New York City

The corner of Myrtle Avenue and Spencer Street in Brooklyn’s historic Bedford-Stuyvesant neighborhood is now home to two huge distinct murals. The works of Brooklyn-resident Joshua Gabriel, they exude a soulfully mystical aura. We spoke yesterday to the artist about these distinct works.

Joshua Gabriel

We’ve been captivated by these walls since you began fashioning them awhile back. How did they happen — at such a well-traveled intersection?

The owners of International Stone Collections, a custom stone artisan shop at 703 Myrtle Avenue, had placed an ad on Craigslist seeking an artist to create a “textural mural.”  I wasn’t exactly sure what a textural mural was, but I brought it my portfolio, and I was hired.

Wow! Had you worked on the streets before?

I had gotten some stickers and posters up — mainly promoting my music events — but, no, I never painted a public mural before.

What was the experience like?

At first, I was somewhat self-conscious. I had some anxiety about working in public. The entire process is definitely more challenging than working in a private space.  But then I came to love it. I loved the engagement of the passersby.

Joshua Gabriel

What was that like?

In the past year, since I began these murals, hundreds of folks have stopped to talk to me. The Hasidim — whose presence seems to be increasing in the neighborhood — ask questions like, “Are you allowed to do this?”… “Do you make a living from this?” The local teens love it and ask me to do their tattoo for them. Artists speak to me about the process. And long-time local residents keep thanking me! Everyone has been respectful.

What’s going on here?

The murals weave together patterns and images from nature — such as the ripples in water, the textures of leaves, the shapes of clouds with figurative elements, including a giant lion’s head, a sea of eyes, and a pair of ancient Egyptian heads. It’s my subconscious at work!

Have you a particular message or theme that you wish to convey?

The corner of Myrtle Avenue and Spencer Street is the intersection connecting three diverse communities. Pratt art students, born and bred Bed-Stuy residents and members of Williamsburg’s Hasidic populace all meet here. The theme of my work is that all of us — despite our differences  — are interconnected.

Joshua Gabriel

There’s quite a bit of mixed-media here. What materials did you use?

I used exterior paint, spray paint and over 100 metallic paint markers.

There are lots of shades of blues and metallics here. Can you tell us something about your choice of colors?

The wall had originally been painted dark blue, and I liked the way it looked. I decided to repaint in a similar color, and I chose to work with metallics because I love the way they pop out.

Joshua Gabriel

Did you work with a sketch-in-hand?

I don’t work with sketches, but I do use photo references. And I always have notes with me. The actual process, though, is spontaneous.

Have you any influences? Or artists who particularly inspired you?

Alex Gray is a definite inspiration. Others include Keith Haring and my mother, Rochelle Marcus Dinken.

Joshua Gabriel

Are you satisfied with the results of these murals — your first public artworks?

Yes. I’m quite critical of my works, but the reaction has been so positive. And they do look cool!

You can view the murals and meet Joshua Gabriel at a reception to be held this Thursday, June 27, 5-8pm at 703 Myrtle Avenue.

Photos by Lois Stavsky

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Speaking with Wes21

June 24, 2013

A member of schwarzmaler, a collective of outstanding graffiti writers, street artists and illustrators, Swiss artist Wes21 creates stunning, detailed works that blur the boundaries between reality and fantasy.  We recently spoke to him during his visit to 5Pointz.

Wes2, Semor, Onur and KKade

When did you first start getting up?

I was about 11 years old when I hit my father’s garage.

Where was this?

In a small town near Berne.

What inspired you at the time?

Graffiti was all around me. I grew up without a TV, and I was always drawing. So it seemed like the natural thing to do.

Wes21

How did your parents feel about what you were doing?

They encouraged me.  My father used to bring me photos of graffiti.  They love it.

Have you any preferred spots?

I love painting anywhere but I especially love rooftops and places near water.

Have you ever exhibited your work?

Yes, and I do many exhibitions every year.  I’ve shown my work in both group and solo shows in Switzerland, Germany, Hungary and Italy.

Wes21

How do you feel about the movement of graffiti and street art into galleries?

