Exhibits

stikman-maybe he always looks the same

Featured in Woodward Gallery’s current exhibit Potentia Triumalong with works by Thomas Buildmore and Terence Netter, are over two dozen variations of our beloved stikman.  Representing an extraordinary range of imaginative styles and genres fashioned from sundry materials — many recycled — the artworks remain on display through December 22.

 One of many on paper, Mixed media 

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Collage on paper series, with Terence Netter on left and Thomas Buildmore on right rear

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Small Concrete Painting, Mixed media

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Bird Garden Shelter, Mixed media

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Stiks, Stone, Metal, Mixed media

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A larger segment of the huge installation in the rear room

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Woodward Gallery is located at 133 Eldridge Street between Broome and Delancey Streets. Hours are Tuesday-Saturday: 11:00 am – 6:00 pm; Sunday: 12:00 pm – 5:00 pm and by appointment.

First image: Maybe He Always Looks the Same. but It’s Us that See Him Differently, Close-up, Mixed media

Photo credits: 1-6 Dani Reyes Mozeson; 7 John Woodward

Note: Check here for more of stikman now on view at Woodward Gallery — as captured by Kendall Whitehouse.

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Nina-Pandolfo-Rivington-Wall

Noted Brazilian artist Nina Pandolfo recently made her way back to NYC. And we are thrilled that she did! Her delightfully dreamlike paintings will remain on exhibit through November 29th at Coburn Projects‘ Lower East Side gallery space at 2 Rivington Street, and her whimsical outdoor mural will continue to grace the huge wall on Rivington Street off the Bowery until the end of the year.

The complete mural, as seen this week 

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Nina at work on Rivington Street earlier this month

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And here are three of Nina’s new paintings in Little Things for Life, her first NYC solo exhibit, presented by Coburn Projects:

Breathe Slowly

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Follow Your Instincts

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One Way to…

Nina-Pandolfo-Other-Way-To-art-gallery

Located at 2 Rivington Street off the Bowery, the gallery is open Wed – Sun 10-6pm.

Photos: 1, 2, 4-6 Dani Reyes Mozeson; 3 courtesy of Coburn Projects

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brian-lacey

Based in Detroi’s Eastern Market district, 1xRUN is the world’s leading publisher of fine art editions for original art.  Also host to Detroit’s Inner State Gallery, a world-renowned exhibition space, it works with established and emerging artists throughout the globe. When I stopped by on my recent visit to Detroit, I had the opportunity to speak to 1xRUN Production Manager Brian Lacey.

Can you tell us something about your role as 1xRUN production manager? Just what does your job entail?

I am involved with every step of the printing process. I communicate with the artists, set up files for printing, retouch images, trim prints, create certificates of authenticity and I place orders with vendors.

You are an artist. Is that what attracted you to this particular space? 

Yes, as an artist I was drawn to this space. I have a background in graffiti and a degree from the College for Creative Studies, where I studied illustration and fine arts.

run-the-jewels-detroit

Has your experience as a graffiti writer impacted you?

Definitely! Graffiti is a great teacher. I learned a lot from it — on so many levels.

1xRUN collaborates with so many extraordinary artists. How do you select them? Is it a team effort?

Yes! It’s definitely a team effort. We have weekly sessions where a group of us meet to make curatorial decisions. Selections are made by the consensus of us all.

see-one-print-1XRun

Has your position at 1xRUN presented any personal challenges?

As someone who loves working hands-on, I had to adjust to spending a lot of time in front of a computer. But it’s awesome to be able to look at art all day!

1xRUN is best-known for the first-rate prints it produces. Does it offer anything in addition to prints?

It does offer a number of original works, books and sketches.

binho-print-1xrun

What about the name 1xRUN?

It’s about offering limited editions of outstanding works that run for one time (1X) only.  Too many print releases can devalue an artist’s work.

I can see that. I love these images on exhibit in Tag the Jewels. Can you tell us something about this project?

It is a partnership among Run The Jewels, 1xRUN and Mass Appeal. Graffiti artists from around the world created murals celebrating the one year anniversary of Run The Jewels 2 (RTJ2). On exhibit are 20 photos of these murals spanning six continents.

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 What a great concept! And what an amazing range of art on display throughout this space! 

