street art

Recognized for his folksy outsider aesthetic, Brooklyn native Steven Cogle has shared his talents on public spaces for the past few years at the Welling Court Mural Project.  I recently met up with him.

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When did you first begin drawing?

I was five or six when I started drawing cartoons.

Any inspirations back then?

I was a big fan of Charles Schultz.’s Peanuts comic strip, and I also loved Bugs Bunny.

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Did your family have any response to your early drawings? Did they encourage you?

Not really! But my classmates did. I was always drawing characters for them.

What about your teachers?

I took an art class when I was a student at George Gershwin Junior High School in East New York.  I couldn’t say, though, that my teacher encouraged me.  But when I discovered Lee J. Ames’ How to Draw books in the library, I used them to teach myself how to draw.

Did you go on to study art in a formal setting?

No. I’m self-taught.

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How would you describe your particular aesthetic? It’s been referred to as Neo-Expressionism.

My artwork reflects me – tribal Africa crossed with urban blight. Growing up in East New York, I witnessed a lot of tragedy and loss, along with hope and survival. As I layer the painting on the canvas, I am also layering the experiences that I saw.

Have any specific artists influenced you?

Eric Orr became a mentor to me, and explained the business side of art to me.  And I was influenced by Picasso’s versatility, Basquiat’s palette and Clemente’s spirituality. 

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What about galleries? When did you first show your work in a gallery setting?

In 2004 my work made its way into two Brooklyn spaces and into an exhibit at the Chelsea Center for the Arts in Manhattan. I’ve since exhibited in several galleries in Brooklyn and in Manhattan, and my work is in collections across the globe. My dream is to see my work in a museum setting.

I first discovered your artwork in Astoria, Queens, where you painted with the Welling Court Mural Project. This year, in fact, you collaborated with Al Diaz.  You don’t generally paint in public spaces. What brought you to Welling Court?

I’m fond of Garrison Buxton, the project’s organizer, and I love the make-up of the neighborhood. I’ve painted there for the past four years.

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Have you any favorite artists among those active on our streets?

I like the way Chris RWK and Joe Iurato bring me back to my childhood. And there are several Staten-Island based artists I especially like: ErinKelli, John Exit and Kwue Molly.

What’s ahead? 

I’ve been working on a film to be released in 2017. It tells my story, while showcasing a range of creative artists. I plan to move to Italy by the end of this summer, and I wanted to document my life here. And, of course, more painting is ahead.

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Why the move? 

It’s time for a change!

Yes, change is good! Good luck with it all! 

Photo credits: 1 Lidia Santana; 3, 4-6 courtesy of the artist; 2 Lois Stavsky; interview conducted and edited by Lois Stavsky

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Not A Crime‘s summer-long street art campaign for education equality continues to enhance the streets of Harlem. Featured above is Paris-based Astro’s first mural in NYC.  Here are several more that have surfaced since the spring:

Chilean artist Cekis, close-up

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South African artist Ricky Lee Gordon

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 Australian artist Rone, close-up of Nasim Biglari

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Brazilian artist Alexandre Keto, close-up

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 Harlem’s legendary Franco the Great

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 South Carolina – based Patch Whisky at work

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Close-up from Patch Whisky‘s completed mural

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Brooklyn-based Elle at work

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Close-up from Elles completed mural

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An expansion of last year’s NYC-based mural campaign covering four boroughs and New Jersey, the #NotACrime Street Art Campaign for Education Equality is curated by Street Art Anarchy.  Now in its second year, the #NotACrime campaign was founded by Maziar Bahari to expose Iran’s human rights violations.

Note: Keep posted to our Facebook page for additional murals from Not A Crime‘s street art campaign for education equality by Erik Burke, Tats CruCol Wallnuts and more. You can also check out videos of artists at work and more on the Education Is Not a Crime Facebook page.

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Photo credits: 1, 4 – 6 & 8 Tara Murray; 2, 3 & 10 Lois Stavsky; 9 & 7 bytegirl

Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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The windows of NYU’s Kimmel Center are now home to a wide range of street art and graffiti artworks. Presented in partnership with 3rd Culture Creative, a cutting-edge media development company, ART STREET 13 WINDOWS 1 WALL showcases the distinct aesthetic of 15 artists whose works have surfaced on our streets. I recently had the opportunity to speak to its principal curator Pamela Jean Tinnen — who for the past five years has curated New York University’s Kimmel Galleries.