I feel fine about it, so long as it’s well-done. Showing in a gallery pushes me to the next level. And then I’m a better artist when I paint in the streets!

Have you a formal art education?

Yes. I studied graphic design and illustration in art school for four years.

Any thoughts about the role of the Internet in all this?

I don’t pay much attention to it.

Wes21

Are you generally satisfied with your finished piece?

Not completely. If I were, I wouldn’t be motivated to paint another one!

Is there much of a graffiti/street art divide back home

Not really. Most of the artists who hit the streets are open-minded.

What do you see as the role of the artist in society?

To capture a moment — real or imaginary — for eternity.

All photos courtesy of the artist

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This is the second in an ongoing series featuring the range of faces that surface daily on NYC’s public spaces:

Australian artist Jess Busj at 5Pointz in Long Island City, Queens — close-up

Jess Busj

Russell King and Matt Siren at Welling Court in Astoria, Queens

Russell King and Matt Siren

Mata Ruda at the Bushwick Collective

Mata Ruda

Joseph Meloy at 5Pointz in Long Island City, Queens

Joseph Meloy

Toofly at the Bushwick Collective

Toofly

Australian artist Daek on Manhattan’s Lower East Side

daek william

Nelson Rivas aka Cekis in the Hunts Point section of the Bronx

Nelson Rivas aka Cekis

Photos by Lenny Collado, Tara Murray and Lois Stavsky

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NYC became a bit more colorful and joyful these past few weeks, as Bortusk Leer’s lovable monsters found their way here — both on the streets and at CULTUREfix on Manhattan’s Lower East Side.

Bortusk-leer-street-art-in-NYC

When did you first start getting your artworks up in public spaces? And where?

In 2006 in London.

What inspired you at the time?

I was working at the Leonard Street Gallery, where I became friendly with lots of street artists.  And both Sweet Toof and Cyclops said to me, “Why don’t you just put your work out on the streets?” And so I did. I began stenciling pigeons onto newspaper and cardboard and stuck them up. The monsters came somewhat later.

Your monsters are quite joyful!

Yes. I was seeking an antidote to all the negative images that I passed daily on the streets. I wanted to get something out there that would cheer folks up.

bortusk-leer-paints-in-NYC

What percentage of your time is devoted to art these days?

Most of it. Between commissions and art sales, I’ve been earning enough money to be a full-time artist.

Have you a formal art education?

Yes. I studied art in a formal setting for six years. First at Canterbury Tech and then at the Falmouth College of Arts.

Any thoughts about the move of street art into galleries?

In my case, I was exhibiting artwork in galleries long before I shared it on the streets. It’s a different experience.  I certainly don’t have a problem with street artists selling their work in galleries. 

bortusk-leer-monsters-on-newsprint

Any favorite cities?

Amsterdam – where I’m based these days.  It has everything a big city has – without its madness.

How has your work evolved in recent years?

It’s become more stylized. I’m actually trying to loosen up a bit.

Are you generally satisfied with your finished piece?

Generally, yes!

Bortusk-Leer-street-art-paste-up-in NYC

How would you describe your ideal work environment?

Lots of music, space and light!

What inspires you these days?

Everything! I can’t stop drawing.

Are these any particular cultures that have influenced your aesthetic?

I love the primitiveness of ancient cultures. And I’ve also been influenced by cartoons!

Any favorite artists?

I love Picasso. And I’ve been particularly inspired by the members of the CoBrA Movement and the works of one of its founders, the Dutch painter, Karel Appel.

Bortusk-leer-in-SoHo

How do you feel about the role of the Internet in all this?

It’s a good tool for networking and a great way to find out what’s happening.

Any thoughts about the graffiti/street art divide? Is it apparent to you?

There is a divide, but it doesn’t really affect me.  Graffiti, I feel, demands greater technical expertise.  And I can understand why graffiti writers might resent street artists who gain acceptance more easily. But I do feel that both forms will eventually merge into one.

What do you see as the role of the artist in society?

Many roles! But mine is to cheer people up.

Bortusk Leer’s lovable monsters remain on exhibit at CULTUREfix through Sunday.

