public art

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Located on the West Side of Chicago, Pilsen hosts some of the city’s most alluring street art works alongside its train tracks. Featured above is by Bogota-based artist Stinkfish. Here are several more that we revisited on our recent trip to Chicago:

West Coast-based Victor Reyes

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Chicago-based Lady Lucx, close-up

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UK native Jon Burgerman, close-up

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Brooklyn-based RAE

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Nevada-based Erik Burke aka Overunder, close-up

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Baltimore-based Gaia, close-up

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Photo credits: 1, 5-7 Tara Murray; 2-4 Lois Stavsky

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Recently in the news for setting the Guiness Book of World Records for the “latest spray paint mural by a team” with his Rio Olympic-inspired Ethnicities, self-taught Brzailian artist Eduardo Kobra has brought his extraordinary talents to Jersey City. Kobra’s rendition of pop icon David Bowie is the most recent addition to Jersey City’s more than 86 other public art works as part of the city’s Mural Arts Program launched in 2013 by Mayor Steven Fulop. This past Friday, a dedication ceremony was held at Jersey City’s Cast Iron Lofts where I had the opportunity to pose a few questions to the artist.

When did you first paint in an outdoor venue?

Ten years ago.

What inspired you to do so?

Everything I had seen and read about what was happening in New York City.

Can you tell us something about the first huge mural that you painted?

It was in Lyon, France. It was a tribute piece to immigrants in a building that was about to be dismantled.

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Approximately how many huge murals have you painted since?

Over 30 in more than 20 countries.

The figures you’ve painted range from pop icons like John Lennon and Bob Dylan to historical figures inlcuding Ghandi and Nelson Mandela. What inspired you to paint David Bowie here in Jersey City?

Bowie’s creativity and vision had always inspired me. I’d actually painted this portrait six years ago on a canvas, and I was delighted to have the opportunity to paint it here in Jersey City on such a tall building. It is my way of keeping his memory alive among people who embrace him.

What was the greatest challenge that you’ve faced these past two weeks since you began painting here?

The height of the building is intimidating! And the mural, itself, is 180 feet tall.

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How have folks responded to the mural?

They love it. The response has been overwhelming.

Congratulations! It is wonderful!

Interview conducted and edited by Lois Stavsky; photos by Sara Ching Mozeson

Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Launched earlier this year by Franco Noriega and Milan Kelez, the New Allen has been bringing a stylish mix of street art and graffiti to the Lower East Side. Here are a few more images we’ve captured:

 Mr June — closer-up

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Eelco

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Patch Whisky and Ghostbeard

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Edward Granger

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The Minuske

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Ology CollectiveCol, Ski and 2esae — over on Delancey Street

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And earlier —  at work with the London Police peeking through

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Photo credits: 1, 2, 4, 6 & 7 Lois Stavsky; 3 & 8 Tara Murray

Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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mr-thor-street-art-mural-chicago

Ranging from the comical to the fantastical, dozens of characters grace the walls of Chicago’s Bloomingdale Trail aka the 606. Pictured above is a close-up from a huge mural by Mr. Thor and others. Here are several more we captured last week:

Nerd X

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Cujo, Dred Ske, Rahmaan Statik and Max Sansing

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Del Real Ink

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Traz

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Tsel One

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Photo credits: 1, 2, 4 & 5 Lois Stavsky; 3 & 6 Tara Murray

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Launched by the Wabash Arts Corridor and Columbia College Chicago, WAC Big Walls Festval continues to transform Chicago’s South Loop neighborhood into a vibrant outdoor museum. Pictured above is Brazilian artist Kobra‘s tribute to legendary blues musician, Muddy Waters. Here are several more murals — gracing the walls of the Loop — that we captured while visiting Chicago this past week:

Argentine arist Marina Zumi, close-up

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German artist Hera of Herakut

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Dutch artist Collin van der Sluijs

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Chicago’s Don’t Fret on college debt!

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Chicago’s Likes1

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Chicago’s Amuse 126

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Photo credits: 1-3 Lois Stavsky, 4-7 Tara Murray

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kid-lew-street-art-up-high-in-toronto

Queens-based artist Steve Lew aka Kid Lew recently brought his talents and vision to Toronto’s Enterprise Boulevard. The new urban complex — known as Downtown Markham – is now graced with a huge, brilliantly hued 40’x50’ mural, featuring Kid Lew’s iconic characters. Situated on the northeast corner of the Remington Contemporary Art Gallery, it can be seen for miles and by thousands of folks daily as they pass by on Highway 407. I recently spoke to the artist about his experience.

Can you tell us something about this project? What brought you to Toronto?

I had been invited by Broadway Bound — a fine arts and entertainment company — to paint an outdoor mural in Downtown Markham. I had submitted a few ideas, and one was accepted.

