Graffiti

A premier source for graffiti pictures, interviews and the most complete online graffiti supplies store, Bombing Science is a favorite site for all of us graffiti lovers. I recently had the opportunity to pose a few questions to Bombing Science  founder, Fred.

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When was Bombing Science first launched?

The first website was launched around 1998. It was then called Montreal-North Graffiti, as it documented graffiti in our part of town. I was posting mostly pictures of walls and bombings painted by our crew. I then began to take pictures in all parts of Montreal and, eventually, in other surrounding cities. At that point, I changed the name of the website to Bombing Science.

What was its mission at the time of its initial launch? And how has its mission evolved?

Back in ’98 when I first started the site, it was mostly to show the world what we were painting.  But I then got deep into traveling and taking graffiti pictures all around the world. I’m now heading, in fact, to San Diego and Tijuana to take pics for the site!  So, yeah, since the beginning, the goal was to give shine to graffiti artists through our site. And, of course, we now have an online graffiti supplies store. It was actually one of the first online graff stores. It’s grown a lot, and now our mission is also to provide the finest graffiti supplies to writers worldwide.

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What about the name, Bombing Science?

Oh, I remember how I came up with this name! I was looking to register a domain name with the word “Bombing” in it, because it’s the element of graffiti we were pushing the most on the website. While I was looking for a name, I was listening to a drum’n’bass LP by the Ganja Krew, and one of the tunes was named “Science.” So I just put together Bombing and Science and that was it.

Your blog has evolved into one of the most popular and respected graffiti sites on the web. To what do you attribute its success?

Consistency, without a doubt. We are updating our site daily since 1998 with new graffiti pictures, and people are coming back for them. It’s a lot of hard work — updating a website on a daily basis for almost 20 years. But I think a lot of people enjoy the efforts we put into it.

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What are some of the challenges involved with maintaining such a comprehensive blog?

I think the major challenge is to stay relevant in the Facebook and Instagram era. These sites killed the web. I mean, before. there were tons of graffiti sites all around the world with people putting work in their blogs — having something to say, something to show. Now people are scrolling down their feeds and they rarely go out of them.  I find it kind of sad, because the web was a huge DIY place, and now most people only post pictures and content on social media sites. Remember, kids: you don’t own these sites. If you want to be an OWNER and a DOER, create your own thing. Don’t rely on social media. You don’t own shit when you post on Facebook. You don’t even own your followers. These large companies decide who gets to see your posts and ask you to pay to have it seen by the rest of your “followers.” More power to you for running StreetArtNYC!  So, yeah, the challenge is to keep it going for another 20 years, without falling into the easy traps, keeping our integrity and improving along the way.

Interview by Lois Stavsky; photos courtesy Bombing Science

Note: Hailed in a range of media from Wide Walls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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The 3rd edition of Street Art Expo NYC took place yesterday afternoon at the Elks Lodge in Elmhurst, Queens. Visitors had the opportunity to meet dozens of artists and vendors and to purchase an amazing array of urban art in different media — from stickers to huge canvases. Here are a few images we captured:

Plasma Slug

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Murrz, tribute to Diva, RIP

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Epic Uno

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Turtle Caps

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Free5

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Kepts

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The Royal KingBee

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Jaylo, signed by KingBee

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Sponsors for the event included: Ironlak, TYO Toys,The Alski Show, Bombing Science and Stick Em Up.

Photo credits: 1-7 Lois Stavsky; 8 Tara Murray

Note: Hailed in a range of media from Wide Walls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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A master of his craft with a formal educational background in graphic design, Epic Uno has been sharing his talents with us here in NYC public spaces for the past several years. He is one of the many talented artists who will be participating tomorrow in the 3rd edition of the Street Art Expo in Elmhurst, Queens. I recently had the opportunity to meet up with him:

When and where did you first get up here in NYC? 

It was around 1997-98. I had left Puerto Rico to attend Pratt University, and I first got up on and off the campus of Pratt.

What inspired you at the time to hit the walls?

I did it because I could! It felt good to get up. It was a rush!

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Do any early graffiti-related memories stand out?

I was about nine or ten years old when I saw a Sen2 piece on an abandoned building back in Puerto Rico. I was struck! Years later when I met Sen2, he gave me the best advice any mentor could give. He said, “Draw every day.” And I do!

Would you rather work legally or illegally?

These days it’s not a choice. I have a family, and I’m not 20 any more. But I do miss the rush.

I’ve seen your work up in the Bronx, in Long Island City and at Welling Court. It’s quite impressive! Who have been some of your influences? Have any particular artists inspired you?

