public art project

For the past several years, the corner of 43rd Avenue & 38th Street in Sunnyside Queens — penned The Great Wall of Savas — has hosted a varied range of intriguing artworks. The mural pictured above was recently painted by NYC-based Argentine artist Sonni in dedication to his new wife. Several more images of mural art captured in this location follow:

Long Island-based Phetus

Manhattan-based My Life in Yellow

Moscow-born, NYC-based Urban Russian Doll

NYC-based Dirk

NYC-based Soho Renaissance Factory artist Konstance Patton

Lima, Peru-based Monks

Now a twin of the Akumal Arts Festival walls, each time an Akumal artist gets up at Savas, Thirdrail Art, the project’s curator, sends a donation to Akumal to support the local community.

Photo credit: Lois Stavsky

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The rotating walls that surface in the East Village and in Chinatown — under the curatorial direction of street art aficionado and photographer Ben L. — feature some of NYC’s most delightfully expressive murals. Largely painted by local artists, the walls occasionally showcase the talents of those visiting from abroad, as well. The image featured above is the work of Beijing-born, Brooklyn-based artist and Thrive Collective member, Peach Tao. Several more murals currently on view at East 2nd Street off First Avenue follow:

Lima, Peru-based Monks

Argentine-American artist Ramiro Davaro-Comas in collaboration with Outer Source on the First Ave. Laundry Center shutter 

Moscow-born, NYC-based Urban Russian Doll

New York-based photorealistic muralist BKFoxx

NYC-based Early Riser

Photo credits: 1-3, 5 & 6 Lois Stavsky; 4 Sara C Mozeson

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Featuring a wide range of artworks in varied media and styles by a diverse group of artists, Art on the Ave has enlivened the visual landscape of Columbus Avenue on Manhattan’s Upper West Side. Both vacant and retail storefronts have been showcasing artworks — many fashioned by underrepresented artists — that speak to our immediate times. Conceived this past June by three NYC teachers, the project has a strong educational component, as well.

The image featured above, We the People, is the work of mixed-media African-American artist and arts educator Lance Johnson. Several more images from Art on the Ave — spanning 67th to 77th Street on Columbus Avenue — follow:

From A.J. Stetson’s remarkable photography project Masked NYC: Witness to Our Time 

And dozens more installed on the fence of PS 334 at West 77th Street 

Fine art photographer Kevin Kinner, Close-up from huge installation of silhouette profiles

Feminist artist and gallerist Audrey Anastasi, Touch, Charcoal and mixed media collage on paper

Artist and game developer Steve Derrick, Alissa Hammer RN, NYU Langone Hospital NYC — from his series of portraits of frontline workers

The hugely imaginative Jon Barwick, Facet, Acrylic on canvas

Serving as creative consultant for Art on the Ave — that continues through January 31 — is Lisa DuBois, director of X Gallery in Harlem. For further information on this project, check here.

Photo credits:

1 Lance Johnson; 2, 4-7 Lois Stavsky

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Celebrating five years of Underhill Walls — the model community art project spearheaded and curated by Jeff Beler — “What’s Your Sign?” recently surfaced at the corner of Underhill Avenue and Saint Johns Place.  Featured above is Jeff Beler — standing to the left of his mural, adjacent to BLJ ‘s . Several more images from “What’s Your Sign?” follow:

North Carolina / NYC-based BLJ creates a passionate, assertive Aries, the ram — the first astrological sign in the Zodiac

Colombian artist Calicho Arevalo‘s Sagittarius and Savior Elmundo‘s Scorpio

Paulie Nassar designs an alluring Gemini

Visual artist and producer Megan Watters honors Ruth Bader Ginsburg with an elegantly balanced Libra

Brooklyn-based Justin Winslow fashions a mesmerizingly playful Aquarius

And Brooklyn-based Subway Doodle adds a bit of playful sarcasm

Photos of images by Lois Stavsky

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Pictured above in Part II of our documentation of the politically-driven “Shared Freedom” mural art project — curated by Will Power at First Street Green Art Park — is Calicho Arevalo‘s playful mural, as captured by Ana Candelaria. A few more artworks follow — with even more to be featured on the StreetArtNYC Instagram page.

NYC-based Miami-native Sacsix, “Chokey on the Smokey”

NYC-based multimedia artist Early Riser

Painter, actor and professional skateboarder Danny Minnick in front of huge segment of his beguiling mural — as captured by Berky

Veteran Bronx-based graffiti writer and painter Zimad – as captured by Berky

And Zimad earlier at work — as captured by Berky

Painter and graff master Heart1

And Heart1 — with spray can in hand — as captured by Berky

While visiting the “Shared Freedom” mural art project, be sure to stop by the  POP UP GET OUT THE VOTE / RETAIL STORE that has been set up  adjacent to First Street Green Art Park — on 35 E 1st Street. And don’t forget to VOTE!