Photos by Tara Murray and Lois Stavsky

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As part of the fifth edition of the World Nomads festival, Tunisian artist eL Seed brought his soulful, lyrical calligraffiti to NYC last month.   With its synthesis of Arabic writing, calligraphy and graffiti, eL Seed’s distinct style made its way to Manhattan’s Lower East Side and to 5Pointz in Long Island City, Queens.  While he was here, we had the opportunity to ask him a few questions.

eL-Seed

When and where did you first get up?

I started in the late 90’s in the suburbs of Paris. I was 16.

What inspired you to do it?

As a B-Boy, I was into the whole hip-hop culture. And I always liked art.

Have you any early graffiti memories?

A standout is when Zefa from the GAP Crew painted me doing a head-spin.

Any favorite spots?

I especially like abandoned places.

el-Seed

Do you work with a sketch in hand or do you just let it flow?

I do everything freestyle.

Do you prefer working alone or would you rather collaborate with others?

I tend to work by myself, but I also love collaborating with others.

What is the attitude of your family towards what you are doing?

I studied business at the university, and then I worked as a business consultant. My parents were somewhat concerned when I left that world. But now, when they see how happy I am, they’re fine about it.

Any thoughts on the graffiti/street art divide?

I don’t like the definitions. I don’t like the terms.

How do you feel about the role of the Internet in all of this?

On one level, it’s cool because it gives us opportunity to share our vision with other people. But, on the other hand, artwork loses its context when it’s online

eL-Seed

What is the riskiest thing you ever did?

Painting on top of a mosque 47 meters high in Tunisia.

Why were you willing to take that risk?

It was a way of returning to my roots.

Do you work with a sketch in hand or do you just let it flow?

I do everything freestyle.

What inspires you to paint in public?

It’s a quest for identity. I was born and raised in France, but French people tell me that I’m not French – that I’m Arabic. And I want to maintain pride in my native culture. I do not want to lose it. That’s a reason why I write in Arabic.

eL Seed, Meres and Jaye

Do you have a message to convey?

Despite our differences, we are all the same. We’re all human and we all have the same struggle.

How has your work evolved through the years?

I’ve learned to adapt to any surface, and the flow and shapes of my letters keep on evolving.

You’ve travelled to many cities. Have you any favorites?

My favorite city is Gabes in Tunisia. I have a strong emotional connection because it’s my family’s native land.

eL Seed and Jaye

How do you feel about the movement of graffiti and street-art into galleries?

I’d rather paint on walls, but to sustain myself, I’ve shown in galleries.

What are some of your other interests?

I love to cook. I cook everything for my family. And I love to read, especially about history.

What do you see as the role of the artist in society? 

To give visual expression to what people think. The artist is the ambassador of our society.

Photos by Dani Mozeson, Tara Murray and Lois Stavsky; the fourth photo also features Meres and Jaye, along with eL Seed, and the fifth features a collaboration between eL Seed and Jaye

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This is the ninth in a series of posts featuring images of girls — and women — who grace New York City’s public spaces:

Alice Mizrachi aka AM in Bushwick, Brooklyn

Alice Mizrachi

Cake in Bushwick, Brooklyn

cake-street-art-in-Bushwick

Hef’s hastily-buffed piece in East New York

Hef

Toofly at the Bushwick Collective

Toofly

Os Gemeos in Coney Island — since 2005

os-gemeos-street-art-in-Coney-Island-NYC

Noh J Coley at the Woodward Gallery Project Space on the Lower East Side

Nohjcoley-street-art-in-NYC

 Swoon in Clinton Hill, Brooklyn garden

swoon-street-art-in-Brooklyn-NYC

Photos by Tara Murray and Lois Stavsky

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While not conducting his post-doctoral research on Brain and Behavior at The Rockefeller University, Jerusalem native Yoav Litvin can be found on our city streets pursuing his passion for street art. We recently met up for a chat.

Dain

What spurred your interest in public art?

As a result of an injury, there wasn’t much I could do other than walk around.  So that’s what I did. And once I began to notice street art, I couldn’t stop taking photos of it. I also appreciate the risks artists take when putting up pieces; it’s a rush I can relate to. And I admire the artists’ generosity in taking these risks to share their vision with the public.

