Public Art Projects

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Passionately engaged in promoting the positive values of the cultures of street art, graffiti and hip-hop, the Staten Island-based NYC Arts Cypher is a dynamic ever-evolving venture. For the past few months a host of  local, national and international artists have been busily at work preparing for Cypher Fest, NYC Arts Cypher‘s first Annual Street Art Festival. While visiting I had the opportunity to speak to its founder and president, Charlie Balducci aka Charlie B.

When was NYC Arts Cypher born?

It was founded in 2004, and it became an official 501c3 nonprofit organization in 2007.

What spurred you to create it?

It was a way for me to stay involved in all aspects of the arts and entertainment and –- at the same time — engage the community.  The realization of it was a dream come true. Of the five boroughs, ours had been the least recognized.

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How would you describe its mission?

Its mission is to promote positive values through programs and events related to urban art. NYC Arts Cypher also serves as a networking tool for artists in all five boroughs. And with its open-door policy, it introduces many of our local kids to a range of skills from painting and dancing to acting and producing videos.

What are some of the concerns that  NYC Arts Cypher has addressed?

When Amanda Cummings, a local teen, threw herself in front of a bus in 2013, we took on the issue of bullying.  And, tragically, the issue of bullying was in the news once again when 13-year-old Staten Island resident Danny Fitzpatrick took his life leaving behind a note that expressed his pain as a victim of bullying. Among other issues we address are: vandalism, drug abuse and conflict-resolution.

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Does any particular highlight stand out?

In 2010, we were awarded “best documentary short” at the Staten Island Film Festival for our documentary, M.U.R.A.L

Can you tell us something about it?

Yes. It presents graffiti as an art form – rather than an act of vandalism. It features interviews with a range of people from the youth who are active in our programs to law enforcement officials to such accomplished artists as the members of Tats Cru and Meres of 5Pointz fame.

What are some of the challenges you encounter in overseeing such a multi-faceted space?

Working on sustaining it is the principal challenge, as we continue to expand and offer more programs and networking opportunities.

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It seems like a monumental task! How do you do it?

We have support from sponsors like SIBOR, Wheel Concepts and Williams Eye Works. But nothing beats the heart of a volunteer — like Cynthia Valle and Tony Spinelli.

What’s ahead for NYC Arts Cypher?

We are utilizing all our resources to beautify not only our block, but — also — neighboring blocks, as artists from across the globe are now painting alongside local artists. We will continue to engage schools in a range of programs promoting positive values –particularly the Don’t Be a Bully initiative that combats bullying with creativity and Pillz Killz that tackles head on the epidemic of drug abuse plaguing our community. We will also be hosting  a pop-up shop and café. And next Sunday, September 10th we will be presenting Cypher Fest, our first Annual Art Festival.

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Images

1  Mr. Prvrt & A Visual Bliss with Jorit Agoch at work on the right

2  L7 Matrix

3 & 4 Sipros

5  La Femme Cheri

Photo credits: 1, 2, 4 & 5 Lois Stavsky; 3 Tara Murray; interview with Charlie B conducted and edited by Lois Stavsky

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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A remarkable museum, featuring the artwork of dozens of street artists, muralists, graffiti writers and bombers, is underway in the least likely spot –a 300-year-old historic Glen Cove, Long Island mansion. While visiting this designated city landmark last week, I had the chance to speak to Sean Sullivan aka Layer Cake, who is actively engaged in the transformation of this 9000-square foot site that was once home to one of the five founding families of the city of Glen Cove.

This is remarkable? Whose concept was this?

Joe LaPadula — known among us for his fabulous cutting-edge urban art car projects — knew about this site and saw its potential to serve as a platform to introduce his favorite art form to the public.

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How did you become involved with it?

I did a Ferrari hood for Joe’s project, and we discovered that we share a similar vision. And then I involved Harris Lobel who has done a great job overseeing the Drip Project in Mount Vernon’s Mes Hall.

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This home is the centerpiece of the First City Project – which has also engaged artists in painting in public spaces. What is the goal of this project?

There are many. The First City Project‘s principal goal is introduce the residents of the City of Glen Cove and surrounding communities to the next generation of urban-themed artists.

