gallery exhibit

Splendidly curated by Laura James and Eileen WalshBronx Now showcases a wide range of artworks in different media by some of the best artists working in the Bronx. Among these are several whose works also enhance public spaces. While visiting the exhibit on Sunday, I had the opportunity to speak to both curators and pose a few questions to Laura James, the co-founder of BX200.

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Just what is BX200? And when was it launched?

BX200 is a directory of 200 artists, all of whom live or work in the Bronx. It was officially launched at the Bronx Museum of the Arts in March 2015.

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 What is its mission? And what spurred you to launch it?

Its mission is to connect our borough’s best artists to as wide an audience as possible from curators to collectors to other artists. My initial incentive in launching it was to get to know other artists living and working in the Bronx.

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You and  Eileen Walsh have, obviously, accomplished so much working together. The directory looks great, and this exhibit is wonderful. How did you two initially meet?

Awhile back, Eileen had invited me to participate in an exhibit she was curating elsewhere. Then when she read about BX200, she was eager to partner with me.

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The art here is spread across two rooms, and it all looks amazing. How did this great space come your way?

Eileen introduced me to it, and I thought it would be an ideal setting to introduce a selection of Bronx artists to folks who frequent Brooklyn spaces, particularly in Bushwick where so much is happening.

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How did you decide which artists to include in Bronx Now?  Some of the artists are quite young and relatively unknown, and others have established reputations and have exhibited in renowned museums.

We were interested in presenting a snapshot of the Bronx featuring works that we love — in a variety of styles and media — from a wide range of artists.

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The exhibit opened with a reception Saturday evening How did the opening go?

It was fantastic! About 300 people came and we had Andre Trenier painting live

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What are some of the other events we can look forward to this week? 

This Thursday, May 5, there will be a Bronx Now Artist Talk from 6-8pm. Participants will include Tats CruJohn Ahearn, Rebecca Allan, Danny Peralta and Alicia Grullon. And this Saturday there will be a closing reception from 5-8pm with a performance by Paco Cao. From Wednesday through Saturday’s closing, the gallery — located at 119 Ingraham Street — opens at noon. Enter through Terra Firma.

Congratulations on BX200 and this wonderful exhibit! I’m looking forward to more.

Images

1. John Ahearn with curators Laura James and Eileen Walsh

2. Bio, Tats Crew

3. Eric Orr

4. Crash

5. Nicer, Tats Cru

6. Andre Trenier, close-up

7. MRS

Photo credit: 1, 2, 4-7 Lois Stavsky; 3 courtesy Laura James; interview conducted and edited by Lois Stavsky

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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While in Miami this past week, I visited Chor Boogie‘s current exhibit, Heiros Gamos: A Vision of Feminine Power, at Wynwood’s Macaya Gallery. I  also had the opportunity to speak to its curator, Daniel Stanford.

I’ve been mesmerized by Chor Boogie‘s aesthetic since I first saw his vibrant murals on the streets of various cities several years ago. But I don’t often get to see his work in gallery settings. What spurred you to curate an exhibit of Chor Boogie‘s artworks?

Patrick Glémaud, Macaya Gallery‘s director, and I met Chor Boogie during Art Basel 2015.  After viewing several of his artworks, Patrick felt that the Macaya Gallery would be the ideal place to showcase Chor Boogie‘s distinct aesthetic. And I was pleased to have the opportunity to curate an exhibit of his works.

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What is it about Chor Boogie’s aesthetic that appeals to you?

I was taken by his level of precision and complexity. His technique is superior.

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And as is evident in his murals that have surfaced in public spaces, Chor Boogie‘s choice of colors is always brilliant.  His works consistently arouse both my senses and my mind. Just what is going on here?

These works — as the title suggests — reference a sacred union. The artworks pose the question, “Sacred or profane?” as they present a vision of feminine power. Aesthetic elements of the Rococo and Baroque periods, along with Madonna iconography, are reinterpreted through the medium of spray paint and contemporary street art styles.

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What challenges did you face in curating this exhibit? 

The works currently on display are quite diverse and also very rich. The biggest challenge was presenting a variety of distinct works in a balanced way.

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You certainly seem to have achieved that! What’s ahead for Macaya Gallery?  

