Walls

"Icy and Sot"

Led by Maziar Bahari — a former Newsweek journalist who was imprisoned in Iran for 118 days and became the subject of Jon Stewart’s film Rosewater — the #NotACrime campaign focuses on human rights abuses in Iran.  Members of the Baha’is, Iran’s largest religious minority, have been jailed solely for teaching and studying, as have journalists who expose the Iranian government’s policies. #NotACrime‘s current street art campaign, curated by Street Art Anarchy, has brought a series of new politically-engaged murals to New York and New Jersey. I recently had the opportunity to speak to the noted Brooklyn-based Iranian-American artist Nicky Nodjoumi, one of the campaign’s participants, who had been exiled from Iran in the aftermath of the Islamic revolution.

"Marina Zumi"

What moved you to participate in the #NotACrime Street Art Campaign?

I have been using art as a means to expose political crimes for a long time. It is part of my overall activities as an artist.

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You are principally known for your exquisite politically-infused figurative paintings, but you also designed posters against the Shah back in the late 70’s.

Yes, while teaching at the Tehran University of Fine Arts, I became involved in the movement to oust the Shah. We never could have imagined that what would follow would be even worse than the Shah’s regime.

Nicky-Nodjoumi-political-street-art-NYC

For the #NotACrime street art Campaign, you painted a pair of shackled hands. That image has also been surfacing on posters Downtown. Why that image?

It is a symbolic gesture in support of journalists in Iran. It is a general representation of the suppression of free expression.

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Do you feel that all artists have a responsibility to raise issues that will facilitate change?

An artist who lives in the Middle East does. There one has to have a position and take a stand.

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What is the foremost challenge facing artists and journalists in Iran today?

There is no freedom of expression. Human rights are abused. Everything must be done clandestinely. One faces the risks of imprisonment, torture and worse for any expression that challenges the government.

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What do you see for the future? Are you at all optimistic? Will things get better in your native country?

Unfortunately, I don’t have any hope for the immediate future. Despite the election of a more moderate President, dissent is not tolerated, as the hardliners are the ones who are setting the present policies.

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I suppose we all need to work together to create awareness.

Note: All murals in the #NotACrime street art campaign were curated by Street Art Anarchy. What follows are the ones featured above:

1. New York-based Iranian artists Icy and Sot819 Broadway and Ellery St in Bushwick

2. Argentinian artist Marina Zumi, Frederick Douglass Blvd and 126th St in Harlem

3. American artist David Torres aka Rabi, part of the art duo Cyrcle, 126th St in Harlem’s Nelson Mandela Memorial Garden 

4. New York-based Iranian artist Nicky Nodjoumi, 11-22 Welling Court in Astoria

5. Italian artist Jacopo Ceccarelli aka 2501, 24th St and Lex Avenue in Manhattan

6. Brazilian artist Alexandre KetoFrederick Douglass Blvd and 126th St in Harlem

7. South African artist Faith47, Colombia and Woodhull Streets in Red Hook

8. New York-based Jennifer Caviola aka Cake, 612 Communipaw, Jersey City

not a crime

Interview with Nicky Nodjoumi by Lois Stavsky

Photo credits: 1, 4, 6 & 7 Tara Murray; 2, 3 & 5 Dani Reyes Mozeson and 8 courtesy of #NotACrime

Check here to find out how you can participate in the campaign.

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The following post is by Houda Lazrak, a contributor to StreetArtNYC and an M.A. candidate in Museum Studies at NYU:

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San Lorenzo, an up-and-coming art district in Rome, is home to a wide range of street art, including a block-long mural by Italian artist Alice Pasquini and a number of poignant stencils. Here are some of the pieces — many timeworn — that I captured.

French artist C215

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Unidentified artist — with a message

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Italian artist Solo

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Unga of the Israeli Broken Fingaz Crew

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West Coast-native Above

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Note: The first image features a segment from Alice Pasquini‘s huge mural painted adjacent to a school.

