Walls

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Recently released by Dokument PressRUBIN NEW YORK SCANDINAVIA is a stunning survey of Rubin‘s distinct abstract and geometrical artworks that are rooted in traditional graffiti. With dozens of images documenting Rubin‘s journey — from Sweden, where he grew up, to NYC, where he is now based — Rubin New York/Scandinavia  offers an overview of the works of an exceptional artist, who has brought a singular beauty to our NYC landscape.

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The book’s succinct text by Björn Almqvist introduces us to Rubin’s experiences as a child of Finnish immigrants who made their way to Sweden in search of work. The alienation that Rubin felt among Swedes, along with the stark grey concrete walls of the housing complex that enveloped him, were calls to pick up a can and make a mark.

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Inspired by Scandinavian design, Rubin has developed a unique aesthetic that uses geometrical, symbols in lieu of letters. With his splendid craftsmanship and unique aesthetic, he transforms the gritty language of graffiti into his own distinct expression that is as effective on the streets of the South Bronx, as it is inside a church yard or on the outside of a Manhattan boutique.

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Rubin New York/Scandinavia also provides us with a handsomely curated survey of Rubin’s studio work that has been increasingly making its way into galleries.

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Rubin New York/Scandinavia is a splendid ode to a distinctly wonderful artist. Its NYC release took place last month at WallWorks, where the artist’s  works remain on exhibit through June 29th.

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Images

1. & 2. Brooklyn, 2014

3. Brooklyn, 2014

4. Gothenburg, 1989 

5. Brooklyn, 2015

6. Gallery nine5, 2014

Photo credits: Tony “Rubin” Sjöman and Mika Tuomivuo; all photos courtesy of Dokument Press; book review by Lois Stavsky

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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The most riveting graffiti spots are those we almost never discover on our own.  Located in tunnels, abandoned buildings, rooftops and hidden passageways, they tend to host some of the most creative, innovative writing — from tags to pieces — to be found anywhere. We recently had the opportunity to visit such a spot — the SGK Pit — in Newark, New Jersey and speak to Torch Fuego who has established an office there.

Can you tell us something about this spot! What an amazing oasis of creativity and escape from it all! 

It was founded over 25 years ago by several Old School writers, and it quickly became — largely under the direction of SGK crew founder Syko — a key spot for writers to practice and learn from one another.

And what does SGK stand for? 

Style, Gifted, Knowledge…and more!

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Who were some of the writers who frequented it? Were they all locals?

Among the NJ writers were: Syko, RimeCarmelo “Snow” SigonaTeck and Lesk — who made me an SGK member.  But folks also came from other places. Bom5 used to come down from the Bronx.

How and when did you discover the SGK Pit? And what was your first impression of it?

Baye took me there when I was about 15. I thought, “Wow!.” I couldn’t imagine that such a place existed.

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Do any particular memories stand out?

The few graffiti battles that turned into brawls…lots of parties…and the first time I saw the deer and red foxes that also call this spot home.

And just what is your role here now?

For several years it had been abandoned. But it has recently been revitalized.  And — together with Zew — I basically maintain it. I keep it tidy. I make sure the walls are clean. I introduce new members to old heads, who can pass down knowledge to them. Basically, I want to maintain it as a “practice sanctuary.” And as Syko handed down the torch to me, I feel a huge responsibility.

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That seems like quite a responsibility and quite a bit of work!

Yes! I’ve sacrificed my day job for this.  But it’s worth it!

No doubt!

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Note: You can meet Torch at a special event today — Saturday — from 1-6 pm at Shorty’s. And tonight — starting at 11pm — Clearport Events will host a graffiti after-party at Port-O-Lounge, 286 1st Street in Jersey City, to benefit The Artchitectz, a program that teaches youth creative skills. Check out Torch’s Instagram for additional info.

Photo credits: 1, 3 & 4 Lois Stavsky; 2 & 5 Tara Murray; photo two features work by Lesk, with Erizl to his left; interview conducted and edited by Lois Stavsky

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Dasic-Fernandez-and-Rubin415-street-art- Greenpoint-NYC

We recently had the opportunity to speak with writer and photographer Yoav Litvin about 2Create, his ongoing project and upcoming book on creative collaborations.

We love your recently launched 2Create Facebook Page and Group. Can you tell us something about the concept behind 2Create? What is its mission?

The aim of 2Create is to study and promote teamwork and fellowship as it showcases the art of collaboration. Folks tend to place far more emphasis on competition than on collaboration. But so much more can be accomplished if we work together.

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Yes! We tend to glorify individualism, particularly in the West.

And my point is that when two people create, it is greater than two. 1 + 1 is not 2, but something more. The duo is the basic unit of a collective.  And we need to look at forming collectives as a means to solve our societal problems.

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One of your initial projects, related to this larger one, is your upcoming book, 2Create: Art Collaborations in New York City.  Can you tell us something about it?