Our next exhibit is a collective show featuring works by Emma DunlaveyFrançois Duerinckx and Mercedes Lasarte.  A select group of Chor Boogie‘s paintings will remain, and a series of his political works will be featured later this year.

Images:

1. Chor Boogie, The King and Eye, on the exterior of Macaya Gallery

2. Chor Boogie, Immaculate Conception

3. Chor Boogie, The Silver Queens, close-up

4. E. Bast in collaboration with Chor Boogie, The Nine Virgins, close-up

5. Chor Boogie in collaboration with Daniel Stanford, The Color Visions of Raquel

Photos: 1 courtesy of Daniel Stanford; 2-4 Lois Stavsky and 5 courtesy of Chor Boogie

Note: To find out about the inspiration behind this body of work, check out Chor Boogie Shines Love Into Macaya Gallery by Alexandra Martinez in last week’s Miami New Times.

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Lulu-reich

I recently stopped by 212 ARTS and had the opportunity to speak to Laura “Lulu” Reich who, along with Marc Leader, founded and directs the gallery.

I’ve heard great things about your current exhibit, Gumshoe: Red, White And Black, and I’m so glad I finally had the opportunity to visit this space! How long has 212 ARTS been here?

We’ve been here as 212 ARTS since this past October.

This space here at 240 East 4th Street is so perfect for a gallery. Why did you choose this particular neighborhood? And how were you so lucky to get this space?

I’m an East Village girl and I love everything about this neighborhood — its history, alternative culture and more. Yes, acquiring this space was mere luck! I had found out from the landlord that it was available.

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What is the vision behind 212 ARTS

It is to give exposure in a gallery setting to urban artists, particularly those who work on the streets, as well as in their studios. It is also to educate folks about the artists in this scene. There are stories to tell, as in this current exhibit, Gumshoe: Red, White And Black.

Can you tell us something about this current exhibit?

It is Gumshoe‘s first solo exhibit in NYC. We chose to present this exhibit because we love Gumshoe’s work and her distinct female energy! And it seemed like the perfect exhibit for Valentine’s Day.

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And what about its title, Red, White and Black?

Most of the pieces in the exhibit are red, white and black. The title is a play, of course, on the colors of the American flag, presenting the darker side of the American dream.

And the gum that always makes it way onto those glorious red Louboutin heels? What is that all about?

As we strive for perfection and sometimes almost reach it, we meet inevitable disaster! The gum is the metaphor for that. We get stuck along the way!

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Oh, yes! There is a story to tell! Until when will folks be able to see this exhibit?

We are open Tuesday through Saturday 2:00 pm – 8:00 pm and on Sunday 2:00 pm – 7:00 pm.  You can also make an appointment to see it by contacting me at laura@212arts.com  Gumshoe‘s exhibit closes on Wednesday, February 17th.

What’s next?

Opening on the 18th is an exhibit featuring artworks by NYC graffiti legends. Among those showing are: Crash, Skeme and T-Kid.

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I’m certainly looking forward to that! Good luck!

Interview conducted and edited by Lois Stavsky; all photos feature Gumshoe‘s work; photo 4 of Gumshoe‘s installation also features Jily Ballistic and Al Diaz; photo 5 of  Gumshoe at work was captured awhile back on the Lower East Side.

Photo credits:1 & 4 Lois Stavsky; 2 & 5 Dani Reyes Mozeson and 3 Houda Lazrak

Note: Our highly acclaimed Street Art NYC App is now available for Android devices here.

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Jily-Ballistic-and-JPO-art-17-Frost

SOLD Magazine launched this past Thursday evening with an exhibit — co-curated with Ellis Gallagher — and party at 17 Frost. When I stopped by early in the evening, I had the opportunity to speak to John Paul O’Grodnick, who — along with Greg Frederick and BD White — made it all happen.

 Just what is SOLD Magazine?

SOLD Magazine is a free magazine by artists for artists and art lovers. Among its features are: artists interviewing each other, studio visits, artist and photographer profiles, a travel section and much more.

What motivated you thee to launch it?

A sense that artists need a new platform for exposure. Our mission is to provide that platform.

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 When did you guys first begin working on SOLD Magazine? And how did you fund it?

We began working on it at the beginning of October, and we funded it via a Kickstarter campaign.

It’s great that your campaign was so successful! What has been your greatest challenge in seeing this through?

Rounding up the artists whom we wanted to participate in our venture.

