Walls

This is the tenth in an occasional series of posts featuring the range of faces have surfaced in NYC public spaces:

Chilean artist Otto Schade with JMZ Walls in Bushwick, Brooklyn

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Luis Rosenfeld in Bushwick, Brooklyn

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Brown Boyz — Don Rimx, Ricardo Cabret, LNY, Alex Seel and Mata Ruda — in Bushwick, Brooklyn

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Dasic with the Bushwick Collective on Manhattan’s Lower East Side

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Sonni in Bushwick, Brooklyn

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Mast and Logik with the Welling Court Mural Project in Astoria, Queens

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Beau Stanton with the L.I.S.A Project on Manhattan’s Lower East Side

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Chris Soria, lead artist, with DonChristian Jones and Groundswell youth in Brownsville, Brooklyn — since 2013

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Note: Our highly acclaimed Street Art NYC App is now available for Android devices here.

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Photo credits: 1, 2 & 6 Lois Stavsky; 3 – 5 Dani Reyes Mozeson; 7 & 8 Tara Murray

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On Urban Art Legends by KET

February 15, 2016

The following post is by Houda Lazrak, a contributor to StreetArtNYC and recent graduate of NYU’s Masters Program in Museum Studies

Urban Art Legends, by the renowned graffiti writer, photographer, curator and author Alan Ket aka KET, presents 39 engaging profiles of key urban artists, along with photos of their significant works.

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After a concise and informative introduction, in which he terms urban art as “this other art world,” KET introduces his readers to such pioneering and influential artists as ATOME, Futura, JON ONE, Lady Pink, Mode 2, Os Gemeos and Saber. Included in the artist profiles are: essential career highlights, defining artistic features, style evolutions, crew associations and specific creative projects, along with the artists’ engagement with the fine art world.

We learn, for example, that in addition to painting train graffiti, DAZE exhibited alongside Basquiat and Haring at NYC’s Mudd Club, lectured at universities and designed a train station — with Lee and Crash — in Germany.  Iconic musicians such as Madonna and Eric Clapton have purchased his canvases and numerous museums in the U.S., Germany and the Netherlands have added his paintings to their collections.

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Crash, KET notes, pioneered the graffiti movement’s relationship with the gallery world with the exhibit, Graffiti Art Success for America, that he curated at Fashion Moda in 1980. He has since exhibited in museums throughout the world and partnered with a range of companies on varied projects. And he is now, once again, active on the streets.

KET also selects some 20 artists — including Sane Smith, Risk and JON ONE — to whom he awards  “legendary status.”  We discover, for example, that Sane Smith was sued for three million dollars for painting a work visible for miles on NYC’s Brooklyn Bridge. Risk attains “legendary status” for being the first Los Angeles writer to paint a NYC subway train when he visited in 1978. And KET confers legendary status on Paris-based Harlem native JON ONE for receiving France’s premier award, the Legion of Honor, for his contributions to art and culture in France.

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KET also seamlessly links the two worlds of street art and graffiti by telling the stories of individuals — such as Ben Eine and Os Gemeos – who have dual identities as both graffiti writers and street artists.

Urban Art Legends beautifully captures the diversity of artistic practices found in our cities — from subway trains to galleries and back onto the streets. KET’s enthusiasm and passion for urban art pervade these pages as he writes that “justice cannot be done to all those incredible talented individuals who have informed and advocated” the urban art movement.

Urban Art Legends certainly comes close, as it offers readers a solid grasp of over three dozen of those individuals who have significantly impacted the urban art scene.

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Published in the UK by LOM ART, Urban Art Legends is now available online and in most NYC bookstores.

All images courtesy LOM ART:

1. Book cover, designed by Jamie Keenan; Nick Walker, 2015, Photography by Paul Green

2. CRASH, panel piece on subway train, Bronx, New York, USA, 1980. Photography by Phade

3. JONONE, Le Départ, spray paint and acrylic on canvas, 600 x 300 c.m., 1994, Speerstra Collection

4. ATOME, Sydney, Australia, 2014. Photography by artist

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This is Part III in an ongoing series of posts featuring politically and socially conscious artworks that have surfaced on NYC streets:

Kingbee and Tito Na Rua take on gentrification in the Bronx

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Hanksy‘s famed portrait of Donald Trump in Downtown Manhattan

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Groundswell youth  — with lead artist Danielle McDonald and assistant artist Jazmine Hayes — in Bed-Stuy 

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Hunt Rodrigues on the pavement in Bushwick

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Sophia Dawson  on Myrtle Avenue — with quote from Assata Shakur — for Black Artstory Month

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Photo credits: 1 & 5 Lois Stavsky; 2, 3 & 4 Tara Murray

Note: Our highly acclaimed Street Art NYC App is now available for Android devices here.

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Patrick-Verel-Graffiti-Murals

In his highly acclaimed book Graffiti Murals: Exploring the Impacts of Street Art, free-lance writer and photographer Patrick Verel presents six case studies, along with dozens of photographs, exploring the role of sanctioned graffiti murals and street art in the urban environment. I recently met up with him and had the opportunity to ask him a few questions:

What spurred your interest in this topic?

I was always into graffiti.  I have a short attention span, and I love being surprised! Cities stimulate me and graffiti is part of that stimulation.

How did this initial interest evolve into a book?

I never thought I’d actually write a book. It developed from the thesis that I wrote when I was enrolled in Fordam University’s Urban Studies Master’s Program.

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You focus on six cases from the South Bronx to Trenton, New Jersey. How did you connect to all of the folks whom you interviewed?

