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On exhibit through Wednesday at MICA — the Maryland Institute College of Art — is Baltimore Rising, a powerful and poignant exhibition featuring the works of 15 artists who address the issues that led to the uprising following the death of Freddy Gray.  Featured above is a close-up from Logan Hicks’s Freddy Gray’s Day. What follows are a few more images from this timely exhibit:

Logan Hicks, Hot Spot, aerosol on linen

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Tony Shore, Hands Up, Don’t Shoot, acrylic on velvet

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Tony Shore, Confrontation, acrylic on velvet

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Also by Tony Shore, The Vigil, acrylic on velvet

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Nether 410, Satyagraha, outdoor mural for Baltimore Rising

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Photo credits: 1-5 Lois Stavsky; 6 Tara Murray

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Nic 707’s InstaFame Phantom Art movement continues to bring dozens of classic writers back into NYC subway trains. Pictured above is Rocky 184 and Kerz. Here are a few more images recently captured while heading from the North Bronx to Midtown Manhattan:

Kerz

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Lava

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Taki 183 & Easy

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Slave, FAB 5

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Ree

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Nic 707

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And a recent Nic 707 abstract

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Quik

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Photos by Lois Stavsky

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serve-graffiti-art-exhibit

Serve FBA‘s current exhibit at More Points Bx is a brilliantly executed visual ode to the golden days of hip-hop. Here’s a small sampling of what I saw when I visited the Hunts Point space last weekend:

The Roxy, West 18th Street, NYC

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Club Zanzibar, The birthplace of Jersey house music, in Newark NJ

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Studio 54, West 54th Street, NYC, Disco Man Heaven

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Bar Two OTB Car, close-up

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 Two of several masterpieces — showcasing Serve’s extraordinary writing skills — on canvas

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And a closing reception for a chance to see it all and get to own at least one piece —

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Also on display and for sale are subway maps and record covers designed by Serve, along with his BLACK BOOK.

Photos by Lois Stavsky

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Born in Brazil in 1982, SALMOS first made his mark in São Paulo’s public spaces and freight trains as ISHI. In 2004, he opened his own tattoo store, and ten years later, he emerged as SALMOS, Sou Artista Livre Mais Ouseda de São Paulo, “the most daring free artist in Sao Paulo.” His current work — both indoors and outdoors — is largely a delightful fusion of graffiti writing and classic comic characters. This past Saturday, SALMOS‘s first NYC solo exhibit, FRACTURED FAIRY TALES  opened at  the Martinez Gallery. While visiting, I had the opportunity to speak to the artist.

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When did you first hit the streets?

Back in 1996-97. I was 14 at the time.

What motivated you to do so?

I was drawn to the streets. Pixação — in particular — inspired me. And I came up with the idea of integrating comical characters into my writing.

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Can you tell us something about these characters? What is their appeal to you?

They are magical!  They fuse the nostalgia that adults feel with the mystification children experience.

And how do you choose your characters? Why — for example — Garfield?

I love the ones that make me feel like I am a kid again! Garfield enchants me!

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And what brought you here to NYC?

The amazing opportunity to paint here. New York City is where it all started. The history of graffiti is here in NYC.

And we here in NYC love how writers from places like São Paulo are taking it to another level. We’re so glad you made it here! Have a safe trip home!

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Curated by Octavio ZayaFRACTURED FAIRY TALES can be seen Mon- Sat, 11AM to 5PM, at the Martinez Gallery on 135th Street and Broadway.

Note: Standing to the left of SALMOS is Martinez Gallery‘s noted director, Hugo Martinez.

Photos by Lois Stavsky

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Back in NYC, in the place he calls “home,” Bisco Smith — the first artist in residency at Okay Space — has been busy!  At work during one of the most tumultuous weeks in the history of our country, the artist proposed that creating his newest body of work, MANIFEST, helped “center” him, as he strives to find “the goodness amidst the chaos.”  This past Friday, MANIFEST was unveiled at Okay Space at 281 North 7th Street.  Here are several images captured shortly before it officially opened to the public:

Bisco Smith adding info to Methods, serigraph on paper, edition of 111

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 Manifest Moments #9, acrylic & spray paint on canvas

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Manifest Moments, the series — each, 18 x 18 — acrylic & spray paint on canvas

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Gratitude for all things past, service for all things present, responsibility for all things future

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 And as seen at night from the outside, shortly before it opened

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Okay Space is open Monday through Friday, 11-6, and on Saturday 12-5.  For further info, you can contact the space at 929-250-2388.

Photos by Lois Stavsky

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This is the twelfth in a series of posts featuring the range of faces have surfaced in NYC open spaces:

Werc in Bedford-Stuyvesant with the Open Society Foundations

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Vexta and Askew in Williamsburg for the Greenest Point, one fragment of huge mural

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Joel Bergner aka Joel Artista in Bellerose, Queens with the DOT

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LMNOPI in Long Island City with Arts Org

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Cern in Williamsburg, close-up

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Thiago Valdi in Staten Island with the NYC Arts Cypher

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Leticia Mandragora, Bushwick 

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 Photo credits: 1, 3 & 7 Tara Murray: 2, 4-6 Lois Stavsky

Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Located on the West Side of Chicago, Pilsen hosts some of the city’s most alluring street art works alongside its train tracks. Featured above is by Bogota-based artist Stinkfish. Here are several more that we revisited on our recent trip to Chicago:

West Coast-based Victor Reyes

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Chicago-based Lady Lucx, close-up

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UK native Jon Burgerman, close-up

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Brooklyn-based RAE

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Nevada-based Erik Burke aka Overunder, close-up

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Baltimore-based Gaia, close-up

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Photo credits: 1, 5-7 Tara Murray; 2-4 Lois Stavsky

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zoe-leonard-text-art-high-line-nyc

With the mission of fostering a dialog with the surrounding neighborhood and urban landscape, High Line Art — curated by Cecelia Alemani — presents a wide array of provocative artworks in a range of media. Pictured above is I want a president, Zoe Leonard‘s 1992 text-based work installed on the occasion of today’s election. Here are several more works that can be seen on the High Line.