Alice Mizrachi and Cope2

What is it about street art that continues to so engage you?

I love its beauty and humor. I appreciate its aesthetic and the way it challenges convention. It is a beautiful, non-violent way to raise issues in the public sphere.  And as a political person, I am drawn to the confrontational nature of much of it.

Never Satisfied

What do you see as the role of the photographer in today’s street art movement?

Because of the transient nature of public art, I see it as essential. The image is important, but so is its context and appropriate accreditation to the artist.  And documentation of NYC’s street art trends is especially essential as this city is the world’s cultural Mecca.

gilf!

Tell us a bit about your current project.

I’ve been working for over a year now on a book that profiles 46 of the most prolific urban artists working in NYC.  It will feature images and interviews, along with some exciting supplements.

Jilly Ballistic

Have you any favorite artists whose works you’ve seen here in NYC?

There are too many to list. I love them all for different reasons.

Enzo and Nio

How do you keep up with the current scene?

In addition to documenting what I see and speaking to artists, I follow popular street art blogs such as StreetArtNYC, Brooklyn Street Art and Vandalog.  I also check Instagram daily for new images that surface not only on NYC streets, but across the globe. And I try to attend gallery openings as often as possible.

NDA and Elle Deadsex

We certainly look forward to reading your book.  Tell us more about its current progress. How close it is to publication?

I’ve finally completed the stage of collecting texts and images, and am currently working together with a first-rate designer. I am now seeking a publisher.

Yoav can be contacted at yoavlitvin@gmail.com

Featured photos are in the following sequence:

1) Dain. Wythe Avenue, Williamsburg, Brooklyn.

2) Alice Mizrachi and Cope2. Boone Avenue, The Bronx.

3) Never Satisfied. Bedford Avenue, Williamsburg, Brooklyn.

4) gilf! Grattan Street, Bushwick, Brooklyn.

5) Jilly Ballistic. Astor Place 6 Train station, Manhattan.

6) Enzo and Nio. Wythe Avenue, Williamsburg, Brooklyn.

7) ND’A and Elle Deadsex. Jefferson Street, Bushwick, Brooklyn.

All photos by Yoav Litvin.

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Speaking with Sonni

May 24, 2013

Argentinian artist Sonni Adrian has been delighting us New Yorkers with his bold colors and playful themes since he moved here in 2011.  We recently had the opportunity to visit his studio and speak to him.

Sonni

When did you first begin creating art? 

When I was about seven years old, my parents enrolled me in an afterschool art program. I loved it, and I spent hours there every day.

What about getting your artwork up in public spaces? When did that first happen? And where?

I started getting up about eight years ago in Buenos Aires. I began first with stickers, and then I moved on to paste-ups and wheatpastes.

What was your subject matter back then – when you first began?

It was mostly back and white icons of playful inanimate characters.

Sonni

What inspired you to get up on the streets?

I was bored at my day job – where I spent all my time creating artwork for commercial purposes.

Have you any preferred spots or surfaces?

As I paint with acrylic, I prefer flat surfaces, rather than walls with bricks. But I love integrating windows into my pieces and I like interesting textures.

How do your parents feel about what you are doing?

At first they didn’t understand it.  But now they appreciate it.

Sonni

What percentage of your time is devoted to art these days?

Just about all of it!

What is the main source of your income as an artist?

I freelance as an art director for animation.

Have you a formal art education?

I studied graphic design for four years back in Argentina.

sonni-artwork-on-paper-in-studio

Have you any favorite artists? Influences?

I love Matisse. Among my influences are: Yoshitomo Nara, Japanese Kawaii style, and Disney’s first Mickey Mouse and Felix the Cat.

What about back in Argentina? Any favorite artists who paint in public spaces?

Tec, Chu, Ever, Kid Gaucho, Jaz, Gualicho, Parbo, Defi, BsAs Stencil, Pedro Perelman & run don’t walk are among my favorites.

Any thoughts about the graffiti/street art divide?

I love it all. All art that is on the street is “street art.”

Sonni

How does the street art scene back in Buenos Aires compare to NYC’s?

There is much more freedom in Buenos Aires.  You won’t go to jail there for painting on the streets. The atmosphere, in general, is more open and relaxed.