Photo credits: 1 Ana Candelaria; 2, 3 & 7 Lois Stavsky and 4, 5, 6 & 8 Berky

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First Street Green Art Park, one of my favorite spots in town, not only introduces me to a wide range of artists who are new to me, but also showcases works by those who’ve been making their mark on the streets for years. Featured above is a tribute mural to Koby Bryant and his daughter by the richly prolific Fumero. Several more images recently revisited in First Street Art Green Park follow:

The artist couple Bella Phame

Puerto Rico-based Deider Díaz aka ElektroTypes

Detroit-born, NYC-based RF3RD

Harlem-based Roycer aka Royce Bannon

Noted graffiti/street artist Hektad

The itinerant Ratchi with the masterful Cram Concepts

First Street Art Green Park is currently accepting proposals for murals to be installed early next month. Check here for specifics.

Photos of artworks: Lois Stavsky

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I love when artists bring their talents to NYC public schools, not only beautifying them but also conveying positive messages that encourage dialog. And the best of these projects involve and reflect the members of the immediate community. Prospect Heights-based Jeff Beler has done it again! Following his wonderful transformation of PS 9, he has recently brought his passion and curatorial skills to PS 321 in Park Slope, Brooklyn. While there this past Thursday, as several artists were adding finishing touches to a huge wall in PS 321‘s school yard, I had the opportunity to pose a few questions to Jeff:

This looks great! I’m so glad you guys are bringing your talents to local schools. How did this come to happen? 

PS 321 PTA co-president Lauren Gropp Lowry had seen the STEAM Mural Project I had curated over at PS 9. She, along with other PS 321 parents liked what they saw and wanted to bring a similar project to their children’s school. And they, then, proposed the idea to their school’s principal.

When did this project, No Place for Hate, begin? 

We began talking about it in June, but we didn’t want to start it until the school year began. We wanted the members of the school community involved in every aspect of its planning.

And what about the theme of it? How was that chosen?

There was a general consensus that the emphasis would be on promoting tolerance and kindness and taking a strong stand against bullying. And the students at PS 321 came up with the specific concepts.

How did you decide which artists to engage in seeing No Place for Hate through?

Through the projects I’ve curated in the past — particularly UnderHill Walls and the STEAM Mural Project at PS 9 — I’ve developed  many close relationships with artists. I have a strong sense of which artists I can trust to show up on schedule and which artists work well together. Among the artists who participated in this current project are: Subway Doodle, Justin Winslow, Jaima, Calicho Arevalo, Marco Santini, My Life in Yellow, Majo, Paulie Nassar, Raddington Falls, AJ Lavilla, Zero Productivity and Paolo Tolentino.

And I notice that you have students, parents and various members of the community involved today. You even have a local architect, @krassness, adding details to your buildings!

Yes, many members of the school community and folks who live in the neighborhood  have been involved, lending us their skills, since we began painting.

What were some of the challenges you faced in seeing this through?

I can’t think of any. Everything has gone so smoothly. And we’ve had wonderful sponsors. Among them are: Blick Art Materials, Starbucks Art Program, The Corcoran Group, Tarzian Hardware and Hanson Place Orthodontics.

How have folks responded to No Place for Hate? They seem to love it!

Yes! The response has been great!

Congratulations!

Images:

1. My Life in YellowJustin WinslowJeff Beler and more

2. Majo (pictured standing), Zero Productivity and Jeff Beler (pictured standing)

3. Calicho Arevalo and more

4. Subway Doodle and Paolo Tolintino 

5. Justin Winslow and Zero Productivity

Interview conducted and edited by Lois Stavsky

Photo credits: 1-3 Lois Stavsky; 4 City-as-School intern Sage Ironwood and 5 City-as-School intern Angelize Santiago 

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Conceived and curated by Ad Hoc Art, the Welling Court Mural Project has been transforming Welling Court and its neighboring blocks in Astoria, Queens for the past decade. Featured above are the works of See One and Hellbent who once again shared their talents with us in this community-driven project. Several more images that Ana Candelaria and I captured this past Sunday follow:

 Roberto Castillo and Kork93

 Jeromy Velasco in memory of the Stonewall Riots’ 50th anniversary —  for NYC Pride with the LISA Project NYC

The legendary Greg Lamarche aka SP.ONE 

Queens-based Free5 captured at work

And an hour later

Never Satisfied

Joe Iurato pays homage to Keith Haring 

Welling Court Mural Project founder and curator Garrison Buxton for NYC Pride with the LISA Project NYC (close-up from huge mural) — and Yes One and more graffiti art below

Photo credits: 1, 4, 6, 9 & 10 Lois Stavsky; 2, 3, 5 & 7 Ana Candelaria 

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Underhill Walls — a  model grassroots project in the Brooklyn neighborhood of Prospect Heights —  has once again morphed. This time it is a canvas for 17 diversely enchanting murals reflecting the theme Urban Jungle. While visiting it last week, I had the opportunity to pose a few questions about Underhill Walls— its origins and more — to its indefatigable curator, Jeff Beler.

