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Brazilian artist Marcelo Ment recently brought his infectious, spirited aesthetic back to NYC, where he painted in Bushwick for JMZ Walls, on the Lower East Side for the New Allen and at First Street Green Park for International Hip Hop Day. While he was here, I had the opportunity to interview him.

When and where did you first get up?

It was in 1992 in Rio. I was 15 at the time.

What inspired you back then?

I always loved graffiti. My friends used to bring back graffiti magazines from the States, and I loved what I saw. I wanted to do it too. And from the time I was a young child, my older sister had always encouraged me to draw.

How did it feel at the time – the first time you got up?

It was great! I was so excited, I had butterflies in my stomach. It was love at first touch.

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How did your family feel about what you were doing back then?

My mom didn’t understand it.  She said, “You have talent. So why are you doing this?” But now my entire family is proud of me.  They respect that I can make a living from what I love doing.

Yes, that’s the best! What is the principal source of your income?

Commissions, graphic design and canvasses.

What was the riskiest thing you’ve done?

Painting in high places that were not safe.

So then why did you?

I told myself that I have to.

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What about these days? Do you prefer to work in legal spots or in unsanctioned ones?

These days I tend to do more legal work. I’m 40. I’m not a kid anymore, and I have serious responsibilities. But I respect illegal art and I miss the adrenalin rush.

Have you any thoughts about the graffiti/street art divide?

I don’t feel it in Rio. There’s a sense of mutual respect.

Are there any particular cultures that have influenced your style?

My initial and principal influence was classic NYC graffiti. I love letters.

Do you have a formal art education?

No! I’m self-taught.

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What percentage of your time is devoted to art?

Almost 100%.

Have you any other interests? Passions?

Music is very important to me. I especially love reggae – all kinds of it.

Have you shown your work in galleries?

Yes, I’ve exhibited in Rio and in Amsterdam.

Do you prefer working alone or collaborating with others?

I love collaborating with friends.

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Are there any artists you would particularly like to collaborate with? Artists who have inspired you?

Among them are: Marko 93 from Paris, Germany’s Can2 and the Brazilian artist, Tarm.

What is your ideal working environment?

Anywhere I have access to paint!

Do you work with a sketch in hand or do you let it flow?

It varies. I prefer to freestyle.

Are you generally satisfied with your finished work?

I don’t think I am.  We are all so far from our best.

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How has your work evolved through the years?

It’s evolved from painting letters to painting women. Painting women has been particularly challenging. And as I continue to grow as an artist, I tend to fuse my various styles and skills.

How do you feel about the role of social media in all of this?

It’s good and bad. Some are too eager to share what’s not worth sharing.

What do you see as the role of the artist in society?

To share knowledge and awareness.

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Photos: Lois Stavsky; interview conducted and edited by Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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A huge fan of the Oakland-based street artist GATS since I first saw his iconic mask imagery across the globe several years ago, I was delighted to view his artwork here in NYC — both in the brilliantly conceived and curated exhibit Against the Grain at SPOKE ART NYC and on the streets of Little Italy. Pictured above is a segment of a huge mural featured in Against the Grain. Here are several more images — all fashioned on found objects — from the exhibit:

Death by Pebble, Acrylic on 1960’s skateboards, 4 of 8

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Traveler, Acrylic on found wooden case (top); Trackside, acrylic on spraycan (bottom)

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Stripes, Acrylic on found shipwreck

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Eliminator, Enamel on vintage sprayer

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 And on the streets of Little Italy — with the L.I.S.A Project

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 Close-up

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Against the Grain continues at SPOKE ART NYC through June 25th. The gallery is located at 210 Rivington Street on Manhattan’s Lower East Side and is open Wednesday through Sunday from 11:00 am – 7:00 pm.

Photo credits: 1, 3-7 Lois Stavsky; 2 Karin du Maire

Note: Hailed in a range of media from Wide Walls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Opening tonight at More Points Bx in the Hunts Point section of the Bronx is Fight 4 Your Write: The CAMO Show, an exhibit of intriguing art in a range of media and styles suggestive of the notion of camouflage. While previewing the exhibit yesterday, I spoke briefly to More Points Bx directors and curators, Sienide and Eric Orr.

