This is the ninth post in an occasional series featuring the diverse range of artwork on NYC shutters:
Photos: 1, 2, 4, 6, 7 & 9 Dani Reyes Mozeson; 3 Tara Murray; 5 & 8 Lois Stavsky
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This is the ninth post in an occasional series featuring the diverse range of artwork on NYC shutters:
Photos: 1, 2, 4, 6, 7 & 9 Dani Reyes Mozeson; 3 Tara Murray; 5 & 8 Lois Stavsky
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Featuring 30 artists from 15 different countries, Theorum: You Simply Destroy the Image I Always Had of Myself opens today, Sunday, May 3, at Mana Contemporary‘s 50,000 square foot Glass Gallery. Curated by Ocravio Zaya, it presents an eclectic range of rich artworks in various media from painting and photography to large-scale installations. Visually engaging and psychologically charged, the works on exhibit question and challenge our perceptions of ourselves and appearances, in general, while “contemplating a world turned upside-down.” Here are a few more images:
NYC-based Susan Siegel, one of many images from an elegantly dreamy installation of her paintings
Lima native Santiago Roose, (Bridge) Between the particular contradiction and general antagonism
Cuba native Marìa Magdalena Campos-Pons, My Mother Told Me I Am Chinese
Lima native Elena Damiani, The Discovery
Lima native Nicole Franchy, Hinter Scapes
Puerto Rican artist Radames “Juni” Figuearoa, La Casita Amarilla
Exhibit curator and noted art critic Octavio Zaya, center standing, in La Casita Amarilla
Along with several other thoroughly engaging exhibits, Theorem: You Simply Destroy the Image I Always Had of Myself — featuring many artists whose works also surface in the public sphere — opens to the public today, Sunday, May 3, at Mana Contemporary, 888 Newark Avenue in Jersey City. Complimentary shuttle service to and from the Mana’s Open House will be provided every half hour starting at 12:30 PM from Milk Studios at 450 West 15th Street in Manhattan and returning every half hour from Mana starting at 2 PM. Mana is also easily accessible via the PATH train’s Journal Square stop. Ample free parking is also provided.
Photo credits: 1, 2 & 4 Sara C. Mozeson; 3, 5-9, Lois Stavsky
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Huge fans of Michael Cuomo‘s street and subway interventions, we were delighted to visit his studio as he was getting ready for YOHO Artists Open Studio, in addition to a WallWorks NY pop-up show and a solo exhibit at Art Cafe in Brooklyn. Here’s a sampling of what we saw:
Lucky, fashioned from found objects
Big Mouth, fashioned from found objects
Self-Portrait
The Tempest
Untitled
Note: Michael Cuomo’s studio is located at 578 Nepperhan Ave., Suite 505; Wall Works NY’s pop-up show — featuring a wondrous array of artists including Nick Walker, Tats Cru and Crash — opens tonight and continues through the weekend at 28 Wells Street, 2nd floor. And Michael’s solo exhibit at Art Cafe opens May 6 from 6-9 at 886 Pacific Street in Brooklyn.
Photo credits: 1, 3-5 Lois Stavsky; 2. City-As-School intern Diana Davidova; YoHo Open Studio graphic designed by John Wujcik
You can check out a detailed schedule of what’s happening this weekend in Yonkers — including live painting by Crash, Fumero and Damien Mitchell — here.
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In celebration of Yonkers Arts Weekend beginning tomorrow, May 1, and continuing through Sunday, May 3, several new murals will grace Downtown Yonkers. Among these is the wonderfully vibrant one curated by Wall Works NY. Here are a few more images we captured on a brilliantly sunny day earlier this week:
John Paul O’Grodnick and Crash at work
Daze beneath his “eye” with Nicer, Tats Cru — to his left — at work
Nicer, BG183, Bio Tats Cru and Daze
Posing for a final shot
A perfect tribute to the revitalization of Downtown Yonkers, the mural is located at 45 Main Street near Getty Square and Broadway.
Note: Standing in the first photo are John Paul O’Grodnick, Crash and BR163
Photo credits: 1 & 4 Lois Stavsky; 2, 3 & 5 City-As-School intern Diana Davidova
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Babe Ruth, Derek Jeter, Roberto Clemente and Satchel Paige are among the legendary baseball players whose faces now grace a range of storefronts on and off River Avenue from 158th Street to 162nd Street. A partnership between the 161st Street Business Improvement District and 501 See Streets, this particular project is one of several initiated by 501 See Streets founder and director, Noah Sheroff. I recently met up with Noah to find out more about him and his Paint New York project.
