Street Artists

Groundswell

We were introduced to Esteban del Valle’s remarkable talents a number of years back at 5Pointz. We’ve since seen his deftly crafted artwork in Bushwick, the Lower East Side, Red Hook, Welling Court and recently at the 21st Precinct Art Exhibit.  And in addition to forging his own artwork, Esteban has been sharing his skills and vision with youth this past summer in Brownsville, Brooklyn.  Last week, the mural created by 17 young men in Groundswell’s Summer Leadership Institute, along with Esteban and his assistant artist, Jose de Jesus Rodriguez, was officially unveiled.  Located at 417 Junius Street on the wall of the Food Bazaar Supermaket, it represents the best possible model for public art. At the mural’s dedication ceremony, I had the opportunity to find out from Esteban a bit more about this particular project, P. I. C. T. U. R. E. S Prison Industrial Complex: Tyranny Undermining Rights, Education and Society.

Esteban-del-valle-public-mural-NYC

This mural is quite amazing. When did you begin working on it?

We began on July 2nd.

Can you tell us something about the process?

We spent the first two weeks researching the issue, discussing the justice system and designing our representation of it. The final four weeks were devoted to painting the mural.

Groundswell-Public-Art

Why this topic?

It’s of particular relevance to this community. We see this mural as a way to raise awareness and provoke discussion about the subject of the prison industrial complex. Some of the youth involved in this all-male Making His’tory mural team have had first-hand experience with the way the justice system functions.

Esteban-del-valle-public-mural

How have the young muralists responded to this project?

The response has been great. We’ve had many intense discussions and we can all walk away with a sense of accomplishment.

What has this experience been like for you, personally?

It was very exciting. And it was great for all of us to see an idea executed into a reality.

Esteban-del-valle-and-Groundswell-youth-street-art-mural-close-up

Have you any personal message?

With these tools (pen and paint brush in hand), you can change your life and your community.

Elijah Barrington, one of the project’s participants, added the following to our conversation:  We sweated every day to get this wall to look the way we wanted it to. I felt focused and happy, and I learned so much. I’m already looking forward to the next project.

Brief interview and photos by Lois Stavsky

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Topaz

Yesterday at noon, the 14th edition of the NYC Graffiti Hall of Fame, presented by Joey TDS and James Top, was officially launched inside the famed East Harlem schoolyard on 106th Street and Park Avenue. Here is a small sampling of what went down during the early afternoon:

Topaz

Topaz

Scratch

scratch-graffiti-hall-of-fame

Ligisd

Graffiti-Hall-of-Fame

Hops

Hops

Bver

Bver

Wiz Art

"Wiz Ar"t

Queen Andrea

"Queen Andrea"

 And earlier in the week, Tats Cru — with Crash and Nick Walker — fashioned a huge mural outside the school yard. Here are some close-ups:

crash-bio-nick-walker

"Tats Cru"

Tats Cru

The 14th edition of the NYC Graffiti Hall of Fame continues today from noon to 8pm.

Photos by Dani Reyes Mozeson

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Featuring a wondrous array of characters in a diverse range of styles, What a Character — curated by See One — continues through September 11 at Low Brow Artique. Here are a few of the characters — from the comical to the surreal — that greet you:

Patch Whisky, Tripping Faces

"Patch Whiskey"

Reno Msad, Multiple Personalities

"Reno Msad"

Chris Cortes, Dragon

"Chris Cortes"

Royce Bannon, Ride or Die

"Choice Royce"

PlasmaslugIntergalactic

Plasmaslug

Shiro, Pillow

Shiro

Also featured are works by Cern, Epic Uno, Marka 27, Sheryo and the Yok.  Low Brow Artique is located at 143 Central Avenue in Bushwick.

Photos of images by Dani Reyes Mozeson

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Under the curatorial direction of Tag Public Arts Project founder, SinXero, the walls on and off the 6 line in the South Central section of the Bronx have become one of the borough’s visual highlights.  Loved by both local residents and passersby, these murals, in fact, are now incorporated into an official tour of the Bronx. Here is a small sampling of what can be seen:

Marthalicia Matarrita and Raquel Echanique 

Raquel-Echanique-street-art-Bronx

Marthalicia Matarrita, close-up

"Marthalicia Matarrita"

Sexer

Sexer

 SinXero

SinXero

See TF

SeeTF

Col Wallnuts

Col

Werc

Werc

Daek William — in from Australia 

"Daek William"

Damien Mitchell

"Damien Mitchell"

Billy Mode and Chris Stain

"Billy Mode and Chris Stain"

Zimad — close-up 

Zimad

Keep posted to our Facebook page for many more Tag Public Arts Project images and check here for piece painted by the legendary John Matos aka Crash.

