public art

This is the second in an occasional series featuring images of New York City’s doors that sport everything from tags and stickers to sophisticated images.

Long Island-based Reme821 in Brooklyn

Reme

Baltimore-based Gaia resurfaces in Queens with early wheat paste

Gaia

Brooklyn-based Abel Macias in Bushwick

Abel Macias

NYC-based SinXero on Bronx door

SinXero

Italian artist Federico Massa aka Cruz in Brooklyn

Cruz

Argentinian artist Sonni at the Bushwick Collective

Sonni

OCMC goes big in TriBeCa

OCMC

Brooklyn-based Judith Supine in Williamsburg, Brooklyn

Judith Supine

Photos by Tara Murray & Lois Stavsky

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Australian artist Kyle Hughes-Odgers creates enchanting public artwork and exhibits his work in galleries across the globe. With strikingly beautiful  patterns in luscious colors — fusing figurative, abstract and narrative elements — he engages us visually and intellectually. We had the opportunity to speak to the talented artist on his recent trip to New York City, where he left his mark at the Bushwick Collective and on nearby rooftops.

kyle-hughes-odgers

When and where did you start getting up?

In 2005, I started with wheat pastes and stickers in Perth and Melbourne.

What inspired you to get up?

I was always drawing and painting. I saw doing street art as an immediate way to get my work out into a public forum.

Any early graffiti-related memories?

I was more interested in comic books.

What inspires you these days?

Everything. Architecture, patterns, narrative, decay…

Kyle Hughes-Odgers

Any preferred spots or surfaces?

I love rundown abandoned spaces with unique textures. One of my favorite spaces was an abandoned French mansion in Cambodia.

Have you exhibited your work in gallery setttings?

Yes. Shortly after I got my work up on the streets, I started showing work in galleries. I’ve had solo shows in Perth, Melbourne, Berlin and Amsterdam. And I’ve participated in group-shows all over the world.

What percentage of your time is devoted to your work?

I’m a full time artist. I work on gallery exhibitions, private commissions and large scale public art work. I also recently illustrated a children’s book.

Any thoughts about the street art/graffiti divide?

I don’t really focus on whether or not there is a divide. I’m open to anything creative.

Kyle-Hughes-Odgers

Do you prefer working alone or collaborating with others?

I like working alone, but I think it is important to collaborate.

Any thoughts about the role of the Internet in all of this?

I think the Internet is great. It’s an amazing resource to access what’s happening all around the world.

Are there any particular cultures that have influenced your aesthetic?

None that I’m conscious of.

Are you generally satisfied with your finished piece?

Sometimes.

kyle-hughes-odgers-street-art-NYC

How has your work evolved through the years?

My first work was hand-drawn characters on brown paper. But then, as I started hanging out with people who use spray paint, I became more interested in texture and colors and learned more about how to use the medium.

What do you see as the role of the artist in society?

It is the role of the artist to document our existence based on his or her observations.

Have you any thoughts about the role of the photographer?

It is very important. Street art is so ephemeral that if it’s not documented it’s as if it didn’t exist.

Kyle-Hughes-Odgers

What do you see as the future of street art?

The lines will continue to blur between the different art genres.

Any favorite street artists?

There are many; but some of my favorites are Aryz, Escif, Roa, Phibs and Beastman.

What’s ahead?

More gallery shows, more installations and ten-story high pieces.

Good luck! It all sounds great!

Photos courtesy of the artist.

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This is the third in an ongoing series featuring the range of faces that surface daily on NYC’s public spaces:

Pose and Revok on the Bowery and Houston, close-up

Pose and Revok

Argentinian artist Ever on Williamsburg rooftop, close-up

Ever

Australian artist Vexta at Welling Court in Astoria, Queens

Vexta

Cern on truck spotted on Manhattan’s Upper West Side

Cern

Mata Ruda and ND’A at Welling Court in Astoria, Queens

mata ruda and ND'A

Crystal Clarity on Lower East Side rooftop

Crystal Clarity

Danielle Mastrion with signature by El Niño de las Pinturas at 5Pointz in Long Island City, Queens

Danielle Mastrion

 Phetus in Bushwick, Brooklyn

Phetus

Photos by Lenny Collado, Dani Mozeson, Tara Murray & Lois Stavsky

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This is the first in a series of images of males who surface on NYC public spaces:

Icy and Sot at the Bushwick Collective

Icy and Sot

Nick Walker on Manhatan’s Lower East Side

Nick Walker

Meres at 5Pointz in Long Island City

Meres

SinXero and Joe Conzo do the Cold Crush Brothers in the Bronx

SinXero and Joe Conzo

Fumero at the Bushwick Collective

Fumero

Tito Na Rua on Lower East Side rooftop

Tito Na Rua

Belin and the Royal Kingbee in the Bronx

Belin and King Bee

Erik Den Breejen does David Bowie in NoLita

Erik Den Breejen

Photos by Lenny Collado, Dani Mozeson, Tara Murray and Lois Stavsky

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An astonishing array of first-rate murals have transformed three Bushwick blocks into a spellbinding tribute to the late graffiti writer NEKST.  Here’s a selection of the varied, strikingly stylish murals — many fashioned by MSK members — that recently surfaced in the vicinity of the L train’s Morgan Avenue station.

Pose

Pose

Dabs Myla

DabsMyla

Rime aka Jersey Joe

Rime aka Jersey Joe

Dmote

Dmote

Skrew

Skrew

Fas and El Kamino

Fas & El Kamino

Vizie

Vizie

Steel

Steel

Trav

Trav

Owns

Owns

Omens

Omens

Wane

wane

Revok

Revok

Keep posted to our Facebook page for more outstanding Bushwick NEKST tribute murals.

Photos by Lois Stavsky

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The corner of Myrtle Avenue and Spencer Street in Brooklyn’s historic Bedford-Stuyvesant neighborhood is now home to two huge distinct murals. The works of Brooklyn-resident Joshua Gabriel, they exude a soulfully mystical aura. We spoke yesterday to the artist about these distinct works.

Joshua Gabriel

We’ve been captivated by these walls since you began fashioning them awhile back. How did they happen — at such a well-traveled intersection?

The owners of International Stone Collections, a custom stone artisan shop at 703 Myrtle Avenue, had placed an ad on Craigslist seeking an artist to create a “textural mural.”  I wasn’t exactly sure what a textural mural was, but I brought it my portfolio, and I was hired.

Wow! Had you worked on the streets before?

I had gotten some stickers and posters up — mainly promoting my music events — but, no, I never painted a public mural before.

What was the experience like?

At first, I was somewhat self-conscious. I had some anxiety about working in public. The entire process is definitely more challenging than working in a private space.  But then I came to love it. I loved the engagement of the passersby.

Joshua Gabriel

What was that like?

In the past year, since I began these murals, hundreds of folks have stopped to talk to me. The Hasidim — whose presence seems to be increasing in the neighborhood — ask questions like, “Are you allowed to do this?”… “Do you make a living from this?” The local teens love it and ask me to do their tattoo for them. Artists speak to me about the process. And long-time local residents keep thanking me! Everyone has been respectful.

What’s going on here?

The murals weave together patterns and images from nature — such as the ripples in water, the textures of leaves, the shapes of clouds with figurative elements, including a giant lion’s head, a sea of eyes, and a pair of ancient Egyptian heads. It’s my subconscious at work!

Have you a particular message or theme that you wish to convey?

The corner of Myrtle Avenue and Spencer Street is the intersection connecting three diverse communities. Pratt art students, born and bred Bed-Stuy residents and members of Williamsburg’s Hasidic populace all meet here. The theme of my work is that all of us — despite our differences  — are interconnected.

Joshua Gabriel

There’s quite a bit of mixed-media here. What materials did you use?

I used exterior paint, spray paint and over 100 metallic paint markers.

There are lots of shades of blues and metallics here. Can you tell us something about your choice of colors?

The wall had originally been painted dark blue, and I liked the way it looked. I decided to repaint in a similar color, and I chose to work with metallics because I love the way they pop out.

Joshua Gabriel

Did you work with a sketch-in-hand?

I don’t work with sketches, but I do use photo references. And I always have notes with me. The actual process, though, is spontaneous.

Have you any influences? Or artists who particularly inspired you?

Alex Gray is a definite inspiration. Others include Keith Haring and my mother, Rochelle Marcus Dinken.

Joshua Gabriel

Are you satisfied with the results of these murals — your first public artworks?