You are on a mission to bring public art to neighborhoods in NYC and beyond. What spurred your interest in street art?
I grew up in a neighborhood that was largely void of art. When I first visited 5Pointz in 2011, I was struck by the beauty and energy of it all. The following year I went on a tour of the Bushwick Collective, and soon after that, I discovered the Welling Court Mural Project in Astoria, Queens. By then I was hooked! I knew that I wanted to bring art murals to communities that wouldn’t otherwise have them.
We are familiar with the murals you facilitated that have transformed the blocks around Yankee Stadium. Have you engaged other neighborhoods?
Yes. Danielle Mastrion painted a mural on Flatbush Avenue and Avenue H in Brooklyn; Miss Zukie collaborated with John Paul O’Grodnick on Benson Street.across from the Lewis & Clark School, and Marthalicia painted on Jerome Avenue and East 198th Street.
What are some of the challenges you’ve encountered?
It’s been a daunting learning experience! The community members are often apprehensive. Artists tend to question my motives. And the funders are hesitant to fund “a new kid on the block.”
What seems to be the main concern of the community?
They are concerned about the content – about offending the sensibilities of the folks who live in the neighborhood. That is one of the reasons artists are often asked to submit a sketch first.
You are in the process of forging alliances with several Business Improvement Districts. Are they generally receptive?
Yes, the BIDs are generally receptive. They see the art as a way to highlight their businesses, bring commerce to their neighborhoods and attract tourists. I am also forging partnerships with civics and other neighborhood organizations.
What’s ahead?
I’m interested in expanding Paint New York into more neighborhoods and working with a range of community groups. And at this point, fundraising is essential to cover expenses and to pay the artists for their talents and time.
Good luck! And we are looking forward to 501 See Streets bringing more art to our streets!
Note: Find out how you can help support Noah’s project here
Interview by Lois Stavsky; Images 1 & 2 Danielle Mastrion; 3 & 5 Lexi Bella; 4 & 6 Andre Trenier; photo credits 1 & 2 Lois Stavsky; 3-6 City-As-School intern Diana Davidova
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Reclaimed, Meres One‘s solo exhibit at Bushwick’s Low Brow Artique, brilliantly celebrates Meres‘s wonderful talents and his love of graffiti. I spoke to Meres soon after visiting the exhibit:
Can you tell us something about the title of the exhibit, Reclaimed? What does it mean?
After many months of coping with the loss of 5Pointz, Reclaimed is my way of revisiting and reclaiming my early days as a graffiti artist.
When did you first come up with the concept with the exhibit? And can you tell us something about the process of preparing for it?
I came up with the general idea in January, and when I showed some of the pieces I was working on to Bishop, he offered me a solo show at Low Brow Artique. In preparation, I revisited hundreds of photos of walls that I had painted at 5Pointz. My next step was to reinterpret them — selecting fragments from them and honoring my appreciation of hand-style.
What about the centerpiece? It is so impressive! Its texture is just beautiful. It looks as though it was painted on reclaimed wood.
Yes, I painted it on a piece of wood that was reclaimed from the Coney Island boardwalk. I love that it has taken on a new life in this exhibit.
How has the response been to the exhibit?
It’s been great! The opening was wonderful, and only two pieces remain. The others were sold shortly after the exhibit opened. I am currently preparing for a Part II, where I will take my work on this same concept to another — more abstract — level while working on a range of different surfaces.
Note: Reclaimed remains on view at Low Brow Artique through Saturday May 9. Now open seven days a week, Low Brow Artique is situated at 143 Central Avenue in Bushwick, Brooklyn.
