News

T-kid-on-canvas-at-212-arts-NYC

Continuing through March 8 at 212 Arts in the East Village is Graffiti Legends, an exuberant exhibit of artworks by legendary Bronx artists: Bio, BG 183, Ces, Crash, Nicer, Skeme and T-Kid.  What follows is a sampling:

Another by T-Kid

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Skeme

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 BioTats Cru, close-up

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Ces

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Crash

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And a range of tags  — many, also, legendary — that surfaced on canvas opening night

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Curated by 212 Arts director Marc Leader, Graffiti Legends remains on exhibit through next Tuesday at 240 East 4th Street.  Hours are:  Tuesday through Saturday 2:00 pm – 8:00 pm, and Sunday 2:00 pm – 7:00 pm.

Photo credits: 1 Tara Murray; 2 Houda Lazrak; 3 Lois Stavsky and 4-7 Dani Reyes Mozeson

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Sei-and-Ki-smith-brothers

We recently had the opportunity to meet up with Apostrophe founders and curators — Sei and Ki Smith  — and find out a bit about their plans for 2016:

Just what is Apostrophe?

Apostrophe began as a gallery and performance space in Bushwick in 2012, and it has since evolved into a series of pop-up exhibits and events. As a collective, it is designed to offer exposure to artists while sparking a creative energy that can be experienced by everyone.  Our last exhibit, Subway Show, took place at the Kosciusko Street stop on the J train.  The subway passengers, along with anyone else who came by, were treated to art, music, a comedic performance and refreshments!

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What about its name, Apostrophe?

Our concept came before the name. The name was inspired by the title of Frank Zappa’s eighteenth album Apostrophe’.  It suggests an inclusive fusion of energies.

What is Apostrophe’s current mission?

The mission of our current project Base 12 is to highlight the art of twelve talented artists in a dozen diverse, unconventional settings, while making their art accessible to folks who might not otherwise see it.  When art is shown exclusively in gallery settings, its audience can be limited.

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What kinds of alternative settings are you referring to?

Of the nine upcoming pop-up shows here in NYC, three will take place on subway platforms, three in museums and three in parks. They will all engage passersby in non-traditional ways. Details will  be announced the day of the event via Instagram and Facebook.

That sounds great! How did you select the artists?

Some had participated in exhibits in our former Bushwick space; others we met through friends. And some we discovered through our open call for submissions.  We’ve all gotten to know one another, and we all work well together.  Once a month we come together, and we critique each other’s artworks. We love not only the works of the artists we are showing, but their energy, as well!

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Do you both have a formal art education?

We both went to art school, but neither of us finished. We grew up, though, in a family of artists and have always engaged in art-related projects here and abroad.

What’s ahead?

In addition to what will be happening here in NYC, we are planning three exhibits and events abroad: at Alan Istanbul in Turkey; at corretger5 in Barcelona, and at a gallery space — to be announced — in London.

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It’s all very exciting!  Lots of luck! We will definitely keep posted to your Instagram.

Interview by Lois Stavsky with Houda Lazrak

Photo credits: 1 Lois Stavsky; 2-4 courtesy of Apostrophe; 5 Tara Murray

2  Subway Show 

3  James A Reyes, My Shorty

4  Sei Smith, Half Portrait No. 5

5  James Rubio, Black Flowers, close-up of public art work

Apostrophe’s Base 12 will also feature the works of Caslon BevingtonRyan Bock, Morell Cutler, Alana Dee Haynes, Kolter Hodgson, Charlie Hudson, The Love ChildJulia Powers and Bruno Smith

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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4sakn-paints-graffiti-nyc

Bringing flair and flavor to the walls on and off Bogart Street in Bushwick this past Saturday were some first-rate graffiti artists. Here is a sampling:

Large fragment of 4Sakn’s completed wall

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Miami’s Eskae 545 at work

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Bishop203 aka Jat1

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Hoacs at work

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Trace at work

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Roachi

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Photo credits: 1-6 Tara Murray; 7 Dani Reyes Mozeson

Note:  Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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the-newstand-installation-MoMA-NYC

The Newsstand, the underground zine and visual art space that ran inside the Lorimer L/G subway station from 2013 to 2014, has been recreated for MoMA‘s exhibit, Ocean of Images: New Photography 2015,  And it is certain to delight not only fans of photography and zines, but graffiti and street art aficionados, as well! Here are a few images we captured on our visit:

Back in the day

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With fire extinguisher in hand

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Along the tracks

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The Domino Sugar Factory and more

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Lele Saveri‘s photos of commuters, tags on bills and more

the-newsstand-bills-photos and more

 Close-up

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Produced in collaboration with Alldayeveryday, the installation remains on view through March 20th. Lele Saveri and other artists from The Newsstand and 8-Ball communities will present two free zine workshops for NYC high school students next month. You can check out the details here.