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And how did you initially connect with Broadway Bound?

I had met Shelley Shier, the founder of Broadway Bound, at the Dorien Grey Gallery back in 2012. I was one of the street artists who had collaborated with Hank O’Neil aka XCIA for the exhibit Street Artists Unite. We’ve stayed in touch since.

Your mural is huge! How long did it take you to paint it?

It took 12 days, working 8-10 hours each day.

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What were some of the challenges presented by this project?

I almost always paint standing on the ground. But this time I started on the third floor of a building. I immediately got over my fear of heights!  It was also rainy and very windy. I could feel the lift swinging from side to side! Sometimes the wind actually sprayed the paint! Then when I walked around the hotel, I felt as though everything beneath me was moving! I had a serious case of lift lag!

I’ve been a huge fan of your characters since I first discovered them years ago — on the streets and in galleries! Can you tell us something about them? What initially inspired them? 

I was intially inspired by cartoons. I began as a young child copying Disney characters. And later on my main influences grew to include: graffiti, skateboarding, NYC pop culture and — in general — life in this city. But my greatest inspiration in Keith Haring. And because I am color blind, I tend to use colors that appear brightest to me — those that can be seen at night.

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And who are these characters? What do they represent? And how have they evolved through the years?

They’re often not as bright as they appear to be. They represent different phases in my life. And as my life evolves, my characters continue to evolve, as well. Both my technique and design have become more refined through the years. I am also more responsive to my audience.

What’s next?

I hope to return to Jersey City to complete the mural I’d begun with Will Power and Ree. It is a huge mural that was put on hold. I’m, also, looking forward to painting more large-scale murals in a range of cities. And I am participating this weekend in the New York Comic Con, where you will be able to purchase custom used Montana Gold Spray Paint cans and ink drawings on spray painted subway maps. I will be signing some at 2pm at Booth 603 with Clutter Magazine.

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Good luck with it all!  And I look forward to checking out your mural when I visit Toronto.

Interview conducted and edited by Lois Stavsky; all photos courtesy of the artist.

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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The Education Is Not a Crime Campaign, a street art campaign for educational equality in Iran, continues to grace Harlem with stylishly expressive, mural art on the theme of education. Within the last two weeks, four artists brought their skills and visions to PS 92 — located at 222 W 134th St. Pictured above is Brooklyn-based See One at work. What follows is an interview conducted on site with Not A Crime founder, Maziar Bahari — a journalist, filmmaker and activist who had been arrested without charge in Iran and detained for 118 days during the 2009 Iranian election protests.

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Can you tell us something about the Not a Crime Campaign? Its mission?

The Not a Crime Campaign is an awareness-raising campaign about the educational discrimination directed primarily against the Baha’is in Iran. The Baha’is of Iran are the largest minority in that country. Since the 1979 Islamic Revolution, they have not been able to enjoy their rights as citizens in terms of employment and education. Our campaign focuses solely on education and the fact that the Baha’is in Iran can not teach or study in universities.

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Why did you choose to use street art to get your message across?

We thought that the best way to fight against suppression and bigotry is with arts and creativity. We’ve been involved with street art, music, film… At this moment the major part of our campaign involves street art. Why street art?  We live in a digital age. And we thought it would be interesting to have something really analog like street art and mix it with digital technology.

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Our campaign is all about dialog and discourse. And through street art we can have different layers of dialog and discourse. I am not a  Baha’i myself, so I have this dialog with the Baha’i community.  And, then as a team, we have a dialog with the artists and with Street Art Anarchy, the organization that helps us choose the artists and negotiate the walls.  The artists, then, have a dialog with passersby.  Then the passersby have a dialog among themselves. And then we create a video about each wall and we put it on Twitter, Facebook and Instagram. And, finally, viewers from all around the wall can interact with the videos.

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What are some of the challenges presented by this project?

We face some challenges, but they are nothing compared to what some people go through every day in different countries. People who are arrested just because they want to be educated…people who are tortured just because they want to teach, to study. I’m almost ashamed of talking about our challenges, which are really minor. But NYC is a big, crowded city with a bureaucratic government. And each wall requires negotiating with the building owners, and there are many by-laws that restrict what we can do. But, again, these challenges are minor.

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How has the response been?  And why Harlem?

The reaction of the Harlem community has been amazing. We have found a home in Harlem. We chose Harlem because the people here understand discrimination. Harlem is in NYC, and the media attention to NY is always amazing. And we wanted to be in NY where world leaders gather in September for the United Nations General Assembly. But also Harlem is synonymous with the Harlem Renaissance.  And we see that people react to our walls here in ways that many people in other places didn’t. People in Harlem get our message immediately, and they appreciate the way we do things. And in addition to working with the street artists who create these beautiful works of art, we also work in the community in terms of outreach and other subjects.

