public art

Rebirth in Yonkers with Crash, JPO, Tats Cru, Daze and more

April 30, 2015

In celebration of Yonkers Arts Weekend beginning tomorrow, May 1, and continuing through Sunday, May 3, several new murals will grace Downtown Yonkers. Among these is the wonderfully vibrant one curated by Wall Works NY. Here are a few more images we captured on a brilliantly sunny day earlier this week:

John Paul O’Grodnick and Crash at work

Daze beneath his “eye” with Nicer, Tats Cru — to his left — at work

Nicer, BG183, Bio Tats Cru and Daze

Posing for a final shot

A perfect tribute to the revitalization of Downtown Yonkers, the mural is located at 45 Main Street near Getty Square and Broadway.

Note: Standing in the first photo are John Paul O’Grodnick, Crash and BR163

Photo credits: 1 & 4 Lois Stavsky; 2, 3 & 5 City-As-School intern Diana Davidova

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Noah Sheroff on 501 See Streets: Revitalizing and Beautifying Communities through Public Art with Danielle Mastrion, Lexi Bella and Andre Trenier

April 29, 2015

Babe Ruth, Derek Jeter, Roberto Clemente and Satchel Paige are among the legendary baseball players whose faces now grace a range of storefronts on and off River Avenue from 158^th Street to 162^nd Street. A partnership between the 161^st Street Business Improvement District and 501 See Streets, this particular project is one of several initiated by 501 See Streets founder and director, Noah Sheroff. I recently met up with Noah to find out more about him and his Paint New York project.

You are on a mission to bring public art to neighborhoods in NYC and beyond. What spurred your interest in street art?

I grew up in a neighborhood that was largely void of art. When I first visited 5Pointz in 2011, I was struck by the beauty and energy of it all. The following year I went on a tour of the Bushwick Collective, and soon after that, I discovered the Welling Court Mural Project in Astoria, Queens. By then I was hooked! I knew that I wanted to bring art murals to communities that wouldn’t otherwise have them.

We are familiar with the murals you facilitated that have transformed the blocks around Yankee Stadium. Have you engaged other neighborhoods?

Yes. Danielle Mastrion painted a mural on Flatbush Avenue and Avenue H in Brooklyn; Miss Zukie collaborated with John Paul O’Grodnick on Benson Street.across from the Lewis & Clark School, and Marthalicia painted on Jerome Avenue and East 198^th Street.

What are some of the challenges you’ve encountered?

It’s been a daunting learning experience! The community members are often apprehensive. Artists tend to question my motives. And the funders are hesitant to fund “a new kid on the block.”

What seems to be the main concern of the community?

They are concerned about the content – about offending the sensibilities of the folks who live in the neighborhood. That is one of the reasons artists are often asked to submit a sketch first.

You are in the process of forging alliances with several Business Improvement Districts. Are they generally receptive?

Yes, the BIDs are generally receptive. They see the art as a way to highlight their businesses, bring commerce to their neighborhoods and attract tourists. I am also forging partnerships with civics and other neighborhood organizations.

What’s ahead?

I’m interested in expanding Paint New York into more neighborhoods and working with a range of community groups. And at this point, fundraising is essential to cover expenses and to pay the artists for their talents and time.

Good luck! And we are looking forward to 501 See Streets bringing more art to our streets!

Note: Find out how you can help support Noah’s project here

Interview by Lois Stavsky; Images 1 & 2 Danielle Mastrion; 3 & 5 Lexi Bella; 4 & 6 Andre Trenier; photo credits 1 & 2 Lois Stavsky; 3-6 City-As-School intern Diana Davidova

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No Longer Empty Transforms Former Bronx Borough Courthouse: Deborah Fisher & Paul Ramirez Jonas, Teresa Diehl, Shellyne Rodriguez, David Scanavino, Ellen Harvey, Lady K Fever and more