Photo credits: 1 Lois Stavsky; 2 – 7 Dani Reyes Mozeson

Note: Our highly acclaimed Street Art NYC App is now available for Android devices here.

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On Urban Art Legends by KET

February 15, 2016

The following post is by Houda Lazrak, a contributor to StreetArtNYC and recent graduate of NYU’s Masters Program in Museum Studies

Urban Art Legends, by the renowned graffiti writer, photographer, curator and author Alan Ket aka KET, presents 39 engaging profiles of key urban artists, along with photos of their significant works.

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After a concise and informative introduction, in which he terms urban art as “this other art world,” KET introduces his readers to such pioneering and influential artists as ATOME, Futura, JON ONE, Lady Pink, Mode 2, Os Gemeos and Saber. Included in the artist profiles are: essential career highlights, defining artistic features, style evolutions, crew associations and specific creative projects, along with the artists’ engagement with the fine art world.

We learn, for example, that in addition to painting train graffiti, DAZE exhibited alongside Basquiat and Haring at NYC’s Mudd Club, lectured at universities and designed a train station — with Lee and Crash — in Germany.  Iconic musicians such as Madonna and Eric Clapton have purchased his canvases and numerous museums in the U.S., Germany and the Netherlands have added his paintings to their collections.

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Crash, KET notes, pioneered the graffiti movement’s relationship with the gallery world with the exhibit, Graffiti Art Success for America, that he curated at Fashion Moda in 1980. He has since exhibited in museums throughout the world and partnered with a range of companies on varied projects. And he is now, once again, active on the streets.

KET also selects some 20 artists — including Sane Smith, Risk and JON ONE — to whom he awards  “legendary status.”  We discover, for example, that Sane Smith was sued for three million dollars for painting a work visible for miles on NYC’s Brooklyn Bridge. Risk attains “legendary status” for being the first Los Angeles writer to paint a NYC subway train when he visited in 1978. And KET confers legendary status on Paris-based Harlem native JON ONE for receiving France’s premier award, the Legion of Honor, for his contributions to art and culture in France.

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KET also seamlessly links the two worlds of street art and graffiti by telling the stories of individuals — such as Ben Eine and Os Gemeos – who have dual identities as both graffiti writers and street artists.

Urban Art Legends beautifully captures the diversity of artistic practices found in our cities — from subway trains to galleries and back onto the streets. KET’s enthusiasm and passion for urban art pervade these pages as he writes that “justice cannot be done to all those incredible talented individuals who have informed and advocated” the urban art movement.

Urban Art Legends certainly comes close, as it offers readers a solid grasp of over three dozen of those individuals who have significantly impacted the urban art scene.

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Published in the UK by LOM ART, Urban Art Legends is now available online and in most NYC bookstores.

All images courtesy LOM ART:

1. Book cover, designed by Jamie Keenan; Nick Walker, 2015, Photography by Paul Green

2. CRASH, panel piece on subway train, Bronx, New York, USA, 1980. Photography by Phade

3. JONONE, Le Départ, spray paint and acrylic on canvas, 600 x 300 c.m., 1994, Speerstra Collection

4. ATOME, Sydney, Australia, 2014. Photography by artist

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This is the fourteenth in a series of occasional posts featuring the diverse range of trucks and vans that strike our streets.

Swedish writer Marvel aka Marr

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Buff Monster and KA

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Iena Cruz

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Kepts

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Taboo

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Signal

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Photo credits: 1 Nic 707; 2 Tara Murray; 3 Lois Stavsky; 4 & 5 Dani Reyes Mozeson; 6 Houda Lazrak 

Our highly acclaimed Street Art NYC App is now available for Android devices here.

