In its mission to “make the JMZ lines more colorful – one wall, one gate, one space at a time,” JMZ Walls has brought not only color, but intrigue and charm, to Broadway and Myrtle and its immediate vicinity. Here is a sampling:
Danielle Mastrion‘s homage to Michael Brown, the unarmed black teen shot dead in Ferguson, Missouri
Photo of Claw Money by Dani Reyes Mozeson; all others by Lois Stavsky
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Dorian Grey‘s current exhibit, East Village Alchemy, takes us on a magical foray through the East Village’s 1980’s street art scene presenting a range of artworks by four of its key practitioners. Here’s a sampling:
Keith Haring subway drawing, early 80’s
Paolo Buggiani, Performance Art, Unsuccessful Attack to the World Trade Center, 1983
Ken Hiratsuka, whose intricately-carved artworks have been part of our city’s visual landscape since the early 80’s
Scot Borofsky, whose symbol-based graphics graced the walls of the East Village in the 80’s
The Dorian Grey Gallery is located at 437 East 9th Street at Avenue A in Manhattan’s East Village..
Photos of artworks 2-6 on exhibit by Dani Reyes Mozeson
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This is the fourth in a series of occasional posts featuring the range of creatures that share our streets with us.
Rotterdam-based Eelco ‘Virus’ Van den Berg at the Bushwick Collective
Miami-based Ramon Brito aka garabatoarte in Bushwick
Brazilian artist Eder Muniz in Bushwick
Rochester-based Mr. Prvrt in Bushwick
Australian artist Mike Makatron in Williamsburg
Dan Witz at the Bushwick Collective
Never at Welling Court in Astoria, Queens
Photo credits: 1, 4-6 by Dani Reyes Mozeson; 2, 3 & 7 by Lois Stavsky
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This is the 14th in an occasional series of posts featuring images of girls — and women — who grace our public spaces:
Dasic in Bushwick
Ben Angotti in Bushwick
Mexican artist Fusca and French artist Kazy in Bedford-Stuyvesant
Swoon in Red Hook
Ree2 and Teck1 in Washington Heights
Alice Mizrachi in the Rockaways
Photos: 1, 2 & 4 by Dani Reyes Mozeson; 3 & 5 by Lois Stavsky and 6 by Tara Murray
Note: StreetArtNYC will be on vacation through December 1. Follow what’s happening here in NYC on our Facebook page.
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Straddling the border between Williamsburg and Greenpoint, the building at 106 Bayard Street was transformed this past spring into a 3,000-square foot outdoor canvas. The 70’s and 80’s NYC subway and graffiti movement was the theme of the inaugural 106 Bayard mural project, curated by Gee Dajani and Keene Carse. Here are a few more images from both the exterior and interior of 106 Bayard captured when we recently revisited the spot.
Part One, Dr. Revolt, Wolf 1 AOK and Futura
A wide view from across the street with Part One, Dr. Revolt, Wolf 1 AOK, Futura and Team
And inside — Whisper and Pure TFP, segment of huge mural
Created and sponsored by Cirkers Fine Art Storage & Logistics, 106 Bayard will be transformed once again this coming spring.
Note: First photo features the legendary Cycle with Jackson and artwork by Williamsburg Charter High School students.
Photo credits: 1, 4 & 5 by Dani Reyes Mozeson; 2 & 3 by Lois Stavsky
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Opening this evening from 6-9pm at the Hi-Arts Gallery on 304 East 100th Street is JR’s Inside Out Mi Gente/ Oyáte kiŋ Art Project — focusing on and uniting two communities: NYC’s East Harlem and South Dakota’s Pine Ridge Reservation. Here are a few images captured yesterday while visiting the exhibit, curated by Carlos Mare:
Closer-up
And more
And outside with murals by Alice Mizrachi and Part One
Photos by Dani Reyes Mozeson
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An innovative line of hoodies with interchangeable, collectible art-inspired hoods provides a new canvas for artists, including some of NYC’s street artists. Curious about it all, we posed some questions to Amisha Patel, the founder and CEO of Le Collektor.
What inspired you to bring the art that we see on our city’s streets and galleries to hoodies?
The outcry and public debate around the whitewashing of 5Pointz reminded me of what street art is all about. It’s such a pure form of self-expression — truly democratic in nature. At its root is a desire to be seen and heard. And while I think it’s great for artists that street art has been recognized by traditional art collectors and galleries, we wanted to find a way to bring its democratic spirit to its original fans – people on the streets. The hoodie – a streetwear classic – seemed a great way to do it.
How did you select the particular artists who are participating in this venture?
We approached it as if we were curating a group show that artists would want to attend. We wanted to showcase distinct styles that could be seen in cities around the world. We also wanted to work with artists who were on board with what we’re trying to do. Our inaugural artists – Nick Gazin, Chris Uphues, Sonni, Dru Brennan, EWOK, David R. Head, Jr. and Joseph Meloy – have been amazingly supportive, and we very much appreciate that they trust a new brand with their work.
How have the artists responded to your mission?
The artists love the idea. It gives them a direct way to connect to fans — especially those who aren’t in cities that have street art scenes. Everyone also really loves the way the hoodies turned out.
Which artists – based here in NYC – are you featuring?
Joseph Meloy, Nick Gazin, Sonni, Chris Uphues and David R. Head, Jr
How can artists join this project?
We’d love to grow our list of collaborators! Artists can email me directly at amisha@lecollektor.com
Can you tell us something about the hoodie itself? Who will be manufacturing it?