Yes. It will be released by Schiffer Publishing this fall. It showcases the works and processes of nine pairs of NYC graffiti and street artists. Each duo consists of two artists whose unique styles came together to create a larger-than-life work of street art in a NYC neighborhood. The book focuses on the backgrounds, techniques, and collaborative processes of the featured duos.

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What spurred you to produce this particular book? What was your impetus behind it – in addition to promoting the concept of collaboration?

There were a number of factors. I was interested in expanding the documentation that I began in Outdoor Gallery New York City by getting to know more of my favorite artists – like Cekis and Rubin. But most of all, it was a project that enabled me to further develop myself as an artist by integrating my background in psychology, my passion for progressive politics and my respect and love for graffiti and street art in NYC.

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What were some of the challenges that you faced in the process?

Identifying artists who could work well together and produce first-rate artwork was the initial challenge. I also had to gain their confidence and access to their relationship so that they would speak freely about the process.  And some of the artists were quite shy – which was an additional challenge. And, then, for some of the works I had to secure walls, materials and more.

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What’s ahead for 2Create?  Where are you going with it?

I want to continue documenting and interviewing duos that work together in a wide range of scenarios: visual arts, dance, music and more!

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How can we become engaged with your project? Can we contribute to it?

You can Like the project on Facebook and share your own collabs and connect with others here. You can also follow it on Instagram and on Twitter.

It sounds great! And what a wonderful concept!

Images

1. Dasic Fernandez with Rubin 415

2. Icy and Sot

3. Cekis with Cern

4. ASVP

5. Jilly Ballistic with Al Diaz

6. Alice Mizrachi with Trap IF

7. Logo design by Dan Michman

Photos © Yoav LitvinYoav in conversation with Lois StavskyTara Murray and City-as-School intern Sol Raxlen

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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dasic-street-art-bushwick-collective-nyc

This is the second in our series of NYC couples that were spotted around town. Pictured above is Dasic Fernandez as seen at the Bushwick Collective. Here are several more:

D*Face at the Bushwick Collective

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Mr. Nerds at the Bushwick Collective

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Jorit Agoch and Leticia Mandragora in Williamsburg, Brooklyn

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Faith 47 in Williamsburg, Brooklyn

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Sipros, as seen earlier this year at the Bushwick Collective

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 Photo credits: 1-3 Tara Murray; 4-6 Lois Stavsky

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Engaging a wide range of artists and art lovers of all ages, along with members of the local community, the Welling Court Mural Project celebrated its 7th anniversary with a huge block party on Saturday. Pictured above is the legendary Lady Pink at work. Here are several more images captured from the Welling Court Mural Project‘s annual event organized by Garrison & Alison Buxton.

Caleb Neelon at work on collaborative mural with Katie Yamasaki

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Fumero at work on tribute mural to Muhammed Ali

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Mike Makatron and Caroline Caldwell aka Dirt Workship at work on a collaborative mural

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Cre8tive YouTH*ink, close-up of huge mural painted by youth under the direction of  Jerry Otero aka Mista Oh

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Erasmo

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Chris Cardinale at work

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Joel Artista at work on collaborative mural with Chris Soria and Marc Evan

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Pyramid Guy

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Joseph Meloy, Ellis G and Abe Lincoln, Jr

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Photos by Tara Murray

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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toofly-mural-welling-court-NYC

Organized by Garrison & Alison Buxton, the Welling Court Mural Project is back gracing Welling Court and its neighboring blocks in Astoria, Queens with a wonderfully diverse array of artworks. Here is a sampling of some of the completed murals, along with others in progress, as artists ready for tomorrow’s official launch and block party.

Miro 

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Mr June

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Billy Mode and Chris Stain

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Daze and Crash

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Vagabonddom at work

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Tamara Heller for Crisis Text Line

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OneL NYC checking out his mural

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Magda Love, with her assistant Jamie, at work

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You can view the murals, meet the artists and join the festivities tomorrow — Saturday — from 12-8 along 30th Ave and 12th Street and neighboring blocks.

First image features Toofly, work in progress to be completed tomorrow, Saturday

Photo credits: 1, 2 4-9 Tara Murray; 3 Lois Stavsky

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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valeri-larko-Bronx-Museum-of-art-NYC-with-painting

On view through June 26 at the Bronx Museum of the Arts is Bronx Focus: Paintings by Valeri Larko, an extraordinary visual ode to a borough whose landscape is rapidly changing. Among Valeri Larko‘s paintings are many that are infused with the Bronx’s gritty graffiti. With her impeccable renderings of tags, throw-ups and pieces, the artist has immortalized our favorite art form in the borough that birthed it. On revisiting the exhibit last week, I had the opportunity to meet Valeri, who gave a tour of her exhibit.

We love the way you are keeping some of our favorite walls alive through your paintings. What spurred you to focus on this aspect of the Bronx?

I’ve always been interested in the urban landscape, and when I moved from New Jersey to New Rochelle — just a short drive from the Bronx — I discovered the just how rich the graffiti in the Bronx is. I think it is gorgeous, and I love how sites with graffiti always have great stories to tell.

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Can you tell us something about your process? How long does it take from beginning to end to create a painting?