What inspired you to curate this exhibit?

We wanted to bring our friends together, while sharing different styles and techniques of art — all beautiful and unconventional and on a common theme.

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What are some of the techniques represented here?

There are so many. Among them are: stencil art, aerosol art, mixed media, painting, printing, sketching, drawing with markers…More Points Bx even has its first oil painting featured here.

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Can you tell us a bit about the exhibit’s theme? 

It’s our theme — the concept of camouflage. As graffiti writers, there is much we hide. And much of what we write is only for us to decipher.

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How did you decide which artists to feature?

We got the word out among our friends, and we reached out to others on social media.

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There’s quite a range of artists here — from several younger emerging ones to many established legends. How many artists are featured in the exhibit?

There are 36. Dozens of people reached out to us.

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After the exhibit officially opens, how much longer will it remain on view?

It will stay up for a bit over a month — 36 days to be exact!

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How can folks arrange to see it if they miss the opening or if they wish to view it a second time? There’s so much to see!

One of us is here at 527 Faile Street just about all afternoons and evenings. We can also be reached by email at mrmorepoints@gmail.com.

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What can folks who attend the exhibit’s opening expect — besides the great art and great company?

Music for the evening will be powered by DJ JAZZY JAY with special guests, and drinks will be provided by Port Morris Distillery. Come out and help us kick off the new season!

Images

1  BG 183, Tats Cru

2  Sienide, Rhonda Rae and Al Diaz

3  Al Diaz

4  Bio Tats Cru, Steve Cogle and Nicer Tats Cru

5  Yes One

6  Eric Orr

7  Serve

Photos and interview by Lois Stavsky

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charlie-ahearn-in-scratch-ecstasy-PPOW

Scratch Ecstasy, an exhibition of  work in a range of media by visual artist and legendary filmmaker Charlie Ahearn, continues through June 24 at P.P.O.W in Chelsea. A chronicler of the rise of hip-hop and street art culture, Ahearn has documented the movement since the 80’s through photography, film and slide shows.  The following is adapted from an interview conducted by travel and street photographer Karin du Maire with Charlie at the gallery:

Can you tell us something about the title of your current show, Scratch Ecstasy? To what does it refer? 

Yes! The word “scratch” actually has a double meaning. It refers to scratching on a surface, but it also refers to a technique pioneered by Grand Wizzard Theodore of a needle going back and forth on a record — which creates a very jazzy, electronic effect.

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And what about the word “Ecstasy” in the title? What is its reference?

It’s a reference to a real place in a real time — the Ecstasy Garage, where I was listening to not only Grand Wizzard Theodore scratch his music, but also to Chief Rocker Busy Bee on the microphone or Grand Master Cass, along with many other artists who were performing there. I spent a lot of time at  the Ecstasy Garage doing a slide show and watching different hip-hop performances, largely to an audience of high school kids. It was a very out-of-the-way place.

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What was your mission back then? 

It is similar to the mission of this show — to create a record of what was going on so that people today can pinpoint certain people and places that should get recognition and be remembered.

What about your own paintings that are on exhibit here? Can you tell us something about the process?

It started with me doing the painting on canvas with the forms that would be in it. The colors I chose reflect the bright fluorescent colors that were prominent in inexpensive flyers that the kids would hand out to get others to show up.

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And what about the slide show that is going on? 

It is the slide show that I gave at the Ecstasy Garage with Grand Wizzard Theodore as the DJ. As presented here with the music, it is a reflection of what was going on back there at the time. I gave it at the Ecstasy Garage as a kind of way of working on Wild Style — the slides in a particular order to tell a story, and it all ended up in the movie, one way or another.

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Thank you for preserving and sharing so much history with us.

Note:  P.P.O.W will be screening Charlie’s 1979 kung fu film, The Deadly Art of Survival, tomorrow, Friday evening, at 7pm. The gallery is located at 535 West 22nd St, 3rd Floor, in Chelsea.