Images:

1. Brian Lacey to the right of his artwork, T002

2. Jesse Kassel and Elmer for Tag the Jewels

3. See One for Tag the Jewels

4. Binho for Tag the Jewels

5. Frop and Muso for Tag the Jewels

Interview and photos by Lois Stavsky

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BG183-close-up-spray-paint-on_edited

A founding member of the legendary Bronx-based Tats Cru, the masterful BG 183 recently met up with us at his solo exhibit, Autumn Spray, in Hunts Point.

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When did it all begin?

Actually, my big sister got me started. I used to watch her draw all the time, and I was amazed! I wanted to try it too! So when I was about four — and she was nine — she noticed me drawing and encouraged me. I never stopped!

What inspired you to hit the streets?

Graffiti was all around me. I loved its bright, bold colors. But I had to begin by practicing my tag, the real element of it all. And then after hitting up stacks of paper, I began bombing on public surfaces. I was about 16 at the time. I wanted the fame!

crash-bg183-graffiti-east-harlem-nyc

Any early memories that stand out?

Bombing the inside of James Monroe High School and hitting the trains riding back and forth from school.

Any particularly risky moments?

Getting chased while painting trains and dealing with other crews.

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How did your family feel about what you are doing back then?

My mother was cool – until Michael Stewart’s death. Then she became very uneasy about what I was doing.

I can understand that. What percentage of your day is devoted to your art these days?

100%. I’m either doing commissions or working on my own body of work.

bg183-wildstyle-graffiti-Bronx-NYC

What keeps you painting after all these years?

I love it, and I want to be the best.

How do you feel about the movement of graffiti and street art into galleries?

It’s a natural progression.

BG-tats-cru-graffiti-Bronx-NYC

Do you prefer working alone or collaborating with others?

Both. Working with my crew – Tats Cru – helps me keep my skills on a high level.

You’ve painted throughout the globe. Why do you suppose graffiti is more respected as an art form in Europe than here in the U.S.?

There is a huge respect there for anything from New York.

bg183-graffiti-mural-art-Hunts-Point-NYC

And yet the European writers have largely taken graffiti to another level – beyond what we see here in NYC. Why do you suppose that is so?

Many of the writers here don’t really try to. They simply don’t feel the need to evolve.

Interesting! How you feel about the role of the Internet in this scene?

It’s great! It gets my name out there.

bg183-graffiti-Bushwick

Do you have a formal arts education?

None! Just the Major Art class I took in high school. That’s where I got to know Bio.

Are you generally satisfied with your work?

Yup!

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What about your name? How did you get the name BG 183?

When I was in high school, I was the one to BrinG the bats to the baseball team. And 183 refers to the number of my styles – as I have so many!

Yes! You certainly are versatile. The work in this exhibit is so different from most of your work that I’ve seen on the streets. What inspired it?

The life I live! The images represent my life.

BG183-Tats-Cru-graffiti-NYC

And what about the colors. They are wonderful!

Fall was on my mind, and my wife suggested these particular colors.

What’s ahead?

I’d like to focus more on creating a body of work that can be shown in galleries and museums.

Note: Curated by Sien and Eric Orr, Autumn Spray remains on view through November 15th at More Points Bx, 727 Faile Street in Hunts Point.

Photo credits: 1, 2, 6, 7, 9 & 10 Lois Stavsky; 3 (with Crash on the left) Dani Reyes Mozeson; 4, 5 & 8 Tara Murray; interview by Lois Stavsky

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edec1-sticker-art

Opening next month on Wednesday, November 18th is round two of the Con Artist Collective‘s hugely successful ‘slap’ sticker show. While visiting its space at 119 Ludlow Street on Manhattan’s Lower East Side earlier this week, I had the chance to speak to Con Artist Collective’s Brian Shevlin.

What prompted you to launch a second round of Slap?

We had gotten such an enthusiastic response to our first sticker art show two years ago. And folks kept on asking us, “When are you doing another Slap show?”

You, yourself, are quite a sticker aficionado. What is the appeal of sticker art to you?

With just a sharpie and a shipping label, anyone can become a street artist. And a handmade sticker is such an intimate object of art! I also love the way the sticker art culture brings together such a wide range of creative people from graffiti writers to fine artists, all of different backgrounds.

Klops_roger2

What would you say is the mission of Slap 2?

We are looking to involve a lot of the artists who didn’t participate in our first Slap show. And this exhibit is our way of celebrating and showing respect to the sticker culture.

How might this next sticker exhibit differ from your first one?