Interview and photos by Lois Stavsky
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Almost 40 years ago the historic Old Bronx Courthouse building closed its doors. This past Thursday evening, the landmark structure reopened to host When You Cut Into the Present the Future Leaks Out, a thoroughly engaging multi-media exhibit, curated by Regine Basha for No Longer Empty. Featuring over two dozen artists on three levels, its title references the remix suggested by William S. Boroughs. Here are a few more images captured on Thursday:
Teresa Diehl, L-Alber-Into, Video and sound installation
Another view of Teresa Diehl‘s ever-transforming hallucinatory musical installation
Shellyne Rodriguez, Prototype For Belphegor’s Eye, 168 flesh-tint dyed mousetraps, rhinestones, gold chains, copper wire, plywood
Shellyne Rodriguez, Geperudeta, Ceramic
David Scanavino, Untitled, Linoleum tile
Ellen Harvey, Alien Souvenir Stand (close-up), Oil on aluminum, watercolor on gesso board, propane tanks, plywood, aluminum siding and poles, aluminum diamond plate, magnets
Lady K Fever, All Rise (close-up), Mylar on façade of building
The exhibit continues through July 19, along with a variety of programs ranging from fashion shows to presentations by such Bronx-based artists as Eric Orr, Per One and Joe Conzo. The old Bronx Courthouse is located at 878 Brook Avenue at East 161 Street and Third Avenue in the South Bronx.
Note: First photo features Deborah Fisher and Paul Ramirez Jonas, Something for Nothing, Mixed media, Custom designed neon sign
Research for this post by City-As-School student Diana Davidova; photos 1, 5, and 7 Diana Davidova; 2-4, 6 and 8 Lois Stavsky
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The extraordinarily gifted Belgian artist Roa has recently shared his talents and passion for the animal kingdom with us outdoors in Jersey City and indoors at the Jonathan LeVine Gallery. The following images were captured this past Saturday near the entrance to the Holland Tunnel, not far from Mana Contemporary where Roa created his works for Metazoa, currently on exhibit at Jonathan LeVine:
Close-up
Close-up with Roa at work
The mural, full view
And here is a sampling of ROA‘s interactive works at Jonathan LeVine, largely created on found, salvaged materials:
Sturnus Vulgaris, mixed-media
Composition II: Lutrinate, Salmonidae, Anguilliformes, mixed media
Sturnus Vulgaris, mixed media
NY Canidae, mixed media, rear
Metazoa continues through May 2 at Jonathan LeVine at the gallery’s 529 West 20th Street space.
Note: For a wonderfully interactive view of several pieces check out this post on Colosaal.
Photos of Roa in Jersey City by bytegirl; of Roa’s works at Jonathan LeVine, Dani Reyes Mozeson
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Until April 23 it is still possible to see Jamie Martinez’s distinctly wonderful art at Gallerie Protégé. Fashioned meticulously and inventively from triangles, Jamie’s works on display range from exquisite oil paintings to tantalizing abstract designs. Here is a sampling of the works from the exhibit, Hunt for Inspiration, curated by Oscar A. Laluyan:
Leopardo, 552 individual oil paintings on wood
El Lobo, oil on canvas
Abstract 15, digital c-print
Particularly exciting news for us street art aficionados is that several of Jamie Martinez‘s abstract works will be blown up between 6-9 feet for an upcoming public art project, Off the Grid: Innovations in Contemporary Abstraction. The works will remain on exhibit for a minimum of six months at the site of the West Village Triangle Park at 7th Avenue and 12th Street.
Note: Gallerie Protégé is located on the lower level of Chelsea Frames at 197 9th Avenue.
Photo credits: 1, 2, and 5 Dani Reyes Mozeson; 3 Lois Stavsky; 4 courtesy of the artist; the first image pictured is Mountain Cat, oil on canvas; the final image is Medusa, 414 individual oil paintings on wood.
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Some of NYC’s most vibrant and striking murals–on Boone Avenue between 172nd and 173rd Streets in the Bronx–were demolished last year to be replaced by residential buildings. But thanks to the efforts of SLO Architecture, various artists, neighboring Fannie Lou Hamer High School, Maria Krajewski, City-As-School students and several others, the spirit of Boone Avenue lives. Featuring dozens of images, interviews and more, the Boone Room website, constructed by City-As-School students, can now be viewed online. To celebrate its launch, the public is invited to join the City-As-School family, several of the artists and a host of performers and musicians tonight at Exit Room.
Artists interviewed for the Boone Room website include: Cope2, Eric Orr, Marthalecia and Valerie Larko who has preserved the walls in her amazing photorealistic paintings.
Kashink — who was visiting NYC from Paris — to the left of Lady K Fever
Tonight at 270 Meserole Street in Bushwick
Post by City-As-School intern Zachariah Messaoud with Lois Stavsky; photos 3 and 4 courtesy Maria Krajewski
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