Events

Huge fans of Michael Cuomo‘s street and subway interventions, we were delighted to visit his studio as he was getting ready for YOHO Artists Open Studio, in addition to a WallWorks NY pop-up show and a solo exhibit at Art Cafe in Brooklyn. Here’s a sampling of what we saw:

Lucky, fashioned from found objects

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Big Mouth, fashioned from found objects

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Self-Portrait

Michael-Cuomo-self-portrait-paper

The Tempest

Michael-Cuomo-painting

Untitled

Michael-Cuomo-folk-art

Note: Michael Cuomo’s studio is located at 578 Nepperhan Ave., Suite 505; Wall Works NY’s pop-up show — featuring a wondrous array of artists including Nick Walker, Tats Cru and Crash — opens tonight and continues through the weekend at 28 Wells Street, 2nd floor. And Michael’s solo exhibit at Art Cafe opens May 6 from 6-9 at 886 Pacific Street in Brooklyn.

YoHo

Photo credits: 1, 3-5 Lois Stavsky; 2. City-As-School intern Diana Davidova; YoHo Open Studio graphic designed by John Wujcik

You can check out a detailed schedule of what’s happening this weekend in Yonkers — including live painting by Crash, Fumero and Damien Mitchell — here.

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Deborah-Fisher-Paul-Ramirez-Jones

Almost 40 years ago the historic Old Bronx Courthouse building closed its doors. This past Thursday evening, the landmark structure reopened to host When You Cut Into the Present the Future Leaks Out, a thoroughly engaging multi-media exhibit, curated by Regine Basha for No Longer Empty Featuring over two dozen artists on three levels, its title references the remix suggested by William S. Boroughs. Here are a few more images captured on Thursday:

Teresa DiehlL-Alber-Into, Video and sound installation

Teresa-Diehl

 Another view of  Teresa Diehl‘s ever-transforming hallucinatory musical installation

Diehl

Shellyne RodriguezPrototype For Belphegor’s Eye, 168 flesh-tint dyed mousetraps, rhinestones, gold chains, copper wire, plywood

Shellyne

Shellyne RodriguezGeperudeta, Ceramic

Shellyne-Rodriguez-Geperudeta

David Scanavino, Untitled, Linoleum tile

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Ellen HarveyAlien Souvenir Stand (close-up), Oil on aluminum, watercolor on gesso board, propane tanks, plywood, aluminum siding and poles, aluminum diamond plate, magnets

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Lady K FeverAll Rise (close-up), Mylar on façade of  building

Lady-K-Fever-Old-Court-House

The exhibit continues through July 19, along with a variety of programs ranging from fashion shows to presentations by such Bronx-based artists as Eric Orr, Per One and Joe Conzo. The old Bronx Courthouse is located at 878 Brook Avenue at East 161 Street and Third Avenue in the South Bronx. 

Note: First photo features Deborah Fisher and Paul Ramirez Jonas, Something for Nothing, Mixed media, Custom designed neon sign

Research for this post by City-As-School student Diana Davidova; photos 1, 5, and 7 Diana Davidova; 2-4, 6 and 8 Lois Stavsky

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Boone-Room-Bronx-graffiti-Cope2

Some of NYC’s most vibrant and striking murals–on Boone Avenue between 172nd and 173rd Streets in the Bronx–were demolished last year to be replaced by residential buildings. But thanks to the efforts of SLO Architecture, various artists, neighboring Fannie Lou Hamer High School, Maria Krajewski, City-As-School students and several others, the spirit of Boone Avenue lives. Featuring dozens of images, interviews and more, the Boone Room website, constructed by City-As-School students, can now be viewed online. To celebrate its launch, the public is invited to join the City-As-School family, several of the artists and a host of performers and musicians tonight at Exit Room.

 Artists interviewed for the Boone Room website include: Cope2, Eric Orr, Marthalecia and Valerie Larko who has preserved the walls in her amazing photorealistic paintings.

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Lady K Fever

"Lady K Fever"

Kashink — who was visiting NYC from Paris — to the left of Lady K Fever

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 Tonight at 270 Meserole Street in Bushwick

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Post by City-As-School intern Zachariah Messaoud with Lois Stavsky; photos 3 and 4 courtesy Maria Krajewski

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LMNOPI-art-Brooklyn-Is-the-Future

Featuring an awesome array of outdoor and indoor murals, along with a range of smaller works in different media, Brooklyn is the Future opens this evening at the Vazquez at 93 Forrest Street in Bushwick. Here is a small sampling of what I saw when I stopped by yesterday.

Brooklyn is the Future curator, N Carlos J at work.

