Graffiti

New York City’s doors are among the most expressive anywhere — sporting everything from tags and stickers to sophisticated images. Here’s a sampling:

NYC-based designer Jordan Betten in Chelsea

Betten

Faile in Brooklyn

Faile street art

Bast in TriBeCa

Bast street art

Philadelphia-based Doug Nox aka Harlequin in Brooklyn

Harlequin

TAG’s Army of One and Adam Dare on Manhattan’s Lower East Side

Army of One & Adam Dare

Cash4 Smells tag, Jellyfish and more in Greenpoint, Brooklyn

Cash4 and Smells and Jellyfish

Katsu on the exterior of Eyebeam in Chelsea

Katsu

Photos by Lenny Collado, Dani Mozeson and Lois Stavsky

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This is the eighth in a series of ongoing posts featuring the diverse range of trucks and vans that strike NYC streets:

Chilean street art pioneer Cekis 

Cekis

Kwaz in Midtown Manhattan

Kwaz

NYC’s prolific UR NewYork and KA in Downtown Brooklyn

URNewYork and KA

NYC graffiti artists Sevor and Ideal

Sevor and Ideal

Veteran writer Wane in East Harlem

Wane graffiti

The Royal KingBee in Midtown Manhattan

The Royal KingBee

Brooklyn’s Dek & Glue 2dx

graffiti truck

 Photos by Lenny Collado, Dani Mozeson, Tara Murray & Samantha Sabatino

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This is the third in a series of posts showcasing NYC’s stylish stickers that surface on an array of public surfaces:

UK artist, Paul Insect 

Paul Insect sticker

French artist Franck Duval aka FKDL in Bushwick, Brooklyn

FKDL sticker

The ever-present Crasty

Crasty

See One in downtown Manhattan

See One sticker

Baser sticker collage in Chelsea

Baser sticker collage

 Shepard Fairey aka Obey

Shepard Fairey sticker

SkinTone on Manhattan’s Upper West Side

skintone-street-art-sticker-in-NYC

Reka in downtown Manhattan

Reka sticker

2Esae in Chelsea, Manhattan

2Esae sticker

Photos by Lenny Collado, Dani Mozeson and Lois Stavsky

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Speaking with Sen2

April 2, 2013

Sen2 graffiti

Huge fans of Sen2’s masterful artworks on an array of surfaces — from canvases to walls — we were delighted to have the opportunity to visit his South Bronx studio and pose a few questions to him.

When and where did you start getting up?

I first started hitting walls in Puerto Rico – where I grew up – when I was about 15. That was back in 1986.

What inspired you at the time?

I used to spend my summers with family in NYC up in the Bronx. There I discovered pieces by DazeCrash and Seen. I also started noticing pieces in magazines by writers like Hex and Slick,

Have you a formal art education?

No.  The streets have been my teacher. One’s experience is the best teacher.

Sen2's studio

Besides the 4Burners, have you belonged to other crews?

I learned a lot from Tats Cru when I was a member a number of years back. But I am no longer with them. And when I was in Puerto Rico, I painted with BWS.

What about collaborations? Have you collaborated with other artists on specific pieces?

When I’m in my studio, I generally work alone. But I’m currently working with KingBee for an exhibit of our works that opens on Friday, April 12 at Gallery 69 in Tribeca.

KingBee and Sen2

How do you feel about the movement of graffiti into galleries?

I feel it’s a great opportunity for artists. It opens the doors for many of us.

Besides Gallery 69, where else have you exhibited?

My artwork has been featured at the Smithsonian, at the Volkinger Hutte Urban Art Biennale 2013 in Germany and at Miami Art Basel. I’ve also been in other galleries abroad.

Have you any favorite cities?

New York City. The Bronx. That’s where it all began. But I also love Madrid, Spain and San Juan, Puerto Rico.

Sen2

Why do you suppose graffiti is held in higher esteem in Europe than it is here?

There’s no unity here, and that’s part of the problem. We don’t work as a group to present ourselves in a way that will gain us respect and recognition. Every writer has too much pride.

Any thoughts about the graffiti/street art divide?

I like street art, but I will always consider myself a graffiti writer. Everything that I do is rooted in graffiti. And I’d like to see graffiti writers have the same opportunities that street artists have.

Who are some of your favorite writers?

There are many. Among them are: Bio, Beacon, Kem5 and KingBee.

Sen2 in studio

And does anyone — in particular — inspire you these days?