April 25, 2015

Almost 40 years ago the historic Old Bronx Courthouse building closed its doors. This past Thursday evening, the landmark structure reopened to host When You Cut Into the Present the Future Leaks Out, a thoroughly engaging multi-media exhibit, curated by Regine Basha for No Longer Empty. Featuring over two dozen artists on three levels, its title references the remix suggested by William S. Boroughs. Here are a few more images captured on Thursday:

Teresa Diehl, L-Alber-Into, Video and sound installation

Another view of Teresa Diehl‘s ever-transforming hallucinatory musical installation

Shellyne Rodriguez, Prototype For Belphegor’s Eye, 168 flesh-tint dyed mousetraps, rhinestones, gold chains, copper wire, plywood

Shellyne Rodriguez, Geperudeta, Ceramic

David Scanavino, Untitled, Linoleum tile

Ellen Harvey, Alien Souvenir Stand (close-up), Oil on aluminum, watercolor on gesso board, propane tanks, plywood, aluminum siding and poles, aluminum diamond plate, magnets

Lady K Fever, All Rise (close-up), Mylar on façade of building

The exhibit continues through July 19, along with a variety of programs ranging from fashion shows to presentations by such Bronx-based artists as Eric Orr, Per One and Joe Conzo. The old Bronx Courthouse is located at 878 Brook Avenue at East 161 Street and Third Avenue in the South Bronx.

Note: First photo features Deborah Fisher and Paul Ramirez Jonas, Something for Nothing, Mixed media, Custom designed neon sign

Research for this post by City-As-School student Diana Davidova; photos 1, 5, and 7 Diana Davidova; 2-4, 6 and 8 Lois Stavsky

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Belgian Artist Roa in Jersey City and at the Jonathan LeVine Gallery

April 23, 2015

The extraordinarily gifted Belgian artist Roa has recently shared his talents and passion for the animal kingdom with us outdoors in Jersey City and indoors at the Jonathan LeVine Gallery. The following images were captured this past Saturday near the entrance to the Holland Tunnel, not far from Mana Contemporary where Roa created his works for Metazoa, currently on exhibit at Jonathan LeVine:

Close-up

Close-up with Roa at work

The mural, full view

And here is a sampling of ROA‘s interactive works at Jonathan LeVine, largely created on found, salvaged materials:

Sturnus Vulgaris, mixed-media

Roa-Composition ll-Jonathan-Levine-Gallery

Composition II: Lutrinate, Salmonidae, Anguilliformes, mixed media

Sturnus Vulgaris, mixed media

NY Canidae, mixed media, rear

Metazoa continues through May 2 at Jonathan LeVine at the gallery’s 529 West 20th Street space.

Note: For a wonderfully interactive view of several pieces check out this post on Colosaal.

Photos of Roa in Jersey City by bytegirl; of Roa’s works at Jonathan LeVine, Dani Reyes Mozeson

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Ron English Brings His Vision to the Legendary Houston & Bowery Wall

April 18, 2015

Yesterday famed artist Ron English brought his vision to the legendary wall on Bowery and Houston. We are thrilled that this space is once again serving as Downtown Manhattan’s most exhilarating, rotating, outdoor canvas.

The artist and his mural — to be further enhanced — featuring his iconic Temper Tot and his take on the American flag

Ron English‘s wonderfully sardonic commentary on it all

Another close-up

Note: Ron English continues to work on his mural on Houston and Bowery; he is to begin painting it today, further enhancing his amazing work!

Photos by Dani Reyes Mozeson

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Speaking with Brooklyn-Based Artist N Carlos J

April 9, 2015

Fusing elements of graffiti, painting, drawing and graphic design, N Carlos J creates masterful, atmospheric works both on and off the streets. He is particularly interested in the unconscious as it reflects our inmost emotions. We recently met up with the Brooklyn-based artist and had the opportunity to speak to him.

You have quite a presence in Bushwick and beyond these days — painting murals, organizing projects and now curating. Can you tell us something about your background?

I attended Art & Design in the 80’s, and I was around graff heads all the time back then. Like just about everyone else there, I got up when I could.