Underhill Walls continues to bring so much intrigue and beauty to this neighborhood. When did this project first begin?

The first set of murals surfaced here — at St. Johns Pl. and Underhill Avenue — back in the fall of 2015.

How were you able to access these walls? The concept is brilliant. It reminds me of the Centre-fuge Public Art Project that for years transformed an East Village eyesore — a neglected DOT trailer — into a rotating open-air street art gallery.

I live nearby, and I had been eyeing those walls for 10 years. They’d been ravaged by a fire, and they’d been neglected. I eventually contacted the owner of the three-floor abandoned building who was open to the concept of beautifying the property.

And then what? How did the actual transformation take place?

I started to put a team together. The first step was to build panels. And the first artists to participate in the project back in 2015 were: UR New York, Fumero, Badder Israel, Raquel Echanique, Col Wallnuts and Sienide.

Did you collaborate with any organizations at the time?

For our first project, we coordinated with the non-profit Love Heals. Titled “What’s Your Sign? Mural Project,” our first project’s mission was to raise public awareness for the HIV/AIDS crisis among  Black and Latino youth.

What are some of the challenges you’ve faced in seeing this project through these past few years?

Selecting artists with the right chemistry to work together. When that happens, everything flows smoothly and beautifully. And this is exasctly how “Urban Jungle” played out.

How often do the murals change?

Twice a year. Every May and October. Since 2015, we’ve had nine rotations.

What’s ahead?

So long as the panels are here, we will be here! And each project will continue to reflect a distinct theme.

Fabulous!

Images

1  Oscar Lett

2  Justin Winslow

Ralph Serrano (L) and Giannina Gutierrez (R) 

4  Jaima and Marco Santini collaboration

5  Nassart

6  Jeff Beler

7  Android and Miishab collaboration

8  Majo

Interview with Jeff conducted and edited by Lois Stavsky; photos by Lois Stavsky

Keep posted to StreetArtNYC Instagram for more recent images from Underhill Walls.

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Presented at the Kochi-Muziris Biennale 2018 and continuing though March 30 is Red Crown Green Parrot, a public art project by Kashi Gallery — conceived and fashioned by Jerusalem-based artist Meydad Eliyahu, a descendant of Malabar Jews, in collaboration with Dubai-based Thoufeek Zakriya, a Muslim who was born and raised in Kochi. I recently had the opportunity to speak to Meydad about this impressive project.

First, can you tell us something about the project’s title — Red Crown Green Parrot? What is its significance?

The title is inspired by the themes of the crown and the parrot which frequently appear in the  cultural expressions  of Malabar’s Jews — such as women’s folksongs, illuminated Jewish marriage contracts and synagogue decorations.The parrot is also a symbol of the storytelling in ancient local literature and culture.

What is the project’s principal mission? 

The presence of the Malabar Jews has almost completely disappeared — not only from Mattancherry’s physical space, but also from its collective memory. The project’s primary missions are to preserve the memory of Malabar Jews and to shed light on the loss of the unique multicultural dialogue that characterized Mattancherry in the past.

How did you go about trying to accomplish this?

Through a public intervention of a series of paintings and calligraphic wall works in Malayalam, English and Hebrew. The project is a walking route through the neighborhood that the Jews once lived in,  It includes a demolished cemetery with only one tomb left in an abandoned synagogue from the 14th century, along with several other hidden sites.

What were some of the challenges you encountered in seeing the project through?

We were uncertain as to how local residents would react to our reawakening a memory of a chapter that had ended 70 years ago. We did not know if and how they would accept it and whether they would want it to play such a prominent role in their present-day visual lives. That was one challenge.  Another challenge was  securing permission to work on the walls that we wished to use. That was something we couldn’t do until we arrived. But Thoufeek and I were determined to overcome any obstacles that came our way.

How have the city’s residents and visitors responded to the project?

Our most generous partners were the local residents. They welcomed us with great warmth and enthusiasm. When we were hesitant to put the first brush stroke on the first wall, they prodded us to start painting. Some helped us choose the right motifs and helped us secure walls; others helped with ladders and assisted with the clean-up. And we feel that we accomplished our mission.

“I’ve been living in Kochi for over 40 years, and this is the first time I’m seeing and learning about the Malabari Jewish sites,” commented one of the local residents.

Note: Created and performed in ‘Jew Town’, the historical Jewish urban area of Mattancherry, Kochi, India, Red Crown Green Parrot was supported by the Memorial Foundation for Jewish Culture and curated by Tanya Abraham.

Interview conducted and edited by Lois Stavsky; all photos courtesy Meydad Eliyahu

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