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I’m always delighted when universities embrace street art. Can you tell us something about how this project came to be? What might have prompted it?

Yes! Awhile back I went on a street art tour of the Bushwick Collective, conducted by one of my colleagues, Izzy Church. I loved what I saw, and I soon began researching street art. An exhibit featuring street art became a passion project of mine, and the Kimmel Windows Gallery seemed like the ideal site to showcase public art, particularly during the summer months.

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Exhibiting works by street artists and graffiti writers in a public space – that can be seen by everyone — is certainly a cool notion! Are there any other particular concepts underlying this exhibit?

Yes. Placing works of street art behind a glass wall also hints at the monetary value of the artworks by those street artists who have achieved mainstream success.

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How did you and your co-curators — Izzy Church and Marten Kale —  decide which artists to include?

We reached out to our favorite artists, and several of the other artists reached out to us.

Did you encounter any unanticipated challenges in seeing it through?

The unconventional nature of the artworks demanded careful attention to their placement in this particular setting.

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I think it looks great! Each window is engaging. How has the response to it been?

The response has been wonderful. I’ve received so many positive messages, particularly from my colleagues.

Until when will it remain on view?

 It has been extended through September 12th.  And during these next few weeks, be prepared for some surprises as we make some changes in the windows! A closing event will be held on Saturday, September 10th from 7:30 – 10pm in the Grand Hall at NYU Global Center, 238 Thompson Street, 5th Floor. There will be art, music and a cash bar.

It all sounds great! 

Kimmel

Images

1. Francisco de Pájaro aka  Art Is Trash

2. Gilf!, Iena Cruz and Cope2 with Indie

3. Ron English

4. Cost and Enx

5. Richard Hambleton

Located on Laguardia and West 3rd St, Kimmel Windows also features: John Fekner, ASVP, Lady Pink, Jonathan “Meres” Cohen, Fumero, Raquel Echanique, Federico Massa a.k.a. Iena Cruz, B.D. White, Joe Iurato, Martian Code and Skewville.

Photo credits: 1-4 Lois Stavsky; 5 courtesy Woodward Gallery; interview by Lois Stavsky

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Okuda-no-commissions

Held in a huge South Bronx warehouse, No Commission features the artworks of over two dozen first-rate established and emerging artists. Curated by the Dean Collection and directed by Swizz Beatz, the four-day event — currently underway — is designed to support artists by offering them free space and 100% of the sale of their artwork. Among the artists featured are several whose works have also surfaced on our streets. Pictured above is Okuda. Here are several more:

John Ahearn does Bio, Tats Cru

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Zio Ziegler

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Pablo Power

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 Faile

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Swoon 

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Nina Chanel

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And on the exterior: Nicer, Tats Cru, close-up from huge mural fashioned collaboratively with Sexer, BG 183, Crash and Bio

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Photo credits: 1-3, 6-8 Lois Stavsky;  4 & 5 Sara C Mozeson

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In addition to its dozens of outstanding murals, Montreal teems with intriguing graffiti and street art — fashioned by both local and visiting artists. Pictured above is Enzo Sarto. Here are a few more we captured last week:

Wax Head

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Mastrocola

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Chris Dyer

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Shalak and Smoky

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Earth Crusher

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Zek 156

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And beginning today Montreal’s annual Under Pressure Graffiti Festival continues the transformation of the city into a visual wonderland.

Photo credits: 1 Lois Stavsky; 2-7 Tara Murray

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Pictured above is Argentine artist Felipe Pantone, painted for this year’s Mural Festival. Here are several more murals we captured on our visit to Montreal last week:

UK-based D*Face, 2016

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Montreal-based Xavier Raymond aka X-Ray, 2016

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Australian artist Reka, 2013

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Toronto native Troy Lovegates aka Other, 2013

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Tel Aviv-based Klone, 2016

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Belgian artist Roa, 2013

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Note: LOST PARADISE, a solo exhibit featuring the work of Xavier Raymond aka X-Ray will be on display at Montreal’s Station 16 Gallery from August 18th to September 10th.

