public art

“No Longer Empty” Brings “If You Build It” to Sugar Hill, Harlem with Rául Ayala, Moses Ros-Suárez, Carlos Mare, Radcliffe Bailey, Scherezade García, Brendan Jamison & Mark Revels and more

July 12, 2014

Presented by No Longer Empty in partnership with Broadway Housing Communities, If You Build It features a range of artwork in different media by more than twenty local, national, and international artists. Located at 155^th Street and St. Nicholas Avenue in Sugar Hill on a site designed by architect David Adjaye, the exhibit — along with an impressive array of events and programs — continues through August 10. Here is a sampling of the artworks that can be seen on the site’s grounds and in future apartments:

Rául Ayala, A Blaze of Glory

Moses Ros-Suárez, seated on sculpture he fashioned — one of four structural models of bridges

Carlos Mare aka Mare139, 8th FreeStyle Archityper

Radcliffe Bailey, From the Cabinet: Fire Music — fashioned with recycled piano keys

Scherezade García, Cathedral/Catedral, made up of stacked inner tubes/life savers ‘dipped’ in gold paint “so as to resemble a temporary alter or monument to immigrants and their aspirations”

Brendan Jamison and Mark Revels, Sugar Metropolis — composed with half a million sugar cubes

The exhibit is open Thursday–Friday 3–7pm & Saturday–Sunday 1–6pm & Wednesday by appointment.

Photo of Rául Ayala by Lois Stavsky; all others by Dani Reyes Mozeson

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Back to Jersey City with Alice Pasquini, Mr. Mustart, Li-Hill, Ekundayo, Sean Lugo, and Case Ma’Claim

July 7, 2014

In my meanderings around Jersey City this past year, I came upon a number of first-rate murals by a wonderful array of artists signed Savage Habbit, along with the artists’ signatures. Just who or what is Savage Habbit? I found out this weekend as Inez, its founder, gave me a tour of Savage Habbit’s walls and answered some questions about its mission:

Just what is Savage Habbi t?

It is foremost a blog that was founded in 2011. It is dedicated to showcasing the best art that has made its way onto the streets across the globe. Among Savage Habbit’s missions today is to bring more street art to our local community.

What motivated you to launch Savage Habbi t?

I wanted a blog that represented the art that I love, and the only way I could do that was to start my own.

And what about the murals?

I’m a New Jersey girl. I was born and raised here. I wanted to walk around my neighborhood and see art in my community. And I wanted to give back to my state. These murals benefit everyone!

When did your first mural surface?

Last year — in 2013.

What has been your greatest challenge?

Finding walls.

You seem to have facilitated quite a few murals. How do you find the artists?

Some contact me, and others I contact when I see that they are in town.

What’s ahead?

There are five confirmed walls. Savage Habbit’s next wall will feature Nanook and Mata Ruda.

And what about the name “Savage Habbit?” What does it represent?

The name is derived from a Wu Tang quote: Ricochet Rabbit had a habit, he was a savage. We are savagely passionate about our habit, art!

That sounds right! We look forward to seeing more art on the streets of Jersey City.

Brief interview and photos by Lois Stavsky

1. Alice Pasquini, close-up

2. Mr. Mustart

3. Li-Hill at work yesterday

4. Ekundayo

5. Sean Lugo

6. Case, MA`CLAIM, close-up

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The Wallnuts, SHYE131 and Trans1 in Long Island City

July 5, 2014

One of the most dynamic graffiti productions in town can be found in Long Island City off Queensboro Plaza. Showcasing the talents of the Wallnuts, UK-based artists SHYE131 and Trans1, the murals exude an exuberant, infectious energy. Here are a few close-ups from the pride of the neighborhood:

Manny Muse, Wallnuts

Chester Wallnuts

Been3 Wallnuts

Col Wallnuts

SHYE131

Trans1

Photos by Lois Stavsky

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Up in Inwood with Crane, Zeso, 1port and Just WF

June 26, 2014

One of Upper Manhattan’s gems is the wall on 207^th Street and 10^th Avenue, directly off the 207^th Street stop on the 1 line. Under the direction of South Bronx native Crane, who works up in Inwood, its murals are always changing and always worth checking out. This past Monday, Crane was joined by Zeso, 1port — in from France — and Just WF aka Just One. Here are some more images captured that day:

Crane at work early in the evening — after a day of work

1port at work adding his touch to Zeso,’s mural

1port

Just WF

A source of pride to local businesses and residents, this wall is one of three in Inwood under Crane’s curatorial management.