Do any early graffiti-related memories stand out?

The first time I tried to spray my name, I ended up covering my entire hand with Krylon paint. It was impossible for me to wash it off, and I knew I had better before my mother would see it.

I suppose your mom wasn’t too happy about what you were doing!

She wasn’t. She thought I was crazy!

Did you continue to study art in a formal setting?

Yes. I attended F.I.T., where I earned a Bachelors Degree in Fine Arts. But soon after, I took a 15-year break from art.

Why was that?

I was married, and I felt pressured to earn money.

But these days you are back into it.

Yes, 100% of my time now is devoted to art. When I’m not doing my own art, I am organizing projects, working on commissions or teaching art. And I am busy now curating an exhibit to open next Friday.

Now that art is playing such a central role in your life, do you feel that your formal art education was worthwhile?

Absolutely. It taught me discipline, and it helped me master technique and color theory.

Any thoughts on the graffiti/ street art divide?

I feel that they must coexist. It is a conversation that we must have.

What do you see as the future of street art?

Street artists are going to continue to treat themselves more like businessmen.

Yes, I can see that happening. But that’s a whole other conversation! How do you feel about the movement of graffiti and street art into galleries?

I love it!

Have you shown in galleries?

I’ve participated in many group shows and I’m working on two solo exhibitions for fall, 2015.

What about the corporate world’s engagement with graffiti and street art? How do you feel about that?

If it pays well enough, I have no problem with it.

What about the role of the Internet in this scene?

It is a blessing and a curse. It gives us exposure, and that is, of course, a good thing. But it makes it too easy for others to steal styles and ideas from us.

How would you describe your ideal working environment?

Painting outside on a summer day with hip-hop music blasting.

What inspires you these days?

Listening to music by Kendrick Lamar or CyHi the Prynce inspires me. And reading excerpts from books like A Tale of Two Cities or The House of Rothschild gets me in the right space.

Are there any particular cultures that you feel have influenced your aesthetic?

American pop culture, but Renaissance and post-impressionist painting have also influenced me.

What about artists? Who are some of your favorite artists?

Among those I particularly love are: Borondo, Connor Harrington and Alexis Diaz

Do you work with a sketch in your hand or do you let it flow?

Sometimes I work with a sketch, and sometimes I don’t.

Are you generally satisfied with your work?

No! I am a perfectionist.

How has your work evolved in the past few years?

I tend to more freely fuse figurative and expressionistic elements.

What do you see as the role of the artist in society?

The artist is the keeper of the flame. We are what moves this planet.

What’s ahead?

I’m currently curating, Brooklyn is the Future, a huge, two-weekend long exhibit and charity event to open next Friday, April 17, at the Vazquez at 93 Forrest Street in Bushwick. Among the three dozen participating artists are: Damien Mitchell, Eelco, Ghost, Li-Hill, Mr. Prvrt, Rocko and Rubin. The artists are asked to envision the future of Brooklyn metaphorically or literally. I am also curating a show called Good Times Bushwick for Bushwick Open Studios opening on Friday, June 5 at Express Yourself Barista. It will include a gallery show, outdoor murals, along with a day party and a barbecue.

Wow! It sounds great! Good luck with it all!

Interview by Lois Stavsky with Houda Lazrak

Photos: 1 and 3 (close-up of panel for Brooklyn is the Future) courtesy of the artist; 2, 7 & 8 Lois Stavsky; 4 & 5 Dani Reyes Mozeson and 6 Tara Murray

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Magda Love: From Buenos Aires to Brooklyn

April 3, 2015

Argentine artist Magdalena Marcenaro aka Magda Love shares with us some of her early experiences and impressions of NYC in this second in our series of interviews with artists born abroad who have made NYC home.

When did you first visit New York City?

I first came here in 2000 with a bag and $300. My uncle had paid for my ticket.

What was your initial impression of this city?