I sent out lots of emails after poking around the Internet.  And I made some of the connections via my Flickr contacts — like the photographer Luna Park, who hooked me up with Robots Will Kill.

What were some of the obstacles you encountered while doing your research?

Getting people to talk to me and synthesizing all of the information.

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You seem to have accomplished that quite well! What — would you say – was the mission of your book?

To change the way so many people think about graffiti. To introduce them to the positive benefits of graffiti murals in enhancing the urban environment.

Are there any particular factors that assure the success of these interventions?

So much depends upon the owner of the space and his relationship with the artists. That owner must be able to trust the artists to do what they want.  And a successful collaboration demands money, effort and time.

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Were there any unexpected outcomes following the publication of the book?

Yes! I received a positive response from City Government, and I connected to Natalie Raben of the Lower East Side BID and the 100 GATES Program.

Have you noticed any changes in the graffiti/street art since you wrote your book?

There seem to be more projects, like the Bushwick Collective and the Welling Court Mural Project, that give artists legal opportunities to paint outdoors.

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Published by Schiffer Publishing, Graffiti Murals: Exploring the Impacts of Street Art, is available online and in most bookstores.

Interview by Lois Stavsky

Photos of murals by Patrick Verel

1. Book cover, Lank completes mural he painted with Delve, Luv1 and Casso in Jersey City

2. Wallnuts mural in Gowanus with Dos, Chester, Muse, Been3 and Werc

3. 5Pointz in LIC with Meres, Zimad and more

4. Robots Will Kill in Bushwick with Chris, Veng, Peeta, Never & ECB

5. Taste, Mek, Evak, Sno Reo & Zoe at TerraCycle in Trenton, NJ

Note: Our highly acclaimed Street Art NYC App is now available here at Google Play for Android devices.

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Ernest-Zacharevic-and-Martha-Cooper-street-art-NYC

This is the ninth in a series of occasional posts featuring images of children that have surfaced on NYC public spaces:

Also by Ernest Zacharevic with Martha Cooper, huge segment of mural at Wyckoff Heights Medical Center — with the Bushwick Collective

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 Icy & Sot in Bushwick

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Priscila De Carvalho in Bushwick

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Joe Iurato and Logan Hicks, as seen at the Bushwick Collective awhile back.

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Anthony Lister with the the Bushwick Collective

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Photo Credits: 1, 2 & 4 Tara Murray; 3, 5 & 6 Lois Stavsky

Note:  The highly acclaimed Street Art NYC App is now available here at Google Play for Android devices.

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torch-paints-graffiti-Newark-NJ

The walls of two factory buildings on Abington Avenue in Newark, New Jersey have recently been transformed into an exhilarating, open-air graffiti gallery showcasing a range of styles. Here are a few more images I captured while visiting yesterday:

Mesk 

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Era

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Goomba and Goal

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Ajae at work

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Grope DNA

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4Sakn

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Emo

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Tiper

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Mad Hatter

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Note: First image is by Torch

Special thanks to Rachel and Chris for introducing me to Newark’s thriving graffiti scene and to Torch for his passion and knowledge, who — along with Ram — made this particular Abington Avenue spot possible.

Photos by Lois Stavsky

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Nick-walker-I-love-New-York-Quin-Hotel

Best-known for his sharply dressed, bowler-hatted vandal, the legendary British stencil artist Nick Walker — the  first ever artist-in-residence at the Quin Hotel — has returned!  Curated by DK Johnston, a series of Walker’s new artworks, along with his classic iconic stencil works, remain on view at the Quin through February 18th.  What follows are a few more images of his works on exhibit:

The vandal on 57th Street across from the Quin

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The vandal gets busy

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The vandal leaves his mark on a pair of Louboutins

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And here are a few of his huge stencil works currently on the streets of Manhattan:

In Chelsea

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On the Upper East Side

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In Little Italy

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The Quin Hotel is located at 101 West 57th Street at Sixth Avenue.

Photos: 1 & 6 Lois Stavsky; 2 & 3 Sara Mozeson; 4 courtesy DK Johnston and 5 & 7 Tara Murray

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This is the 17th in an occasional series of posts featuring images of girls — and women — who grace NYC public spaces:

Swoon in Red Hook

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JR in the East Village

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Gabriel Pitcher in Bushwick

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Panmela Castro with Opni in the Bronx

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Ramiro Davaro with JMZ Walls in Bushwick

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 Anthony Lister in Bushwick

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Close-up of Lister’s ballerina

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 Photo credits: 1 & 2 Tara Murray; 3-5 Lois Stavsky, and 6 & 7 Dani Reyes Mozeson

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This is the eighth in a series of occasional posts featuring some of the curious characters that surface on NYC streets:

Mike Lee in Williamsburg, Brooklyn

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Werc, close-up in Long Island City

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Elle and the London Police on Manhattan’s Lower East Side

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Buff Monster at the Bushwick Collective

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Binho in Long Island City

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Esteban del Valle at Welling Court in Astoria, Queens

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Photo credits: 1, 3 & 5 Dani Reyes Mozeson; 2, 4 & 6 Lois Stavsky

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Juan-Travieso-street-art-Hialeah-Miami

A vibrant art scene has begun to emerge in Miami’s largely industrial Hialeah neighborhood.  What follows are a few more murals — all painted by Miami-based artists — that greeted me there on my recent visit:

Nicole Salgar

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Reinier Gamboa

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Ernesto Maranje

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Miami-based Diana Contreras aka Didi Rok

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First image was painted by Juan Travieso

Photos by Lois Stavsky

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