public art

The corner of Myrtle Avenue and Spencer Street in Brooklyn’s historic Bedford-Stuyvesant neighborhood is now home to two huge distinct murals. The works of Brooklyn-resident Joshua Gabriel, they exude a soulfully mystical aura. We spoke yesterday to the artist about these distinct works.

Joshua Gabriel

We’ve been captivated by these walls since you began fashioning them awhile back. How did they happen — at such a well-traveled intersection?

The owners of International Stone Collections, a custom stone artisan shop at 703 Myrtle Avenue, had placed an ad on Craigslist seeking an artist to create a “textural mural.”  I wasn’t exactly sure what a textural mural was, but I brought it my portfolio, and I was hired.

Wow! Had you worked on the streets before?

I had gotten some stickers and posters up — mainly promoting my music events — but, no, I never painted a public mural before.

What was the experience like?

At first, I was somewhat self-conscious. I had some anxiety about working in public. The entire process is definitely more challenging than working in a private space.  But then I came to love it. I loved the engagement of the passersby.

Joshua Gabriel

What was that like?

In the past year, since I began these murals, hundreds of folks have stopped to talk to me. The Hasidim — whose presence seems to be increasing in the neighborhood — ask questions like, “Are you allowed to do this?”… “Do you make a living from this?” The local teens love it and ask me to do their tattoo for them. Artists speak to me about the process. And long-time local residents keep thanking me! Everyone has been respectful.

What’s going on here?

The murals weave together patterns and images from nature — such as the ripples in water, the textures of leaves, the shapes of clouds with figurative elements, including a giant lion’s head, a sea of eyes, and a pair of ancient Egyptian heads. It’s my subconscious at work!

Have you a particular message or theme that you wish to convey?

The corner of Myrtle Avenue and Spencer Street is the intersection connecting three diverse communities. Pratt art students, born and bred Bed-Stuy residents and members of Williamsburg’s Hasidic populace all meet here. The theme of my work is that all of us — despite our differences  — are interconnected.

Joshua Gabriel

There’s quite a bit of mixed-media here. What materials did you use?

I used exterior paint, spray paint and over 100 metallic paint markers.

There are lots of shades of blues and metallics here. Can you tell us something about your choice of colors?

The wall had originally been painted dark blue, and I liked the way it looked. I decided to repaint in a similar color, and I chose to work with metallics because I love the way they pop out.

Joshua Gabriel

Did you work with a sketch-in-hand?

I don’t work with sketches, but I do use photo references. And I always have notes with me. The actual process, though, is spontaneous.

Have you any influences? Or artists who particularly inspired you?

Alex Gray is a definite inspiration. Others include Keith Haring and my mother, Rochelle Marcus Dinken.

Joshua Gabriel

Are you satisfied with the results of these murals — your first public artworks?

Yes. I’m quite critical of my works, but the reaction has been so positive. And they do look cool!

You can view the murals and meet Joshua Gabriel at a reception to be held this Thursday, June 27, 5-8pm at 703 Myrtle Avenue.

Photos by Lois Stavsky

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Speaking with Wes21

June 24, 2013

A member of schwarzmaler, a collective of outstanding graffiti writers, street artists and illustrators, Swiss artist Wes21 creates stunning, detailed works that blur the boundaries between reality and fantasy.  We recently spoke to him during his visit to 5Pointz.

Wes2, Semor, Onur and KKade

When did you first start getting up?

I was about 11 years old when I hit my father’s garage.

Where was this?

In a small town near Berne.

What inspired you at the time?

Graffiti was all around me. I grew up without a TV, and I was always drawing. So it seemed like the natural thing to do.

Wes21

How did your parents feel about what you were doing?

They encouraged me.  My father used to bring me photos of graffiti.  They love it.

Have you any preferred spots?

I love painting anywhere but I especially love rooftops and places near water.

Have you ever exhibited your work?

Yes, and I do many exhibitions every year.  I’ve shown my work in both group and solo shows in Switzerland, Germany, Hungary and Italy.

Wes21

How do you feel about the movement of graffiti and street art into galleries?

I feel fine about it, so long as it’s well-done. Showing in a gallery pushes me to the next level. And then I’m a better artist when I paint in the streets!

Have you a formal art education?

Yes. I studied graphic design and illustration in art school for four years.