Yes. I’m quite critical of my works, but the reaction has been so positive. And they do look cool!

You can view the murals and meet Joshua Gabriel at a reception to be held this Thursday, June 27, 5-8pm at 703 Myrtle Avenue.

Photos by Lois Stavsky

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Speaking with Wes21

June 24, 2013

A member of schwarzmaler, a collective of outstanding graffiti writers, street artists and illustrators, Swiss artist Wes21 creates stunning, detailed works that blur the boundaries between reality and fantasy.  We recently spoke to him during his visit to 5Pointz.

Wes2, Semor, Onur and KKade

When did you first start getting up?

I was about 11 years old when I hit my father’s garage.

Where was this?

In a small town near Berne.

What inspired you at the time?

Graffiti was all around me. I grew up without a TV, and I was always drawing. So it seemed like the natural thing to do.

Wes21

How did your parents feel about what you were doing?

They encouraged me.  My father used to bring me photos of graffiti.  They love it.

Have you any preferred spots?

I love painting anywhere but I especially love rooftops and places near water.

Have you ever exhibited your work?

Yes, and I do many exhibitions every year.  I’ve shown my work in both group and solo shows in Switzerland, Germany, Hungary and Italy.

Wes21

How do you feel about the movement of graffiti and street art into galleries?

I feel fine about it, so long as it’s well-done. Showing in a gallery pushes me to the next level. And then I’m a better artist when I paint in the streets!

Have you a formal art education?

Yes. I studied graphic design and illustration in art school for four years.

Any thoughts about the role of the Internet in all this?

I don’t pay much attention to it.

Wes21

Are you generally satisfied with your finished piece?

Not completely. If I were, I wouldn’t be motivated to paint another one!

Is there much of a graffiti/street art divide back home

Not really. Most of the artists who hit the streets are open-minded.

What do you see as the role of the artist in society?

To capture a moment — real or imaginary — for eternity.

All photos courtesy of the artist

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This is the fifth in an occasional series of artwork on NYC shutters.

Kenji Takabayashi at Welling Court in Astoria, Queens

Kenji Takabayashi

Kosby at Welling Court in Astoria, Queens

Kosby

Zam Art at Welling Court in Astoria, Queens

Zam

Sheryo and the Yok in Manhattan’s Little Italy

Sheryo and the Yok

Phetus in Williamsburg, Brooklyn

Phetus

Hef atWelling Court in Astoria, Queens

Hef

Joseph Meloy at Welling Court in Astoria, Queens

Joe Meloy

Fumero in NoLita

Fumero

Wisher914 at Welling Court in Astoria, Queens

Wishe914

Photos by Tara Murray and Lois Stavsky

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The Welling Court Mural Project officially launched its fourth year yesterday with a wide array of wonderful walls fashioned by a remarkable range of artists.  Here are a few of the dozens that continue to alter the visual landscape of this Queens community:

Icy and Sot — wall in progress

icy-and-sot-mural-art-at-welling-court

Korel and Honexl Xi

Korel and Honexl Xi

Christopher Cardinale at work

Chris-cardinale-paints-at-welling-court

R. Nicholas Kuszyk

R-Nicholas-Kuszyk

Vexta at work

Vexta

Cern

 

Cern

LMNOP

LMNOP-paints-at-welling-court

Queen Andrea

Queen Andrea

You can help fund Ad Hoc’s wonderful work in collaborating with members of the Welling Court community and the dozens of artists who made this project possible by making a donation here.

 Photos by Tara Murray

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One of NYC’s most spirited public art events celebrates its fourth year tomorrow with a huge block party at Welling Court in Astoria, Queens. For the past week, dozens of artists have been busy at work for this dynamic project, curated by Ad Hoc Art. Following is a glimpse of what we saw earlier this week:

Billy Mode and Chris Stain

Billy Mode and Chris Stain

Toofly at work with Fumero to the left

Fumero and Toofly

Lady Pink at work

Lady Pink

 Alice Mizrachi  and Olek

Alice Mizrachi and Olek

 The Royal Kingbee at work

KingBee

Logik One at work

Logik one

Dan Witz

Dan Witz

Dennis McNett, close-up

Denis McNett

Keep posted to our Facebook page for many more images in the week ahead.

Photos by Tara Murray

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