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 Was it an open call? How did you decide which artists to include?

No! It was artists we’ve known and worked with in the past. Some of them suggested others.

How often do you expect to publish SOLD Magazine?

Once every three months. It is intended as a quarterly.

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How will folks be able to get hold of it?

We plan to make it available in galleries and museums throughout the city, as well as in local businesses here in Williamsburg.

I notice that this premier issue focuses on female artists, with your first cover featuring Gilf and Elle. What can we expect in future issues?

Every issue will have a theme. Our next one will focus on collaborations.

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 That sounds great! Congratulations!

Note: The above images of are of works that were on exhibit and for sale at Thursday evening’s SOLD Magazine‘s launch:

1. Jily Ballistic and John Paul O’Grodnick aka JPO

2. Chris RWK

3. Raquel Echanique

4. Elle

5. Ramiro Davaro

Interview by Lois Stavsky and photos by Tara Murray

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Nina-Pandolfo-Rivington-Wall

Noted Brazilian artist Nina Pandolfo recently made her way back to NYC. And we are thrilled that she did! Her delightfully dreamlike paintings will remain on exhibit through November 29th at Coburn Projects‘ Lower East Side gallery space at 2 Rivington Street, and her whimsical outdoor mural will continue to grace the huge wall on Rivington Street off the Bowery until the end of the year.

The complete mural, as seen this week 

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Nina at work on Rivington Street earlier this month

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And here are three of Nina’s new paintings in Little Things for Life, her first NYC solo exhibit, presented by Coburn Projects:

Breathe Slowly

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Follow Your Instincts

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One Way to…

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Located at 2 Rivington Street off the Bowery, the gallery is open Wed – Sun 10-6pm.

Photos: 1, 2, 4-6 Dani Reyes Mozeson; 3 courtesy of Coburn Projects

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"Dee Dee"

Opening this evening at 2 Rivington Street on Manhattan’s Lower East Side and continuing through Sunday is The Day Is My Enemy, street artist Dee Dee‘s first solo exhibit. Presented by Montreal-based Station 16, it features an intriguing array of distinctly curious collaged works. When I stopped by last night, I had the opportunity to speak to Adam Vieira and Emily Robertson of Station 16.

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Just who is Dee Dee?

She is quite mysterious! But word is that the secretive artist is based in New York City and that she is Japanese.

Interesting! How did you discover her?

We first heard about her from Dain, whose work we’d exhibited at Station 16.

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Yes! They share a similar aesthetic! What is it about Dee Dee‘s work that appeals to you?

We love that she creates her art from scraps of posters and assorted papers that she finds on the streets. And we like that she consistently gets up in a variety of spots. We are thrilled to be back in NYC to present her work in this space.

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Can you tell us something about the concept behind The Day Is My Enemy?

Yes! It is Halloween-based, as it highlights themes of deception and destruction. The works on exhibit explore the contradictions and discrepancies between our private and public selves.

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What can visitors to the opening reception expect — in addition to viewing first-hand all of this intriguing art?

There will be themed hostesses, lighting to complement the mood, a soundscape designed by Dee Dee and more!

It sounds great! Good luck!

Note: The Day Is My Enemy opens this evening from 6-9pm at 2 Rivington Street off the Bowery.

Interview and photos 1-4 by Lois Stavsky

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Ayad-Alkadhi-I-Am-Baghdad

Continuing through October 3 at Chelsea’s Azart Gallery is More than Words, co-curated by Melissa McCaig-Welles and Latifa Metheny. Presenting a range of artworks fusing text and images, the exhibit features a wonderfully eclectic mix of styles, sensibilities and cultures.  Here is a sampling of the works:

Brooklyn-based Canadian painter Tim Okamura

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Brooklyn-based Moroccan artist Rocko, close-up

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Queens native Greg Lamarche aka SP.ONE

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Vitry sur-Seine-based French artist C215  

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Azart Gallery is located at 617 West 27 Street in Chelsea and is open Tuesday through Saturday from 11 am to 6 pm.

Note: The first image, I Am Baghdad, is by New York-based Iraqi artist Ayad Alkadhi.