Any thoughts about the role of the Internet in all this?

I don’t pay much attention to it.

Wes21

Are you generally satisfied with your finished piece?

Not completely. If I were, I wouldn’t be motivated to paint another one!

Is there much of a graffiti/street art divide back home

Not really. Most of the artists who hit the streets are open-minded.

What do you see as the role of the artist in society?

To capture a moment — real or imaginary — for eternity.

All photos courtesy of the artist

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This is the fifth in an occasional series of artwork on NYC shutters.

Kenji Takabayashi at Welling Court in Astoria, Queens

Kenji Takabayashi

Kosby at Welling Court in Astoria, Queens

Kosby

Zam Art at Welling Court in Astoria, Queens

Zam

Sheryo and the Yok in Manhattan’s Little Italy

Sheryo and the Yok

Phetus in Williamsburg, Brooklyn

Phetus

Hef atWelling Court in Astoria, Queens

Hef

Joseph Meloy at Welling Court in Astoria, Queens

Joe Meloy

Fumero in NoLita

Fumero

Wisher914 at Welling Court in Astoria, Queens

Wishe914

Photos by Tara Murray and Lois Stavsky

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The Welling Court Mural Project officially launched its fourth year yesterday with a wide array of wonderful walls fashioned by a remarkable range of artists.  Here are a few of the dozens that continue to alter the visual landscape of this Queens community:

Icy and Sot — wall in progress

icy-and-sot-mural-art-at-welling-court

Korel and Honexl Xi

Korel and Honexl Xi

Christopher Cardinale at work

Chris-cardinale-paints-at-welling-court

R. Nicholas Kuszyk

R-Nicholas-Kuszyk

Vexta at work

Vexta

Cern

 

Cern

LMNOP

LMNOP-paints-at-welling-court

Queen Andrea

Queen Andrea

You can help fund Ad Hoc’s wonderful work in collaborating with members of the Welling Court community and the dozens of artists who made this project possible by making a donation here.

 Photos by Tara Murray

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One of NYC’s most spirited public art events celebrates its fourth year tomorrow with a huge block party at Welling Court in Astoria, Queens. For the past week, dozens of artists have been busy at work for this dynamic project, curated by Ad Hoc Art. Following is a glimpse of what we saw earlier this week:

Billy Mode and Chris Stain

Billy Mode and Chris Stain

Toofly at work with Fumero to the left

Fumero and Toofly

Lady Pink at work

Lady Pink

 Alice Mizrachi  and Olek

Alice Mizrachi and Olek

 The Royal Kingbee at work

KingBee

Logik One at work

Logik one

Dan Witz

Dan Witz

Dennis McNett, close-up

Denis McNett

Keep posted to our Facebook page for many more images in the week ahead.

Photos by Tara Murray

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Magda Love

During the past few weeks, Argentinian artist Magdalena Marcenaro aka Magda Love has brought beauty and intrigue to Brooklyn’s Pacific Street with her inventive and infectious murals. We recently met up with Magda and had the opportunity to pose a few questions to her.

When did you first share your vision in a public space?

The first time was earlier this year in Miami’s Arts Wynwood District.

What inspired you to do so?

I was offered a wall, and I was thrilled to have the opportunity.  Growing up in Argentina, I know just how strong the impact of public art can be.

Any early memories of it?

I mostly remember the political slogans that surfaced throughout my native Buenos Aires.

What is your preferred medium for getting up on the streets?

I love wheat pastes. Its ephemeral nature adapts beautifully to the environment.  And it keeps on evolving.

Magda Love

Have you a formal art education?

Not a formal one. But my father is a sculptor, and I grew up among artists.  From an early age, I assisted my father in his studio. He used to tell me, “Magda, you have a special eye, and it will take you far.”  And by age 18, I was working as a fashion designer and photographer and running my own business.

What percentage of your time is devoted to art these days?

Just about all of it! When my 9-year-old son isn’t in school, he’s often with me in my studio.

Have you exhibited your work in galleries?

Yes.  I’ve shown my work in Buenos Aires, New York and in Miami. I had a solo exhibition at Gowanus Print Lab here in Brooklyn. And I’ve also participated in group shows at the Scope Foundation, Miguel Paredes Gallery, Peanut Underground, BOOM, The Brooklyn Waterfront Artists Coalition and The Urban Folk Art Gallery.