I met the writer HUMAN back at Pratt. His dorm room was across from mine. And he taught me the basics. Among the many artists who have inspired me are: Sen2, the late Swiss graffiti legend Dare TWS, Rime MSK, 123 Klan and Does from the Netherlands.

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Have you painted with any crews?

I’ve painted with A Dying Breed and 4Burners.

\Would you rather paint alone or collaborate with others?

I generally prefer painting alone, but when I paint with the “right” person, there’s nothing better. I love painting with Sen2 and Logek.

Can you tell us something about your name Epic Uno? Its origin?

I first started as Elastic. But it wasn’t working for me, and I wanted a new name. I checked Art Crimes to find a name that nobody else had. I came up the name Epic and then added Uno to identify my Latin roots.

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Have you any thoughts about the graffiti/street art divide?

Although there are some of us who bridge both worlds, there is a definite divide. The backgrounds and mentalities of most street artists and graffiti writers are quite different.  And I especially feel it here in NYC.

What percentage of your time is devoted to art these days?

Just about all or it! I used to be into snowboarding, but I barely have any time these days for anything besides my art and my family.

How do you feel about the engagement of graffiti writers and street artists with the corporate world?

We artists have to live. I’ve collaborated with brands such as Coach and Nike. And I, of course, use my discretion regarding which corporations and brands I work with.

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Have you shown your work in galleries?

I’ve been in lots of small group shows. Here in New York City I’ve shown in all boroughs except Staten Island. I’ve also exhibited in San Diego, Minneapolis and back in Puerto Rico.

Do you work with a sketch in hand or do you let it flow?

I’m always over prepared. Without a plan I get stressed and anxious.

Are you generally satisfied with your finished work?

I am satisfied only if I’m able to include every detail I want to include.

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How has your work evolved through the past few years?

I’m somewhat more comfortable with the process. I’m less confined by my initial plan or sketch. I’ve learned how to take imperfections and make them seem organic.

What inspires you these days?

I’m inspired by the 1920’s… ads, graphics, art deco. I’m interested in incorporating traditional typography into my current work.

Are there any particular cultures that have influenced your aesthetic?

Definitely the graffiti and hip-hop culture. Back in Puerto Rico, I was a break dancer, and I emceed and deejayed with my friends before I ever started piecing.

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How do you feel about the role of social media in all of this?

Instagram was a turning point for me as an artist, as I made so many contacts through it. But I see social media as a loaded weapon. It can be very beneficial, but it can also be hurtful.

Can you tell us something about your current day job?

I work as an Art Director for Equity Brands. My office is here in Midtown.

Do you feel that your formal art education played a positive role in your art career?

Definitely. My studies in Graphic Design at Pratt Institute gave me the tools to be able to do the work that I do today.

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What’s ahead?

I have recently been commissioned to paint a mural at a hotel. Next month I will be painting in the 8th Annual Welling Court Mural Project. I will be participating in the Robots Will Kill exhibit at My Plastic Heart on the Lower East Side in July. And on Sunday (tomorrow), you can find me at the Street Art Expo — at Elks Lodge, 82-20 Queens Blvd in Elmhurst, Queens — where I will be displaying and selling my art and a range of my products, taking commissions and signing black books.

It all sounds great! I look forward to seeing you then.

All photos courtesy of the artist; first photo by Rachel Fawn Alban; interview conducted and edited by Lois Stavsky

Note: Hailed in a range of media from Wide Walls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Louie-KR.ONE-Gasparro-kolorstorm-book

Born in East Harlem and raised in Astoria, Queens, Louie “KR.One” Gasparro has been sharing his vast creative talents — both as an artist and as musician — with us for decades.  “Louie was an original,” Sacha Jenkins writes in the introduction to the recently-released KOLORSTORM: The Art of Louie “KR.One” Gasparro. “KR was a master of paint at a time in graffiti when there were more court jesters than kings, more tags and throw ups than masterpieces.”  Earlier this week, I had the opportunity to catch up with the impassioned artist while visiting his studio.

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It’s been almost three years now since your first book Don1: The King from Queens was launched with a panel discussion at the Museum of the City of New York. How has the response to that book been?

The response has been overwhelming. I put a light on a NYC graffiti master who had been forgotten.  He had influenced so many of us, but was living in obscurity. I was determined to uncover his story and share it with others. I spent nine years doing that. But my persistence paid off.  I had folks from Italy writing to me after the book was released.

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And what about your current book? It’s quite impressive! How did that come about?

While working on Don1: The King from QueensI developed a relationship with its publisher, Schiffer Books. And when I proposed a book of my own works, I was encouraged to see it through.

