"Dee Dee"

Opening this evening at 2 Rivington Street on Manhattan’s Lower East Side and continuing through Sunday is The Day Is My Enemy, street artist Dee Dee‘s first solo exhibit. Presented by Montreal-based Station 16, it features an intriguing array of distinctly curious collaged works. When I stopped by last night, I had the opportunity to speak to Adam Vieira and Emily Robertson of Station 16.

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Just who is Dee Dee?

She is quite mysterious! But word is that the secretive artist is based in New York City and that she is Japanese.

Interesting! How did you discover her?

We first heard about her from Dain, whose work we’d exhibited at Station 16.

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Yes! They share a similar aesthetic! What is it about Dee Dee‘s work that appeals to you?

We love that she creates her art from scraps of posters and assorted papers that she finds on the streets. And we like that she consistently gets up in a variety of spots. We are thrilled to be back in NYC to present her work in this space.

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Can you tell us something about the concept behind The Day Is My Enemy?

Yes! It is Halloween-based, as it highlights themes of deception and destruction. The works on exhibit explore the contradictions and discrepancies between our private and public selves.

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What can visitors to the opening reception expect — in addition to viewing first-hand all of this intriguing art?

There will be themed hostesses, lighting to complement the mood, a soundscape designed by Dee Dee and more!

It sounds great! Good luck!

Note: The Day Is My Enemy opens this evening from 6-9pm at 2 Rivington Street off the Bowery.

Interview and photos 1-4 by Lois Stavsky

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ree-and-snow-graffiti-shuaspace

Currently on view at Jersey City’s Shuaspace is Street Level, an exhibit featuring works by a range of artists from Old School graffiti writers to contemporary muralists. While visiting the space this past Sunday, I had the opportunity to speak with its curator, Allison Remy Hall.

What a fun exhibit! It’s such a wonderful mix of styles and genres. How did it all come about? 

When the owners of Shuaspace, Joshua Bisset and Laura Quattrocch, met me at the previous show that I had curated, they invited me to curate in this space. I’d always wanted to curate a graffiti exhibit, and this seemed like the perfect venue and opportunity. I then contacted artists whom I knew, who put me in contact with other artists.

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Why graffiti? What draws you to graffiti?

I’ve always loved its aesthetic. I love its rawness and spontaneity.

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When and where were you first introduced to it?

My older siblings first introduced me to graffiti. I was about eight years old and living in New Haven at the time. Even as a child, I felt there was something bold and bad about it that appealed to me.

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What — would you say — is the mission of  Street Level?

It’s a celebration of the organic nature of neighborhoods. With gentrification so much of the aesthetics and social dynamics of neighborhoods have been lost.

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What was the experience of curating your first graffiti exhibit like?

It was wonderful! Everyone was so supportive and helpful and generous with their time. It was the most fun of any show I’ve curated!

Note: You can visit  Street Level, at Shuaspace this coming weekend from 1-6pm at 340 Summit Ave, a few blocks from Journal Square in Jersey City. You can also arrange a visit by contacting Alison at aremyh@gmail.com.

Photos by Lois Stavsky

1.  Ree and Snow, painted on gallery wall interspersed with black and white photographs

2. Curator Allison Remy Hall at gallery space

3. Distort and Acropainted on gallery wall interspersed with black and white photographs

4. Mr. Mustart

5. Sam Pullin aka Bedbugspainted on gallery wall interspersed with black and white photographs

Photographers on exhibit: Andrew Blumenthal, Miguel Peralta and Giovani Santoro

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Jeppe-Hein-public-art-scultpure-Brooklyn-Bridge-Park

Continuing through April 17, 2016 at Brooklyn Bridge Park is Jeppe Heins delightful open-air exhibit, Please Touch the Art. We’ve visited it several times and will be back for more! Here are a few more images we captured of the exhibit curated by Nicholas Baume and brought to us by the Public Art Fund.