I wasn’t impressed! I was raised in Buenos Aires, a similarly large city. And large cities don’t move me that much. I’m far more impressed by nature. And I always thought of Europe as far cooler than the United States, as Europeans seem to value culture more than Americans do. London seemed like the ideal place to live because I was into fashion at the time.

Why, then, did you decide to stay in NYC?

Just about everyone was telling me that NYC is the place to be, and then four months later, I was married.

How did your family feel about your move?

My mother was very supportive. She raised me to be independent. She, herself, is very adventurous.

What were some of the challenges you faced when you first came here –before you were married?

My biggest challenge was finding a place to live. When I first arrived, I called a friend I’d met in Argentina and I spent my first two weeks in her place on Roosevelt Island. There was a huge snowstorm at the time. I can’t forget that! I had never seen snow in Buenos Aires. I then worked in a hostel on 106^th Street and Central Park West in exchange for a place to sleep. After that, I just crashed in lots of different spaces, wherever anyone had a spare bed.

That must have been difficult.

Yes, I remember spending an entire night on a computer in Times Square checking for possible rentals. For a while I ended up renting a room in Alphabet City. It was in the Projects on Avenue D. I didn’t even know what the Projects were. And there I was — walking around in a fur coat! And as my Spanish is so different from that of the people living in the Projects, I could barely communicate with anyone. And, of course, dealing with paper work that any newcomer to the US has to deal with is always a challenge.

How did you meet your basic expenses early on?

I first worked in a coffee shop, and then I worked as a bartender. I also sold some clothes I’d made to Patricia Field. Back in Buenos Aires, I designed fashion.

Have you encountered any prejudice here?

Not here in NYC. Living in this city is like living in a bubble. But when I’m with my son – who is biracial – outside of NYC, I do feel prejudice.

How has your artwork evolved or changed since you moved here?

It changes all the time. I feel that I’ve grown tremendously. Being around so many talented artists – especially those who paint on the streets — exposed me to so much. It has helped me develop different techniques.

Have New Yorkers been receptive to your artwork?

Yes. I’ve been fortunate.

What would you like to accomplish here?

I’m eager to paint a huge wall. I want to collaborate with some of my favorite artists. And I’d love to have a solo show. Actually, my goal is to conquer the world!

What do you miss most about your native country?

I miss seeing my brother’s kids grow up and I miss the countryside.

Do you see yourself living here on a permanent basis or returning to your country?

I’m here to stay!

Interview conducted by Lois Stavsky and City-as-School intern Zachariah Messaoud; photo credits: 1, 2, 5 & 7 Zachariah Messaoud; 3 Dani Reyes Mozeson; 4 Tara Murray & 6 Lois Stavsky

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Faces in NYC Public Spaces, Part IX: James Bullough, Alan Aine, Vexta, Zimad, Anser, Sam Kirk and Rafael de los Santos

March 28, 2015

This is the ninth in a series of occasional posts featuring the range of faces that surface on NYC open spaces:

James Bullough at the Bushwick Collective

Alan Aine in Bedford-Stuyvesant

Vexta in the East Village

Zimad at the Bushwick Collective

Anser in Bushwick

Sam Kirk in Williamsburg

Rafael de los Santos aka Poteleche in Williamsburg

Photo credits: 1 & 3. Tara Murray; 2, 4, 6 & 7 Lois Stavsky; 5. Dani Reyes Mozeson

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Fiber Artist Naomi RAG Yarnbombs East Harlem

March 3, 2015

For the past several wintry months, fiber artist Naomi RAG has been beautifying East Harlem with her splendid yarn bombing. Yesterday, I spoke briefly to Naomi.

When did you first begin to grace public streets with your talents?

The first time I yarnbombed was four years ago back in Cambridge, England.

What inspired you to do so at the time?

Via social media, I had heard about International Yarnbombing Day, and I loved the idea of bringing color and beauty to our urban landscape.

Where else have you yarnbombed?

Liverpool’s Crosby District — where I was staying for a bit — and here in East Harlem, where I’ve lived for the past year.

What is your impression of your new neighborhood?

