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Babe Ruth, Derek Jeter, Roberto Clemente and Satchel Paige are among the legendary baseball players whose faces now grace a range of storefronts on and off River Avenue from 158th Street to 162nd Street. A partnership between the 161st Street Business Improvement District and 501 See Streets, this particular project is one of several initiated by 501 See Streets founder and director, Noah Sheroff. I recently met up with Noah to find out more about him and his Paint New York project.

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You are on a mission to bring public art to neighborhoods in NYC and beyond. What spurred your interest in street art?

I grew up in a neighborhood that was largely void of art. When I first visited 5Pointz in 2011, I was struck by the beauty and energy of it all. The following year I went on a tour of the Bushwick Collective, and soon after that, I discovered the Welling Court Mural Project in Astoria, Queens.  By then I was hooked!  I knew that I wanted to bring art murals to communities that wouldn’t otherwise have them. 

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We are familiar with the murals you facilitated that have transformed the blocks around Yankee Stadium.  Have you engaged other neighborhoods?

Yes. Danielle Mastrion painted a mural on Flatbush Avenue and Avenue H in Brooklyn; Miss Zukie collaborated with John Paul O’Grodnick on Benson Street.across from the Lewis & Clark School, and Marthalicia painted on Jerome Avenue and East 198th Street.

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What are some of the challenges you’ve encountered?

It’s been a daunting learning experience!  The community members are often apprehensive. Artists tend to question my motives. And the funders are hesitant to fund “a new kid on the block.” 

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What seems to be the main concern of the community?

They are concerned about the content – about offending the sensibilities of the folks who live in the neighborhood.  That is one of the reasons artists are often asked to submit a sketch first. 

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You are in the process of forging alliances with several Business Improvement Districts. Are they generally receptive?

Yes, the BIDs are generally receptive. They see the art as a way to highlight their businesses, bring commerce to their neighborhoods and attract tourists. I am also forging partnerships with civics and other neighborhood organizations.

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What’s ahead?

I’m interested in expanding Paint New York into more neighborhoods and working with a range of community groups. And at this point, fundraising is essential to cover expenses and to pay the artists for their talents and time.

Good luck! And we are looking forward to 501 See Streets bringing more art to our streets!

Note:  Find out how you can help support Noah’s project here

Interview by Lois StavskyImages 1 & 2 Danielle Mastrion; 3 & 5 Lexi Bella; 4 & 6 Andre Trenier; photo credits 1 & 2 Lois Stavsky; 3-6 City-As-School intern Diana Davidova

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Reclaimed, Meres One‘s solo exhibit at Bushwick’s Low Brow Artique, brilliantly celebrates Meres‘s wonderful talents and his love of graffiti. I spoke to Meres soon after visiting the exhibit:

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Can you tell us something about the title of the exhibit, Reclaimed? What does it mean?

After many months of coping with the loss of 5Pointz, Reclaimed is my way of revisiting and reclaiming my early days as a graffiti artist.

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When did you first come up with the concept with the exhibit?  And can you tell us something about the process of preparing for it? 

I came up with the general idea in January, and when I showed some of the pieces I was working on to Bishop, he offered me a solo show at Low Brow Artique. In preparation, I revisited hundreds of photos of walls that I had painted at 5Pointz. My next step was to reinterpret them — selecting fragments from them and honoring my appreciation of hand-style.

"Meres One"

What about the centerpiece? It is so impressive! Its texture is just beautiful. It looks as though it was painted on reclaimed wood.

Yes, I painted it on a piece of wood that was reclaimed from the Coney Island boardwalk. I love that it has taken on a new life in this exhibit.

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How has the response been to the exhibit?

It’s been great! The opening was wonderful, and only two pieces remain. The others were sold shortly after the exhibit opened. I am currently preparing for a Part II, where I will take my work on this same concept to another — more abstract — level while working on a range of different surfaces.

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Note: Reclaimed remains on view at Low Brow Artique through Saturday May 9.  Now open seven days a week, Low Brow Artique is situated at 143 Central Avenue in Bushwick, Brooklyn.