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When did the transformation of this site begin?

The actual painting began on May 2. I was, in fact, the first artist to paint here.

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There is such a wildly diverse mix of art here. How were you able to engage such a variety of artists?

At first I reached out to those I know and like. And then it was a matter of word of mouth, as artists connected to one another.

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What are some of the challenges you’ve encountered in seeing this through?

Working with such a varied range of artists with so many different personalities is, in itself, a challenge. But immediate ones that come to mind are: artists not showing up on time; having to stay up far too late and the inevitable politics that comes with it all.

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What’s ahead for the First City Project?

Live art events, gallery exhibits, more outdoor mural projects that engage the community — particularly the youth — student art classes and more.

It’s very exciting! Good luck with it all! And we look forward to news about upcoming events.

Images:

1. Phetus

2. Such

3. Reaps

4. Sean Sullivan aka Layer Cake

5. Ellis G

6. Chris RWK, Nite Owl, Zero Productivity and Easy

7. Pase

Photos and interview by Lois Stavsky

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Noted Brazilian artist Mag Magrela recently spent a month in New York City. In partnership with AnnexB — a company focused on promoting Brazilian art in NYC — Mag Magrela painted several murals in different neighborhoods and presented her first NYC solo exhibit, Pindorama in Flames, at Galeria, a delightful gallery/cafe located at 43 Clinton Street on Manhattan’s Lower East Side. Pictured above is Sem mais. The broken boat: eu tenho sue o pedaço que agora é meu in Long Island City. Here are several more outdoor murals:

“Pequenos atos de contra ataque,” Astoria, Queens with the Welling Court Mural Project

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“Dá a cara à tapa,” Bushwick

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“A paixão das ancas,” Brooklyn Brush X Mural Project

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And from her exhibit Pindorama in Flames, at Galeria featuring works created during her NYC residency:

Linha de frente

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“Suadade de sertão encantado” —  with figure painted live to the right

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“Meu murk” – the artist’s signature performance-installation at Brooklyn Brush, Brooklyn, New York

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The exhibit at Galeria — featuring a range of works that address the dichotomy between the ideal Utopian world and the bitter real one — continues through September 15th.

Note: Mag Magrela is a featured artist in Alexandra Henry‘s documentary film Street Heroines

Photos: 1, 3, 4 & 7 courtesy AnnexB; 2, 5 & 6 Lois Stavsky

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Founded and curated by SinXero, the TAG Public Arts Project — a A 501(c)3 Not for Profit in NY State — continues to bring a wonderfully diverse range of public artworks to the South Central section of the Bronx. Pictured above is a mural recently painted by Baltimore-based artist Nether 410. Here are a few others — fashioned by local, national and international artists — that I came upon this past Friday while exploring the streets on and off Westchester Avenue along the 6 line.

Brooklyn-based Australian artist Damien Mitchell, close-up 

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Hong Kong-based Italian artist Barlo, close-up

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The legendary NYC-based Daze

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With Brazilian artists TOZ & BR from the Flesh Beck Crew to his left, close-up

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 NYC-based Sole Rebel

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NYC-based Puerto Rican artist Ralph Serrano

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Rochester-based Mr. Prvrt and NYC-based A Visual Bliss, close-up

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 Photo credits: 1 Courtesy SinXero; 2-8 Lois Stavsky

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Working with a motley range of discarded objects, Yonkers-based interdisciplinary artist Michael Cuomo repurposes them into masks that he calls Heads of State. Exhibited in both outdoor and indoor spaces, his unique sculpture assemblages provoke and entertain. This past week, some of his newest smaller masks made their way onto the Yonkers Waterfront.

Pigskin

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Rex

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Installation in Progress

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A master of neo-primitive folk art in all media, Michael Cuomo recently released a coloring book with his original soulfakes drawings. You can purchase it here.

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Photos by Richie DiFrisco

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Recognized for his folksy outsider aesthetic, Brooklyn native Steven Cogle has shared his talents on public spaces for the past few years at the Welling Court Mural Project.  I recently met up with him.

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When did you first begin drawing?

I was five or six when I started drawing cartoons.

Any inspirations back then?