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Chris Soria at work 

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 Eelco at work

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Marc Evan at work

Marc-Evan-paints

Savior Elmundo, close-up

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Ben Angotti, close-up

Ben-Angotti-painting

Rob Plater

Plater-art

The two-weekend long exhibit and charity event opens this evening at 6pm.

Brooklyn

Photos by Lois Stavsky; the first photo features LMNOPI

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RAE-This-May-Come-as-a-Shock

On exhibit through April 19 at 34 1/2 Bayard Street in Manhattan’s Chinatown, RAE’s brilliantly idiocyncratic Trunk Work celebrates the retrieval and contents of RAE‘s trunk from his former Brooklyn studio, while chronicling the events related to its loss and rescue. Graphically and conceptually engaging, Trunk Work wittily defines the mood and culture of the Brooklyn environs that housed RAE‘s trunk, as it showcases a range of RAE’s rescued and new works.

For four years, you couldn’t gain access to your trunk. What exactly was inside it?

Various artworks, notebooks, sketches, implements and a range of personal items.

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How did you lose access to it?

I had been maintaining a studio in a Flatlands, Brooklyn apartment building. But as a result of tenant complaints, I was forcibly removed. Barred from entering the building, I had no way to retrieve my trunk.

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rae-audio-system

What kinds of complaints might these tenants have had?

They didn’t like my taste in music; they complained that it was too loud. And the noise from my art practice bothered some. Finally, when a microwave I was using to melt some materials exploded, the landlord decided that he’d had enough of me.

RAE-found-objects

How did you finally retrieve your trunk?

This past August, cracks were discovered in the building’s facade and the entire building was evacuated. Amidst the chaos of it all, I was able to retrieve my trunk from what was once my studio.

We’re so glad you did! What a story! And what an amazing recreation of it all!

In true RAE fashion, Trunk Work is far more than an art exhibit; it is a totally immersive experience. Set in a Chinatown basement at 94 1/2 Bayard Street, right off Mulberry, it continues through April 19, Thursday-Sunday (except for Easter) from 1-6pm.

Photos 1-3 and 5 by Lois Stavsky; 4 by Dani Reyes Mozeson

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frank-lexi-Bella-Kosbe-the-best -of-the-worst

The following guest post is by Houda Lazrak, a graduate student in Museum Studies at New York University.  

This past weekend, Hanksy’s much-anticipated show, The Best of the Worst, drew hundreds of street art fans to the former Chase Bank at 104 Delancey Street on Manhattan’s Lower East Side. Along with some of NYC’s most notable graffiti writers and street artists, Hanksy transformed the space into a NYC playground-like arena — with a skate ramp, a Chinese massage parlor and more wonderfully-engaging site-specific installations. Dozens of intriguing, overlapping pieces, paste-ups and stickers paid homage to street art, while, also, poking fun at the scene.

Miss Zukie

Miss-Zukie-

CB23 

CB23

Magda Love and Hanksy and more

Magda-Love

Meres and more

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Russell King, Col and UR New York

Russell-King-& more

Hanksy

Hanksy-the best of the-worst

Included, too, was a rather formally installed art exhibit in the wittily-titled Gag-Osian Gallery featuring some of NYC’s most popular street artists.

Mr. Toll at the Gag-Osian

Mr-toll

El Sol 25 at the Gag-Osian

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All photos by Houda Lazrak; pictured in the first photo are Frank Ape, Lexi Bella and Cosbe

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Speaking with Scratch

March 5, 2015

An impassioned graffiti artist, Stockholm native Scratch is the only female to have painted at the legendary Graffiti Hall of Fame for four consecutive years.  Last year, together with her writing partner, Lady K Fever, she founded The Bronx Graffiti Art Gallery an outdoor public art space featuring several internationally acclaimed graffiti artists. Scratch‘s public works can be seen in the Bronx, East Harlem and in Upper Manhattan.

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When and where did you first get up?

I was 14 when I first painted in my native city of Stockholm.  But I was a toy back then!

What were the circumstances?

The Swedish town I was living in at the time had become concerned about its “graffiti problem.” And so the government decided to establish a “graffiti school,” where we would be taught to paint in legal venues. I just wanted a space and free paint.

What was that experience like?

There were no formal classes, so we were free to learn from each other. And of course just about everyone who attended improved their skills and continued to painting illegally! I was the only girl who showed up.

Were there any artists who inspired you back then?

Yes! There was Brain – who taught at the  “graffiti school.” He was a major inspiration. And others who inspired me were Circle, Ward, Ziggy & Dizzy and Zappo.

Scratch

Did you do anything risky back then?  

One Christmas morning – when all the shutters were down – I went out and bombed just about every store on my town’s main street.

That does sound risky! Why were you willing to take that kind of risk?

I was only 14; I didn’t really think about the consequences of my actions.

