Exhibits

Escape (Legalize Freedom): French Street Artist, Painter and Performer SP38 Brings His Iconic Urban Poetry to the Quin

September 19, 2015

The noted French artist SP38 made his NYC debut this past week at the Quin Hotel on West 57th Street. Curated by DK Johnston, SP38‘s exhibit, Escape (Legalize Freedom), features the artist’s iconic text-based works that continue to surface across the globe. While visiting the Quin Thursday evening, I had the opportunity to speak to the artist.

You are currently based in Berlin. What brought you there? And what prompted you to stay?

I first came to Berlin 20 years ago. There was so much empty space at the time, and the city — after the German reunification — was especially welcoming to artists. Before moving to Berlin, I had been living in artist squats in Paris.

The streets are the principal canvas for your urban poetry. Why the streets?

It is the best way for me to get my message across to the world. The streets allow me to reach so many people.

Among your statements that have surfaced in public spaces are: “ESCAPE,” “OCCUPY,” “SLAVES,” “VIVE LA BOURGEOISIE,” “NO PROPAGANDA,” “NO MONEY NO ART” and “I DON’T WANT TO BE U’RE FRIEND ON FACEBOOK.” The name of this exhibit here at the Quin, in fact, is ESCAPE (Legalize Freedom). What is your intent in putting these messages out there?

I am interested in provoking a reaction. I want folks to think about what is happening. And I use humor and sarcasm because I also want to make them laugh.

Have you any favorite surfaces?

I love old doors and new walls. I focus on how my message will work within its immediate environment, as well as its general surroundings.

Besides Berlin, where else have you gotten up? And how have folks responded to your work?

I’ve brought my urban poetry to Seoul, Ragoon, Montreal, Bristol, Santiago and the Philippines. The response has always been positive!

How has your work evolved since you first started sharing it on public spaces?

As I get older, it has become cleaner and more simple. I especially like writing on white paper.

What about NYC? What is your impression of our city?

I love it! It is a mix of everything cool!

Escape (Legalize Freedom) remains on view at The Quin Hotel, 101 West 57th Street at Sixth Avenue.

Photo credits: 1, 3 and 5 via artist’s Instagram; 2 and 4 (close-up from video wall) at the Quin by Lois Stavsky; interview by Lois Stavsky

Note: Images 3 & 5 on the streets of Berlin

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Three-Day All City Art Expo Brings Outdoor Art Inside with: BK Foxx, Dain, See One, Rob Plater, Zimad, Taki183, Art is Trash, Rocko and more

August 13, 2015

Opening tomorrow at 23 Meadow Street in East Williamsburg, the three-day All City Art Expo 2015 is an exuberant celebration of NYC’s outdoor art culture. We stopped by yesterday and had the opportunity to speak to Evan Tobias of Cluster Wall who, along with Kevin Michael, curated the exhibit.

This is quite an eclectic collection of art here! What is the concept behind the All City Art Expo?

It is a celebration of all outdoor art. We wanted to showcase a range of artwork — by sticker artists, graffiti writers, street artists and muralists — all in one setting.

And it looks great! How did you find such an ideal setting?

We began looking at spaces awhile back. And Mona Liza Furniture — a huge arena with ample outdoor space — offered to host us.

It couldn’t be more perfect! When did you begin working on this All City Art Expo?

I met Kevin Michael many months ago. We began working together on this project back in the winter.

There are so many artists here representing so many different styles, concepts and genres. How did you choose which ones to include?

When Kevin and I came up with this concept, we wrote up a wish list that included a range of artists from Old School graff guys to ones whose works have surfaced recently on our streets.

What was your greatest challenge in organizing this event?

Handling the logistics behind working with over 100 artists!

What can visitors expect — besides a chance to see and purchase such an extensive selection of artworks?

The Sticker Social Club will join us and visitors will have a chance to “slap and share.” There will be a Black Book Jam on Sunday with many Old School writers in attendance. On both Saturday and Sunday a Groundswell artist will lead mural workshops. And there will be music all weekend by DJ Pumpkin, food by Arrogant Swine, along with drinks, vendors and raffles.

Can you tell us something about your relationship with Groundswell?

We have asked each artist to donate a canvas — an All City Compact Canvas — that will be sold for $150.00. Proceeds will be donated to Groundswell to support the wonderfully transformative projects the organization brings to our communities in its work with youth.