I was a big fan of Charles Schultz.’s Peanuts comic strip, and I also loved Bugs Bunny.

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Did your family have any response to your early drawings? Did they encourage you?

Not really! But my classmates did. I was always drawing characters for them.

What about your teachers?

I took an art class when I was a student at George Gershwin Junior High School in East New York.  I couldn’t say, though, that my teacher encouraged me.  But when I discovered Lee J. Ames’ How to Draw books in the library, I used them to teach myself how to draw.

Did you go on to study art in a formal setting?

No. I’m self-taught.

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How would you describe your particular aesthetic? It’s been referred to as Neo-Expressionism.

My artwork reflects me – tribal Africa crossed with urban blight. Growing up in East New York, I witnessed a lot of tragedy and loss, along with hope and survival. As I layer the painting on the canvas, I am also layering the experiences that I saw.

Have any specific artists influenced you?

Eric Orr became a mentor to me, and explained the business side of art to me.  And I was influenced by Picasso’s versatility, Basquiat’s palette and Clemente’s spirituality. 

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What about galleries? When did you first show your work in a gallery setting?

In 2004 my work made its way into two Brooklyn spaces and into an exhibit at the Chelsea Center for the Arts in Manhattan. I’ve since exhibited in several galleries in Brooklyn and in Manhattan, and my work is in collections across the globe. My dream is to see my work in a museum setting.

I first discovered your artwork in Astoria, Queens, where you painted with the Welling Court Mural Project. This year, in fact, you collaborated with Al Diaz.  You don’t generally paint in public spaces. What brought you to Welling Court?

I’m fond of Garrison Buxton, the project’s organizer, and I love the make-up of the neighborhood. I’ve painted there for the past four years.

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Have you any favorite artists among those active on our streets?

I like the way Chris RWK and Joe Iurato bring me back to my childhood. And there are several Staten-Island based artists I especially like: ErinKelli, John Exit and Kwue Molly.

What’s ahead? 

I’ve been working on a film to be released in 2017. It tells my story, while showcasing a range of creative artists. I plan to move to Italy by the end of this summer, and I wanted to document my life here. And, of course, more painting is ahead.

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Why the move? 

It’s time for a change!

Yes, change is good! Good luck with it all! 

Photo credits: 1 Lidia Santana; 3, 4-6 courtesy of the artist; 2 Lois Stavsky; interview conducted and edited by Lois Stavsky

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Not A Crime‘s summer-long street art campaign for education equality continues to enhance the streets of Harlem. Featured above is Paris-based Astro’s first mural in NYC.  Here are several more that have surfaced since the spring:

Chilean artist Cekis, close-up

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South African artist Ricky Lee Gordon

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 Australian artist Rone, close-up of Nasim Biglari

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Brazilian artist Alexandre Keto, close-up

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 Harlem’s legendary Franco the Great

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 South Carolina – based Patch Whisky at work

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Close-up from Patch Whisky‘s completed mural

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Brooklyn-based Elle at work

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Close-up from Elles completed mural

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An expansion of last year’s NYC-based mural campaign covering four boroughs and New Jersey, the #NotACrime Street Art Campaign for Education Equality is curated by Street Art Anarchy.  Now in its second year, the #NotACrime campaign was founded by Maziar Bahari to expose Iran’s human rights violations.

Note: Keep posted to our Facebook page for additional murals from Not A Crime‘s street art campaign for education equality by Erik Burke, Tats CruCol Wallnuts and more. You can also check out videos of artists at work and more on the Education Is Not a Crime Facebook page.

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Photo credits: 1, 4 – 6 & 8 Tara Murray; 2, 3 & 10 Lois Stavsky; 9 & 7 bytegirl

Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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The windows of NYU’s Kimmel Center are now home to a wide range of street art and graffiti artworks. Presented in partnership with 3rd Culture Creative, a cutting-edge media development company, ART STREET 13 WINDOWS 1 WALL showcases the distinct aesthetic of 15 artists whose works have surfaced on our streets. I recently had the opportunity to speak to its principal curator Pamela Jean Tinnen — who for the past five years has curated New York University’s Kimmel Galleries.