Another Modified Social Bench

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Playtime at Appearing Rooms

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Close-up

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Mirror Labyrinth NY

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Modified Social Benches, another one of 16, at dusk

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Photo credits: 1 Lois Stavsky; 2-6 Dani Reyes Mozeson

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The following post is by Houda Lazrak, a contributor to StreetArtNYC and an M.A. candidate in Museum Studies at NYU:

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Located on the river bank in the Friedrichshain district of Berlin, Urban Spree is a vast multi-purpose creative space dedicated to promoting urban cultures. The walls of its industrial buildings are graced with constantly rotating murals, stencils, wheat pastes, and stickers from a rich array of  local and international artists. 

Here are a few more artworks I saw during a recent visit:

Portuguese artist Bordalo Segundo aka Bordalo II

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London-based Jimmy C

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London-based French artist Zabou

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Mexican artist Paola Delfin with artist to-be-identified to her right

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Iranian artists Icy and Sot

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Note: The first image features Berlin-based Low Bros

All photos by Houda Lazrak

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jerkface-street-art-galinksy

Curated by East Village resident Robert Galinsky, the 12C Outdoor Gallery — on Avenue C and East 12th Street — showcases an ever-changing array of murals representing a range of styles and themes. Recent additions include: JerkfaceDaphne ArthurMike Ceeza aka MCA and Zeso.

Jerkface at 12C Outdoor Gallery’s back-to-school block party

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Daphne Arthur

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Mike Ceeza aka MCA at 12C Outdoor Gallery’s back-to-school block party

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Zeso, close-up

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Zeso‘s complete mural with the message, Education is a Weapon of Mass Construction

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 Photo credits: 1, 3 & 5 Lois Stavsky; 2 & 4 Tara Murray and 6 Dani Reyes Mozeson

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"Icy and Sot"

Led by Maziar Bahari — a former Newsweek journalist who was imprisoned in Iran for 118 days and became the subject of Jon Stewart’s film Rosewater — the #NotACrime campaign focuses on human rights abuses in Iran.  Members of the Baha’is, Iran’s largest religious minority, have been jailed solely for teaching and studying, as have journalists who expose the Iranian government’s policies. #NotACrime‘s current street art campaign, curated by Street Art Anarchy, has brought a series of new politically-engaged murals to New York and New Jersey. I recently had the opportunity to speak to the noted Brooklyn-based Iranian-American artist Nicky Nodjoumi, one of the campaign’s participants, who had been exiled from Iran in the aftermath of the Islamic revolution.

"Marina Zumi"

What moved you to participate in the #NotACrime Street Art Campaign?

I have been using art as a means to expose political crimes for a long time. It is part of my overall activities as an artist.

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You are principally known for your exquisite politically-infused figurative paintings, but you also designed posters against the Shah back in the late 70’s.

Yes, while teaching at the Tehran University of Fine Arts, I became involved in the movement to oust the Shah. We never could have imagined that what would follow would be even worse than the Shah’s regime.

Nicky-Nodjoumi-political-street-art-NYC

For the #NotACrime street art Campaign, you painted a pair of shackled hands. That image has also been surfacing on posters Downtown. Why that image?

It is a symbolic gesture in support of journalists in Iran. It is a general representation of the suppression of free expression.

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Do you feel that all artists have a responsibility to raise issues that will facilitate change?

An artist who lives in the Middle East does. There one has to have a position and take a stand.

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What is the foremost challenge facing artists and journalists in Iran today?

There is no freedom of expression. Human rights are abused. Everything must be done clandestinely. One faces the risks of imprisonment, torture and worse for any expression that challenges the government.

faith47-street-art-not-a-crime-NYC

What do you see for the future? Are you at all optimistic? Will things get better in your native country?

Unfortunately, I don’t have any hope for the immediate future. Despite the election of a more moderate President, dissent is not tolerated, as the hardliners are the ones who are setting the present policies.

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I suppose we all need to work together to create awareness.