Magda Love

What is your main source of income these days?

Art sales and commissions.

Are there any particular themes or ideas that drive your work?

I’m particularly interested in the connections we forge among one another and how we treat each other.

How has your art evolved through the years?

It has reflected my personal growth, as a woman and as a parent.

Do you prefer working alone or collaborating with others?

I haven’t yet collaborated with anyone, but I’d love to.

Magda Love

Do you work from a sketch or do you just let it flow?

I don’t prepare a sketch – but I do have some images with me to give me a basic idea of where I’m going. But once I begin, my work takes on a life of its own.

Are you generally satisfied with your finished piece?

I know the next day.

Any favorite artists – particularly among those whose work you’ve seen on the streets?

Swoon, Rone, Roa, the Fleshbeck Crew, Reka, Lamour Supreme, Faile and Herakut come to mind.

What about cultures that have influenced your aesthetic? Are there any particular ones?

Certainly the Argentinian sensibility and its general openness to art. And from my father I developed a love for traditional German painters.

Magda Love

You moved to NYC 12 years ago. How does the general attitude towards art differ here from back home in Argentina?

Back in Argentina, people are more appreciative of art. There is more emphasis on culture, in general. And there’s more of a collective consciousness that its culture reflects. In Argentina, just about everyone goes to art fairs, not just a select few. But I do love the mix of cultures, along with the art that this mixture produces, here in NYC.

What do you see as the role of the artist in society?

I don’t know if we can change the world, but we can make a difference.

What’s ahead?

I begin working this week with 5th graders at PS 127 on an indoor mural project. This – I hope – will be the first of many collaborations in an educational setting.  And I want to keep working on the streets and travel more in the years ahead. I’d also love to participate in street art festivals and events.

Magda Love

Tomorrow — June 6 from 7:00 P.M.- 8:30 P.M. —  you  can meet Magda, see her new works and view her mural room at Brooklyn’s NU Hotel, as she celebrates the unveiling of her murals commissioned by the Pacific Street Association.

7:00 P.M  Meet-up in lounge of Nu Hotel

7:30 P.M. Walking tour of murals

8:30 P.M. Q&A and NU Hotel mural tour with Magdalena

R.S.V.P. to  Events@independentcollection.com

Photos by Lois Stavsky

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Of the many new pieces to surface at 5Pointz since it began its 11th season last month, a particular stand-out is the huge mural by Phillip Perez aka Article. Curious about the artist behind this singular graffiti aesthetic, we posed some questions to him.

article-mural-at-5Pointz-NYC

When did you start getting up?

I first started in Houston, Texas — back in 1992.

What inspired you at the time?

It started when my friend Big Mark aka KRAM, a B-Boy (Rock Skittles Krew) and a graffiti artist, showed me a video that featured break dancing and graffiti. Before then, I hadn’t seen anything like it. Two days after watching that video, I went bombing. I spray-painted in an alley behind my house.

Any memories that stand out from those early days?

A neighborhood hothead, SKEEZ 181, invited me to paint in a train yard for a graffiti battle. I don’t know how he got my number, but he did. He gave me a call one day and said he’d even pay for the paint and pick me up at my place. I was young and crazy, so I agreed. It was me and Ceroe against all of Hou-Tex freaks in a train yard in Denver Harbor. And as we were painting, a couple of train cops rolled up on Ceroe at the end of the car and start shooting at us. We all hopped about six sets of train tracks while dodging the bullets. Everyone got out of there alive. We even became good friends after. Never did like train yards, but I did it that once!

Article

Have you any preferred surfaces?

No favorites. I’m a city bomber; any surface will do. The laws here don’t allow graffiti to live too long. A month maximum and bombs are buffed. So as a writer in Houston, you have to be very selective where you bomb. Location is key!

What’s the riskiest thing you’ve done?

I painted a wall along this railroad track with a couple of friends. Soon, the police rolled by and we were forced to hide in this ditch of muddy water amidst a horrible stench and a swarm of mosquitos. We couldn’t move or sneeze. The cops knew that there had been painting going on, as there was that strong smell of paint in the air. When the police left, we jumped out of there and ran. When we did, a police officer saw us, and hit full speed. To get away, we had to jump over barbed wire gates. We made it, but we separated as we dodged the cops. We met back up again about an hour later.