Photos by Lois Stavsky

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This is the third in a series of occasional posts featuring the range of creatures that share our streets with us:

Werc and Gera Luz in Gowanus, Brooklyn

Werc-and-Gera- Luz- street-art-Gowanus-NYC

Ishmael at the Bushwick Collective

Ismael

Kaffeine and Li Hill at the Bushwick Collective

"Kaffeine and Li Hill"

Mr. Prvrt in Bushwick

mr-prvrt-street-art-nyc

IDT Crew in Williamsburg

"IDT Crew

Kremen in Bushwick

Kremen

Vers in Bushwick

Vers

KA in Bushwick

KA

Hitnes at the Bushwick Collective

Hitnes

Photos 1 – 3, 6 – 9 by Dani Reyes Mozeson; photo 4 by Tara Murray; photo 5 by Lois Stavsky

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ambi67

Featuring the artwork of a dozen talented Brooklyn and Queens natives, BQE: Brooklyn Queens Elite continues through this Sunday, August 24th at Dumbo’s powerHouse Arena.  Here are a few more images from this exhibit curated by Queens native Yvette “Yvey” Hidalgo.

UR New York

URNewYork

Alice Mizrachi

"Alice Mizrachi"

KEL 5MH

KEL 5MH

David Cooper

"David Cooper"

Cernesto

Cern

Included, too, are works by Ernie Paniccioli, Greg Larmache, Olivia Jarowski-­Lovera, TooFly, Tommy Rebel and WRY TCK. The powerHouse Arena, also home to a wonderful bookstore and more, is located at 37 Main Street in Dumbo, Brooklyn.

The first image is a close-up from a mixed-media work by Ambi67. Photos of images by Dani Reyes Mozeson.

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This is the eighth in a series of occasional posts featuring the diverse range of trucks and vans that strike our streets:

Erica

Erica

Cern

Cern

Mast

Mast

Uta

UTA

Urban Animal

"urban animal"

Gano

Gano

Zeso

Zeso

 Photo credits:  1, 2 & 6, Tara Murray; 3, Dani Reyes Mozeson; 4 and 7, Lois Stavsky; 5. Sara C. Mozeson 

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Curated by Robert Aloia, along with VNA Magazine, Beau, Todd Masters, NY St. Gallery and Suzuki Capital LLC, 21st Precinct opens this evening at the former space of the 21st Precinct at 327 East 22nd Street. Reminiscent of this past winter’s Surplus Candy – although on a much larger scale – dozens of artists have transformed five stories into an expressive, inventive canvas charged with unfettered energy. What follows is a small sampling of close-ups from larger installations:

Esteban Del Valle

:Estevan Del Valle

Sheryo and the Yok

"sheryo and the yok"

N. Carlos Jay

"N Carlos Jay"

Nepo

Nepo

Chris Soria

"Chris Soria"

RAE

RAE

Ghost, GIZ and Duel with a message

"Ghost, Giz and Duel"

Pixote

Pixote

Lorenzo Masnah, APC

APC

Presented by Outlaw Arts, Savior Elmundo and Pesu, the exhibit opens this evening at 6pm. It will be open again tomorrow from 1-6pm and next Saturday and Sunday 1-6pm.

exhibit--outlaw -arts

Photo of Nepo by Lois Stavsky; all others by Sara C. Mozeson

Note: Keep posted to the StreetArtNYC Facebook page for more images from this landmark exhibit.

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Born in Argentina and now based in Brooklyn, LR is a young photographer and artist with a deep passion for street art and documenting the streets. I met her in late spring in Bushwick when I was interviewing the Argentinian artist Cabaio, whom she had photographed at work earlier that day.  We met again last week at Exit Room, and I had the opportunity, this time, to find out a bit about her.

lucia-reissig-cabaio-new-york

When did you first become interested in photography?

I was 12 years old and living in Buenos Aires.  I had told my mother’s friend that I was interested in photography, and he gave me a camera. It was a 35 mm Canon.

And then what happened?

I didn’t know what to do with it. And so I took my new Canon to a camera store, and the shop owner installed film for me and set it on “Automatic.” He said, “Just shoot!” So that’s what I did! And I fell in love with the art form at once.

Did you ever study photography on a formal basis?