All photos by Houda Lazrak

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This is the seventh in a series of occasional posts featuring the range of curious characters that have made their way onto NYC open spaces:

London-based Fanakapan at the Bushwick Collective

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French artist Bebar in Brownsville, Brooklyn

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Mexican artist Telleache at the Bushwick Collective

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Pyramid Oracle at Welling Court in Astoria, Queens

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Mr Nerds at the Bushwick Collective

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Photo credits: 1, 3 & 5 Lois Stavsky; 2 & 4 Tara Murray

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The following post is by Houda Lazrak, a contributor to StreetArtNYC and an M.A. candidate in Museum Studies at NYU:

Beau-Stanton street-art-rome

The MURo Project, the Museum of Urban Art of Rome, is a mural initiative whose goal is to rejuvenate the streets of the largely working-class Quadrado neighborhood on the Eastern outskirts of Rome. Artists who have beautified the district include local, as well as international, ones. By referencing a map available online on MURo’s website, I navigated through the streets and found several of these works in hidden and unexpected locations. What follows are a few:

Kazakhstan native Dilka Bear

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Italian artist Maupal

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New York-based Ron English

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French artist Veks Van Hillik 

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Rome-based Mr. Thoms

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Close-up

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Note: First image features New York-based Beau Stanton.

All photos by Houda Lazrak

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joel-artista-street-art-Brownsville-NYC

Writing onthe Walls is an ongoing project launched last year by N Carlos J – noted artist, community revitalizer and founder of Brooklyn Is the Future — for his father, a Brownsville native who had been diagnosed with cancer. This is Part II of our continuing documentation of it:

Danish artist Welin

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Brooklyn-based Ben Angotti

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French artist Zeso, close-up

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Chilean artist Teo Doro

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Long Island-based Phetus

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And you can find out here how you can help support this wonderfully transformative project.

Note: The first image is by Joel Bergner aka Joel Artista.

Photo credits: 1, 2, 4-6 Tara Murray; 3 Lois Stavsky

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The following post is by Houda Lazrak, a contributor to StreetArtNYC and an M.A. candidate in Museum Studies at NYU: 

Vhils, the Weird and Alaniz-street-art-berlin

Since 1994, YAAM, the Young African Art Market in Berlin, has served a myriad of purposes — from a home away from home for refugees to an open air gallery for graffiti and street artists. The following photos are of works I recently saw in this space that has evolved into a model of social and cultural integration:

The Berlin-based Weird Crew

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Close-up

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Berlin-based Sokar Uno

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With German artist Juliah

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Istanbul-based Gamze Yalcin and Brazilian artist Manoel Quitério

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Mexican artist Paola Delfin

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Note: Featured in the first image are Vhils, the Weird Crew and Alaniz

All photos by Houda Lazrak

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Brimming with stylish graffiti, witty stencil art and a wonderfully eclectic mix of murals, Bristol has it all!  Here is a small sampling of images that we captured earlier this month:

Bristol-based Sepr

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Bristol native Nick Walker

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Bristol’s legendary Banksy, “Well-Hung Lover”

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Bristol-based Philth and UK artist N4T4

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Bristol-based Jody Thomas

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Bristol-based Epok

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Bristol-based Soker

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 Photo credits: 1, 4-7 Tara Murray; 2 & 3 Lois Stavsky

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This is Part II of street art and graffiti images — reflecting a wildly diverse range of aesthetic and cultural sensibilities — that we came upon in London last week:

Belgian artist Joachim and Bogota-based Stinkfish

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Chilean artist Otto Schade

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London-based Cityzen Kane, close-up from 3D installation in memory of his son

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UK-based Phlegm, close-up

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Irish artist Conor Harrington

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The legendary Berlin Wall artist Thierry Noir

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Brazilian artist Cranio and UK-based My Dog Sighs

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Bristol-based Spzero76 and London-based Captain Kris at work in Shoreditch

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Brazilian artist Bailon

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Photo credits: 1 – 3, 5 – 8 Tara Murray; 4 & 9 Lois Stavsky

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Garavato-musicians-illustration

With a B.A. degree in Industrial Design, Colombian native Garavato has designed and developed dozens of projects in a range of media. During the past three years, he has also shared his talents on public spaces. I recently had the opportunity to meet up with him when he was in NYC where he painted at Grove Alley in Downtown Brooklyn and at EBC High School.