I love the way your new book is organized into distinct chapters on different themes — such as The Early Days, Black Books, Model Trains, Abstracts, Walls and more. There is such an amazing variety of works and styles represented here, as well as a documentation of your journey as an artist — from subway graffiti pieces dating back to the early 80’s to contemporary urban art. How long did it take you to get it all together?

I spent two years working on it.  The greatest challenge was deciding which works to include. Originally, I had 600 images. I then had to cut that down to 400.

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Kolorstorm is also an amazing foray into your inspirations and passions.  Can you tell us something about your influences?

There are many. Comic books, cartoons, graffiti art, rock & roll, heavy metal…

Who were some of your favorite musicians back then?

Among them are: Jimi Hendrix, Rush, Yes… For me — and for many of us — graffiti was never related to hip-hop. The connection was largely an illusion that was accepted by many as “fact.” Graffiti transcends all concepts of race, religion, culture and class. That’s what makes it so great.

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In what ways has your work evolved through the past few years?

The entire process has become easier. My artwork is more detailed, and my line works are better.

Your Abstrakts are on a whole different level! What inspired them?

I was just experimenting with colors and shapes. The Abstrakts evolved from the experimentation. I’ve been told that they are “informed by graffiti.” And so they may be!

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What’s ahead?

More art, of course! And opening Saturday (tomorrow) night is Art As An Answer, a one night only pop-up show with new works, presented by The Astoria Boyz and The Urban Foundation Gallery, at 208 East 73rd Street in Manhattan.

Congratulations!  It’s certain to be wonderful!

Images:

1. Cover of KOLORSTORM: The Art of Louie “KR.One” Gasparro, published by Schiffer Books

2. Louie “KR.One” Gasparro in his studio

3Louie “KR.One” Gasparro, The Lost Art of the Tag, True York

4. KR.One and Fome 1, IRT #2 Line, Bronx, 1982, Photo © Martha Cooper

5. Louie “KR.One” Gasparro, Abstract, Greyburst3

6Louie “KR.One” Gasparro, Band Member, Keyboardist

Interview conducted and edited by Lois Stavsky; images 1, 4, 5 & 7 courtesy of the artist; 2, 3 & 6 photographed by Lois Stavsky in Louie’s studio

Note: Hailed in a range of media from Wide Walls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Hydeon-and-sticky-monger-public-art-centrefuge-NYC

The once-dreary trailer on East First Street — where the Lower East Side meets the East Village — has again been redesigned under the curatorial direction of Jonathan Neville, Joshua Geyer and Matthew Denton Burrows. And we love it! Pictured above are Hydeon and Sticky Monger at work. What follows are several more images — some of the artists captured in progress and others of the completed pieces.

Ian Ferguson aka Hydeon and Stickymonger, as seen this past week

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Jenna Krypell

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John Exit aka scrambledeggsit at work

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John Exit aka scrambledeggsit, as seen this past week

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Grimace NYC at work

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Grimace NYC, as seen in the bright sun this past week

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Kat Lam aka Lamkat

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Photo credits: 1, 4, 6 & 8 Tara Murray;  2, 3, 5 & 7 Lois Stavsky

Note: Hailed in a range of media from Wide Walls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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T-Kid-graffiti-nyc

Last Tuesday, First Street Green Park — on the corner of Houston Street and 2nd Avenue — was home to a buoyant celebration of International Hip-Hop Day. Hosted by PeepThis and organized by Anthony Bowman and Kate Storch, the event featured legendary graffiti artists, along with hip-hop and DJing pioneers. The mural pictured above was painted by T-Kid. Here are several more images we captured:

Jerms

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Doves

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Lady K Fever at work

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Andres Correa at work, to the left of Kool Kito

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Marcelo Ment — in from Brazil

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La Femme Cheri, Ree and Theresa Kim aka Resa Piece

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The crew

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Other featured New York graffiti and street art legends included: Will Power, Flint 707, Nic 707, Keo, Omni and Frank Wore Croce. The hip-hop music — featuring DJ Grand Wizard Theodore and DJJS1 — was broadcast live on Damatrix Studios.