Interview and photos by Lois Stavsky 

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Almost 40 years ago the historic Old Bronx Courthouse building closed its doors. This past Thursday evening, the landmark structure reopened to host When You Cut Into the Present the Future Leaks Out, a thoroughly engaging multi-media exhibit, curated by Regine Basha for No Longer Empty Featuring over two dozen artists on three levels, its title references the remix suggested by William S. Boroughs. Here are a few more images captured on Thursday:

Teresa DiehlL-Alber-Into, Video and sound installation

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 Another view of  Teresa Diehl‘s ever-transforming hallucinatory musical installation

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Shellyne RodriguezPrototype For Belphegor’s Eye, 168 flesh-tint dyed mousetraps, rhinestones, gold chains, copper wire, plywood

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Shellyne RodriguezGeperudeta, Ceramic

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David Scanavino, Untitled, Linoleum tile

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Ellen HarveyAlien Souvenir Stand (close-up), Oil on aluminum, watercolor on gesso board, propane tanks, plywood, aluminum siding and poles, aluminum diamond plate, magnets

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Lady K FeverAll Rise (close-up), Mylar on façade of  building

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The exhibit continues through July 19, along with a variety of programs ranging from fashion shows to presentations by such Bronx-based artists as Eric Orr, Per One and Joe Conzo. The old Bronx Courthouse is located at 878 Brook Avenue at East 161 Street and Third Avenue in the South Bronx. 

Note: First photo features Deborah Fisher and Paul Ramirez Jonas, Something for Nothing, Mixed media, Custom designed neon sign

Research for this post by City-As-School student Diana Davidova; photos 1, 5, and 7 Diana Davidova; 2-4, 6 and 8 Lois Stavsky

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roa-mural

The extraordinarily gifted Belgian artist Roa has recently shared his talents and passion for the animal kingdom with us outdoors in Jersey City and indoors at the Jonathan LeVine Gallery. The following images were captured this past Saturday near the entrance to the Holland Tunnel, not far from Mana Contemporary where Roa created his works for Metazoa, currently on exhibit at Jonathan LeVine:

Close-up

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Close-up with Roa at work

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The mural, full view

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And here is a sampling of ROA‘s interactive works at Jonathan LeVine, largely created on found, salvaged materials:

Sturnus Vulgaris, mixed-media

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Composition II: Lutrinate, Salmonidae, Anguilliformes, mixed media

Sturnus Vulgaris, mixed media

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NY Canidae, mixed media, rear

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Metazoa continues through May 2 at Jonathan LeVine at the gallery’s 529 West 20th Street space.

Note: For a wonderfully interactive view of several pieces check out this post on Colosaal

Photos of Roa in Jersey City by bytegirl; of Roa’s works at Jonathan LeVine, Dani Reyes Mozeson

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Jamie-Martinez-Mountain-Cat

Until April 23 it is still possible to see Jamie Martinez’s distinctly wonderful art at Gallerie Protégé.  Fashioned meticulously and inventively from triangles, Jamie’s works on display range from exquisite oil paintings to tantalizing abstract designs. Here is a sampling of the works from the exhibit, Hunt for Inspiration, curated by Oscar A. Laluyan:

Leopardo, 552 individual oil paintings on wood

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El Lobo, oil on canvas

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Abstract 15, digital c-print

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Particularly exciting news for us street art aficionados is that several of Jamie Martinez‘s abstract works will be blown up between 6-9 feet for an upcoming public art project, Off the Grid: Innovations in Contemporary Abstraction.  The works will remain on exhibit for a minimum of six months at the site of the West Village Triangle Park at 7th Avenue and 12th Street.

Note:  Gallerie Protégé is located on the lower level of Chelsea Frames at 197 9th Avenue

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Photo credits: 1, 2, and 5 Dani Reyes Mozeson; 3 Lois Stavsky; 4 courtesy of the artist; the first image pictured is Mountain Cat, oil on canvas; the final image is Medusa, 414 individual oil paintings on wood.

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Boone-Room-Bronx-graffiti-Cope2

Some of NYC’s most vibrant and striking murals–on Boone Avenue between 172nd and 173rd Streets in the Bronx–were demolished last year to be replaced by residential buildings. But thanks to the efforts of SLO Architecture, various artists, neighboring Fannie Lou Hamer High School, Maria Krajewski, City-As-School students and several others, the spirit of Boone Avenue lives. Featuring dozens of images, interviews and more, the Boone Room website, constructed by City-As-School students, can now be viewed online. To celebrate its launch, the public is invited to join the City-As-School family, several of the artists and a host of performers and musicians tonight at Exit Room.