The late Dare TWS from Germany.

What percentage of your time is devoted to art?

100%. I’m all in. Just about all the time – from early morning until late at night.

Any other passions?

I’m also a soccer fan. And I love spending time with my family.

How does your family feel about what you do?

They’re 100% behind me. My wife loves what I do.

Sen2

Your art seems to be always evolving. Your work that was on exhibit at Fountain certainly blurs the lines between graffiti and fine art. Could you tell us something about that?

It all started with wild-style. Then I began to incorporate 3-D elements. And, more recently, my influences have been pop art and abstract art. Everything I do, though, is inspired by graffiti, and all of my current works have graffiti elements in them.

How do you feel about the role of the Internet in all this?

I like it. It keeps me up with what’s happening – both on the streets and in the galleries.

What do you see as the role of the artist in society?

To share with others one’s personal interpretation of the world.

What’s ahead?

Just getting better and bigger for me and my family.

Photos by Lenny Collado, Dani Mozeson, Tara Murray and Lois Stavsky

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KR.ONE

The first in a series of “Blackbook Pieces and Tags” features the work of veteran writer  Louie Gasparro aka KR.ONE. Over 30 years ago, KR.ONE was hitting the trains; these days he continues to make his mark on a range of legal surfaces from black books to canvasses to huge buses. His work will be featured in the upcoming Flip the Script Book Release and Art Show at Reed Space at 151 Orchard Street on April 4 and in a solo exhibit at 5Pointz on Saturday, May 11.

KR.ONE writes Kashmir 172

KR.ONE

Forty Deuce

KR.ONE

The Lost Art of the Tag

KR.ONE

New York City Tag Style

KR.ONE

DoomVader

KR.ONE

2Mint

KR.ONE

All images courtesy of Louie “KR.ONE” Gasparro; the first image is KR.ONE for SAGE RTW

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BilliKid

Approaching his 80th birthday, Allan Ludwig, aka Elisha Cook, Jr., can be found just about every day in downtown Manhattan photographing the writings on the walls.  With a BFA Degree in Painting and a PhD in Art History from Yale University, he explains his passion for graffiti and street art.

BilliKid-street-art-in-NYC

How did the name Allan Ludwig become Elisha Cook, Jr.?

When I first started posting photos of graffiti on Flickr, I was advised not to use my real name. I chose to identify myself as Elisha Cook, Jr. because he is my favorite actor. The name stuck!

So that’s it!  When did you begin working as a photographer?

Almost 60 years ago. I was in my 20’s.

What attracted you to the field?

I started drawing in my room as a child. But I had difficulty drawing faces. I never liked the way my noses looked. And when I tried to erase them, I’d end up making holes in the paper. It drove me crazy! I decided that it would be easier for me to capture a face with a camera.

street art and graffiti on 11 Spring Street

Had you any influences back then? 

When I was about 13, my neighbor Max Coplan, an accomplished photographer, taught me how to use a camera.

When did the writings and images that surface on public spaces begin to engage you?

In the early 80’s, I walked into a school playground on Grand and Baxter and discovered that its walls were filled with graffiti. I was intrigued. But as I only used black and white film at the time, my earliest photos of graffiti are in black in white, and I wasn’t documenting it regularly.

What spurred you to photograph the streets so methodically since 2000?

My neighborhood had begun to gentrify. Changes were happening rapidly. Overnight the rent on a local restaurant soared from $4,000 a month to $16,000. I wanted to document these changes. And as soon as I switched from black and white film to color, I began noticing street art.

11 Spring Street

Have you had any particularly memorable experiences while photographing graffiti and street art?

I once came upon a love letter written by a woman from England to Faile that was posted onto the building at 11 Spring Street. She had assumed, incorrectly, that Faile was one person and single. I photographed her love letter and posted it onto my Flickr photostream.   When the woman discovered her letter online, she asked me to remove it – which I didn’t. But the story doesn’t end there. She had just returned from Zambia with a love potion. She decided that the time was right for her to visit NYC to meet Faile.  She would set up a meeting to buy a print from him. Surely, the love potion would work!

Did it? What happened? Did she ever meet Faile?

She did, but she encountered an unanticipated problem. When she inserted the love potion into her mouth, it distorted her speech and facial expression. She did meet the object of her love, but she decided against using the love potion. And that’s the end of the story.

Wow! What is it about street art and graffiti that has so captivated you?