Photo credits: 1-3 & 5 Dani Reyes Mozeson; 4 Lois Stavsky

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On view through August 9 at Dorian Grey Gallery in Manhattan’s East Village is an eclectic array of stencil-based compositions spanning 35 years. Among the 25 artists featured in the exhibit are several whose works are also presently on the streets of NYC. Here is a sampling of these artists’ pieces at Dorian Grey.

Lady Aiko, Drip Skull

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Icy & Sot, Starlight

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 Blek le Rat, The Violinist

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Chris Stain, Bukowski

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Joe Iurato, Cosmic Kid

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Nick Walker,  I love New York

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Solus, Dream Big

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Located at 437 East 9th Street off Ave A, Dorian Grey Gallery is open Tuesday – Saturday 12pm-7pm and Sunday until 6pm.

Photos: 1 Tara Murray 2-7 Dani Reyes Mozeson

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Queens native Cern began writing graffiti in the early 90’s.  His artworks — characterized by luscious colors, swooping shapes and imaginative characters — have, since, made their way into public spaces, alternative venues, festivals, galleries and museums throughout the globe. We recently met up with him in Long Island City where his current exhibit, Vertical Archipelago, remains on view through the end of this month.

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When did you first get up? And where?

Back in 1990 in Queens. I was 12 at the time.

What inspired you to do so?

Everyone around me was doing it!

Are there any early memories that stand out?

I remember riding the train with my mom, looking out the window and thinking, “Wow! This is amazing!”  She said, “This is bad!”

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What percentage of your day is devoted to your art these days?

Way too much!

Any thoughts on the graffiti/ street art divide?

Everyone seems to be having a good time!

Your current exhibit Visual Archipelago is beautiful, and it encompasses an incredibly wide range of artworks. How do you feel about the movement of graffiti and street art into galleries?

It’s nothing new. It’s been going on for 40 years. It’s a normal progression. And I like the way art looks everywhere.

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What about the corporate world? How do you feel about the relationship between street artists and the corporate world?

I have no problem with an artist getting paid to promote a cool product. I, myself, like working with small, independent businesses.

Do you prefer working alone or collaborating with others?

I like both.

What is the riskiest thing you’ve ever done on the streets?

I just finished painting six stories high on Canal Street throughout the night!

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How you feel about the role of the Internet in this scene?

It’s cool! It provides us all with yet another medium.

Do you have a formal arts education?

I have a degree in Studio Art from Queens College, but I never really used it. It did teach me, though, how to deal with bureaucracy.

What inspires your art these days?

Memories, discoveries, nature, animals and urban life. And, of course, all my travels have been a source of inspiration.

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Do you work with a sketch in your hand or do you let it flow?

I sometimes work from loose sketches.

Are you generally satisfied with your work?

Usually.

How has your work evolved in the past few years?

It’s more experimental, and I tend to work with a range of mixed media including spray paint, watercolor, graphite and ink.

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What do you see as the role of the artist in society?

To heighten people’s visual awareness.

What do you see as the future of street art and graffiti? Where is it all going?

Styles seem to be evolving more quickly. And the marketing of the art has become increasingly important, almost as important as the art, itself.

And what about you? What’s ahead?

I want to continue in my own development as a person and as an artist.

Note: All of the above images were captured on our visit to Vertical ArchipelagoCern’s current exhibit at 26-19 Jackson Avenue in Long Island City.

Interview by Lois Stavsky with Tara Murray.

Photos: 1, 2, 3 & 5 Tara Murray; 4 & 6 Lois Stavsky

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"Klone"

On view through June 20th at Garis & Hahn at 263 Bowery is Topography of a Daydream, a solo exhibition of works by the Tel-Aviv based artist Klone. A huge fan of Klone’s distinct aesthetic since I first saw his works on the streets of Tel Aviv several years ago, I was captivated by his new drawings, sculptures, animations and site-specific murals featured in his first solo exhibit in NYC.

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With his mythical creatures, Klone explores his childhood memories of emigration from the Ukraine to Tel Aviv, taking us along with him on his journey.

All That Is Mine I Carry With Me, Ink on paper

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Close-up

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Installation, various media

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Ways to Hide, Paper, metal, wire and paint

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Newly painted in Red Hook, Brooklyn

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In Tel Aviv, as seen this past fall 

"Klone street art"

Photos credits: 1 & 4 City-As-School intern Diana Davidova; 3, 5, 6 & 9 Dani Reyes Mozeson; 7 & 8 Lois Stavsky

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