Graffiti

This is the tenth in an occasional series of posts featuring the range of faces have surfaced in NYC public spaces:

Chilean artist Otto Schade with JMZ Walls in Bushwick, Brooklyn

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Luis Rosenfeld in Bushwick, Brooklyn

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Brown Boyz — Don Rimx, Ricardo Cabret, LNY, Alex Seel and Mata Ruda — in Bushwick, Brooklyn

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Dasic with the Bushwick Collective on Manhattan’s Lower East Side

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Sonni in Bushwick, Brooklyn

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Mast and Logik with the Welling Court Mural Project in Astoria, Queens

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Beau Stanton with the L.I.S.A Project on Manhattan’s Lower East Side

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Chris Soria, lead artist, with DonChristian Jones and Groundswell youth in Brownsville, Brooklyn — since 2013

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Note: Our highly acclaimed Street Art NYC App is now available for Android devices here.

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Photo credits: 1, 2 & 6 Lois Stavsky; 3 – 5 Dani Reyes Mozeson; 7 & 8 Tara Murray

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On Urban Art Legends by KET

February 15, 2016

The following post is by Houda Lazrak, a contributor to StreetArtNYC and recent graduate of NYU’s Masters Program in Museum Studies

Urban Art Legends, by the renowned graffiti writer, photographer, curator and author Alan Ket aka KET, presents 39 engaging profiles of key urban artists, along with photos of their significant works.

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After a concise and informative introduction, in which he terms urban art as “this other art world,” KET introduces his readers to such pioneering and influential artists as ATOME, Futura, JON ONE, Lady Pink, Mode 2, Os Gemeos and Saber. Included in the artist profiles are: essential career highlights, defining artistic features, style evolutions, crew associations and specific creative projects, along with the artists’ engagement with the fine art world.

We learn, for example, that in addition to painting train graffiti, DAZE exhibited alongside Basquiat and Haring at NYC’s Mudd Club, lectured at universities and designed a train station — with Lee and Crash — in Germany.  Iconic musicians such as Madonna and Eric Clapton have purchased his canvases and numerous museums in the U.S., Germany and the Netherlands have added his paintings to their collections.

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Crash, KET notes, pioneered the graffiti movement’s relationship with the gallery world with the exhibit, Graffiti Art Success for America, that he curated at Fashion Moda in 1980. He has since exhibited in museums throughout the world and partnered with a range of companies on varied projects. And he is now, once again, active on the streets.

KET also selects some 20 artists — including Sane Smith, Risk and JON ONE — to whom he awards  “legendary status.”  We discover, for example, that Sane Smith was sued for three million dollars for painting a work visible for miles on NYC’s Brooklyn Bridge. Risk attains “legendary status” for being the first Los Angeles writer to paint a NYC subway train when he visited in 1978. And KET confers legendary status on Paris-based Harlem native JON ONE for receiving France’s premier award, the Legion of Honor, for his contributions to art and culture in France.

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KET also seamlessly links the two worlds of street art and graffiti by telling the stories of individuals — such as Ben Eine and Os Gemeos – who have dual identities as both graffiti writers and street artists.

Urban Art Legends beautifully captures the diversity of artistic practices found in our cities — from subway trains to galleries and back onto the streets. KET’s enthusiasm and passion for urban art pervade these pages as he writes that “justice cannot be done to all those incredible talented individuals who have informed and advocated” the urban art movement.

Urban Art Legends certainly comes close, as it offers readers a solid grasp of over three dozen of those individuals who have significantly impacted the urban art scene.

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Published in the UK by LOM ART, Urban Art Legends is now available online and in most NYC bookstores.

All images courtesy LOM ART:

1. Book cover, designed by Jamie Keenan; Nick Walker, 2015, Photography by Paul Green

2. CRASH, panel piece on subway train, Bronx, New York, USA, 1980. Photography by Phade

3. JONONE, Le Départ, spray paint and acrylic on canvas, 600 x 300 c.m., 1994, Speerstra Collection

4. ATOME, Sydney, Australia, 2014. Photography by artist

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This is the fourteenth in a series of occasional posts featuring the diverse range of trucks and vans that strike our streets.

Swedish writer Marvel aka Marr

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Buff Monster and KA

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Iena Cruz

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Kepts

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Taboo

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Signal

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Photo credits: 1 Nic 707; 2 Tara Murray; 3 Lois Stavsky; 4 & 5 Dani Reyes Mozeson; 6 Houda Lazrak 

Our highly acclaimed Street Art NYC App is now available for Android devices here.

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After a brief hiatus, I was again riding the subway trains with Nic 707 as he continues to bring Old School writers, along with new artists, back to where it all began. Here are a few more images captured yesterday from another chapter in the Instafame Phantom Art movement:

Nic 707, Surround Yourself with Love

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Nic 707, Fill Your Heart and Mind with Love

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 Part One

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Styx

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Gear One

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Gear One does Che Guevara

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First image is: Nic 707, Love Is Not Alien Technology

Photos by Lois Stavsky

Note: Our highly acclaimed Street Art NYC App is now available for Android devices here.

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Patrick-Verel-Graffiti-Murals

In his highly acclaimed book Graffiti Murals: Exploring the Impacts of Street Art, free-lance writer and photographer Patrick Verel presents six case studies, along with dozens of photographs, exploring the role of sanctioned graffiti murals and street art in the urban environment. I recently met up with him and had the opportunity to ask him a few questions:

What spurred your interest in this topic?