Everything is done on location. If a site interests me, I begin with a quick pen and ink sketch in a small notebook using a uni-ball pen. If I then decide that I want to do a painting of the particular scene, I do an oil sketch of it. For most of my studies, I work on 300 pound watercolor paper that I staple to a board. For the larger version, I typically paint two to three months, also on location.

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What are some of the challenges you face in producing this work?

The weather is, by far, my greatest challenge. The wind is my biggest enemy. My car is — many times — my only shelter, and that is where you will often find me painting, especially in the winter months.

How do the graffiti artists feel about what you are doing? 

They love it. If they see a blank surface at a particular space where I am painting, they will sometimes ask if they can leave their mark on it — to be included in my painting.

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What is your most memorable experience of painting on location?

There are so many, but here is one that comes to mind: I had been working at a site for several weeks on Top Dollar, a painting of a trailer truck. Then one day when I showed up, I was surprised to find a very large boat in front of the truck. I could’t imagine how it got there! Luckily, I had mostly finished the painting, and the boat seemed too clean, too pristine and too out of place to include. But a few days later, the graffiti artist SAET with his friend NARO showed up. Once SAET had christened the boat with his tag, it was totally transformed. And so I decided to add the boat to the painting. I was even thinking of doing a new painting of the boat. But that never happened!

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Why was that? Why didn’t you get to do the new painting of the boat?

While I was still working on Top Dollar, Tommy — who was living in the Jay’s Hot Dog Camper — informed me that the site was about to be demolished. That is one of the hazards of working on site. Whoa! I still needed at least a week to finish my painting. Luckily I found the guys doing the demolition work, and they agreed to give me one more week to complete my painting! It actually took me eight days, and within hours after I finished, everything on the site was demolished. And what about Tommy who had been living in the camper? He headed on a Greyhound back home to Kansas City where he and his sons had built two houses!

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What’s next? Are any walls calling you? Any sites that particularly intrigue you?

Yes! I discovered an abandoned golf course across from Co-op City. And since I don’t know how much longer it will be around, I’ve been heading there as often as I can!

 What an incredible visual history you are creating!  And we are already looking forward to your upcoming solo exhibit at WallWorks in the fall.

Images

1. Valeri Larko — as seen last week — at the Bronx Museum

2. Ferris Stahl Meyer Diptych, close-up

3. Corner of Boone Avenye and 173rd Street

4. Bronx Drawbridge

5. Valeri Larko painting at Top Dollar

6. Top Dollar

Photo credits: 1-3 Lois Stavsky; 4 City-as-School intern Sol Raxlen; 5 John Wyatt & 6 courtesy of the artist; interview conducted and edited by Lois Stavsky with Sol Raxlen

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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crash-and-stash-street-art--Brooklyn-NYC

Splendidly curated by Ellis Gallagher, Collaborations features selected works by Crash fashioned collaboratively with both local and global artists. The mural pictured above was painted by Crash in collaboration with Stash. What follows is a sampling of works — representing the diverse range of collaborative styles and sensibilities — inside the gallery at 17 Frost Street in Williamsburg:

Crash with Nick Walker and Bio, Tats Cru

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Crash with KAWS

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 Crash with Remi Rough

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Crash with Bio

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Crash with BR163

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 Crash with James Choules aka She One

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Collaborations remains on exhibit through June 26 at 17 Frost by appointment only.

Photo credits: 1 & 7 Lois Stavsky; 2, 4, 5 & 6 City-as-School intern Sol Raxlen and 3 Tara Murray

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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We love how the walls at Brooklyn Reclaimed — under the curatorial direction of Meres One — have become rotating outdoor canvases.  Pictured above is Panic Rodriguez at work. Here are a few more recent murals —  some captured while in progress, and others when completed.

Amuze

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ZA One at work

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Kais

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Wore at work

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Kenji Takabayashi aka Python

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Pase, BT

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Meres

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Photo credits: 1, 3 & 5 Tara Murray; 2, 4, 6-8 Lois Stavsky

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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sheryo-and-the-Yok-and-Persue-Street-art-powwowdc

Founded in 2010 by artist and curator Jasper Wong, Pow! Wow! has since staged several cultural festivals across the globe. While down in DC this past weekend, we had the chance to check out the final days of  Pow! Wow! DC in the Capitol’s NoMa district.  Organized by DC artist and designer Kelly Towles, Pow! Wow! DC features the talents of 17 local, national and international artists. Above is a segment from a huge mural painted collaboratively by the Yok, Sheryo and Persue. Here are several more images we captured:

Hawaiian duo Wooden Wave

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Hong Kong-based Caratoes

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Miami-based Hoxxoh

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DC-based Decoy at work

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Puerto Rican artist Vero

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Richmond, Virginia-based Jacob Eveland, close-up from huge mural

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Local artist HKS181 at work

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DC-based Naturel

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LA-based Drew Merritt and London-based Insa

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Photo credits: 1, 3, 5. 7-10 Tara Murray; 2, 4 & 6 Lois Stavsky

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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