studio art

NYC-based, Stockholm-born graffiti artist and graphic designer SCRATCH has been busily making her mark on the street, on canvas and on spray cans. The image featured above was painted this past summer in uptown Manhattan. More of SCRATCH‘s works on various media follow:

Also painted on the streets, this one in Brooklyn

 “A Galaxy Far Far Away,” on canvas

 “Blue Sky” on canvas

“Viking Warrior” on canvas

On repurposed spray can

Check out the shop at Wall Works New York to view more of SCRATCH’s works on canvas and on spray cans that are for sale.

All photos courtesy the artist


As alluring as the artist herself, Lady K Fever’s workspace is an oasis of feverish creativity. Featured above is a selection of Lady K Fever’s handbags from her line of newly crafted accessories. What follows are several more images I captured while visiting her Bedford Park studio space last week:

Spray-painted spray cans

Be Boy, Be Ready

Feverish, logo for Lady K Fever’s accessories

In the Key of F Minor, Close-up

And Lady K Fever modeling her bag and new line of street wear

A selection of Lady K Fever‘s new line of accessories and handbags can be purchased at the Bronx Museum of the Arts‘ gift shop and at the upcoming Bronx Museum Artisan Market on Saturday, December 9th. You can check out Lady K Fever‘s Etsy shop here.

Photos by Lois Stavsky


Toronto native Waxhead moved to Montreal in 2012, where his singular style has surfaced on a range of surfaces from vintage photographs to huge walls. I discovered his distinct aesthetic this past summer while visiting Station 16 and exploring the streets of Montreal. Waxhead‘s first solo exhibit in Montreal, Waxhead: An Installation opens this Thursday, November 3 at Station 16.  While in Montreal, I had the opportunity to visit Waxhead‘s studio and pose some questions to him.


When and where did you first get up?

I was 13 when I began tagging along the trackside in Toronto. It was back in 2006.

Who or what inspired you at the time?

I lived right beside the train tracks. I saw graffiti every day. It seemed like the natural thing to do. I didn’t become serious, though, about it until I was 18. That’s when I really got into characters.

How did your family feel about what you were doing back then?

My mom has always been supportive. ‘gotta love Mom!

Have you any thoughts about the graffiti/street art divide? 

I respect the mentality of getting up. But I also appreciate the refined work of street art. I’ve done both.


How do you feel about collaborating with other artists?

I love to collaborate. Among the artists I’ve painted with are: Cry0teSbuone and Getso.

What about the movement of street art into galleries?

It’s great when artists can live off their work and have a space to show it.  But they must keep the true sense of it.

Have you, yourself, exhibited your art in a gallery setting?

I’ve exhibited in several group shows — mostly in Canada.

What inspires you these days?

Colors, nature, old photos. I love collecting old photos and reworking them.


Are there any particular cultures that have influenced your aesthetics?

I‘ve been inspired by the time I spent in India – particularly the beautiful colors I associate with its culture.

Do you work with a sketch in hand or do you just let it flow?

I let it flow. If I don’t like it, I can always do it again.

Are you generally satisfied with your work?

No! I’m very critical.

What do you think of the role of the Internet in all of this?

It’s a great tool for me to connect with other artists and with clients.

Do you have a formal arts education?

No! I’m self-taught. My friends were my best teachers.


What percentage of your time is devoted to art? 

All of it. I live my life through my art. I’ve always been drawing.

And is it the main source of your income?

Yes, most of the money I earn is through my artwork.

What is the riskiest thing you’ve done?

I was painting in India – balancing on a wobbly two-story ladder  — when a giant bull was about to rub against it.

That certainly does sound menacing! How would you describe your ideal working environment?

Painting outside with friends. I love meeting and talking to people.

How has your work evolved through the years?

It’s become more refined.


What do you see as the role of the artist in society?

As far as the street artist — it is to connect people to one another through what they see on the streets. I especially want to connect to the youth in this city.

What about the photographers in this scene? And the bloggers? How do you feel about them?

We need them! What we do needs to be archived.

I certainly agree with that!

Note: Waxhead: An Installation — a collection of  Waxhead’s hand-embellished vintage photos — opens this Thursday, November 3 at 6pm at Station 16 and continues through November 14.

Interview by Lois Stavsky

Photos: 1, 2 & 4 Lois Stavsky; 3 courtesy Station 16

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While attending last Friday’s reception for the Art.Write.Now.2015 National Exhibition featuring the winners of the The Scholastic Art & Writing Awards, I was introduced to the wonderfully talented Bushwick-based Scholastic alumnus Timothy Hyunsoo Lee.  Earlier this week we visited his studio.


When and how did Scholastic first identify and award your talents?

I was a student at Hunter High School back in 2006 when I received my first Scholastic Award on a regional level.  I had been participating in Hunter’s after-school art program and was encouraged to submit my art to Scholastic’s annual contest. Then in 2008 I was given a national award from Scholastic for my portfolio.

Since then, you’ve won many other awards and fellowships  —  including the VSA Emerging Young Artist Award from the Kennedy Center in Washington DC and the International Emerging Artist Award in Dubai. You’ve also participated in several solo and group exhibitions here and abroad. At what point did you decide to devote yourself to art? 

When I first began attending Wesleyan University, I assumed that I would become a doctor. But during my junior year, I decided that I wanted my pursuit of art to be more than just a hobby. It had become my passion. And so I graduated Wesleyan with a double major: a B.A. in Neuroscience & Behavior and Studio Art.


I can see that. Your visual art definitely reflects your background in science.

Yes, I’d say that my work represents a fusion of the artistic and the scientific in its representation of my struggles with my identity as a Korean-American — and the anxiety that its expectations incurred.

Upon graduating from college with your double major, what direction did your passion then take?

I rented a studio in Williamsburg and I taught art for two years.



Now with a studio in Bushwick, you devote yourself full-time to creating your own art. What moved you in that direction?

The turning-point was my 2013 week-long art experience, known as the Art.Write.Now.POP-UP!, a short-term residency that took place in the front window of The Scholastic Store in SoHo.

What was that like?

It was the first time I had ever engaged the public while creating art, and it was amazing. I was used to spending up to 12-13 hours on end working alone in my studio. It was an incredible feeling to see such a diverse group of passersby stop to look at my art and respond to it. I was overwhelmed by their engagement. Knowing just how much my art could impact others moved me to want to create my own art full-time.


What’s ahead? 

In September I will be exhibiting in Istanbul, and I am preparing for a second solo show at the Sabrina Amrani Gallery, the Madrid-based gallery that represents me. I’m also looking forward to sharing my vision with the public on an open space somewhere here in NYC.

That would be great!

Note: Through tomorrow, Saturday, June 13th, you can check out Timothy’s work in the group show a curious blindness at the Miriam and Ira D. Wallach Art Gallery at Columbia University.

Photo credits: First image is courtesy of the artist; 2 Tara Murray; 3 & 4 Lois Stavsky and 5 Timothy Lee