In 2015 Ironbound founder Gary Bloore started Paint for Pink when his partner, Lisa Byron, was battling breast cancer. After years of fighting the disease, Lisa passed on December 8th, 2016.  Gary Bloore has continued the tradition of Paint for Pink in Lisa’s memory. I recently met up with Gary at Ironbound‘s new site, a huge — once abandoned stadium — at 226 Rome Street in Newark, NJ, the home of this year’s Paint for Pink.

What an amazing site this is! Can you tell us a bit about it?

What was once a 4,500-seat concrete bleacher stadium was shut down and abandoned in 1987.  No one wanted to touch it. There was trash everywhere — broken bottles, litter, rubbish of every type. And then in May, we got permission to clean it up.

That’s quite a feat! How did you manage to do that?

Lots of elbow grease and determination. And visions of events — such as this one — that could take place here. There were about 50 volunteers. It has been a year of expansion for us working in partnership with Ironbound president Mike Steadman, along with the City of Newark. It’s a symbol of rebirth for us. Lisa died in December, and in these past few months we took a dead stadium and put life into it.

What is the particular mission of this event — Paint for Pink

Its mission is to create and spread awareness of breast cancer and other health-related issues. The Rutgers Community Health Center brought a mobile van and gave free exams. Since July, in fact, we have been working with the Rutgers School of Nursing and Newark Tech High School’s Teal Center in establishing the LIT (Learning, Inspiring Teaching) Program with the mission of teaching Newark Tech High School kids how to teach other kids about health issues.

What a great concept! How many artists participated in this year’s Paint for Pink event?

Twenty-eight artists contributed. In addition to the Newark-based artists The Artchitectz, others from out-of-town — such as Dojo and Repo — joined us.

And how was the response?

It was tremendous!  There was tremendous community interest and involvement — and lots of entertainment and great food.

Congratulations! It is all so amazing! And the art is wonderful.

Images

1 Goomba, Rizl and BenK

2 Seoz

3 Jodo

4 Repo

5 Chek, Dojo, Lesk, Repo, Tameartz +

6 Mone & Jick +

7 Torch Fuego and Risky — indoors

Photo credit: 1, 2, 4-7 Lois Stavsky; 3 courtesy Gary Bloore; interview conducted and edited by Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Few artists capture the soulful grit of NYC as strikingly as Fernando Romero aka Ski and Mike Baca aka 2Esae, collectively known as UR New York. Their most recent exhibit, A New York Story — a captivating ode to NYC — has graced the walls of Pop International Galleries since early October.  Pictured above is a work of mixed media on canvas simply titled URNY. What follows are several more artworks that will remain on view through mid-week.

Day Dreaming, Mixed media on canvas

Backstreet, Mixed media on wood panel

Don’t Kill My Vibe, Mixed media on canvas

La Bodega, Mixed media on wood panel

Already Read, Mixed media on wood panel

Pop International Galleries is located at 195 Bowery at Spring Street and is open Mon-Sat 10-7 | Sun 11-6 and by appointment. Opening this coming Saturday night at 7pm is a two-man show featuring Sen2 and Reso. To attend the opening reception, RSVP at rsvp@popinternational.com .

Photos of artworks: 1 – 3, 4 & 6 Lois Stavsky; 5 courtesy of Pop International Galleries

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Conceived by Dusty Rebel, Street Cuts is an ingenious street art-based digital sticker app featuring images by some of our favorite street artists. Eager to find out more about it, I posed a few questions to Dusty:

I just downloaded your newly released Street Cuts app. It’s wonderfully engaging!  Can you tell us something about the concept behind it?

I’ve always loved stickers and their role within the street art community…the way they are collected, traded, and often well-placed on the street — especially on other images like ads. It seemed only natural to bring street art to digital stickers, especially with iMessage, which allows you to drop stickers into your conversations or onto your photos. It felt like a fun way to explore “digital vandalism.” Also, I liked the idea of building a collective of street artists who weren’t being asked to simply “work for exposure,” but would be paid for their work. This Street Cuts app makes that possible.

What about its name — Street Cuts?

When we started developing packs — like Hiss’s and City Kitty’s — made from my photos of their work on the street, we began calling them Street Cuts. We soon realized it would be a cool name for the app, itself.

Who are some of the artists involved in Street Cuts?

