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The 7th edition of the Basel House Mural Festival took place from December 7 through December 9 at the RC Cola Plant, 550 Northwest 24th Street, bringing three days of live music and art to the heart of Wynwood, Miami. As in previous years, artists from across the globe, along with local and national ones, restyled the industrial space with dazzling, brilliantly-hued images. Featured above is the work of Brazilian muralist Sipros. Several more artworks — all captured by travel and street photographer Karin du Maire aka Street Art Nomad — follow:

Miami-based, Colombia-born Danny Osorno aka Anonymous

Amsterdam-based Hugo Mulder

Miami-based painter Claudio Picasso

Guatemalan artist Javier España

NY-based See One and Optimo NYC

Bay Area muralists Illuminaries, Kemest 510

Photos by Karin du Maire aka Street Art Nomad

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Presented at the Kochi-Muziris Biennale 2018 and continuing though March 30 is Red Crown Green Parrot, a public art project by Kashi Gallery — conceived and fashioned by Jerusalem-based artist Meydad Eliyahu, a descendant of Malabar Jews, in collaboration with Dubai-based Thoufeek Zakriya, a Muslim who was born and raised in Kochi. I recently had the opportunity to speak to Meydad about this impressive project.

First, can you tell us something about the project’s title — Red Crown Green Parrot? What is its significance?

The title is inspired by the themes of the crown and the parrot which frequently appear in the  cultural expressions  of Malabar’s Jews — such as women’s folksongs, illuminated Jewish marriage contracts and synagogue decorations.The parrot is also a symbol of the storytelling in ancient local literature and culture.

What is the project’s principal mission? 

The presence of the Malabar Jews has almost completely disappeared — not only from Mattancherry’s physical space, but also from its collective memory. The project’s primary missions are to preserve the memory of Malabar Jews and to shed light on the loss of the unique multicultural dialogue that characterized Mattancherry in the past.

How did you go about trying to accomplish this?

Through a public intervention of a series of paintings and calligraphic wall works in Malayalam, English and Hebrew. The project is a walking route through the neighborhood that the Jews once lived in,  It includes a demolished cemetery with only one tomb left in an abandoned synagogue from the 14th century, along with several other hidden sites.

What were some of the challenges you encountered in seeing the project through?

We were uncertain as to how local residents would react to our reawakening a memory of a chapter that had ended 70 years ago. We did not know if and how they would accept it and whether they would want it to play such a prominent role in their present-day visual lives. That was one challenge.  Another challenge was  securing permission to work on the walls that we wished to use. That was something we couldn’t do until we arrived. But Thoufeek and I were determined to overcome any obstacles that came our way.

How have the city’s residents and visitors responded to the project?

Our most generous partners were the local residents. They welcomed us with great warmth and enthusiasm. When we were hesitant to put the first brush stroke on the first wall, they prodded us to start painting. Some helped us choose the right motifs and helped us secure walls; others helped with ladders and assisted with the clean-up. And we feel that we accomplished our mission.

“I’ve been living in Kochi for over 40 years, and this is the first time I’m seeing and learning about the Malabari Jewish sites,” commented one of the local residents.

Note: Created and performed in ‘Jew Town’, the historical Jewish urban area of Mattancherry, Kochi, India, Red Crown Green Parrot was supported by the Memorial Foundation for Jewish Culture and curated by Tanya Abraham.

Interview conducted and edited by Lois Stavsky; all photos courtesy Meydad Eliyahu

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Recently installed on the embankment of Sajsary Lake in Yakutsk, Russia — the second coldest city in the world —  is a massive sculpture fashioned by Spanish artist Okuda San Miguel.  Forged with steel in his infectious signature style, the 4-meter public art object represents the artist’s vision of the primitive man —  a punk-like figure sporting spiked hair, released from civilization’s shackles.

Curated by the National Art Museum of the Republic of Sakha in collaboration with Artmossphere, Okuda’s 4-meter public art object, Ancestral Retromirage, is the final project of the fifth International Yakut Biennale of Contemporary Art that began in April 2018.