You moved to NYC in 1998 to work as a graphic designer. When did you begin painting graffiti here? And what got you back into it?

I hadn’t painted for many years. And then one day, as I was riding the 7 train into Flushing, I passed 5Pointz.  I couldn’t believe my eyes! A few days later, I went back to check it out, and that was it! I was hooked again. That was back in 2008.

What was it like for you at 5Pointz?

It was great. Meres is an amazing teacher, and just about all the writers I met there were kind and helpful.

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Any thoughts on the graffiti/ street art divide?

Graffiti and street art are very different. There may be some crossover, but they will remain distinct art forms. Graffiti is still identified with vandalism, and street artists get far more respect and recognition than do graffiti writers. But graffiti – to me – is stronger. It is more honest and direct.

How do you feel about the movement of graffiti into galleries? Have you shown your work in galleries?

Graffiti wasn’t intended to be painted on a canvas. Sometimes it works; other times it doesn’t. But I have no problem with it. Yes, I’ve shown in a number of galleries.

What about the corporate world? Any thoughts about that?

I’m used to it. My background is in advertising.

Do you prefer working alone or collaborating with others?

I often work alone, but I’ve collaborated with Lady K Fever, and I assisted Kingbee and Vase at the Graffiti Hall of Fame.  I like both! I look forward to collaborating more with other artists.

scratch-graffiti-train

How do you feel about the role of the Internet in this scene?

I feel positive about it. I get to see artworks I would never, otherwise, get to see

Do you have a formal arts education?

No, my background is in advertising and marketing. I studied at Pace University.

What inspires you these days?

Fantasy. I’m a huge fan of Lord of the Rings.

Are there any particular cultures you feel influenced your aesthetic?

I’d have to say the early graffiti writers in Sweden. But there they are referred to as graffiti painters – not writers!

scratch-graffiti-hall-of-fame

Do you work with a sketch in your hand or do you let it flow?

Yes. I always have some kind of sketch with me when I paint.

Are you generally satisfied with your work?

No! I always want to change it.

How has your work evolved in the past few years?

It’s gotten better. It’s more detailed.

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What do you see as the role of the artist in society?

To share his or her story with others.

What’s ahead for you?

More walls and huge productions. And also more opportunities to show my work.

Note: You can meet Scratch, along with other members of the The Bronx Graffiti Art Gallery, tomorrow from 6 – 8pm at the spray can art show at Scrap Yard at 300 West Broadway between Grand and Canal Streets.

Interview by Lois Stavsky; photos 1, 3 & 4 courtesy of Scratch 2. Lois Stavsky, and 5, Dani Reyes Mozeson

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EKG-closing-party

Since the February 13th opening of EKG♥NYC, NYC-based writer EKG has been busy at work on his installation for the closing reception. We stopped by earlier this week and had the opportunity to ask the artist a few questions:

Your orange pulse has become an integral part of our city’s visual landscape. What does it represent?

It’s chemical communication...an expression of connectedness and collaboration. It’s a sign of energy vibrating on everything everywhere. I see it as the heartbeat of our city.

EKG-Smells-artwork

Why orange?

I like its intensity and the way it integrates into the cityscape.

This installation is astounding! The walls are covered with cryptic orange diagrams. A cloudy haze emanating from a heavy metal concert fog machine fills the air, and your iconic symbol is everywhere — on and amidst milk crates, ladders, spray cans, cages and more. What is going on here?

It’s an abstract sillouette of New York’s cityscape. All of the elements represent the connections among all things. The smoke and the electronic music heighten the intensity of it all.

EKG-Installation

Your official opening was on February 13th, the day before Valentine’s Day. Can you tell us something about that? And how did that go?

It was originally intended as an All Hallows’ Valentine’ Eve celebration of misfit love, mutant science and aesthetic rebellion. The turnout was great and the entire experience was awesome!

EKG-painting

I love your shop here. Your symbol is everywhere from t-shirts and zines to prints and paintings — and everything is so affordable!

Yes. It’s a homage to Keith Haring’s legendary pop shop, but as if it was created by Tim Burton, Marilyn Manson, Walter White and Stephen Hawking!

What can folks expect tonight?

I’ve continued to build up my installation, and the closing ceremony will once again feature the Doomdronecore performance by the avant-garde electronic artist, Jefferson Wells.

musician

Good luck! It is certain to be amazing!

Note: Tonight’s closing event begins at 6 pm at 35-18 37th Street in Long Island City.

Photos: First image features photo by Katherine Lorimer aka Luna Park; 2-5 by Lois Stavsky; image 2 is a collaboration with Smells.