Photos 1 and 3 by City-as-School intern Travis Hicks; photos 2, 4, and 5 by Lois Stavsky

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Florida-Based Boy Kong Brings His Playful Aesthetic to NYC Streets and to the Cotton Candy Machine

June 24, 2014

Orlando, Florida-based artist Boy Kong recently left his mark in NYC. His delightfully fanciful aesthetic has made its way to the exterior of rag & bone on Elizabeth Street in Manhattan and to the shutter at 175 Roebling Street in Williamsburg, Brooklyn. A selection of his distinctly crafted individual pieces can also be seen at Cotton Candy Machine, 235 South 1^st Street in Williamsburg, through this week.

On Roebling Street in Williamsburg

And a sampling of what’s on view at at Cotton Candy Machine

Photos by Dani Reyes Mozeson

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Ad Hoc Art’s Fifth Annual Welling Court Mural Project — Part II: Cern, R. Robot, KR One, Ryan Seslow & Cake, Mr. Prvrt and See One

June 23, 2014

Following are a few more images from Ad Hoc Art’‘s wonderful Fifth Annual Welling Court Mural Project, along with a brief interview with its director, Garrison Buxton.

Can you tell us something about the birth of the Welling Court Mural Project? When and how did it all begin?

Jonathan Ellis, a Welling Court resident, came up with the idea for the project over five years ago. He had his wife, Georgiana, were looking to improve their block. We were introduced through a mutual friend who suggested they contact me.

What was the first mural to go up? And when was the first festival held?

While visiting from Poland in 2009, M-City painted Welling Court’s first mural. The first festival was held in June 2009.

What was the community’s response to it?

The response was wonderful. The entire community participated and loved it. Just about everyone prepared food to share and loved how the artists transformed their neighborhood.

And now five years later, it’s even more wonderful than ever.

Yes, when we first began, 44 artists participated. This year there are over twice as many, including members of the community. We’ve continued to keep it grassroots.

How far in advance do you begin organizing each year’s festival?

We usually start in February, but we want to begin planning earlier.

What would you say is your greatest challenge?

The mere organization and the delegation of the different responsibilities.

The vibe here is wonderful. What a great model you are for other communities!

Yes! It’s about the power of art to create positive social change.

Photos by Dani Reyes Mozeson and Lois Stavsky

1. Cern

2. R. Nicholas Kuszyk aka R. Robot

3. Louie “KR.ONE” Gasparro

4. Ryan Seslow and Jennifer Caviola aka Cake

5. Mr. Prvrt

6. See One

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Ad Hoc Art’s Fifth Annual Welling Court Mural Project — Part 1: Cekis, Alice Mizrachi, John Ahearn, Icy & Sot, LMNOP, KingBee and Toofly

June 15, 2014

Engaging a diverse array of artists, along with local residents — including dozens of children — the Welling Court Mural Project represents the best of the street art fests. Here are a few more images captured yesterday, as it celebrated its fifth year at Welling Court in Astoria, Queens:

Alice Mizrachi aka AM

Making Art

John Ahearn with a temporary addition to mural created earlier by Dennis McNett

Icy and Sot

LMNOP

The Royal KingBee

Toofly

Check back here later in the week for Part II of this post and a brief interview with Ad Hoc Art’s director, Garrison Buxton.

First image is of Nelson Rivas aka Cekis at work; photos by Dani Reyes Mozeson and Lois Stavsky

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Speaking with Billy Mode

June 10, 2014

A master of bold, abstract graffiti-inspired art that fuses elements of mathematics, science and design, Baltimore-based Billy Mode is a frequent visitor to NYC. Here he has graced walls in Brooklyn and in Queens with his strikingly stylish aesthetic, often in collaboration with fellow Baltimore native Chris Stain. I recently had the opportunity to speak to the talented artist:

When and where did you first get up?

It was around 1984-85 in Baltimore. I was 11 or 12.

Who or what inspired you at the time?

Most of my friends at the time were older than me. My friend Eric Meek and I went to see Beat Street at the Grand Theatre in Highlandtown when it first came out. We were so hyped that we were doing backspins and such in the theatre while the movie was playing! Soon after, Eric got hold of a copy of Subway Art by Martha Cooper and Henry Chalfant. I’ve been grateful for these two introductions to the movement ever since.

Had you any preferred surface or spot at the time?

When I first began, it was mostly alleyways with Pilot markers and spray paint. But I soon moved on to rooftops. It was fun and I quickly became addicted to the adventure of it all.

Were you ever arrested back then?

I was caught bombing a bus. But nothing major happened. I got community service.

How did your family and friends feel about what you were doing?