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What’s ahead?

A continuation of what we’ve started. To have more connections with the community…to see what they want from us… what we can offer them in terms of providing our expertise with street art or music. And to talk about the subject that’s dear  to everyone around the world — and especially the people in Harlem — the subject of education and discrimination.

Thank you so much for the interview, Mr. Bahari. And good luck with the campaign.

Interview conducted by Karin du Maire and edited for Street Art NYC by Lois Stavsky

 Images

1. See One at work

2. Maziar Bahari, founder of  Not A Crime campaign, as captured during interview

3. Tatyana Fazlalizadeh at work

4. Tatyana Fazlalizadeh

5. Lmnopi mural in progress

6. Lmnopi, close-up with young admirers

7. Marthalicia 

 Photo credits: 1-3 & 5 Karin du Maire; 4 Tara Murray and 6 & 7 Lois Stavsky

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lamkat

This past summer, a distinctly elegant mural surfaced on the streets of Williamsburg by Brooklyn-based artist LAMKAT. Last week, I had the opportunity to meet up with the talented artist and find out a bit about her.

When did you first share your vision in a public space?

The very first time I painted outdoors was this past June in Krakow, Poland.  It was in collaboration with Marcin Kowalik and sponsored by Galeria Dystans.  I loved the experience, and was instantly inspired to continue painting outdoors.

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 Were you always conscious of street art? Have you any favorite street artists?

Yes! I was always aware of it and I’ve always loved it! Among my favorite street artists are Bogota-based Gauche — whom I met in Berlin — and Li-Hill.

Can you tell us something about your particular aesthetic? What inspires it?

My father’s black and white photography has been a huge inspiration. He’s the one that taught me the importance of perspective and depth, both visually and as a way of observing life.  And I’m inspired by math.

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Are there any particular cultures that have influenced it?

My Chinese heritage plays a role, and growing up in Texas, I was influenced by Mexican culture.

Do you prefer working alone or collaborating with others?

Both! I like working alone, and I love collaborating. This summer I collaborated with One Thousand Birds, a commercial sound studio. We created interactive sound murals that were featured at Likeminds Camp, a creative and tech conference set in the middle of the woods in Beacon, NY.

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Have you a formal art education?

I started with Fine Arts, but I then studied Advertising and Art Direction at The University of Texas at Austin. And I earned a degree in Communication Design from The University of North Texas.

Do you feel that your formal education benefited you?

It did when I worked in advertising. It taught me about the relationship between art and business…how to turn art into a business.

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Now that you are now longer focused primarily on advertising, what is the main source of your income? 

My art still is — through commissions — in such venues as restaurants — and also through my work as an illustrator.

Your illustrations — as evident in the gate you recently painted for the 100 Gates Project — certainly exude a different feeling than your huge abstract murals!

Yes! I’ve always loved drawing birds, robots and goofy characters!

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 Do you work with a sketch in hand or do you just let it flow?

I do have an initial sketch.

How do you generally feel when your piece is finished?

I feel happy and sad at the same time! I’m happy, of course, that it’s completed, but I love painting so much that I feel sad that it’s over!

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What do you see as the role of the artist in society?

It is to bring a sense of vibrancy to our environment.

What’s ahead?

The interactive sound mural from Beacon will be at the Art Mart, 395 Johnson Avenue, at Bushwick Open Studios (ed.note: beginning today through Sunday); I will also be selling my smaller-scale works there. On October 20th, I will be participating in a skate deck show at Fillin Global, 160 Bowery. I’m also scheduled to paint next month up in the Bronx at the BMX Park. And in late October, I’m heading to Austin.

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It sounds great! Good luck with it all!

Photo credits: 1 Tara Murray; 2-8 courtesy of the artist; interview conducted and edited by Lois Stavsky

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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ram-street-art-lisbon-portugal

A fantastical wonderland, Bairro Padre Cruz is testament to the power of urban art to transform and beautify an everyday neighborhood. This past spring, the Muro Urban Art Festival, organized in partnership with Galeria de Arte Urbana, graced the district with dozens of huge magical murals, along with smaller artworks, by both local and international artists. Pictured above is by Miguel RAM. Here are several more images I captured:

Borondo

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TelmoMiel

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Mr Dheo

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Spok Brillor

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André NADA

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Daniel Eime

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2CarryOn

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 Photos by Lois Stavsky

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Situated in Sacavém, Loures, Quinta do Mocho is home to an urban social project from the municipality of Loures. This project started with the festival o bairro I o munro and has since graced dozens of stark buildings with stunning murals by both local and international artists. Pictured above is the work of Brazilian artist L7m. Here are several more images captured:

Odeith

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Vhils

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Nomen

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Ricardo Romero

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Oze Arv

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Violant

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Photos by Lois Stavsky

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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