It is a growing collective with more artists to come. But for the past few months I’ve been working closely with HISS, Abe Lincoln, Jr., City Kitty, KNOR, Belowkey and the Primate, as they developed digital sticker packs.

How can artists become involved in your project? I’m sure there are many who would like to be included?

While our collective is by invitation-only, I’m open to artists pitching their ideas for a pack to me. They can email me at dusty@streetcuts.co 

How can we find out more about it?

You can come and celebrate the launch of Street Cuts this coming Monday, October 23, from 6-10pm at Arlene’s Grocery, 95 Stanton Street on the Lower East Side. The launch party will include a scavenger hunt, give-aways, and original work by the app’s featured artists, who will also be in attendance. Be sure to download the Street Cuts app first and follow us on Instagram for Scavenger Hunt details.

It sounds great! Congratulations!

All images/photos courtesy Dusty Rebel; the second image features Abe Lincoln, Jr., HISS & KNOR; the third KNOR; the fourth the Primate and the fifth City Kitty; interview conducted and edited by Lois Stavsky; the app​ ​is produced​ ​by​ ​​Itsy​ ​Bitsy​ ​Media​​ ​and​ ​developed​ ​by​ ​​Tanooki​ ​Labs​.

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Inspired by the MISSOKO BWITI tradition from the MASSANGO and PUNU tribe he joined when in Africa, the wonderfully imaginative West Coast-based Chor Boogie has recently completed a massive mural in Salem, MA. Commissioned by the Punto Urban Art Museum, the intriguing  artwork, entitled LOVE CHILD, celebrates the gift of life. The artist describes it as “An Offering of Visual Medicine for the SOUL,” as the LOVE CHILD’s arms are open and ready to embrace you.

Closer up

Chor Boogie with his mural

And in progress

Images courtesy of the artist

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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This is the sixteenth in a series of occasional posts featuring the diverse range of trucks and vans that strike our streets:

Wane and Queen Andrea

Soten

ZaOne

Hoacs

Iena Cruz

PJ Linden at work for the House of Yes

Photos by Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Montreal boasts a wide array of intriguing murals by both local and international artists. The mural pictured above was painted by Julien Malland aka Seth Globepainter for an ongoing mural project organized by MU, whose mission is to transform Montreal into an “open air gallery.” What follows are several more murals we came upon on our recent visit to Montreal:

Tel Aviv-based  Dede Bandaid and Nitzan Mintz — who are currently here in NYC

Montreal-based French artist SBuONe for Montreal’s 2017 Mural Festival

Montreal-based Kevin Ledo does Leonard Cohen for Montreal’s 2017 Mural Festival, close-up

Hamburg-based 1010 forMontreal’s 2017 Mural Festival

Photo credit: 1, 2 & 5 Tara Murray; 3 & 4 Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Home to such projects as 100 Gates and Market Surplus, the streets and venues of Manhattan’s Lower East Side have introduced us to new talents, while showcasing some of NYC’s most prominent graffiti artists and muralists. Artists are now invited to submit ideas for an entire mural — or a segment of it — to be painted on the western façade of Essex Crossing‘s site at 145 Clinton Street that will be home to 107 market-rate apartments and 104 below-market-rate units. Check the Request for Proposals (RFP) for all the details and requirements. You have until December 15th to submit it.

The image featured above was painted by Gera Luz. Here are several more that have surfaced on the Lower East Side within the past year:

Hanksy

Flood

Buff Monster for Market Surplus

Claw Money

Lexi Bella

Photo credit:  QuallsBenson

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Presented by RexRomae Gallery and curated by Street Art News founder Rom Levy, Martin Whatson‘s solo exhibit Revive opened last Friday, September 29th, in Santa Monica. Featured in Revive are paintings, prints and sculptures representative of the Norwegian artist’s vibrant graphic imagery fashioned in juxtaposition to his greyscaled stenciled art and staid backgrounds. Pictured above is Whatson‘s recreation of  Salvador Dali’s Figure at the Window — forged with acrylic, spray paint and marker — that originally surfaced on the streets of Norway in 2015 during the Nuart Street Art Festival.  What follows are several more images of artworks on exhibit in Revive:

“Behind the Curtain” — which made an appearance in Miami in 2015 as a large scale mural

“Framed” — originally conceived in 2013  for the Sand, Sea and Spray Festival in Blackpool, UK. 