When you paint, do you work with a sketch in hand or just let it flow?

I always work with a sketch. My sketchbooks are my reference.

Are you generally satisfied with your final piece?

Never! I always feel I can do more.

Sonni

You’ve had solo shows not only in Argentina, but in Miami and in NYC, and you’ve participated in group shows across the globe.  Any thoughts about the move of street art into galleries?

It’s amazing!  And a completely different experience. It’s quite a transition for any artist who is accustomed to painting on the streets.

What’s ahead?

I try not to think too much about that. But I know that I want to continue painting. I’m happiest when I’m painting, and I have quite a few exciting projects coming up. My long-term goal is to be able to do my own thing full time. And I would love to design a playground for children.

That sounds great! We’re certainly looking forward to that!

Sonni-and-aaron-stewart

You can check out Sonni’s artwork tomorrow evening — as reMADE presents Sonni, Aaron Stewart, and Nile the Crocodile starting at 6pm at 469 DeKalb Ave.

Photos by Lenny Collado, Tara Murray and Lois Stavsky

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Hellbent’s artworks — from his signature jawbone to his geometric abstracts – are among our favorites, both on the streets and in gallery settings. His current solo exhibit, Even Romantics Love Violence, at Mighty Tanaka, along with recent works that have surfaced on NYC streets, reflects his skillful use of colors and patterns.

Son of a Gun (The Vaselines), Spray Paint on Canvas — in Even Romantics Love Violence at Mighty Tanaka

Hellbent on canvas

 Hellbent’s sculpted signature jawbone in Even Romantics Love Violence at Mighty Tanaka

Hellbent

Benediction (Thurston Moore), 2013, Spray Paint on Raw Linen — in Even Romantics Love Violence at Mighty Tanaka

Hellbent at Mighty Tanaka

Treasure Hunters (Calvin Love) 2013, Spray Paint on Panel  — in Even Romantics Love Violence at Mighty Tanaka

Hellbent

 And on the streets — at the Bushwick Collective with See One

Hellbent and See One

 On Bushwick door

Hellbent

And on the Bowery for New Museum’s Ideas City Festival

Hellbent

Keep posted to our Facebook page for images of Hellbent’s newest work to grace the walls of Prospect Heights, Brooklyn.

Photos by Tara Murray and Lois Stavsky

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Speaking with Saber

May 2, 2013

Saber

Back in 1997, Saber achieved legendary status as a writer when he completed the largest graffiti piece ever created.  On the bank of the Los Angeles River, it was almost the size of a professional football field. Since, he has achieved great acclaim for the works that he has also created indoors – his mesmeric paintings that fuse his extraordinary calligraffiti techniques with his fine art painting skills. While visiting his current exhibit at Opera Gallery the day after it opened, we had the opportunity to speak to Saber.

When did you first get up in a public space?

I was around ten years old when I tagged a bench in Glendale, my home town. I got scared and I wiped it off. I did this about ten times.

What inspired you at the time?

The first time I saw Belmont tunnel, I was blown away by its complex wild styles.

Saber art

What about shows? When did you first exhibit your work?

Back in the late 90’s in a terrible t-shirt store.

You’ve sure have come a long way. How did you hook up with Opera Gallery?

Through Ron English. We’ve been good friends for about ten years.

Saber

Do you have a formal art education?

I tried art school briefly and soon realized what a waste of time, money and energy it was. It’s a scam. I got a crash course in art doing graffiti. Graffiti informed me. And my parents are artists. I was always painting.

Any thoughts about the graffiti/ street art divide?

I love it all. Street art is more accessible and graffiti is about style and getting up. Your signature is the essence of your life, as it lives on long after you do. Wild style is the true heart of street art. “Street art” is just a general term.

What is the riskiest thing you ever did?

Having a child. She’s two years old.

Saber

What do you see as the future of street art and graffiti?

Street art is going far more mainstream. Graffiti goes in cycles; that’s what makes it graffiti.

What do you see as the role of artist?

To reflect back on society.

The exhibit continues until May 11 at 115 Spring Street in SoHo.

Photos by Lois Stavsky

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