It’s the thrill of discovery. There is something magical about it.  I also love its inclusiveness and democratic nature.

11 Spring Street

Have you any thoughts about the street art/graffiti divide?

Most of the street artists I’ve met were trained in art schools, while the original graffiti writers didn’t have any kind of formal art education.  And when the street artists started making their mark on the legendary building at 11 Spring Street off the Bowery, the writers felt that they were not getting enough space or respect.  I remember walking by one day to discover the entire building sprayed all over with silver paint.  There definitely is a divide.

What about your perception of the divide? What differences do you see?

Graffiti is a highly refined art.  It is beautiful. The first generation of writers created an entirely new aesthetic.  They invented a whole new language. Yet few people can understand it and appreciate it. Street art is far more accessible.

There are many folks out there who consider the illegal writings that you photograph vandalism. Have you any thoughts about that?

It’s a non-issue. It’s meaningless. It’s a political fiction invented by politicians and lawyers and the police who enforce it.  It has no validity.

graffiti and street art on 11 Spring Street in NYC

How do you feel about the move of street art and graffiti into museums and galleries?

The commercial world sucks the credibility out of graffiti and street art.  It takes it out of its natural setting.

How do you feel about the role of the Internet in all this?

I think it’s wonderful. It makes everything even more accessible. I have Flickr contacts all over the world.

What do you see as the future of graffiti and street art?

I see it as the most important international movement in world art since American pop art. It’s here to stay.

All photos by Elisha Cook, Jr. Except for first two BilliKid paste-ups of Elisha, images capture NYC’s legendary building at 11 Spring Street, 2006-7

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Featuring a wondrous array of sticker art from first-rate handstyles to images of alluring women, SLAP: Adhesives and Egos, a DIY Sticker Exhibition opened this past Wednesday evening at Con Artist Gallery on Manhattan’s Lower East Side. Here are some images from the exhibit that continues through April 3 at 119 Ludlow Street.

Lady Millard

Lady Millard sticker

Luv1

Luv1 Sticker Art

Choice Royce

Roycer sticker art

Lady Aiko

Lady Aiko sticker art

WKST

WKST sticker

Shaina

Shaina sticker art

Klops

Klops sticker art

Amongst Thieves

Amongst Thieves sticker

Serp 

Serp sticker art

And from Wednesday evening’s opening party

Con Artist Gallery

Opening Party at Con Artist

Check us out on Facebook next week for more sticker images from the exhibit.

Photos by Dani Mozeson & Lois Stavsky 

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Even during the winter months, artists from across the globe make their way to Long Island City’s 5Pointz. Here’s a small sampling of what can be seen on the walls of the world’s Mecca of aerosol art:

Italian artist Mr. Blob 

Mr. Blob

French artist Monsieur Plume 

Mathieu Plume RC

From Hamburg, Germany

Hamburg-Juke-Box-Cowboys-street-art-at-5Pointz-NYC

Moscow-based Zmogk

Zmogk graffiti

And this past weekend, the 5Pointz indoor gallery featured “From Bricks to Blades” as part of Armory Art Week. Here’s a sampling from the exhibit that is set to travel to Europe.

5Pointz founder, curator and artist Meres One

Meres

Spud from Toronto

Spud

And Zimad of the TD4 crew — on a more subtle note

Zimad

Photos by Tara Murray and Lois Stavsky

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This is the second in a series of posts showcasing NYC’s stylish stickers that surface on an array of public surfaces:

Tokyo native Lady Aiko

Aiko street art

NYC-based Read

Read sticker

Harlem-born artist and curator Choice Royce

Choice Royce

Chicago-based Don’t Fret

sticker

The ubiquitous KA and MTK 

KA and MTK

Jos 1’s signature style

Jos 1 stickers

Zato’s character in one of his many poses

Zato sticker

 Photos by Lenny Collado, Dani Mozeson & Lois Stavsky

 

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This is the seventh in a series of ongoing posts featuring the diverse range of trucks and vans that strike NYC streets.

Xabu from Sao Paulo, Brazil

Xabu

French photographer JR and the crew from Sao Paulo, Brazil

JR

Groser 

Groser

Veteran graff writer Priz on truck parked on Boston Road in the Bronx

Priz

Emo in Chinatown

Emo

Hefner, Smart Crew

Hefner

Never in Bushwick

Never

Photos by Lenny Collado, Dani Mozeson, Tara Murray & Lois Stavsky

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