 Tony Matelli, Sleepwalker — for Wanderlust, a group exhibition exploring the themes of walking, journeys and pilgrimages

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And alone at dusk

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Matt Johnson, Untitled — repurposed original High Line rail track  — for Wanderlust

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 Kathryn Andrews, Sunbathers II, as seen at dusk

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Barbara Kruger, “BLIND IDEALISM IS REACTIONARY SCARY DEADLY, an adaptation of a quote from Frantz Fanon

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Photo credits: 1 & 6 Lois Stavsky; 2 & 4 Dani Reyes Mozeson and 3 & 5 Romare Taylor

Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Recently in the news for setting the Guiness Book of World Records for the “latest spray paint mural by a team” with his Rio Olympic-inspired Ethnicities, self-taught Brzailian artist Eduardo Kobra has brought his extraordinary talents to Jersey City. Kobra’s rendition of pop icon David Bowie is the most recent addition to Jersey City’s more than 86 other public art works as part of the city’s Mural Arts Program launched in 2013 by Mayor Steven Fulop. This past Friday, a dedication ceremony was held at Jersey City’s Cast Iron Lofts where I had the opportunity to pose a few questions to the artist.

When did you first paint in an outdoor venue?

Ten years ago.

What inspired you to do so?

Everything I had seen and read about what was happening in New York City.

Can you tell us something about the first huge mural that you painted?

It was in Lyon, France. It was a tribute piece to immigrants in a building that was about to be dismantled.

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Approximately how many huge murals have you painted since?

Over 30 in more than 20 countries.

The figures you’ve painted range from pop icons like John Lennon and Bob Dylan to historical figures inlcuding Ghandi and Nelson Mandela. What inspired you to paint David Bowie here in Jersey City?

Bowie’s creativity and vision had always inspired me. I’d actually painted this portrait six years ago on a canvas, and I was delighted to have the opportunity to paint it here in Jersey City on such a tall building. It is my way of keeping his memory alive among people who embrace him.

What was the greatest challenge that you’ve faced these past two weeks since you began painting here?

The height of the building is intimidating! And the mural, itself, is 180 feet tall.

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How have folks responded to the mural?

They love it. The response has been overwhelming.

Congratulations! It is wonderful!

Interview conducted and edited by Lois Stavsky; photos by Sara Ching Mozeson

Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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2-new-and-dia-msk-graffiti-writers

I met up with several members of the East Coast – and original – MSK crew while they were painting up in Inwood earlier this year. Among the writers I spoke to were: Kister, its current president; Dia One, MSK’s president back in the 80’s and its legendary former vice president, 2 New. (Note: pictured above is 2 New to the left of Dia One).

When was MSK first founded? And by whom?

It was founded in 1982 by MADE and WASE, along with a few other writers who attended IS 52 — right here in Inwood.

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Which trains was MSK hitting back in the day?

Any one nearby – the 1 train, the A, the AA, the C, the CC, the RR and sometimes the D and B.

How were the original MSK crew members regarded back then?

All of us growing up in the Heights and here in Inwood had enormous respect for them.  Everyone knew them and looked up to them.

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Can you give us a sense of what it was like hitting the trains back then?

We followed a routine. Five or six of us would gather in a friend’s house.  We’d design an outline. Then we’d rack the paint from a local hardware store. And once we had the paint, we’d pick a yard and sneak in.

And once you got into the yard?

We had to worry about gangs, dogs, cops and stepping on the 3rd rail.  Success was getting out alive and taking a photo.

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Do any particular memories stand out?

When three young MSK guys went to the 145th Street lay-ups and had their cans taken away by members of Jon One’s crew.  We had to retaliate, and we ended up eventually beating the crap out of two of them. The drama only continued, and eventually Jon One left NYC for Paris.

As the train era ended in the late 80’s, what surfaces were MSK’s second and third generation hitting?

Mostly highways, rooftops and handball courts.  And because we had to be fast, we mostly did bombs and throw-ups. We didn’t have time for pieces – except for occasional ones on handball courts.

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Here you have members of all three generations of MSK working together – painting on a legal wall.

Yes, we do it because it’s fun. It’s our way of celebrating our culture.

And how does painting on a legal spot like this one differ from working illegally?

On a legal space like this, we can take our time and make as many changes as we want as we work. But when we paint on walls like these, we can’t get the adrenalin rush that comes with working illegally. It’s not the same — nowhere close! And we miss it!

Images

1. Dia One and 2 New against mural by Frankizm

2. Frankizm at work on tribute mural to 2 New

3. Dia One at work at night

4. Kron

5. Dia One  — memorial wall first painted in 1992 and redone, at the family’s request, in 2013 — with Flite, Frankizm, Kister, Cel & Nest

Interview & photos by Lois Stavsky

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