When did you first hit a public surface? And where?

Three years go in Argentina.

What inspired you to do so?

I had always worked on paper, on canvas and on indoor walls.  But I wanted to try to get a huge stencil up in a public space. And when I had the opportunity to do so legally in Buenos Aires, I did.  And I’ve been doing it since.

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Do you tend to restrict yourself to legal surfaces?

I usually ask for permission when I’m a guest in another city, but in Bogota, where I’m now based, it’s okay for me to get up just about anywhere.

In what other cities have you painted?

I’ve painted in Sao Paulo, Rio de Janeiro. Berlin, Napoli and now in NYC.

How does your family feel about what you are doing outdoors?

At first, my father was concerned. But now he is very supportive.

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What percentage of your day is devoted to your art?

All of it. 24/7. It is the sole source of my income, as I work as a designer and illustrator.

Do you have a formal arts education?

I studied Industrial Design for five years. So my background isn’t in fine arts or illustration. But I’ve always been drawing, and my mom is a painter.

What about galleries? Have you shown your work in galleries?

Yes, I’ve exhibited in Argentina, Chile, Italy and in major cities in Colombia.

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Do you prefer working alone or collaborating with others?

I like working by myself, but I also like learning from others. And that happens best when I collaborate with other artists.

How has your work evolved in the past few years?

I’ve begun to paint on a much larger scale and — inspired by the works of Emory Douglas, Shepard Fairey and Toxicomano — I am using fewer colors.

What inspires you these days?

So much! Music, birds — the freedom they represent – skulls, animals and the notion of evolution.

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Have any particular cultures influenced your aesthetic?

I’d say the punk culture, the street art movement and the DIY (Do It Yourself) movement.

What do you see as the role of the artist in society?

The artist gives a gift to the people, stirs conversation and raises consciousness.

How you feel about the role of the Internet in this scene?

It’s amazing! It give us artists the opportunity to connect with so many people. And I love that feeling.

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And what about you? What’s ahead?

I’d like to focus on stencils, further develop my own brand and travel more.

Sounds good! Good luck!

Interview by Lois Stavsky; all photos courtesy of the artist, except for photo 3 by Lois Stavsky

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Warmi-Paint- Ecuador

We miss Toofly when she isn’t in NYC, but we love what she’s up to in her native Quito. You can find out about her current project here:

Just what exactly is Warmi Paint?

Warmi Paint is an all-women arts and culture festival that will launch this fall in Quito, Ecuador.

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What is Warmi Paint’s mission?

Its mission is to celebrate and empower Latin American women street artists with a focus on graffiti, street art and murals.

What does the name Warmi mean or represent?

Warmi means “woman” in Quechua. It is the name of the people of the Central Andes of South America. It is also the name of their language. Women of all ages from this part of the world will create a new vision of themselves, nurture their communities and reflect a powerful message.

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What can visitors expect?

Special guests and 20 women artists will paint collaborative murals, host workshops, and present their work to the Ecuadorian community. We will have graffiti films, slideshow presentations, panels, youth workshops, pop-up shops and a concert! People of all ages will benefit from this unique cross-cultural exchange and community-building experience.

Warmi-Paint Image

It sounds wonderful! Good luck with this!

Note: Your support will help artist/curator TOOFLY (NYC) and artist/curator HTM (Ecuador) realize their mission.  Find out how you can help fund the project here.

Photos courtesy of Toofly

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