Early on, I began visiting photographers’ studios, and I started taking classes with them. The classes were informal – with no more than five students in a class.

cabaio-street- art-NYC

What — would you say — is photography’s appeal to you? What is it about this art form that so engages you?

With a camera in hand, I feel that I am somewhat in control of my environment. And it allows me to create compelling narratives. I am obsessed with paradoxes – and recording them.

What brought you to New York City?

I felt a strong need to challenge myself and get out of my comfort zone.

How has living here affected you and your passion for photography?

I quickly found myself seeking other Spanish speakers and other immigrants. And the streets became even more important to me. I see public spaces as a reflection of society.

Lucia-Reissig-Rockaways

And what about street art?  You’ve documented hundreds of images. When first I met you, you had just finished photographing Cabaio at work over at the Bushwick Collective and you seem to be quite involved over here at Exit Room – one of my favorite spaces. What is the appeal of street art to you?

It serves as both a mirror of society and as a perfect expression of resistance. I love the way the artists take ownership of the streets, and their work on city streets looks amazing. Street art has the power to change a city – visually and psychically. It also makes art accessible to people who wouldn’t otherwise see it. It’s an always-open free museum. And documenting the art I discovered on these streets – along with its people – saved my life!

Have you any favorite artists who work on the streets?

Among my favorite ones are: Cabaio, Iena Cruz, Werc and Ever.

"Lucia Ressig"

What’s ahead for you?

Since coming to NYC, I’ve become more aware – than ever – as to the importance of community. There is a lack of community here, and there is a need for more alternative spaces where people can come together to create and to share. I am beginning an informal series of workshops on photography – similar to the ones I attended back in Buenos Aires. They are on a pay- what-you-can basis. I can be contacted at lucia.reissig@gmail.com.  And on a personal level, I am continuing a series I began earlier focusing on immigrant life here in NYC.

Interview conducted and edited by Lois Stavsky. Photos by LR

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stephen-powers-a-love-letter-to-the-city

The following guest post is by Houda Lazrak, a graduate student in Museum Studies at New York University.  

To the discontent of many, the corporate advertisements plaguing the urban landscape have become integral to our every-day visual vocabulary.  As a response, street art is often offered as an alternative platform to reclaim public space from the impersonal iconography of corporate publicity.  However, Philadelphia native Stephen Powers has employed that very language to empower his own personal vision.

"Stephen Powers"

A Love Letter to the City tells the tale of how artist Steve Powers’ witty lettering and profound insight turned advertising on its head.  Authored by Powers himself, the book is a visually astonishing compilation of his large scale public art projects in cities across the globe, such as Philadelphia, New York City, Dublin, Sao Paulo and Johannesburg.  With each chapter focusing on a metropolis, the book illustrates the artist’s engagement and collaboration with local communities and art organizations to “reflect their collective visions and dreams… to make art for the people.”

Powers’ outrageously honest introduction retraces his debut into the graffiti world under the moniker of ESPO in Philadelphia.  In first-person narratives, he highlights his experiences and encounters that propelled him to the status of acclaimed public artist.  Readers are treated to his eloquent personal recollections, as well as captivating photographs of his beautifully executed street art pieces.

"Steve Powers aka ESPO"

Steve Powers’ employs signage style graphics to produce poignant conceptual pieces, ranging from single word slogans to multiple line phrases. The publication’s images bear witness to Powers’ ability to marvelously blend colors into the pre-existing urban hues.  Prior to hand-painting site-specific murals, Powers deeply immersed himself in the spirit of each city.  He embraced the values and needs of communities, deciphered central issues of local histories, and appreciated the soul of its neighborhoods.

"Stephen Powers"

In Coney Island, Powers worked with local citizens to revitalize an abandoned space into a sign shop/social club. The shop produced street signage for the inhabitants free of charge, which served to invigorate local businesses, as well as to enhance the community’s visual landscape.  In another instance in Dublin, Powers altered his design plans when he saw a neighborhood recurrent tag: “Please call me, I am home, the door is open, ” followed by a phone number.  Inspired by the message of love and loneliness, Powers then created a mural that spoke to similar concerns.

"Stephen Powers"

A Love Letter to the City provides invaluable insights into the creative mindset of a unique street artist.  It sheds light on the back-stories of his sign pieces, from his improbable conversations with passersby to the formally held community meetings.  Ultimately, the book illustrates how Powers and his team remarkably wove intricate typographic art into the fabric of multiple cities around the world.

All images courtesy of Princeton Architectural Press

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