Photo credits: 1-4 & 7  Lois Stavsky 5 & 6 Tara Murray & 8 Karin du Maire

Note: Hailed in a range of media from Wide Walls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Julieta-XLF-street-art-valencia-spain

The walls of the historical district of El Carmen,Valencia brim with stirring street art and graffiti. Pictured above is by Valencia-native Julieta XLF. Here are several more I captured last week while visiting Spain:

Disney Lexya

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Benuz and Laguna

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Thiago Goms, Laguna and Emilio Cerezo

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Deih

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The ubiquitous David de Limon

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 Photos by Lois Stavsky

Note: Hailed in a range of media from Wide Walls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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taki-183-and-cornbread-graffiti

Nic 707’s InstaFame Phantom Art movement continues to hit the NYC subway trains with classic graffiti along with contemporary urban art. Pictured above are graffiti pioneers: Taki 183 and Cornbread. Here are several more featured on recent rides heading Downtown:

Classic graffiti writer Flint

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Colombian artist Praxis with a message

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Veteran writer and founder of the InstaFame Phantom Art Movement Nic 707

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Veteran writer Spar One

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Steven Cogle and Gabriel Camacho

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Canadian artist Stavro

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Abstract urban artist David Lyman 

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Photo credits: 1, 5, 6 & 8 Lois Stavsky; 2-4 & 7 courtesy Nic 707

Note: Hailed in a range of media from Wide Walls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Lady-pink-painting

Curated by Alice Mizrachi, Fem-is-in is an homage to the female spirit in this time of female-led activism.  Featuring a diverse range of work by female artists who have forged their distinct paths, Fem-is-in engages and entices.  The artwork pictured above is by the legendary Lady Pink. What follows is a small sampling of works that can be seen at Fat Free Art through next Saturday.

Alice Mizrachi

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Queen Andrea

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Jane Dickson

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Swoon, close-up

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Also featured in Fem-is-in are works by: Lady Aiko, Diane McClure, Ann Lewis aka Gilf!, Janette Beckman and Martha Cooper.

Located at 102 Allen Street on Manhattan’s Lower East Side,  Fat Free Art is open Tuesday-Saturday 11AM-7PM and Sunday 12PM-5PM.

Photos of images: 1, 4 & 5 Lois Stavsky; 2 & 3 Tara Murray

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brazilian-art-at-andrew-freedman (1)

A sumptuous selection of artworks by Brazilian street artists is currently on exhibit at the historic Andrew Freedman Home in the Bronx. This past Sunday, we had the opportunity to speak to the lovely Larissa Ferreira, one of the exhibit’s curators.

What an exhilarating exhibit! What inspired it? Any significance to its timing — as it opened on March 26th?

It is an homage to Brazil’s rich street art and graffiti tradition. And, yes, the date is significant! Brazil’s “National Day of Graffiti” on March 27th was established in 1987 after the death of the artist Alex Vallauri (1949-1987), one of the pioneers of contemporary urban art in the country.

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What, exactly, was your role in producing this exhibit? 

I curated it in collaboration with Ligia Coelho Martins of Duetto Arts and Roberta Prado of Urban Walls Brazil in partnership with Andrew Freedman Home and CUFA – Central Única das Favelas.

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How many of these artists are currently based in NYC?

Just three: Henrique BeloittiFefa Românova and Camila Crivelenti. The others are based in Brazil, but several will be traveling here to NYC in the months ahead.

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What — would you say — is the mission of Synopsis of an Urban Memoir?

In recent months, we have witnessed the disappearance of art on the streets of my hometown, São Paulo. This exhibit is our way of paying homage to urban art as an artistic and social movement.

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What were some of a the challenges involved in producing an exhibit of this nature? 

Finding the right site for the exhibition and selecting the artists.

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How did you go about selecting the artists?

With difficulty! We originally wanted to include 10-13 artists. We ended up showcasing the words of 19: Alto*Contraste, Branco, Bugre, Camila Crivelenti, Ciro Schu, Combone, Criola, Fefa Românova, Goms, Henrique Beloitti, Ju Violeta, Júlio Vieira, Mag Magrela, Mateus Bailon, Panmela Castro, Pecci, Siss, Tikka and Vermelho. Each of these artists represents a distinct style and sensibility.

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How did the opening of the show go?

It was wonderful! So much enthusiasm, spirit and great music!

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How can folks see this exhibit? It’s a definite must-see!

It remains on exhibit here at the Andrew Freedman Home — 1125 Grand Concourse, directly across from the Bronx Museum of the Arts — through April 14. Hours are: Mon – Thu, 9am – 7pm; Fri: 9am – 5pm and Sat: 10am – 5:30pm.

Images of artworks

1. Wide view of segment of the exhibit

2. Fefa Românova, The Return of the Wild Woman

3.  Bugre, Family

4. Henrique Beloitti, Raios de Oya

5.  Goms,  Zoomorfia Urbana

6. Mateus Bailon, O Portador das Flores

7. Vermelho, Gula

8. Ciro Schu, from Circuit Series

Photo credits: 1, 2 & 8 Houda Lazrak, 3-7, Lois Stavsky; interview conducted by Lois Stavsky with Houda Lazrak and edited by Lois Stavsky

Hailed in a range of media from Wide Walls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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