Images

1  Charlie Ahearn at P.P.O.W — as interviewed by Karin Du Maire — with Data Rock, silkscreen on canvas

2  Scratch Ecstasy, silkscreen on canvas

3  The World of Hip Hop, silkscreen on canvas

4  Nathan, silkscreen on canvas

5  Howard the Duck, Lee Quinones, LES mural

Photo credits: 1 & 2 Karin Du Maire; 3, 4 & 5 (still from slide show) Lois Stavsky; interview conducted by Karin Du Maire and edited by Lois Stavsky

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Michael-alan-mom-and-child-portrait

The wildly imaginative and splendidly talented Michael Alan aka Michael Alan Alien is busily planning an artistic tribute to his mom, Raindrop, in his childhood Staten Island home this coming Saturday, June 17th.  What follows is a brief interview with him about it:

What spurred you to plan this tribute to your mom?

All that my mom has done — and continues to do — for me.  She saved me from the dark as I was growing up, and she inspired me to be the artist I am today. My mom is living art.

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Can you tell us something about the role your mom played in your artistic career?

My mom was the first performer in my Living Installation projects. She helped me get started by modeling for my drawings at this very home and by modeling — clothed — at the early stages of Drawathon.  She has given so much to help me forge my career.

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What can visitors to her home — your childhood home — in Staten Island next Saturday expect to experience?

There will be a seven hour tribute — from 5pm to 12am — for my mom with music, models, comedy and a BBQ. It will be on her property, and she will be performing with her husband, Michael, and the cast of the Living Installation. Part of the house will be set up as an installation of my mom’s past memories.  Jadda Cat, Living Installation’s new leader, will perform in a kids’ pool and do face-painting for kids. And there will be a chance for everyone to make art.

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And what about your art? Will any of it be shown at this event? 

Yes, over 60 of my works will be on display, along with photos of my mom and her religious prophesies.

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How can folks attend the event? 

Tickets are $20.00 and can be purchased here.  The address will be provided to ticket holders. It is just a 10-minute bus ride from downtown Manhattan and the perfect retreat!

Editor’s note: For an intimate look into the artist, check out the following video produced by Alan Ket.

Photos provided by Michael Alan; interview by Lois Stavsky

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Curated by Ad Hoc Art, the Welling Court Mural Project is once again bringing a diverse range of intriguing murals to Welling Court and its neighboring blocks in Astoria, Queens. Many artists have already begun painting in anticipation of tomorrow’s Block Party. A few have already finished. Pictured above is a completed mural by See One. Here are several more images I captured today:

Queen Andrea

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 SP One at work

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Bluze

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Sinned NYC

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Onel and Roberto Castillo

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ASVP at work

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Tomorrow’s Block Party begins at noon at 11-98 Welling Court at 30th Avenue & 12th Street in Astoria, Queens.

Photos by Lois Stavsky

Note: Hailed in a range of media from Wide Walls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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PAUL-RICHARD-GENTLEMAN (1)

Opening this evening at 212 ARTS is DRIP, a solo exhibit by the iconic NYC-based artist Paul Richard. An outstanding representational painter, Paul Richard is best known to us street art aficionados for his drip paintings that surface on NYC sidewalks. While visiting the exhibit yesterday, I had the opportunity to speak to 212 ARTS gallerist, Marc Leader.

This is such an elegantly handsome show! What spurred you to feature an exhibit of Paul Richard‘s works?

Paul has been an iconic figure in NYC culture for over 20 years. Although low-key, he is also subtly prolific. And this is his first NYC exhibit in five years.

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How did you decide which artworks to include in the exhibit?

About one year ago, Paul and I began discussing the concept of an exhibit featuring his work at 212 ARTS. Then Paul ran with it. He created a few dozen new works, and together we decided which ones to feature.

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How many are included in DRIP?

There are two dozen works of varying sizes.

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It is always a thrill to glance down to the pavement and come upon one of Paul Richard‘s iconic faces!

Yes! Even before he first moved to New York in 1997, Paul Richard recognized that people constantly scan the ground in front of them — making it the perfect place to find an audience.