It will differ in scope and scale. We’ve put together an incredible team, with help from Robert Aloia of Outlaw Arts, Hugh Burckhardt and Paul Arbs from Urban Hooker. We are hoping to bring over 500 artists on board. And we will have sticker packs available for purchase.

Kenji-Hirata-sticker-art

How can folks submit stickers to Slap 2?

They are to fill out this form, and then drop off or mail their handmade stickers to: Con Artist Collective, 119 Ludlow Street, New York, New York. They can find additional information on our website.

What is the deadline for submissions?

They have until November 13th.

whut-sticker-art

 What’s ahead?

We will travel the world! Our first Slap exhibit has already traveled to Sri Lanka and is heading to Singapore and Bangkok. It will continue to travel with new submissions added. And we will, once again, publish a zine.

Slap2-ConArtist

What a great opportunity for artists! This sounds wonderful!

Note: The exhibit will open on November 17th with an opening party and end on November 28th with a closing party.

Images of works submitted for Slap 2: 1. Edec1 2. Klops 3. Kenji Hirata 4. Whut

Interview by Lois Stavsky

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"Dee Dee"

Opening this evening at 2 Rivington Street on Manhattan’s Lower East Side and continuing through Sunday is The Day Is My Enemy, street artist Dee Dee‘s first solo exhibit. Presented by Montreal-based Station 16, it features an intriguing array of distinctly curious collaged works. When I stopped by last night, I had the opportunity to speak to Adam Vieira and Emily Robertson of Station 16.

adam-vieria-and-emily-robertson-station 16

Just who is Dee Dee?

She is quite mysterious! But word is that the secretive artist is based in New York City and that she is Japanese.

Interesting! How did you discover her?

We first heard about her from Dain, whose work we’d exhibited at Station 16.

dee-dee-collage-celebrate-brooklyn_edited-1

Yes! They share a similar aesthetic! What is it about Dee Dee‘s work that appeals to you?

We love that she creates her art from scraps of posters and assorted papers that she finds on the streets. And we like that she consistently gets up in a variety of spots. We are thrilled to be back in NYC to present her work in this space.

Dee-Dee-Collage-Art

Can you tell us something about the concept behind The Day Is My Enemy?

Yes! It is Halloween-based, as it highlights themes of deception and destruction. The works on exhibit explore the contradictions and discrepancies between our private and public selves.

InstaDeeDee

What can visitors to the opening reception expect — in addition to viewing first-hand all of this intriguing art?

There will be themed hostesses, lighting to complement the mood, a soundscape designed by Dee Dee and more!

It sounds great! Good luck!

Note: The Day Is My Enemy opens this evening from 6-9pm at 2 Rivington Street off the Bowery.

Interview and photos 1-4 by Lois Stavsky

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ree-and-snow-graffiti-shuaspace

Currently on view at Jersey City’s Shuaspace is Street Level, an exhibit featuring works by a range of artists from Old School graffiti writers to contemporary muralists. While visiting the space this past Sunday, I had the opportunity to speak with its curator, Allison Remy Hall.

What a fun exhibit! It’s such a wonderful mix of styles and genres. How did it all come about? 

When the owners of Shuaspace, Joshua Bisset and Laura Quattrocch, met me at the previous show that I had curated, they invited me to curate in this space. I’d always wanted to curate a graffiti exhibit, and this seemed like the perfect venue and opportunity. I then contacted artists whom I knew, who put me in contact with other artists.

Allison-Remy-Hall-shuaspace-Street-level

Why graffiti? What draws you to graffiti?

I’ve always loved its aesthetic. I love its rawness and spontaneity.

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When and where were you first introduced to it?

My older siblings first introduced me to graffiti. I was about eight years old and living in New Haven at the time. Even as a child, I felt there was something bold and bad about it that appealed to me.

Mr.-mustart

What — would you say — is the mission of  Street Level?

It’s a celebration of the organic nature of neighborhoods. With gentrification so much of the aesthetics and social dynamics of neighborhoods have been lost.

distort-acro-graffiti-shuaspace

What was the experience of curating your first graffiti exhibit like?

It was wonderful! Everyone was so supportive and helpful and generous with their time. It was the most fun of any show I’ve curated!

Note: You can visit  Street Level, at Shuaspace this coming weekend from 1-6pm at 340 Summit Ave, a few blocks from Journal Square in Jersey City. You can also arrange a visit by contacting Alison at aremyh@gmail.com.