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Photo credits: 1, 6 & 7  Tara Murray; 2-5 Lois Stavsky

Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Since 2013, Montreal has been hosting MURAL, an annual public art festival featuring a wonderful array of murals by both local and international artists. Here is a small sampling of what we saw while wandering on and off Boulevard Saint-Laurent this past week:

Montreal-based Five Eight, 2016

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Melbourne-based Meggs, 2016

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NYC-based Buff Monster, 2016

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Brazilian collective Acidum Project, close-up, 2016

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Chilean artist Inti, 2014

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France native Mateo, 2016

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Photo credits: 1-3, Lois Stavsky; 4, 5 & 7 Tara Murray and 6 Sara C Mozeson

Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Coinciding with the Democratic National Convention, the non-profit Rock The Vote launched its Truth to Power campaign in Philadelphia earlier this week. Among its events was a three-day pop-up art exhibit featuring a varied range of socially and politically engaged works in different media. Among the artists who participated are many whose works have also surfaced in public spaces. Pictured above is Keith Haring with the City Kids Foundation. Here are several more:

Mear One, False Profits

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Beau Stanton, Elemental Crisis 

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Shepard Fairey aka Obey

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Lmnopi, Tehrir

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Mata Ruda, How Can I Write My Own Future with My Hands Bound?

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Photo credits: 1-3, 5 & 6 Lois Stavsky; 4 Sara Ching Mozeson

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Icy-and-Sot-flyer

The newly released LET HER BE FREE documents Iranian brothers Icy and Sot‘s foray from skateboarding teens in Iran to politically-conscious, internationally acclaimed artists. To celebrate the launch of their book, the artists invite you to a pop-up exhibition of small and mid-scale stencil artworks that have been created exclusively for this book launch. Opening tomorrow evening. July 23 at 51 Orchard Street with a book signing, the exhibit continues through July 30.

Unity, spray paint on canvas

icy-and-sot-Unity _ 30x36 inch _ stencil spray paint on canvas

Justice, spray paint on cut-out wood

Icy-and-Sot-Justice _ 30x24 inch _ stencil spray paint on cut out wood

In Long Island City 

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And book cover

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Published by Lebowsi Publishers with an introduction by filmmaker and poet Jess X Chen and an afterword by Brooklyn Street Art‘s Jaime Rojo and Steven P. Harrington, the artists’ first collection of works features over 200 full color photos.

All images courtesy Icy and Sot

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stik-street-art-nyc

We’ve been huge fans of Stik and his distinctively singular — now iconic — character since he first visited NYC several years ago. We are delighted that his first book that was released in the UK last year is now available here throughout the US.

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Featured in STIK are dozens of artworks ranging from unsanctioned pieces on the streets of East London — painted when the artist was homeless — to huge international murals across the globe. All are fashioned from six lines and two dots, the style Stik began when he had to paint quickly to evade the authorities.

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Described by the artist as “a journal of the progression of the Stik Project,”  STIK is a fascinating journey into the artist’s consciousness and aesthetic. Stik’s strong social mindfulness and acute political awareness are evident in this first collection of his works, as he increasingly devotes his talents and energies to a range of causes, often working in collaboration with children and members of vulnerable communities.

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With over 200 heavy gloss pages and an exclusive, limited edition print, the book — published by Penguin — has now made its way into bookstores across the globe.

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You can meet Stik and purchase a signed copy of his book with an orange or teal print — exclusive to the first US edition of the book — tomorrow, Thursday evening from 6-8pm at Strand Books, 828 Broadway on the corner of 12th Street.

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Anyone who buys a copy of STIK or brings in a pre-purchased copy of the book for Stik to sign at Strand Books is eligible to enter a lottery to win a pair of artist’s unfolded, card stock Stik posters, signed by Stik himself. The posters, one orange and one blue, are number one of only five artist’s proofs and depict the same image seen on the book’s cover.

All photos courtesy Stik and Penguin Press

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