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This is Part III in an ongoing series of posts featuring politically and socially conscious artworks that have surfaced on NYC streets:

Kingbee and Tito Na Rua take on gentrification in the Bronx

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Hanksy‘s famed portrait of Donald Trump in Downtown Manhattan

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Groundswell youth  — with lead artist Danielle McDonald and assistant artist Jazmine Hayes — in Bed-Stuy 

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Hunt Rodrigues on the pavement in Bushwick

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Sophia Dawson  on Myrtle Avenue — with quote from Assata Shakur — for Black Artstory Month

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Photo credits: 1 & 5 Lois Stavsky; 2, 3 & 4 Tara Murray

Note: Our highly acclaimed Street Art NYC App is now available for Android devices here.

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Lulu-reich

I recently stopped by 212 ARTS and had the opportunity to speak to Laura “Lulu” Reich who, along with Marc Leader, founded and directs the gallery.

I’ve heard great things about your current exhibit, Gumshoe: Red, White And Black, and I’m so glad I finally had the opportunity to visit this space! How long has 212 ARTS been here?

We’ve been here as 212 ARTS since this past October.

This space here at 240 East 4th Street is so perfect for a gallery. Why did you choose this particular neighborhood? And how were you so lucky to get this space?

I’m an East Village girl and I love everything about this neighborhood — its history, alternative culture and more. Yes, acquiring this space was mere luck! I had found out from the landlord that it was available.

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What is the vision behind 212 ARTS

It is to give exposure in a gallery setting to urban artists, particularly those who work on the streets, as well as in their studios. It is also to educate folks about the artists in this scene. There are stories to tell, as in this current exhibit, Gumshoe: Red, White And Black.

Can you tell us something about this current exhibit?

It is Gumshoe‘s first solo exhibit in NYC. We chose to present this exhibit because we love Gumshoe’s work and her distinct female energy! And it seemed like the perfect exhibit for Valentine’s Day.

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And what about its title, Red, White and Black?

Most of the pieces in the exhibit are red, white and black. The title is a play, of course, on the colors of the American flag, presenting the darker side of the American dream.

And the gum that always makes it way onto those glorious red Louboutin heels? What is that all about?

As we strive for perfection and sometimes almost reach it, we meet inevitable disaster! The gum is the metaphor for that. We get stuck along the way!

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Oh, yes! There is a story to tell! Until when will folks be able to see this exhibit?

We are open Tuesday through Saturday 2:00 pm – 8:00 pm and on Sunday 2:00 pm – 7:00 pm.  You can also make an appointment to see it by contacting me at laura@212arts.com  Gumshoe‘s exhibit closes on Wednesday, February 17th.

What’s next?

Opening on the 18th is an exhibit featuring artworks by NYC graffiti legends. Among those showing are: Crash, Skeme and T-Kid.

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I’m certainly looking forward to that! Good luck!

Interview conducted and edited by Lois Stavsky; all photos feature Gumshoe‘s work; photo 4 of Gumshoe‘s installation also features Jily Ballistic and Al Diaz; photo 5 of  Gumshoe at work was captured awhile back on the Lower East Side.

Photo credits:1 & 4 Lois Stavsky; 2 & 5 Dani Reyes Mozeson and 3 Houda Lazrak

Note: Our highly acclaimed Street Art NYC App is now available for Android devices here.

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nic707-space-man_edited-1

After a brief hiatus, I was again riding the subway trains with Nic 707 as he continues to bring Old School writers, along with new artists, back to where it all began. Here are a few more images captured yesterday from another chapter in the Instafame Phantom Art movement:

Nic 707, Surround Yourself with Love

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Nic 707, Fill Your Heart and Mind with Love

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 Part One

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Styx

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Gear One

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Gear One does Che Guevara

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First image is: Nic 707, Love Is Not Alien Technology

Photos by Lois Stavsky

Note: Our highly acclaimed Street Art NYC App is now available for Android devices here.

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Naomi-rag-yarn-bomb-East-Harlem-NYC

East Harlem resident Naomi RAG has continued to yarn bomb her neighborhood, enhancing it with color, warmth and intrigue. Here are some more images of trees that she has cloaked:

Tree pictured above, as seen last week from another angle

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As seen last week 

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As revisited a few weeks back at night

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And as seen a few weeks back at dusk

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Photos by Dani Reyes Mozeson

Note: Our highly acclaimed Street Art NYC App is now available for Android devices here.

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