Photos by Lois Stavsky

1.  Ree and Snow, painted on gallery wall interspersed with black and white photographs

2. Curator Allison Remy Hall at gallery space

3. Distort and Acropainted on gallery wall interspersed with black and white photographs

4. Mr. Mustart

5. Sam Pullin aka Bedbugspainted on gallery wall interspersed with black and white photographs

Photographers on exhibit: Andrew Blumenthal, Miguel Peralta and Giovani Santoro

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Jeppe-Hein-public-art-scultpure-Brooklyn-Bridge-Park

Continuing through April 17, 2016 at Brooklyn Bridge Park is Jeppe Heins delightful open-air exhibit, Please Touch the Art. We’ve visited it several times and will be back for more! Here are a few more images we captured of the exhibit curated by Nicholas Baume and brought to us by the Public Art Fund.

Another Modified Social Bench

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Playtime at Appearing Rooms

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Close-up

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Mirror Labyrinth NY

Jeppe-Hein-mirror-installation-Brooklyn-Bridge-Park-NYC

Modified Social Benches, another one of 16, at dusk

jeppe-Hein-sculpture-at-dusk-Brooklyn-Bridge-Park-NYC

Photo credits: 1 Lois Stavsky; 2-6 Dani Reyes Mozeson

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Ayad-Alkadhi-I-Am-Baghdad

Continuing through October 3 at Chelsea’s Azart Gallery is More than Words, co-curated by Melissa McCaig-Welles and Latifa Metheny. Presenting a range of artworks fusing text and images, the exhibit features a wonderfully eclectic mix of styles, sensibilities and cultures.  Here is a sampling of the works:

Brooklyn-based Canadian painter Tim Okamura

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Brooklyn-based Moroccan artist Rocko, close-up

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Queens native Greg Lamarche aka SP.ONE

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Vitry sur-Seine-based French artist C215  

C215-stencil-art-azart

Azart Gallery is located at 617 West 27 Street in Chelsea and is open Tuesday through Saturday from 11 am to 6 pm.

Note: The first image, I Am Baghdad, is by New York-based Iraqi artist Ayad Alkadhi.

Photo credits: 1-3 & 5 Dani Reyes Mozeson; 4 Lois Stavsky

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eric-orr-robot-head

Best known for his iconic Robothead and his subway collaborations with Keith Haring, South Bronx native Eric Orr can now be found most days in his new Hunts Point studio. I recently had the opportunity to meet up with him there.

What a great space! When did you begin working here?

It’s been four months now. It couldn’t be more perfect, as it’s just a short ride from my house and convenient to just about everything.

eric-at-work

How does working in a studio differ from working in your apartment?

It’s an entirely different experience. There’s a lot less traffic here. I can leave my paint on the floor and know that it will still be there when I return. I have the freedom to create without having to put things away. And my family is happy too! No more fumes and no more paint in their way!

How does having your own space impact your work as an artist?

Bigger thoughts and bigger pieces. I’m planning to design huge sculptures and paint on larger surfaces. Can you imagine what I’d be doing now if I had a space like this 40 years ago!

Dennesa-Andrea Usher-and-Eric-Orr-collab

You are currently participating in Leave a Message, a group exhibit — curated by Tes One at St. Petersburg’s Morean Arts Center. What’s next?

I’m showing in Unveiling Visions: The Alchemy of the Black Imagination, an art and design exhibit — curated by John Jennings and Reynaldo Anderson — at the Schomburg Center’s Latimer Edison Gallery. On exhibit are photos of the 1984 Eric Orr and Keith Haring subway drawings, along with an original 1986 cover of my Rappin Max Robot comic book. I will also be exhibiting five new Robothead masks recently created in the new studio space. Then later this year I will have a solo exhibit at WallWorks Gallery.

eric-orr-record-robot-head

What about the upcoming New York Comic Con? Can we expect to see you there?

Yes! I will have hand-embellished mini posters of the cover of my Rappin Max Robot #1 comic book available for purchase. I will also be speaking on the Hip-Hop & Comics: Cultures Combining panel discussion with Depth of Field‘s, Patrick Reed on October 8, 2015 at 11 AM.

I am looking forward to it all! 

Note: Unveiling Visions: The Alchemy of the Black Imagination opens tomorrow evening, Friday, September 25, at the Schomburg Center’s Latimer Edison Gallery, 515 Malcolm X Boulevard in Harlem.

unveiling-at-schomburg center

 Photo credits: 1 & 3, courtesy of the artist; 2 & 4 Lois Stavsky; interview by Lois Stavsky

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