Note: All murals in the #NotACrime street art campaign were curated by Street Art Anarchy. What follows are the ones featured above:

1. New York-based Iranian artists Icy and Sot819 Broadway and Ellery St in Bushwick

2. Argentinian artist Marina Zumi, Frederick Douglass Blvd and 126th St in Harlem

3. American artist David Torres aka Rabi, part of the art duo Cyrcle, 126th St in Harlem’s Nelson Mandela Memorial Garden 

4. New York-based Iranian artist Nicky Nodjoumi, 11-22 Welling Court in Astoria

5. Italian artist Jacopo Ceccarelli aka 2501, 24th St and Lex Avenue in Manhattan

6. Brazilian artist Alexandre KetoFrederick Douglass Blvd and 126th St in Harlem

7. South African artist Faith47, Colombia and Woodhull Streets in Red Hook

8. New York-based Jennifer Caviola aka Cake, 612 Communipaw, Jersey City

not a crime

Interview with Nicky Nodjoumi by Lois Stavsky

Photo credits: 1, 4, 6 & 7 Tara Murray; 2, 3 & 5 Dani Reyes Mozeson and 8 courtesy of #NotACrime

Check here to find out how you can participate in the campaign.

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The following post is by Houda Lazrak, a contributor to StreetArtNYC and an M.A. candidate in Museum Studies at NYU:

alice-pasquini-street-art-rome

San Lorenzo, an up-and-coming art district in Rome, is home to a wide range of street art, including a block-long mural by Italian artist Alice Pasquini and a number of poignant stencils. Here are some of the pieces — many timeworn — that I captured.

French artist C215

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Unidentified artist — with a message

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Italian artist Solo

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Unga of the Israeli Broken Fingaz Crew

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West Coast-native Above

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Note: The first image features a segment from Alice Pasquini‘s huge mural painted adjacent to a school.

All photos by Houda Lazrak

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This is the seventh in a series of occasional posts featuring the range of curious characters that have made their way onto NYC open spaces:

London-based Fanakapan at the Bushwick Collective

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French artist Bebar in Brownsville, Brooklyn

Bebar

Mexican artist Telleache at the Bushwick Collective

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Pyramid Oracle at Welling Court in Astoria, Queens

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Mr Nerds at the Bushwick Collective

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Photo credits: 1, 3 & 5 Lois Stavsky; 2 & 4 Tara Murray

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The following post is by Houda Lazrak, a contributor to StreetArtNYC and an M.A. candidate in Museum Studies at NYU:

Beau-Stanton street-art-rome

The MURo Project, the Museum of Urban Art of Rome, is a mural initiative whose goal is to rejuvenate the streets of the largely working-class Quadrado neighborhood on the Eastern outskirts of Rome. Artists who have beautified the district include local, as well as international, ones. By referencing a map available online on MURo’s website, I navigated through the streets and found several of these works in hidden and unexpected locations. What follows are a few:

Kazakhstan native Dilka Bear

Dilka-Bear-street-art-Roe

Italian artist Maupal

Maupal-street-art-Rome

New York-based Ron English

Ron-English-street-art-Rome

French artist Veks Van Hillik 

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Rome-based Mr. Thoms

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Close-up

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Note: First image features New York-based Beau Stanton.

All photos by Houda Lazrak

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Ayad-Alkadhi-I-Am-Baghdad

Continuing through October 3 at Chelsea’s Azart Gallery is More than Words, co-curated by Melissa McCaig-Welles and Latifa Metheny. Presenting a range of artworks fusing text and images, the exhibit features a wonderfully eclectic mix of styles, sensibilities and cultures.  Here is a sampling of the works:

Brooklyn-based Canadian painter Tim Okamura

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Brooklyn-based Moroccan artist Rocko, close-up

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Queens native Greg Lamarche aka SP.ONE

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Vitry sur-Seine-based French artist C215  

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Azart Gallery is located at 617 West 27 Street in Chelsea and is open Tuesday through Saturday from 11 am to 6 pm.

Note: The first image, I Am Baghdad, is by New York-based Iraqi artist Ayad Alkadhi.

Photo credits: 1-3 & 5 Dani Reyes Mozeson; 4 Lois Stavsky

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