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I’m always delighted when universities embrace street art. Can you tell us something about how this project came to be? What might have prompted it?

Yes! Awhile back I went on a street art tour of the Bushwick Collective, conducted by one of my colleagues, Izzy Church. I loved what I saw, and I soon began researching street art. An exhibit featuring street art became a passion project of mine, and the Kimmel Windows Gallery seemed like the ideal site to showcase public art, particularly during the summer months.

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Exhibiting works by street artists and graffiti writers in a public space – that can be seen by everyone — is certainly a cool notion! Are there any other particular concepts underlying this exhibit?

Yes. Placing works of street art behind a glass wall also hints at the monetary value of the artworks by those street artists who have achieved mainstream success.

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How did you and your co-curators — Izzy Church and Marten Kale —  decide which artists to include?

We reached out to our favorite artists, and several of the other artists reached out to us.

Did you encounter any unanticipated challenges in seeing it through?

The unconventional nature of the artworks demanded careful attention to their placement in this particular setting.

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I think it looks great! Each window is engaging. How has the response to it been?

The response has been wonderful. I’ve received so many positive messages, particularly from my colleagues.

Until when will it remain on view?

 It has been extended through September 12th.  And during these next few weeks, be prepared for some surprises as we make some changes in the windows! A closing event will be held on Saturday, September 10th from 7:30 – 10pm in the Grand Hall at NYU Global Center, 238 Thompson Street, 5th Floor. There will be art, music and a cash bar.

It all sounds great! 

Kimmel

Images

1. Francisco de Pájaro aka  Art Is Trash

2. Gilf!, Iena Cruz and Cope2 with Indie

3. Ron English

4. Cost and Enx

5. Richard Hambleton

Located on Laguardia and West 3rd St, Kimmel Windows also features: John Fekner, ASVP, Lady Pink, Jonathan “Meres” Cohen, Fumero, Raquel Echanique, Federico Massa a.k.a. Iena Cruz, B.D. White, Joe Iurato, Martian Code and Skewville.

Photo credits: 1-4 Lois Stavsky; 5 courtesy Woodward Gallery; interview by Lois Stavsky

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Lady K Fever has been feverishly busy! Along with creating and installing All Along the Watchtower, an interactive public art installation at Marcus Garvey Park, she was also at work curating Inside Out, a group exhibit at the nearby Heath Gallery, to coincide with her installation.  This past Sunday, I had the opportunity to visit both the installation and the exhibit.

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Another segment of the Marcus Garvey Park installation — at night

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And at the Heath Gallery — Lady K Fever, Mystery

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Jenevieve, Two Views

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Natalie Collette Wood, Eliptical Star

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Marthalicia, Aquatic Boy

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Shame 125, Admiring

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Bio,Tats Cru, Let the Games Begin

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And “the crew” outside Heath Gallery

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The exhibit at Heath Gallery can be seen this weekend: Saturday from 12-6pm and Sunday 12-5pm. All Along the Watchtower remains on view through the end of this month. And for a guided walk of it, you can meet up with Lady K FeverSuprina and the Marcus Garvey Park Alliance members at the nearby Chéri Restaurant, 231 Lenox Avenue, between 6-7pm on Friday evening.

All Along the Watchtower is sponsored by the Marcus Garvey Park Alliance Public Art Initiative with funding provided in part by the Harlem Community Development Corporation. 

 Photos: 1-3 & 10 courtesy Lady K Fever; 4-9 Lois Stavsky

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Pictured above is Argentine artist Felipe Pantone, painted for this year’s Mural Festival. Here are several more murals we captured on our visit to Montreal last week:

UK-based D*Face, 2016

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Montreal-based Xavier Raymond aka X-Ray, 2016

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Australian artist Reka, 2013

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Toronto native Troy Lovegates aka Other, 2013

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Tel Aviv-based Klone, 2016

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Belgian artist Roa, 2013

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Note: LOST PARADISE, a solo exhibit featuring the work of Xavier Raymond aka X-Ray will be on display at Montreal’s Station 16 Gallery from August 18th to September 10th.

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Photo credits: 1, 6 & 7  Tara Murray; 2-5 Lois Stavsky

Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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