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This past Saturday, Green Villain and Writer’s Bench  hosted a buoyant block party at the site of the former 2015 landmark Demolition Exhibition. The hundreds of folks who attended the massive celebration were treated to live painting and music, along with food provided by local vendors. Pictured above is Newark-based Mr. Mustart. What follows are several more images captured Saturday by David Sharabani aka Lord K2.

The legendary Bronx native Skeme aka 3 Yard King at work

On the scene with Skeme aka 3 Yard King’s work in progress

Philly-based Mecro at work

Jersey City-based 4Saken painting with Molly posing

Blackbook signing

NYC-based classic writer Mone TFP

NYC-based graffiti pioneer Curve at work

Young artist takes a break

Photos by David Sharabani aka Lord K2.

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Brilliantly countering any claims that feminism is dead and that the Hip-Hop culture “is detrimental to women and girls,” Jessica Nydia Pabón-Colón has written an impeccably researched study of the grrls who have paved their way into the predominantly male graffiti culture, claiming their own space.

Based on interviews conducted with over 100 graffiti grrls across the globe over the span of 15 years, the author, now an Assistant Professor of Women’s Gender and Sexuality Studies at SUNY New Paltz, provides us with a window into the minds, practices and experiences of a wide range of female writers crossing cultures and generations.

Among the many assumptions and false claims female writers often have to contend with are that they are writing graffiti to get noticed by guys or doing it to make their boyfriends happy. Or that they aren’t writing at all; it’s their boyfriends who are doing it for them. Rumors, too, regarding their sexual promiscuity are rife.

And yet, for various reasons, many are reluctant to identify as “feminists,” a term too often associated with man-haters. Pabón-Colón relates how when she first asked the famed bomber, Miss 17, if she was a feminist, her immediate response was a brusque, “No.” Five years later – in 2009 – Miss 17  had tempered her views, largely due to the friendships that she had developed with the likes of Claw Money and the author, herself.

Throughout Graffiti Grrlz: Performing Feminism in the Hip Hop Diaspora, the author convincingly advances both feminism and graffiti as positive and vital social and political forces. Australian artist Ivey, for example, recounts the pride she feels on seeing her tag up and credits the graffiti culture with helping her get through difficult times and motivating her to pursue her education after graduating from high school.

Whether of not graffiti grrls identify themselves as feminists or perceive themselves as political, Pabon-Colon compellingly affirms that their “performances of feminist masculinity” merge the fundamental social, cultural and aesthetic aspects of Hip-Hop culture with the feminist movement

Published by New York University Press, Graffiti Grrlz is the first academic study on women’s participation within the graffiti subculture. Appended with examples of black book pages, comprehensive notes and an extensive bibliography. Pabón-Colón’s work is a rich tribute to the grrls whose voices are too often silenced and a gift to all of us who love graffiti, perhaps the most significant art movement of our time.

You can order the book directly from the author with a special discount here. And follow news of her readings and signings here.

Note: The third image features NYC native Abby and the final one features London-based Chock painting in the Bronx.

Images courtesy of the author; book review by Lois Stavsky

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Opening this Wednesday evening. July 25, from 6-9pm at GR Gallery at 250 Bowery is “Super Matter,” a solo exhibition featuring new works fashioned collaboratively by Simon Grendene and Victor Anselmi, known to us street art aficionados as ASVP.  Segments of recognizable icons, reimagined as shapes of expressive energy, mesmerize the viewer with their dynamic strokes and bold contours. The tantalizing image featured above was fashioned on wood.  A small sampling of additional works from the upcoming exhibit follow:

On canvas

On wood panel

And on a similar vein to their mural art that surfaced a few months back on the Lower East Side

Images courtesy GR Gallery

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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17 Frost Gallery — Brooklyn’s widely impressive hub of “community, camaraderie and collaboration” — is back! And to celebrate its renovation and expansion that began in January 2017, when it closed its doors to the general public, it is hosting WELCOME BACK, ON TRACK this Saturday evening from 7-11pm.

A rebirth of sorts, WELCOME BACK, ON TRACK, features dozens of artists working in a range of media representing contemporary art, street art and graffiti genres.  While 17 Frost Gallery had previously presented monthly solo and group shows, it is now gearing towards exhibiting pop-up shows, with artists encouraged to present new works.

All are invited to celebrate 17 Frost Gallery‘s “rebirth” this Saturday evening. Among the dozens of artists in this premier exhibit — curated by Ellis Gallagher — are such modern legends as Al DiazCope2, Eric Orr, UFO97 and Cost.