Good luck! It’s all so impressive, and it looks like it will be so much fun!

Images: 1. BK Foxx 2. Dain 3. See One 4. Rob Plater 5. Zimad 6. Taki 183 and Nic 707 7. Art is Trash 8. Rocko

Interview by Lois Stavsky

Photo credits: 1, 3 5-8 Lois Stavsky; 2 & 4 Dani Reyes Mozeson

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Brooklyn-Based Artist Paul Wackers in SoHo and at Morgan Lehman in Chelsea Through Friday

August 11, 2015

This past winter, a huge public mural, Slow Dance and the Daylight, surfaced outside the James Hotel on 6th Avenue off Grand Street. The work of Brooklyn-based artist Paul Wackers , its vivid colors and creative composition intrigue.

Close-up

On view through Friday at Morgan Lehman is Thank You for Being You, featuring a series of stunning paintings, along with ceramic sculptures ranging from the recognizable to the surreal. It is Paul Wackers‘ second solo exhibit at Morgan Lehman.

A wide view with ceramic sculptures

Morgan Lehman Gallery is located at 535 West 22nd Street between 10th and 11th Avenues in the Chelsea gallery district.

Photos 1-3 by Lois Stavsky; 4-6 Dani Reyes Mozeson

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In Asbury Park, NJ with Pau, Cope2, Joe Iurato, Indie 184, Pork Chop, Logan Hicks, Hacula and more

August 8, 2015

Artworks in a range of styles by local, regional and international artists continue to surface along Asbury Park’s waterfront. Here are a few more:

Cope2 and Joe Iurato

Indie 184

Mike La Vallee aka Pork Chop

Logan Hicks

B Ready

Harif Guzman aka Hacula

Note: The first image is by Chilean-German artist Pau

Special thanks to Billy Schon of FreshPaintNYC for sharing these images with us.

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Speaking with NYC-Based Artist Cern aka Cernesto

July 20, 2015

Queens native Cern began writing graffiti in the early 90’s. His artworks — characterized by luscious colors, swooping shapes and imaginative characters — have, since, made their way into public spaces, alternative venues, festivals, galleries and museums throughout the globe. We recently met up with him in Long Island City where his current exhibit, Vertical Archipelago, remains on view through the end of this month.

When did you first get up? And where?

Back in 1990 in Queens. I was 12 at the time.

What inspired you to do so?

Everyone around me was doing it!

Are there any early memories that stand out?

I remember riding the train with my mom, looking out the window and thinking, “Wow! This is amazing!” She said, “This is bad!”

What percentage of your day is devoted to your art these days?

Way too much!

Any thoughts on the graffiti/ street art divide?

Everyone seems to be having a good time!

Your current exhibit Visual Archipelago is beautiful, and it encompasses an incredibly wide range of artworks. How do you feel about the movement of graffiti and street art into galleries?

It’s nothing new. It’s been going on for 40 years. It’s a normal progression. And I like the way art looks everywhere.

What about the corporate world? How do you feel about the relationship between street artists and the corporate world?

I have no problem with an artist getting paid to promote a cool product. I, myself, like working with small, independent businesses.

Do you prefer working alone or collaborating with others?

I like both.

What is the riskiest thing you’ve ever done on the streets?

I just finished painting six stories high on Canal Street throughout the night!

How you feel about the role of the Internet in this scene?

It’s cool! It provides us all with yet another medium.

Do you have a formal arts education?

I have a degree in Studio Art from Queens College, but I never really used it. It did teach me, though, how to deal with bureaucracy.

What inspires your art these days?

Memories, discoveries, nature, animals and urban life. And, of course, all my travels have been a source of inspiration.

Do you work with a sketch in your hand or do you let it flow?

I sometimes work from loose sketches.

Are you generally satisfied with your work?

Usually.

How has your work evolved in the past few years?

It’s more experimental, and I tend to work with a range of mixed media including spray paint, watercolor, graphite and ink.

What do you see as the role of the artist in society?

To heighten people’s visual awareness.

What do you see as the future of street art and graffiti? Where is it all going?

Styles seem to be evolving more quickly. And the marketing of the art has become increasingly important, almost as important as the art, itself.

And what about you? What’s ahead?

I want to continue in my own development as a person and as an artist.