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A new series of painting and drawings by the wonderfully talented multi-media artist Michael Alan will be on view at the Klemens Gasser & Tanja Grunert Gallery for two days later this month.  The second day of the exhibit, February 25, will feature a Living Installation. Curious about it all, I posed a few questions to Michael.

"Michael Alan"

Can you tell us something about the title Immortal Equations? What does it mean?

For me, great artwork conveys a taste of planning mixed with spontaneity. The great masters made sure your eyes moved all around the picture plane. They sure didn’t want their heads cut off. When I work, whether on a flat surface or on people, I think in terms of something that will live past NOW and, also, has an algorithmic pop to it – whether through color and line or just balance.

The Klemens Gasser & Tanja Grunert Gallery describes Immortal Equations as a Living Installation, a solo exhibition and a theatrical happening. What can attendees expect to happen? 

I’ve been going through myriads of health issues, so I just wanted to do a 2-day special show. On Feb 24th, day one, there will be an exhibit of some new works. I will be there. It’s a basic opening, but my crowd varies from high-end collectors to my boys I grew up with. It’s a real NY show! And I’m planning to return for a month-long exhibit somewhat later on.

"Mihael Alan"

What about the second day?

On the 25th starting at 6pm, the drawings come to life. I will do my staple event, a Living Installation, with nine others, and six hours of live music by me and Tim “Love” Lee. There will also be six hours of non-stop live-action over-the-top recreation of the human body. 

What would you like your participants to walk away with? What is the mission of this event?

Creative inspiration, happiness, and many thoughts. We live to shut off, especially in a time of high technology. I try to slow time down and let people watch a Human Fish Tank. It’s for the people. I do this for community and for people to come and participate: to make drawings, write and be turned into living paintings.

"Michael Alan art"

Can you tell us something about this specific venue? The curator?  Who else – besides – you will be featured?

The venue is Klemens Gasser & Tanja Grunert Gallery at 33 Orchard Street off Hester on Manhattan’s Lower East Side. Mitra Khorasheh is curating the show. The performers and participants include: David Modelo, Stacey Dawn, Selina Lee, Genevieve Sophie Snow, Kimtacular, Wren, Laura WeylAlyssa D’Anna and photographer Kristen Collins, along with live music by me and Tim “Love” Lee.

How can folks gain admission?

The first night’s exhibit is free and open to the public.  The second night – the Living Installation – is by admission only. For tickets, please visit www.michaelalanart.com under Installation.

Michael-Alan-Living Installation

 Interview by Lois Stavsky; photos 1-3 courtesy of the artist; final photo by Kristen Collins

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lady-k-fever-installation-longwood-gallery-nyc

Bronx-based Canadian artist Lady K Fever has been gracing the walls of her borough and beyond with her distinctly expressive aesthetic for over a decade. When I met up with her last week, she was feverishly at work on her inventive installation for her upcoming exhibit, Dubbed, at the Bronx Council of the ArtsLongwood Art Gallery.

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lady-k-fever-installation-in-progress

This is all quite amazing! There is so much going on here, and I love it all. What is the concept behind this? What is going on?

I am playing with the language of graffiti. It’s a mix of sketches, drawings, pieces, tags, stickers, wheatpastes, paintings on Plexiglas and cardboard, found objects, transparencies, selfies, subway tiles, razor wire and all that I associate with graffiti. It is quite conceptual. The razor wire represents — among other things — a prison yard and the risks we graffiti writers take. The new drawings made for this exhibit have all been done in conversation with myself or a friend or a family member, exploring direct transmission through the self and hand.

Lady-K-Fever-Longwood-gallery-close-up-art

When did the concept for this exhibit first come to you? How did it originate?

It began five years ago when I had a solo exhibit at Masterworks Museum in Bermuda. I became interested in playing with lines and mixing elements. It took me back to my reggae roots. The title of this exhibit Dubbed is a reference to the technical term for copying sound or other media from one tape to another. My installation explores how rhythm and emotion can translate into painted vibration and word.

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When did you begin the actual work for this exhibit?

I began working on it about two months ago. But I’ve been thinking about it for the past two years.

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What would you like your viewers to walk away with?

I want them to understand that there is more to graffiti than what one generally assumes. It is a rich, highly sophisticated aesthetic that involves a deliberate process.

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Why did you choose the the Longwood Art Gallery as your venue?

Since I participated in a group exhibit at Longwood Art Gallery in 2011, I’ve always wanted to have a solo show here. It is the ideal space, as it nurtures and celebrates experimentation.

Note: An opening reception will be held tomorrow, Wednesday, from 5-9 at the Longwood Art Gallery at Hostos, 450 Grand Concourse at 149th Street in the Mott Haven section of the Bronx. Curator Laura Napier will also be in attendance.

Interview and photos by Lois Stavsky

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