We wanted our hoodie to be the go-to so we made sure that it was worthy of the art on its hoods. It’s being made by a factory in Los Angeles that we found through our friends at Bleick Studio who work with some of the best streetwear brands out there:
Why did you launch a Kickstarter? Can you tell us something about it?
Big brands use artists’ work all the time, but we want to build our brand around the artwork in a way that it will provide artists with meaningful income directly from their fans. Kickstarter seemed the perfect platform to engage directly with artists’ fans and with the creatively-minded community we want to build around Le Collektor. It’s about bringing big ideas to life, and — really more than any other company out there — it has created a new class of everyday patrons of the arts – which is in line with our company’s mission. So far, it’s been very exciting to see all of the support and love for what we’re doing. We’re a Kickstarter staff pick, and artists have written in from all over saying they’d love to be part of the movement.
Note: You can check out and support Le Collektor’s Kickstarter here.
Photo credits: 1. Sonni on Bushwick rooftop, Lois Stavsky; 2. Sonni in the East Village, Tara Murray; 3. Sonni hood, courtesy of Le Collecktor; 4. and 5. Chris Uphues in Williamsburg, Lois Stavsky; 6. Chris Uphues hood, courtesy of Le Collecktor; 7. Joseph Meloy at Welling Court, Dani Reyes Mozeson; 8. Joseph Meloy for the Centre-fuge Public Art Project, Tara Murray; 9. Joseph Meloy hood, courtesy of Le Collecktor
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This is the seventh post in an occasional series featuring artwork on NYC shutters:
Elle at Welling Court in Astoria, Queens
Foxxface in Bushwick
Peruvian artist Biark in the Rockaways
Caratoes in the Bronx for the Tag Public Arts Project
Claw Money and Lexi Bella at the Bushwick Collective
Mark Paul Deren aka MADSTEEZ on the Lower East Side
UR New York in Bushwick
Queen Andrea in the East Village for the LISA Project
Photos: 1, 4 & 5 Lois Stavsky; 2, 6-8 Dani Reyes Mozeson and 3 by Tara Murray
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Gracing Prospect Heights — a short walk from the Brooklyn Museum — is a wondrous wall fashioned last month by Meres One, See TF, Danielle Mastrion and NME. Here are a few more images:
Photos by Dani Reyes Mozeson; the first photo features Meres One and See TF
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We first met Joel Bergner aka Joel Artista two years ago when he was painting in Bushwick. We fell in love at once with his intensely vibrant images, reflecting a distinct global aesthetic. Since then, Joel — who refers to himself as a “nomadic artist, educator and advocate for social change” — has led community projects across the globe, including in the Za’atari Syrian refugee camp in Jordan. We recently had the chance to speak to him about his experience there.
Since we last saw you in NYC, you’ve worked with youth throughout the globe, including in a Syrian refugee camp in Jordan. What took you to this particular setting?
I like to work where I can do the most good. I’m interested in using public art projects to engage young people in marginalized communities in exploring issues that are important to their lives — and in sharing their messages and visions with others. I had partnered with the organizations aptART and ACTED. And when a program funded by UNICEF offered me the opportunity to work with youngsters in the Za’atari refugee camp, I took it.
Can you tell us something about the circumstances of the folks in this refugee camp?
The 100,000 Syrians in Za’atari were among the millions escaping the government forces of Assad’s regime. When they fled their homes in Syria, they left everything behind. When they arrived in Jordan, the Jordanian government allowed them to take refuge. But it also put many in sprawling camps in remote, harsh deserts where their lives have been on hold ever since. While they are legally prohibited from working or doing business, the informal market is booming. It’s inspiring to witness just how resilient the people are.
What is daily life like inside the camp?
It is a tense atmosphere. Many of the folks have been traumatized — both emotionally and physically. Almost all have witnessed or experienced violence and the death of loved ones. One 11-year-old boy, for example, rolled back his long sleeve to show us his severely disfigured arm. He told us that government agents had electrocuted him because his father had been a soldier who had switched allegiances to the Free Syrian Army. In Za’atari, people are kept separate from Jordanian society. People are frustrated due to restrictions on their water, food and movement, and there are protests and violent incidents fairly often.
How did the youngsters respond to your workshops?
The kids loved it. They loved mixing colors, learning artistic techniques, painting and simply creating. They painted public murals, their wheelbarrows and they made kites. They also learned about hygiene, water conservation, and conflict resolution, which are important issues in the camp. My co-workers were Syrian refugee educators and artists who led the workshops with me. The goals of this project are: to give voice to refugee children through the arts; to connect them to positive role models, and to engage them in educational and creative activities so that they can play a role in rebuilding their communities. The art features positive messages and uplifting imagery intended to liven up their environment. Also, the project provides opportunities to local artists and educators, as some of them have been hired for similar projects after this one ended.
What — would you say — was the greatest challenge facing you?
Maintaining order. The kids, most of whom went to school in Syria, now roam the refugee camp with few rules or structured activities. They are very rough and frequently get into fights. Yet, at the same time, they are also really sweet and friendly. So while working with them is challenging, it is also very enjoyable!
What were some of the highlights of your residency in Za’atari?
There were many. Among them: forming relationships with the Syrian refugee adult workers; getting to know the kids; learning basic Arabic and bringing color to a place so desperately in need of it.
Interview by Lois Stavsky with Dani Reyes Mozeson
All photos courtesy of Joel.
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