of Urban Walls Brazil in partnership with Andrew Freedman Home and CUFA – Central Única das Favelas.

How many of these artists are currently based in NYC?

Just three: Henrique Beloitti, Fefa Românova and Camila Crivelenti. The others are based in Brazil, but several will be traveling here to NYC in the months ahead.

What — would you say — is the mission of Synopsis of an Urban Memoir?

In recent months, we have witnessed the disappearance of art on the streets of my hometown, São Paulo. This exhibit is our way of paying homage to urban art as an artistic and social movement.

What were some of a the challenges involved in producing an exhibit of this nature?

Finding the right site for the exhibition and selecting the artists.

How did you go about selecting the artists?

With difficulty! We originally wanted to include 10-13 artists. We ended up showcasing the words of 19: Alto*Contraste, Branco, Bugre, Camila Crivelenti, Ciro Schu, Combone, Criola, Fefa Românova, Goms, Henrique Beloitti, Ju Violeta, Júlio Vieira, Mag Magrela, Mateus Bailon, Panmela Castro, Pecci, Siss, Tikka and Vermelho. Each of these artists represents a distinct style and sensibility.

How did the opening of the show go?

It was wonderful! So much enthusiasm, spirit and great music!

How can folks see this exhibit? It’s a definite must-see!

It remains on exhibit here at the Andrew Freedman Home — 1125 Grand Concourse, directly across from the Bronx Museum of the Arts — through April 14. Hours are: Mon – Thu, 9am – 7pm; Fri: 9am – 5pm and Sat: 10am – 5:30pm.

Images of artworks

1. Wide view of segment of the exhibit

2. Fefa Românova, The Return of the Wild Woman

3. Bugre, Family

4. Henrique Beloitti, Raios de Oya

5. Goms, Zoomorfia Urbana

6. Mateus Bailon, O Portador das Flores

7. Vermelho, Gula

8. Ciro Schu, from Circuit Series

Photo credits: 1, 2 & 8 Houda Lazrak, 3-7, Lois Stavsky; interview conducted by Lois Stavsky with Houda Lazrak and edited by Lois Stavsky

Hailed in a range of media from Wide Walls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Pablo Power & Schoolly D, Philly VS New York: A Declaration of Co-Independence at Okay Space in Williamsburg

March 24, 2017

Currently on view at Okay Space at 281 North 7th Street in Williamsburg, Brooklyn is Philly VS New York: A Declaration of Co-Independence. Featuring works — fashioned both individually and collaboratively — by legendary Philly rapper Schoolly D and New York-based multi-disciplinary visual artist Pablo Power, this exhibit is a follow-up to their 2013 exhibition, Am I Black Enough? Presented by Okay Space and Black Swan Projekt, Philly VS New York: A Declaration of Co-Independence continues through April 1. Pictured above is Gay Science and Joyous Wisdom by Pablo Power. What follows are several more images on display:

Schoolly D, Smoke Some Kill, Ink on paper