Note: All of the above images were captured on our visit to Vertical Archipelago, Cern’s current exhibit at 26-19 Jackson Avenue in Long Island City.

Interview by Lois Stavsky with Tara Murray.

Photos: 1, 2, 3 & 5 Tara Murray; 4 & 6 Lois Stavsky

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Speaking with Argentine/American Artist Ramiro Davaro

July 16, 2015

With influences ranging from comic book art to South American/European muralism, Brooklyn-based Ramiro Davaro has created a wondrous world of fantastical characters who have made their way onto public and private spaces throughout NYC and beyond. We recently had the opportunity to visit Ramiro’s studio and speak to him.

When did you first paint on a public surface and where?

It was back in high school around 2002. I was about 16 at the time. I painted some mushrooms on a huge rock at a park we used to go hiking in. It was the worst. I basically ruined a nice lookout.

What inspired you to do so?

I was getting tired of painting on small surfaces. I wanted a larger canvas so I could paint way bigger! But what I painted was so dumb that it took a few years before I was ready to try again. My first real art on the street was in 2007 in Buenos Aires.

Do any early graffiti/street art-related memories stand out?

I remember seeing lots of political art – with faces of politicians and names of soccer teams — on the streets of Argentina when I was a young child.

What percentage of your day is devoted to your art these days?

About 70%. When I’m not doing something art-related, I’m skateboarding.

How does your family feel about what you are doing?

Everyone likes my work and has been very supportive.

Any thoughts on the graffiti/ street art divide?

I don’t feel it, and I don’t think about it. I love both, and they’re both necessary.

How do you feel about the movement of graffiti and street art into galleries? We’ve seen your work at Cotton Candy Machine in Williamsburg and you are now showing with Brandon Sines at Grumpy Bert in Downtown Brooklyn.

I think it’s good for everyone!

What about the corporate world? Any feelings about that?

So long as I can dominate the conversation and be true to my vision, I don’t have a problem with it.

How you feel about the role of the Internet in this scene?

It’s a bit much! It can be insane. But on the positive side, it creates opportunities for artists, and it also builds bridges.

Do you have a formal arts education?

No. I majored in Business. But my mom used to always take me to art museums. While growing up in Massachusetts, I got my very early schooling at the Worcester Art Museum.

Do you work with a sketch in your hand or do you let it flow?

I mostly just let it flow.

Are you generally satisfied with your work?

About 80% of the time!

How has your work evolved in the past few years?

Before moving to Brooklyn, I had been able to visit and live in different countries. As a result of my experiences, my process has become more mature, more thought-out, and tighter. Working with different companies, painting murals in a range of places and engaging in various projects have also helped me become more flexible and fluid in the work I can produce. In these past couple of years, my hand has really taken over and put a definitive mark on the work I produce.

Are there any artists out there whose works have inspired you or influenced your particular aesthetic?

I remember reading about David Ellis and the Barnstormers crew in Juxtapoz back in 2008. That blew me away! As far as influences — Os Gemeos, D*Face and Word to Mother come to mind.

What’s ahead?

More shows and more murals! A group show in LA at Luz de Jesus Gallery in September; a few animations with FlipBooKit for the Maker Faire here in NYC in at the end of September; painting at Art Basel in December; a group exhibit at Redefine Gallery in Orlando in February. Books, walls, Aruba, Argentina and more art!

It sounds great! Good luck with it all!

Note: Through Sunday, you can check out Ramiro’s works — many in collaboration with Brandon Sines — at Grumpy Bert in Downtown Brooklyn.

Photos: 1, 5 Tara Murray; 2 – 4 Lois Stavsky

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Green Villain’s Demolition Exhibition Converts Former Jersey City Shop into a Graffiti Wonderland: Wane, Doves, Curve, Mr. Mustart, Evikt, Jahan, Mes, Themo, Distoart, Kingbee, Era, Goomba, Stay One & more

July 1, 2015

Green Villain‘s Demolition Exhibition — the brainchild of Greg Edgell aka Green Villian — has it all! With everything from stylish tags to captivating characters to first-rate pieces, it is a graffiti lover’s wonderland. Just minutes away from Downtown Manhattan, it is located at 410 Marin Boulevard, a short wall from Newport Mall. Here are a few more images I captured in the interior of the former Jersey City Pep Boys Auto Store while visiting Monday evening.