With DJ Choice Royce, music and Brooklyn Gin, libations

Featured images

1 EKG

2 Alex Itin

3 Close-up from collaborative work by Cabaio Spirito, rené, Alex Itin and netism

Photos courtesy Ellis Gallagher

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Celebrated across the globe for his inventive stencil art, Joe Iurato continues to inspire and delight us with his innovatively conceived  and beautifully executed artwork. On exhibit at Castle Fitzjohns through this week is “Bottles + Cans,” an exhibition of new works, along with a life-size instillation of a Bistro. Pictured above is Modern Love (Sunset), 2018 spray paint on wood cut out, reclaimed wood. Several more images captured at the exhibit follow:

He Was Here a Second Ago, 2018 spray paint on wood cut out, reclaimed wood

It’s All Downhill From Here, 2018 spray paint on wood cut out, reclaimed wood

Watering Can (Peace), 2018 spray paint on wood cut out, reclaimed wood

Street Stories and Rhymes, 2018 spray paint on wood cut out, reclaimed wood

James ‘right to sing the blues, 2018 spray paint on wood cut out, reclaimed wood

Installation, Bottles + Cans, mixed media

Castle Fitzjohns is located at 98 Orchard Street on Manhattan’s Lower East Side.

Photos by Lois Stavsky

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Conceived and curated by LA based artist and author Nathan Spoor, Suggestivism: Resonance is a wondrous journey into the surreal. Featuring over 50 artists with distinct visions of alternative realities, it opens tomorrow, Saturday, July 7, at Spoke-Art NYC and continues through July 28th, The image above, Nature of Mind,  is the work of Barcelona-based Argentine artist, Peca. Several more images featured in Suggestivism: Resonance follow–

Michigan-based fine artist Dan May, Winter Road

UK-based illustrator Miles Johnston, Solace

Renowned LA-based artist Audrey Kawasaki, Ohana

Colorado-based illustrator and tattoo artist Marisa Aragón Ware, Metamorphosis

And exhibit curator Nathan SpoorPremonition

In conjunction with the exhibition, a coffee table art book titled Suggestivism: Resonance will be released. Spoke-Art NYC will be hosting a book signing with Nathan Spoor and many of the participating artists from 4 – 6pm prior to the exhibition opening. The gallery is located at 210 Rivington Street on Manhattan’s Lower East Side.

Photos courtesy Spoke NYC

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Brimming with exuberant energy and stylishly striking images, HIGH & TIGHT, LA2‘s solo exhibition, is a cause for celebration.  Proclaimed by Keith Haring — with whom he had collaborated in the 80’s — as the “Graffiti King of the Lower East Side,” LA2 is tighter than ever. Pictured above is LA2 standing next to the exhibit’s curator and gallerist, Jonathan Satin. Several more images captured while I visited the space at 198 Allen Street on Manhattan’s Lower East Side follow:

Installation of several canvases, sneakers, skateboard deck and more 

 

Several more artworks and memorabilia reminiscent of LA2’s collaborations with Keith Haring

Canvases, repurposed traffic sign, skateboard deck, guitar and collaboration with London-based Stik

 

You can join LA2 tonight — from 8-11pm — at 198 Allen Street. He promises “live painting and dancing” in celebration of Independence Day. And through Sunday’s 5pm closing, the space is open every day from 12-8pm

Photos: Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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I first came upon JR‘s ingenious aesthetic ten years ago when I discovered a series of his portraits of Israelis and Palestinians pasted face to face along the Separation Wall in Abu Dis, Jerusalem. Celebrating the similarities between Israelis and Palestinians, the Face 2 Face Project heightened the absurdity of this seemingly endless conflict among cousins — and has stayed with me since. Within this past decade, JR has continued to bring his wondrous talents and socially-conscious vision to dozens of sites across the globe, often giving a voice to those whose voices are silenced.

This past week, Galerie Perrotin NYC  launched Horizontal featuring an eclectic selection of JR‘s works. His first NYC solo show, Horizontal presents — in addition to the artist’s archival prints — a range of mixed-media installations.

Featured above is Migrants, Mayra, Picnic Across the Border, Quadrichromie, Tecate, Mexico – U.S.A. 2018. What follows are several more images from Horizontal captured by street and travel photographer Karin du Maire aka Street Art Nomad.