Have you ever been to jail?

Yes. When I was young, I went to jail for a lot of crazy things, but not for my graffiti art. I’d never go to jail for that. I’d feel too awful getting caught for my art.

Article

Can you tell us something about some of the other writers down in Houston?

When I started out in the early 90’s, there were hardly any graffiti bombers. There were a few graffiti artists, though.  Nekst and Vizie started here in the mid ’90’s and moved on to work with MSK — from what I understand. I respect those kids. They could have done anything in life, but they chose graffiti as a lifestyle. Episode, Color One, SKEEZ 181, The One Lee, Cease, Dual — are a few cats that live the lifestyle and keep things real in the H.

Who or what inspires you these days?

The lack of real graffiti nowadays is what inspires me to keep at it and teach it — when possible. This new generation needs to learn the foundation and history of this culture before they try to rub elbows with self-made artists. It’s a big let down when I meet a cat who can rock a 3-D but can’t paint regular letters or write with a nice hand style. But there are still sick artists coming out of the woodworks.

Are you down with any crews?

I’m in Hyroglifx Krew 182. We’re like a family here and help each other out. I don’t see it happening these days with many other crews. Internet crews have members who don’t even know each other. We were all born and raised in the North Central Houston.

Have you exhibited your work?

I have in the past few years, and I’m looking to exhibit more regularly.

Article

Do you have a formal arts education?

No. My art have been my true education. It has taught me to write proposals and contracts, research history and conduct business. Art has taught me everything. When in school, I felt like the institution was misguiding me.

What’s the attitude of your family and friends towards what you do?

My mom bought me my first can. She has been supportive of the graffiti art, but not of the graffiti bombing. It’s a life style and culture. For me, graffiti is a rare art form. I often find myself explaining it to friends. I never get any real negative feedback from them, though.

What percentage of your time is devoted to writing?

It’s a balance. I have to maintain my commercial works and still fit in my street time. My heaviest bombing years were throughout the 90’s. I’ve had to slow down in the 2000’s because of paid gigs, which took up a lot of time and energy.

,Have you a steady day job?

Yup! I have an in-house art gig for a corporation. It helps me pay the bills and buy paint supplies. When I’m not working there, I do commission work for various people. Along the way, I’ve met a lot of actors, musicians and politicians who are interested in what I do. So luckily, I get to work for them and anyone else who needs art of any kind.

Article

What about other interests?

Anything that is even vaguely art-related interests me. I’m also interested in history.

How has your work evolved throughout the years?

It’s evolved a ton. I taught myself foundation, structure, color schemes and balance. And through that learning process, my work naturally evolved into what it is today.

How did you connect with 5Pointz?

My boy Episode gave me Meres’s number and I texted him. A thousands miles later — with a hundred pounds of paint — I presented my layout to Meres, who approved the sketch and got me straight to work.

Can you tell us a bit about this image?

It’s a memorial wall — a tribute to the building representing the kings, the OGs of New York City graffiti. I don’t want to see the building torn down. With its gold background, the piece represents the significance of 5Pointz. The hieroglyphics are actually names of important writers such as Stay High 149, Dondi and IZ the Wiz, to name a few. And overall, the work represents the style of my crew. It’s an offering to the 5Pointz community and its importance in the movement. Even in Houston, we know its value.

Interview by Lenny Collado; photos by Lenny Collado, Tara Murray and Lois Stavsky

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During the past few weeks, over a dozen first-rate artists have been busy gracing the walls of the Bushwick Collective with an extraordinary array of images. Here is a sampling of what’s been happening:

Brooklyn-based Beau Stanton at work 

Beau Stanton

 Zimad signs his piece

Zimad

Sexer‘s completed masterpiece

Sexer

Brett Flanigan and Cannon Dill — in from the West Coast

Brett Flanigan and Cannon Dill

Col Wallnuts collaborates with Toofly

Col and Toofly

Brendon Rogers at work during his stopover in NYC

Brendon Rodgers

Creepy — in from Australia; segment of larger mural

Creepy

Melbourne’s Facter at work

Facter

Brooklyn-based Sonni

sonni

And we can expect even more great art — along with: guest food trucks, Miami Food Machine, Mike N’ Willies and Hibachi Heaven; a beer tent, sponsored by Corona Familiar, Bodega Wine Bar, Pearls Social and Billy Club, Mesa Azteca and Codigo Music, LLC; several bands, including Wild Yaks, Dead Sexy Shelia, Big Volcano, Cardboard, Dian’s Coffee, Grand Resor and ShiShi and DJ Jah Star of Ninjasonik — at this Sunday’s block party celebrating the Bushwick Collective’s first anniversary.  Bushwick Collective curator Joe Ficalora reports that among those artists painting live are: Franck Duval — in from Paris — on Flushing Avenue and Scott; Beau Stanton on Troutman between St. Nicholas and Cypress and Zimad and Sexer inside the beer tent, along with some surprise guests! Art, jewelry, clothing and more will be available from local merchants, and Limited Edition Bushwick Collective tee-shirts will be for sale. The official sponsor of this year’s event — held from 11am – 8pm at St. Nicholas Ave. and Troutman St. — is NOOKLYN.COM

Photos by Tara Murray and Lois Stavsky

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Onur and Wes21

We discovered the wonderfully talented Onur Dinc while he was painting over at 5Pointz during his recent visit to NYC. We were delighted to have the opportunity to speak to him before he returned to his home in Switzerland.

Your artwork that has surfaced here at 5Pointz is exquisite. Have you a formal art education?

I apprenticed as a painter in my late teens. Then I studied set-design for four years in Solothum and graphic design for another three in Basel.

And when did you begin sharing your talents in public spaces?

Five years ago. That’s when I met Wes21 and KKade of the Schwarzmaler collective

Onur-and-Wes21-street-art-mural-5Pointz-NYC

We’re so glad you guys met! How do you feel about working outdoors in the public sphere?

It’s great. I love it, and I love meeting the many people who stop by.

How does your family feel about what you are doing? Are they supportive?

At first my parents didn’t encourage me. They were quite concerned.  My dad, who had emigrated from Turkey to Switzerland, worked in a factory his entire life and felt uneasy about my not having a steady job. But these days, everyone in my family is proud of me and supportive.

What is your principal source of income these days?

Selling canvases and prints.

Onur-collage-art

What about exhibits? When did you begin exhibiting your work in galleries? And where have you shown it?

I began six years ago when I was 27. I’ve exhibited in all of Switzerland’s major cities and in Germany.

Who are some of the artists who have inspired you?

The late Swiss painter, Ferdinand Hodler, and the contemporary Australian artist, Jeremy Geddess, come to mind.  The American painter and photographer, Chuck Close, and the people around me — like Wes21, Schwarzmaler, Jörg Müller and Rodja Galli — have also influenced me.

What about artists getting up in public spaces? Have you any favorites?

I think Roa is wonderful. His skills are remarkable.

How do you feel about the role of the Internet in all this?

There’s too much information out there. There’s lots of dope work, but there’s also too much trash.

Onur and Wes21

Any thoughts about artists — particularly street artists – working with corporations and brands?

I’ve done it, and I don’t like it. I often felt like I was selling myself.

What do you see as the role of the artist in society?

I see the artist as society’s commentator and conscience, as well as its mirror.

What’s ahead?

I’d like to continue doing what I’m doing now.  Painting both in my studio and in public spaces, exhibiting and traveling.

Good luck and we are eagerly awaiting your next visit to NYC.

Photo of Onur and Wes21 at work by Lenny Collado; all other images are courtesy of Onur.

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This is the ninth in a series of posts featuring images of girls — and women — who grace New York City’s public spaces:

Alice Mizrachi aka AM in Bushwick, Brooklyn

Alice Mizrachi

Cake in Bushwick, Brooklyn

cake-street-art-in-Bushwick

Hef’s hastily-buffed piece in East New York

Hef

Toofly at the Bushwick Collective

Toofly

Os Gemeos in Coney Island — since 2005

os-gemeos-street-art-in-Coney-Island-NYC

Noh J Coley at the Woodward Gallery Project Space on the Lower East Side

Nohjcoley-street-art-in-NYC

 Swoon in Clinton Hill, Brooklyn garden

swoon-street-art-in-Brooklyn-NYC

Photos by Tara Murray and Lois Stavsky

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