The artist’s famed butterfly as sculpture

Martin Whatson‘s iconic astronauts — with butterflies fluttering on their fingertips

The celebrated Martin Whatson with his brightly graffitied rhino

The exhibit continues through this weekend at 328 Santa Monica Blvd. in Los Angeles.

Contents for this post provided by Luna George; photos by Angela Izzo

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The following guest post is by Houda Lazrak

While in Mexico City shortly before the devastating earthquake, Roberto ShimizuCreative Director of The Antique Toy Museum of Mexico (MUJAM) and co-organizer of Mexico City’s street art festival All City Canvas, introduced me to over a dozen murals — mainly in the neighborhoods of Roma Norte, Doctores and downtown. Featured above is by Mexico City – based Curiot who — upon returning to Mexico City after living in the US —  painted a center for youth who struggle with difficulties within the traditional school system. What follows is a sampling of several more murals, organized by Roberto Shimizu, that I saw:

Arty & Chikle, the first gay street art couple to come out in Mexico City

Valencia-based Escif — at the Plaza de las Tres Culturas, where the Tlatelolco massacre occurred on October 2, 1968. Students met in this plaza for a peaceful demonstration and reportedly hundreds of them were shot and killed when the military opened fired on them. The image depicts former Interior Secretary Luis Echeverría requesting President Gustavo Díaz Ordaz to order the shooting. Decades later, Echeverría was put on trial for the massacre.

UK-based D*Face

Mexico City-based Edgar Flores aka Saner

Mexico City-based Hilda Palafox aka Poni

LA-based El Mac on his mural: The image I painted is based on photos I took of a social activist and poet named María Guardado, who was tortured and left for dead in 1980 by government forces during the civil war in El Salvador. She was one of thousands of civilian victims of that war, during which the US-backed Salvadoran government employed death squads to kill and terrorize everyone from poor farmers to nuns to students. Maria survived and fled the country for Los Angeles, where today she is still a passionate fighter for social justice.

All photos by Houda Lazrak

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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A veteran French graffiti writer, designer and illustrator, Jaek el Diablo shared his talents with us in Jersey City earlier this year, painting several walls in coordination with Green Villain, along with independent commissions.  At the time, street and travel photographer Karin du Maire had the opportunity to interview him:

When did you begin doing graffiti?

It’s been about 25 years now since I first started doing graffiti. I began in the early 90’s.

What inspired you at the time?

I was into the skateboard culture back then, and I met many other skaters who were tagging the streets. They exposed me to graffiti, street art, comics and pop culture, in general.

What, would you say, has had the largest impact upon your particular style — both as a graffiti artist and a designer?

Comics! I was always drawing, and the comics I was reading inspired my characters. I think that was the beginning of my story!

How would you define your style? What differentiates it from others?

If I had to define my style, I would describe it as cartoon. I was influenced early on by the Kermits, Disney, Hanna–Barbera… In my work, I try not to reproduce the same thing that I see. I put my own stamp on it! It’s kind of like sampling in hip-hop – a remix of sorts! I see my work as a tribute to some of my favorite characters. It’s always a tribute.

Can you tell us a bit about the difference between French graffiti and the graffiti you’ve seen here while painting in NYC or Jersey City?

I think that back in Europe, we’ve had other influences — such as Mode 2 and the cartoon styles that inspired him. And we have the German graffiti writers whose letters are always evolving. Here in NYC, the writers are very academic; they are Old School academic. Not all  — there is Rime MSK and a few guys who are next level. But most NY writers maintain the classic graffiti style. To me, the two books, Spraycan Art and Subway Art, are the Bible, the base. I love being here and discovering the origin of my religion!

What about the future of graffiti? Where do you see it going?

I see more and more big murals, especially tribute murals, and more illustrators doing street art. I see lots and lots of styles, but there will always be a return to the roots of it all – which is graffiti. I see it  going in a variety of directions. But, I think, in the future there is no museum. It is only in the streets!

Many walls in NYC are now curated. How do you feel about this trend?

On a positive note, the walls are better and better, because the artists are carefully selected. But it’s also a negative thing. Graffiti was meant to be open to all. If you had a can, the wall was free! But, yes, these curated walls help break down the negative stereotypes of graffiti. And that is good for my art! So maybe that is the future!

Photos by Karin du Maire; interview conducted by Karin du Maire  and edited by Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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