Mixed media installation featuring JR‘s signature eye

Women Are Heroes, Le Havre, France, 2014

Giants, Kikito, Front View, Work in Progress, Tecate, Mexico – U.S.A2018

On Galerie Perrotin NYC exterior

And outside the gallery with street artist TomBob

The exhibit continues through August 17 at Perrotin New York, 130 Orchard Street.  Running concurrently at Perrotin is ALOALO, Mahafaly Sculptures of the Efiaimbelos.

Note: In observance of Independence Day, the gallery will be closed through July 4th. It will open at 10am on Thursday.

Photos by  Karin du Maire

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Located in what was once an abandoned 19th Century building, the cultural center known as HaMiffal now hosts an extraordinary range of cultural activities, while providing studio space to artists working in different media. And towards the end of 2017, its production department became engaged in building an entire hospitality infrastructure, the ART BNB INN, that hosts international and Israeli artists from a range of disciplines.

While visiting the space, I had the opportunity to speak to Jerusalem-based artist Meydad Eliyahu, who has been involved with HaMiffal since its inception.

What a remarkable space for artists and for art lovers! When did HaMiffal host its first event?

At the end of 2015, we opened it to the public, inviting artists to create site-specific work in a range of media.

Can you tell us a bit about your engagement with HaMiffal?

I was the first artist-in-residence. That was almost a year ago. For three months, I worked on a series of paper drawings that reflect this building and one in India that I had been researching. I’ve also participated in most of HaMiffal‘s exhibitions, and I was among the first artists to curate here.

How does the process of working here differ from working in your studio?

Working in front of other people, and — at times —  in collaboration with them, is far different than working alone in one’s studio. It is almost performance art! And there is always dialog. It is challenging in a positive sense.

Who are some of the other core artists involved with HaMiffal’s development?

Among them are: Noa Arad Yairi, Neta Meisels, Michal Harada, Shavit Yaron, Tal Harada, Tal Ben Hamo, Yuval Yairi, Itamar Hammerman, Shaul Zofef, Ann Deych, Deborah Fischer, Gilli Levi, Kobi Vogman, Michal Chevion, Michael Cohen, Jonathan Ofrat and Elad Yaron.

Several months ago, HaMiffal began hosting artists from around the world who conduct workshops that are open to the public. Can you tell us something about that?

Yes. In late December, eight artists — of diverse backgrounds from throughout the globe — conducted workshops, engaged in public dialogs and created site-specific art related to the 100 meter radius around HaMiffal. Among them were the Brazilian street artist Manoel Quiterio, who works extensively with drug addicts and homeless people in his native country and the German musician, DJ and music researcher Nicolas Sheikholeslami.

What’s ahead for HaMiffal?

We envision it as a cultural center that continues to provide workspace and opportunities for artists working – both individually and collaboratively — in an all kinds of art forms. A few months ago, we published an open call for artists to create new works in HaMiffal‘s varied spaces. We received over 60 proposals and we chose ten artists.

And we are interested, of course, in engaging more people from the local community. In addition to running a gallery and workshops and hosting a range of cultural events, HaMiffal offers a café bar. It is quite unusual to have such a space in Jerusalem, and we are doing our best to maintain it.

And you are about to travel!

Several months ago, we were invited to participate in the 28th Jewish Culture Festival in Krakow, Poland to create a site-specific project in a historic building owned by the Bosak family. This is the first time HaMiffal artists’ collective will create a project abroad. It is a huge challenge and an amazing opportunity. The project, Sambation, will continue for ten days and will involve more than 16 artists from the HaMiffal collective.

That is so exciting, And what a wonderful model HaMiffal is for other cities!

Note: Jewish Culture Festival in Krakow began last week and continues through this Sunday.

Photos:

1 & 3 Artwork by Meydad Eliyahu

2 Artwork by Kobi Vogman

4 Artwork by Brazilian artist Manoel Quiterio

Photo credit:  1, 2, & 4 Lois Stavsky; 3 Yelena Kvetny

Interview conducted and edited by Lois Stavsky

Support for HaMiffal is provided by the Jerusalem Municipality, the Jerusalem Foundation and the Leichtag Foundation.

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Launched — once again — by Learn and Skate is an auction to raise funds to help support the production of the first skate park in Ulaanbaatar, Mongolia. The skate deck featured above was fashioned by Bronx-based Sen2.  Dozens more skate decks — recently designed by a global array of artists — are available for bidding at Europe’s online auction house Catawiki. What follows is a small sampling:

 Wane COD

Chris RWK, Chinon Maria and Andrea Romero del Collado

Jilly Ballistic

Antonio Sobrino

You can view all of the skate decks and bid on them here.

All images courtesy Jean Claude Geraud

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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