My folks were cool. I was basically a “good kid.”

Have you any thoughts about the graffiti/street art divide?

There is a divide, but I don’t think about it. If it’s good, it’s good. It doesn’t matter whether it’s graffiti or street art.

What about the movement of street art into galleries?

I’m fine with it. I’ve been exhibiting in galleries since the mid 90’s. Galleries offer us artists a different way to share our art.

Why do you suppose graffiti is held in higher esteem in Europe than it is here?

Arts in general are more celebrated there. Plus I think the hip-hop culture is embraced differently In Europe. It is viewed more positively.

Do you prefer working alone or collaborating with others?

I enjoy both. Collaborating is fine — so long as I don’t have to compromise too much and lose too much of my own concept. Collaborations can’t be forced.

Your collabs with Chris Stain are among our favorite pieces. Is there anyone else with whom you’d like to collaborate?

I’ve thought about collaborating with Joe Iurato and Rubin. To me a good collaboration is when the works balance each other out. One of my favorite exchanges was with one of my best friends, Pat Voke. He always made me want to push my limits and seek out deeper meanings in the work process. I hope to collaborate with him again.

What inspires you these days?

Letter forms continue to inspire me; structures, in general, inspire me. When I sit down to work, I try to expand on what I’m developing — so it continues to grow. My graffiti background influences my desire to be inventive and contribute to the movement.

Are there any particular cultures that have influenced your aesthetics?

They’re not quite cultures, but I’m increasingly influenced by the fusion of mathematics and science.

Do you work with a sketch in hand or do you just let it flow?

These days I do have a sketch in hand which helps with the layout. When I do a more traditional graffiti style, I prefer freestyling it.

Are you generally satisfied with your work?

About 80% of the time! I’m always looking to improve.

What do you think of the role of the Internet in all of this?

We live in the future. Information travels faster than ever which, I think, allows for exponential growth. I do enjoy seeing artistic developments happening daily. But I have noticed that regional styles have been diluted. The grass roots of graffiti culture have been slowly changing, and so have the rules of etiquette.

Do you have a formal arts education?

I do have a BA from Maryland Institute College of Art (MICA), but I always credit my graffiti background as my formal training. I’ve been very fortunate to have good friends to learn from and grow with.

What’s the riskiest thing you’ve done?

Bombing in daylight on super visible spots!

What are some of your other interests?

Sleep, and when I’m not injured, skating pools.

What’s ahead?

I intend to do more murals and conjure mathematic visual formulas into reality. I will keep on expanding!

Interview conducted and edited by Lois Stavsky; photos 1. At Welling Court in Astoria, Queens with Chris Stain by Lois Stavsky; 2. At the Bushwick Collective by Dani Reyes Mozeson; 3. In Cobble Hill, Brooklyn with Chris Stain and Cre8tive YouTH*ink members — based on a Martha Cooper photo by Lois Stavsky; 4. At the Bushwick Collective by Dani Reyes Mozeson; 5. At the Bushwick Collective by Lois Stavsky; 6. At 17 Frost for OutDoor Gallery book launch by Lois Stavsky

Keep posted to our Facebook page for images of Billy Mode’s new mural, done in collaboration with Chris Stain, for the 5th Annual Welling Court Mural Project, opening this Saturday, June 14.

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The Bushwick Collective Celebrates Another Year with Live Street Art, an Indoor Gallery and a Block Party — with Vexta, Adam Fu, Sexer, Solus, Vers, FKDL, Jerkface and more

May 31, 2014

These past few days have been busy at the Bushwick Collective. New walls have been surfacing daily and the Collective has launched its first indoor exhibit. Here’s a bit of what we captured yesterday and Thursday:

Vexta‘s mural — as seen yesterday — and Vexta at work here

Adam Fu at work yesterday

Sexer‘s newly completed mural

Solus — in from Dublin — at work yesterday

Vers at work yesterday

FKDL — in from Paris — checks out his progress

FKDL inside the gallery

Jerkface begins

Jerkface inside the gallery

Also on view in the gallery — located at 426 Troutman Street — in the heart of the Bushwick Collective are works by: Blek le Rat, Solus, Rubin 415, Chris Stain, Dan Witz, Zimad, Joe Iurato, Sexer, Beau Stanton and Atom. And at tomorrow’s block party you can see and celebrate it all with live street art, bands, food trucks, a beer tent and giveaways.

Photos of Vexta, Adam Fu, Solus and Vers by Lois Stavsky; of FKDL, Sexer and Jerkface by Dani Reyes Mozeson; gallery images of FKDL and Jerkface by Houda Lazrak

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