I was always into graffiti.  I have a short attention span, and I love being surprised! Cities stimulate me and graffiti is part of that stimulation.

How did this initial interest evolve into a book?

I never thought I’d actually write a book. It developed from the thesis that I wrote when I was enrolled in Fordam University’s Urban Studies Master’s Program.

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You focus on six cases from the South Bronx to Trenton, New Jersey. How did you connect to all of the folks whom you interviewed?

I sent out lots of emails after poking around the Internet.  And I made some of the connections via my Flickr contacts — like the photographer Luna Park, who hooked me up with Robots Will Kill.

What were some of the obstacles you encountered while doing your research?

Getting people to talk to me and synthesizing all of the information.

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You seem to have accomplished that quite well! What — would you say – was the mission of your book?

To change the way so many people think about graffiti. To introduce them to the positive benefits of graffiti murals in enhancing the urban environment.

Are there any particular factors that assure the success of these interventions?

So much depends upon the owner of the space and his relationship with the artists. That owner must be able to trust the artists to do what they want.  And a successful collaboration demands money, effort and time.

Robots-Will-Kill-Peeta-Never-ECB-graffiti-mural-art-Patrick-Verel-NYC

Were there any unexpected outcomes following the publication of the book?

Yes! I received a positive response from City Government, and I connected to Natalie Raben of the Lower East Side BID and the 100 GATES Program.

Have you noticed any changes in the graffiti/street art since you wrote your book?

There seem to be more projects, like the Bushwick Collective and the Welling Court Mural Project, that give artists legal opportunities to paint outdoors.

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Published by Schiffer Publishing, Graffiti Murals: Exploring the Impacts of Street Art, is available online and in most bookstores.

Interview by Lois Stavsky

Photos of murals by Patrick Verel

1. Book cover, Lank completes mural he painted with Delve, Luv1 and Casso in Jersey City

2. Wallnuts mural in Gowanus with Dos, Chester, Muse, Been3 and Werc

3. 5Pointz in LIC with Meres, Zimad and more

4. Robots Will Kill in Bushwick with Chris, Veng, Peeta, Never & ECB

5. Taste, Mek, Evak, Sno Reo & Zoe at TerraCycle in Trenton, NJ

Note: Our highly acclaimed Street Art NYC App is now available here at Google Play for Android devices.

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torch-paints-graffiti-Newark-NJ

The walls of two factory buildings on Abington Avenue in Newark, New Jersey have recently been transformed into an exhilarating, open-air graffiti gallery showcasing a range of styles. Here are a few more images I captured while visiting yesterday:

Mesk 

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Era

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Goomba and Goal

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Ajae at work

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Grope DNA

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4Sakn

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Emo

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Tiper

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Mad Hatter

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Note: First image is by Torch

Special thanks to Rachel and Chris for introducing me to Newark’s thriving graffiti scene and to Torch for his passion and knowledge, who — along with Ram — made this particular Abington Avenue spot possible.

Photos by Lois Stavsky

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What follows are a few more images representative of the wonderfully diverse range of murals gracing Wynwood Walls:

Chinese-born DALeast

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West Coast-based Cryptik

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South African artist Faith47

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Baltimore-based Gaia

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Bronx-based John Matos aka Crash

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Lithuanian born Ernest Zacharevic

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Photos by Lois Stavsky

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Pichiavo

Since its inception in 2009, Wynwood Walls has served as a rotating canvas for a stunning array of street art and graffiti murals painted by outstanding artists from across the globe. Here is a sampling of what I captured last week:

Another segment from huge mural painted by Valencia, Spain natives Pichi & Avo

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Chilean artist Inti

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Puerto Rico-based Alexis Diaz

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French-Tunisian artist El Seed

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German artist Case Maclaim, close-up

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NYC-based Logan Hicks, close-up

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Photos by Lois Stavsky

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Rimx-street-art-wynwood-miami

In collaboration with the Mana Urban Arts Project, the Bushwick Collective transformed Wynwood’s former RC Cola Factory into a Mecca of first-rate street art and graffiti. During Miami Art Week, celebrated artists from across the globe painted alongside local Miami and NYC-based artists. Here are a few more images from among the dozens of murals I saw last week while visiting Wynwood:

London-based James Cochran aka Jimmy C

"Jimmy C"

London-based Shok1

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NYC-based Giz RIS

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NYC-based Lady Aiko

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Dutch artist David Louf aka Mr June

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Miami-based Hoxxoh

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West Coast-based Christina Angelina

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First image is a close-up from a huge mural by David Sepulveda aka Rimx

Photos by Lois Stavsky

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see-tf-meres-street-art-graffiti-nyc

Meres, Jerms, Topaz, See TF, Python and Demer made their way — several weeks back — to First Street Green, where they painted an ode to the historic East Village/Lower East Side neighborhood. Here are a few more images:

Python aka Kenji

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Meres One

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Python, DemerMeres One

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Jerms

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The huge mural was painted in collaboration with the Centrefuge Public Art Project and First Street Green. The art park is located at 33 East First Street on the site of — what was once — a derelict building.

Note: First image features TopazMeres One and See TF

Photos: 1 & 2 Tara Murray; 3 Dani Reyes Mozeson and 4 & 5 Lois Stavsky

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