 Artists interviewed for the Boone Room website include: Cope2, Eric Orr, Marthalecia and Valerie Larko who has preserved the walls in her amazing photorealistic paintings.

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Lady K Fever

"Lady K Fever"

Kashink — who was visiting NYC from Paris — to the left of Lady K Fever

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 Tonight at 270 Meserole Street in Bushwick

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Post by City-As-School intern Zachariah Messaoud with Lois Stavsky; photos 3 and 4 courtesy Maria Krajewski

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Ron-English-Temper-Tot

Yesterday famed artist Ron English brought his vision to the legendary wall on Bowery and Houston. We are thrilled that this space is once again serving as Downtown Manhattan’s most exhilarating, rotating, outdoor canvas.

The artist and his mural — to be further enhanced — featuring his iconic Temper Tot and his take on the American flag

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Ron English‘s wonderfully sardonic commentary on it all

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Another close-up

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Note: Ron English continues to work on his mural on Houston and Bowery; he is to begin painting it today, further enhancing his amazing work!

Photos by Dani Reyes Mozeson

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LMNOPI-art-Brooklyn-Is-the-Future

Featuring an awesome array of outdoor and indoor murals, along with a range of smaller works in different media, Brooklyn is the Future opens this evening at the Vazquez at 93 Forrest Street in Bushwick. Here is a small sampling of what I saw when I stopped by yesterday.

Brooklyn is the Future curator, N Carlos J at work.

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Chris Soria at work 

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 Eelco at work

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Marc Evan at work

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Savior Elmundo, close-up

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Ben Angotti, close-up

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Rob Plater

Plater-art

The two-weekend long exhibit and charity event opens this evening at 6pm.

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Photos by Lois Stavsky; the first photo features LMNOPI

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keith-haring-close-up-untitled-1984

Unlike so many of Keith Haring‘s playfully iconic works that exude a child-like innocence, the huge works on exhibit in Heaven and Hell largely suggest an eerie darkness and unfettered eroticism. Here’s a sampling:

Wide view of two untitled works, 1984

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Untitled, 1985

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Untitled, 1984

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Untitled, 1984

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Heaven and Hell remains on exhibit at Skarstedt at 550 West 21 Street through next Saturday.

Photos of images: 1, 4 and 5 City-as-School intern Zachariah Messaoud; 2 and 3 Dani Reyes Mozeson. Note: First photo is a close-up from the huge mural below it (R).

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RAE-This-May-Come-as-a-Shock

On exhibit through April 19 at 34 1/2 Bayard Street in Manhattan’s Chinatown, RAE’s brilliantly idiocyncratic Trunk Work celebrates the retrieval and contents of RAE‘s trunk from his former Brooklyn studio, while chronicling the events related to its loss and rescue. Graphically and conceptually engaging, Trunk Work wittily defines the mood and culture of the Brooklyn environs that housed RAE‘s trunk, as it showcases a range of RAE’s rescued and new works.

For four years, you couldn’t gain access to your trunk. What exactly was inside it?

Various artworks, notebooks, sketches, implements and a range of personal items.

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How did you lose access to it?

I had been maintaining a studio in a Flatlands, Brooklyn apartment building. But as a result of tenant complaints, I was forcibly removed. Barred from entering the building, I had no way to retrieve my trunk.

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What kinds of complaints might these tenants have had?

They didn’t like my taste in music; they complained that it was too loud. And the noise from my art practice bothered some. Finally, when a microwave I was using to melt some materials exploded, the landlord decided that he’d had enough of me.

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How did you finally retrieve your trunk?

This past August, cracks were discovered in the building’s facade and the entire building was evacuated. Amidst the chaos of it all, I was able to retrieve my trunk from what was once my studio.

We’re so glad you did! What a story! And what an amazing recreation of it all!

In true RAE fashion, Trunk Work is far more than an art exhibit; it is a totally immersive experience. Set in a Chinatown basement at 94 1/2 Bayard Street, right off Mulberry, it continues through April 19, Thursday-Sunday (except for Easter) from 1-6pm.

Photos 1-3 and 5 by Lois Stavsky; 4 by Dani Reyes Mozeson

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