Photos courtesy of Artmossphere

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Conceived in 2014, the RAW Project has been bringing color, intrigue and inspiration to schools in Miami and beyond at a time when American schools continue to see their art programs defunded. During the week of Art Basel, a group of outstanding local, national and global artists transformed magnet school South Miami K-8 Center into an open-air museum. The image pictured above was painted by Berlin-based Peruvian artist Danny Figueroa aka WESR.  Several more images — all captured by travel and street photographer Karin du Maire aka Street Art Nomad — follow:

U.K.-based My Dog Sighs

London-based Otto Schade

Miami-based Jay Bellicchi aka Remoteroc

Miami-based Nicaraguan artist Luis Valle aka El Chan Guri

Denver-based Patrick Kane McGregor with Netherlands native David Louf aka Mr. June 

Photos by Karin du Maire aka Street Art Nomad 

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For the past several years, a huge array of  first-rate street artists and graffiti writers have designed dozens of stylish skatedesks to raise funds for Learn and Skate. But just what is Learn and Skate? What is its mission? And what are its goals for 2019? Jean Claude Geraud, its principal founder, has some answers:

Just what is Skate and Learn? 

It is a skateboard association that I created back in 2012 with the help of Richard Schenten. Passionate skaters ourselves, one day we came upon a video featuring skaters practicing skateboarding in Africa’s Ugandan countryside. We were struck at once by its bad state and its obvious lack of materials. We wanted to do something!

What was your goal at the time?

Our initial goal was to develop the practice of skateboarding in disadvantaged places throughout the globe. We wanted to provide opportunities for young people who are curious about the sport to develop their skills. It soon became obvious to us that their passion for skateboarding — and the discipline that it demands — evolved into a passion for living a meaningful, productive life. And so our initial mission evolved!

How would you define your present goals?

We would like to be able to provide new and used skateboarding materials — such as boards, wheels, screws and shoes — to children who need them. We would also like to provide them with skating lessons. We are engaged in raising funds for the construction of skateparks, schools and additional classrooms — where needed. And we want to send school materials — such as books, pens, notebooks — to needy schools every trimester.

How do you go about engaging the communities — parents, teachers, the public, in general? I imagine that is essential to accomplishing your mission.

Yes. Key to our mission is the notion of sharing, and that involves an ongoing dialog with the community. To involve generations beyond those interested in skateboarding, painting workshops are organized to start the dialogue with young and old.

How do you raise money to support your projects?

Since 2014, the association has been producing skateboard exhibitions every year. The skate boards — customized by urban artists recognized throughout the world — are auctioned on the Paddle8 platform, and all the income they generate are used to create our projects. We’ve exhibited in: Toulouse at Agama Gallery; Paris at the Quartier General; Madrid at the Swinton Gallery and at the Urvanity Art Fair; Zurich at the Kolly Gallery; NYC at The Made Hotel; Denver at Crush Walls and last month at Miami Art Basel.

Among your many remarkable accomplishments was the establishment of a skate park in Uganda. What’s ahead? What is your principal goal for 2019?

Our main goal to build a skate park in Ulaanbaatar, the capital of Mongolia, by September of this year. We are also considering constructing school classes, where necessary, in close collaboration with local authorities. And we are working to connect with new donors, patrons, and foundations cause to ensure the sustainability of the project and have the chance to extend it on a global scale.

Good luck with it all! StreetArtNYC is delighted to partner with you in realizing your current project.

Note: You can help support Learn and Skate by purchasing its products here or making a donation by contacting roulepetitougandais@hotmail.fr

All images courtesy Jean Claude Geraud

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A brilliant community-based arts and health collaborative, Martinez Gallery / Pediatrics 2000 is codirected by longtime associates Hugo Martinez and Juan Tapia, MD. Its current exhibit, Methodology, featuring a broad range of global artists, is an exuberant visual ode to my favorite art genre. Several images I captured while visiting yesterday follow:

French artist Bob 59

Amsterdan-based Bortusk Leer, segment of paste-up installation of his signature monsters

 Bulgarian artist MazeOne

French artist Fake

Spanish artist Roice

Bulgarian artist Glow, center 

And outside Staze and Super 158

According to the Martinez Gallery Instagram, the exhibit continues through March 10 with gallery hours 10-5,  Monday through Friday. Martinez Gallery / Pediatrics 2000 is located at 3332 Broadway and 135th Street.