I just love it! I especially love its diversity. It is quite similar to the London Borough of Hackney.

How have folks here responded to your pieces here in East Harlem?

All the feedback has been positive. And it’s the positive reactions that motivate me to keep at it.

What’s ahead?

My goal is to create one new piece a month to share here in the public sphere.

That sounds great! We are looking forward!

Photos 1-3, Lois Stavsky; 4 & 5, Dani Reyes Mozeson

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Speaking with Rocko

February 26, 2015

Fusing ancient Arabic scripts with modern Western strokes, Moroccan native Rocko has fashioned a distinct aesthetic that has been increasingly making its way onto NYC walls. We were delighted to have the chance to meet up with him this past weekend.

When did you first get up?

Back in Morocco in 1997. I was the first one to bomb in Meknès. It was something that I had always wanted to do. I was a b-boy, and graffiti was always an essential aspect of that culture. I’d also painted for the pioneering hip-hop crew, Dogs, known these days as H-Kayne.

What about here in NYC?

Here in NYC I only work on legal spaces. There’s too much at risk here!

What was your first piece here?

Three years ago I did my first piece for the Pita Palace on Montrose and Bushwick.

What was the experience like?

I loved it. I particularly love the interaction with the passersby as I’m painting.

What kinds of surfaces do you prefer?

As I generally paint with brushes, I need smooth surfaces. I also look for spots with no trees of cars blocking the view.

How have folks responded to your particular aesthetic – a fusion of Arabic calligraphy and graffiti?

The response was been overwhelmingly enthusiastic. I am constantly asked to design tattoos featuring my particular calligraffiti.

How does your family feel about what you are doing?

They love it. Everyone is supportive.

What percentage of your day is devoted to your art?

About 40%.

What is your main source of income?

I work as a director of a senior center in Bushwick.

What are some of your other interests?

Cycling. I race for the Brooklyn Arches.

Any thoughts on the graffiti/ street art divide?

I feel that it’s reached a turning point in recent weeks. I expect there will be less of a division from now on.

How do you feel about the movement of graffiti and street art into galleries? Have you shown your work in galleries?

I’m fine with it. It’s just a different context. Yes, I’ve shown my work in a number of spaces in Brooklyn.

What about the corporate world? Any thoughts about that?

I don’t mess with it!

Do you prefer working alone or collaborating with others?

I often work alone, but I’ve collaborated with a number of artists including Zimer, Eelco and N Carlos J.

Is there anyone in particular you would like to collaborate with?

I love what Sek3 is doing. I would like to collaborate with him.

When I first saw your work, I confused you with Retna. Does that happen often?

Yes! But I’ve been doing it for 34 years. It’s my culture!

How do you feel about the role of the Internet in this scene?

I think it’s very important. It introduces us to so much.

Do you have a formal arts education?

No, I never went to art school. I’m self-taught. I began doing Arabic calligraphy when I was four years old with a wooden pencil!

How would you describe your ideal working environment?

Just me in my studio. But working on public walls is more fun!

What inspires you these days?

Everything I see around me!

Are there any particular cultures you feel influenced your aesthetic?

Arabic.

Do you work with a sketch in your hand or do you let it flow?

Never! I freestyle.

How has your work evolved in the past few years?

It’s gotten better. Sharing my work in public spaces pushes me to work harder at my craft.

What do you see as the role of the artist in society?

The artist has a huge responsibility to his or her community – to enhance it in a respectful manner.

How do you feel about the photographers and bloggers in this scene?

They are very important!

What do you see as the future of street art?

It will just keep on growing and evolving.

And what about you? What’s ahead?

More walls, more collabs and more exhibits. I will also continue to curate the Dodworth Mural Project that I launched last year.

That sounds wonderful! We are looking forward!

Interview by Lois Stavsky with Houda Lazrak; first photo courtesy of the artist; all others by Lois Stavsky; photo 2 is a collaborative with Zimer; 5 with Eelco and Vera Times; 6 with N Carlos J and 7 with Eelco

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