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It’s great to see your gallery continue to bring a diverse range of first-rate artists — who remain active on our streets — to its East Village home. To what do you attribute its success?

It’s the passion we bring to our projects.

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Photos of artworks and interview by Lois Stavsky

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Montreal-Mural-Festival-June-2016-Felipe-Pantone

As part of this year’s edition of the Montreal Mural Festival, Station 16 Gallery will host PLANAR DIRECTION, a solo exhibition by the wonderfully talented Argentine-Spanish artist Felipe Pantone. Opening this Thursday evening, June 8, PLANAR DIRECTION will showcase a series of Pantone‘s striking works, characterized by distinct geometric shapes that fuse black and white designs with bold florescent colors. Pictured above is the mural that Pantone painted for last year’s Mural Festival. What follows is a brief preview of his new works for PLANAR DIRECTION:

Planar Direction 3

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Planar Direction 6

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Planar Direction 4

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Station 16 Gallery

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Station 16 Gallery is located at 3523 Boul St-Laurent in Montreal.

All images courtesy Station 16 Gallery

Note: Hailed in a range of media from Wide Walls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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POW! WOW!, an international art movement that celebrates culture, music and art in cities throughout the globe, recently returned to Washington DC’s NoMa neighborhood. While down in DC last week, I had the opportunity to check out several recent murals. Pictured above is by Brooklyn-based Mexican artist Ricardo Gonzalez aka It’s a Living. What follows are a few more images I captured:

Spanish artist Muro, segment of larger mural

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DC-based Juan Pinada aka CRI

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 Hawaii-based Kaplan Bunce aka Kapache1

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LA-based Mark Paul Deren aka Madsteez

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DC-based Martin Swift, captured near completion

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DC-based Mas Paz at work

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DC-based Miss Che Love at work

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Arlington-based KeyHan, one segment of huge mural

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Among this year’s man sponsors were: the NoMa BID, neighborhood real estate developers Skanska and Folger-Pratt, Whole Foods and Montana Cans.

Photos by Lois Stavsky

Note: Hailed in a range of media from Wide Walls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Distort-enraged

On view in Jersey City through June 16 is DISRUPTION, an exhibit of politically and socially charged artworks by a diverse group of NJ-based artists. While visiting the exhibit at Jersey City Theater Center‘s Merseles Studios last week, I spoke to its curator, Allison Remy Hall .

Can you tell us something about the title of the exhibit — DISRUPTION?

Yes! It is part of a larger series of events and performances presented by Jersey City Theater Center that focus on the theme of rapid change — from the environment and climate to industries and social systems — that has resulted in a sense of “disruption.”  Lucy Rovetto, Jersey City Theater Center‘s Visual Arts Coordinator, invited me to curate this exhibit.

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What has the theme of DISRUPTION come to mean to you — in the course of curating the exhibit?

I originally thought of it as a disruption of norms and expectations — as most prominently evidenced by the results of the November election. But I’ve since been thinking more about the moral and spiritual disruptions that characterize our present times as a result of these changes. We have come to value things solely by their material worth.

How did you get the word out to the artists whose works are on exhibit here? While I’m familiar with Distort, Mr Mustart and Sam Pullin from their work on the streets, others here are new to me.

I reached out directly to some artists whose work I know and like, and Jersey City Theater Center launched an open call.


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Did curating this exhibit exact any changes within you — how you, personally, think about these issues?

I feel now that what we are facing is bigger than just a political challenge. It’s not simply about left and right; it’s about right and wrong.

How have people responded to the exhibit?

They’ve responded really well.  It has brought people together and has started a conversation.

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How do you — as an artist and curator with a strong social consciousness — feel about the role of art in these challenging times?

Art allows us to reclaim the narrative.  It is a means for us to transmit a message: We are humans and this is how we are being affected. Art has an essential role in these times.

How can folks see the exhibit before it closes on June 16th?

They can email me at info@nosucharts.com. And ongoing events are posted here.

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Note:  Merseles Studios, a venue of Jersey City Theater Center, is located at 339-345 Newark Avenue, 2nd floor.

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