Photos by Lois Stavsky

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For the second consecutive year Meeting of Styles has brought dozens of gifted artists to Miami, gracing Wynwood walls with intriguing images, inventive styles and bold colors.  Pictured above is the work of Chilean native Fiorella Podesta aka FiO. Several more images painted last month by artists from across the globe during the week of Art Basel follow. All were captured by travel and street photographer Karin du Maire aka Street Art Nomad.

Brazilian artist Jotapê Pax

German artist Norm Abartig

Brazilian artists .Leo Dco and Dell Ribeiro

Guadeloupe-based Steek

Brazilian artist Sipros

LA-based AngelOnce and Miami-based GoopMassta

Photos by Karin du Maire aka Street Art Nomad

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Celebrating the 90th anniversary of Walt Disney’s iconic Mickey Mouse and his influence on popular culture throughout the globe, Mickey: The True Original Exhibition is an exuberant tribute to the beloved, famed mouse. Featuring artworks in a range of media — including: painting, comic art, yarn bombing, sculpture and installation art — in a labyrinth-like setting, the pop-up exhibition continues through February 10 at 60 10th Avenue in the Meatpacking District. Pictured above is Keith Haring‘s rendition of Mickey Mouse. Several more images from Mickey: The True Original Exhibition follow:

The legendary Kenny Scharf, Cosmic Cavern, close-up, inspired by Mickey Mouse watch

Brooklyn-based Katherine Bernhardt, 99Cent Hot Dog, close-up 

Japanese Pop Art pioneer Keiichi Tanaami, Mickey’s Japan Tourism

LA-based multimedia artist Michael John Kelly, Toon Town

Brooklyn-based fiber artist London Kaye

Mickey: The True Original Exhibition is open Tuesday-Sunday from 10am – 8pm. To enter  you must have a ticket purchased in advance. Tickets can be purchased online here.

Photo credits: 1, 2 & 6 Lois Stavsky; 3, 4 & 5 Houda Lazrak

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Under the masterful curatorial direction of Orit Mizne aka myhovercraft, an abandoned factory building in South Tel Aviv has been transformed into a strikingly stylish street art Mecca. The image pictured above was painted by Tel Aviv-based Solomon Souza, who has recently left his mark here in NYC. Several more artworks that I recently captured from the former factory’s exterior follow:

Mexico City-based Libre 

Shimon Wanda and Shir Lamdan

Elad Greenberg and Yarin Didi

Ana Kogan

Zivink and Erezoo

Other artists who participated in this project include: Michal Rubin, the MisSK, Imaginary Duck and Revzzz.

Photos by Lois Stavsky

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In a nation where the American dollar seems to matter more than the American life, native New Yorker creative Maia Lorian in collaboration with veteran NYC street artist Abe Lincoln Jr. have released A Presidential Parody, an ad campaign addressing our nation’s misplaced priorities

A variety of advertisements — reflecting Trump’s “all American” values — can be found throughout NYC from the Lower East Side to the Upper West Side. Featured above is a satirical ad for Trump Tower. Several more follow:

Ivanka’s Sweatshop

Trump’s Bistro

On the streets or Manhattan

The Miss Oligarchy Pageant

On the street

All four posters have been added to the permanent collection of Poster House, the first museum in the nation dedicated to the art of the poster. 

With a background in comedy and improv, Maia Lorian has been featured in a range of productions including: Flight of the Conchords (HBO), The Onion News Network (IFC), a plethora of college humor videos that have gone viral and a series of films by cult filmmaker Mike Kuchar.  She has also worked as a performance facilitator for Marina Abramovic’s piece Generator and has been featured on Saturday Night Live.

Abe Lincoln Jr. is a veteran street artist whose work has been featured in the Cooper-Hewitt Design Triennial. He is also a co-founder of the Resistance is Female art collective which was featured in Milton Glaser’s latest book The Design of Dissent. His work has been shown alongside other early street art contemporaries such as Swoon, Michael Defeo, and Ron English. He has collaborated with such brands as: Star Wars, Converse, Mad Magazine, and Kid Robot. 

You can contact the talented duo at apresidentialparody@gmail.com

All photos courtesy the artists

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