Doves

Curve and Mr. Mustart

The prodigious Evikt

Jahan

Mes, Themo, Distoart and Kingbee

Era

Goomba and Stay One

This amazing feat — coordinated with dozens of artists and community members — was accomplished in partnership with real-estate developers Forest City Enterprises and G&S Investors. Through this weekend, you can visit the space any day from 12-8pm.

First image is Knows aka Wane; all photos by Lois Stavsky

Note: Check out StreetArtNYC on Instagram for more photos of images from Demolition Exhibition, and keep posted to our Facebook page, as well.

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Amanda Marie Brings Her Alluring Storybook Characters to Welling Court, to 12C Outdoor Gallery and to Manhattan’s Quin Hotel

June 23, 2015

Colorado-based painter and stencil artist Amanda Marie has brought her alluring storybook characters to the streets of NYC and to the Quin Hotel.

At work at 12C Outdoor Gallery, on 12th Street and Avenue C

Completed mural at 12C Outdoor Gallery

Outside the Quin Hotel, as seen at night

And from, Good Story, her tantalizing exhibit of mixed-media works — whose titles suggest a somewhat subversive facet to her presumably innocent storybook characters — inside the Quin Hotel:

Drinking Partners

We Are Doing This Our Way

Bird-Riders, close-up

Curated by Hyland Mather and DK Johnston, Good Story remains on exhibit through mid-summer inside the Quin Hotel at 101 West 57th Street at Sixth Avenue.

Note: First image is at Welling Court in Astoria, Queens

Photos: 1, 4-6 Lois Stavsky; 2 Dani Reyes Mozeson; 3 & 7 Tara Murray

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Juguetería/Toys Warehouse — Interactive Exhibit by Studio Sweet Home — to Open at Exit Room NY for Bushwick Open Studios

June 4, 2015

The Studio Street Home duo — Colombian native Yeimi Salazar and Puerto Rican native Melvin Sanchez — began collaborating six years ago, soon after they met in NYC. Their first solo exhibit will open tomorrow and Saturday at Exit Room NY during Bushwick Open Studios. While visiting Exit Room last week, we had the opportunity to speak to its art director Daniela Zoe.

It’s great to see Exit Room NY so alive again! What a wonderful home for Studio Sweet Home‘s first solo exhibit!

Yes! To coincide with Bushwick Open Studios, I wanted to feature artists with a unique multidisciplinary approach. And I’m delighted to host Studio Sweet Home here at Exit Room NY, as J uguetería/Toys Warehouse is a great opportunity for the artists, our space and the public.

Can you tell us something about this upcoming show? What will Juguetería/Toys Warehouse feature?

There will be paintings, installations, sculptures, video projects, and performances. There will be something for everyone – as Juguetería/Toys Warehouse is not just an art exhibit, but an interactive experience. A participatory performance will be held at 7pm on both opening days.

Have you worked with Studio Sweet Home artists Yeimi Salazar and Melvin Sanchez in the past?

Yes, they have participated in group shows before here at Exit Room NY.

What was it about Yeimi Salazar and Melvin Sanchez that initially drew you to them?

Their mastery of their craft, their talents and their versatility. And I love the way their works attract participants.

What do you expect those who visit the show to take away from it?

The constructed objects and scenarios are certain to engage the viewer’s senses. There will be so much to see, stories to hear and objects and people to touch. And there are many subtle, suggestive, somewhat ironic, messages.

What’s ahead for Exit Room NY?

We are expecting a visit from a legendary street art crew in August. We will keep you posted!

It sounds great! Good luck! We are looking forward to it all!

Note: The exhibit’s opening will take place tomorrow and Saturday, the first two days of Bushwick Open Studios. The exhibit will then continue until June 26. Gallery hours are Wednesday to Friday from 5:30pm to 8:30pm. EXIT Room is located on 270 Meserole Street, a short walk from the Montrose stop on the L train.

Interview conducted by City-As-School intern Diana Davidova. All photos courtesy Studio Sweet Home and Exit Room NY.

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The Beautiful Decay of Fear: Installation Underway for this Weekend’s Bushwick Open Studios with N Carlos J, Kirby Santos, Justin Carty, Danielle Mastrion and more

June 3, 2015

Exuding beauty, decay and fear, the extraordinarily atmospheric The Beautiful Decay of Fear opens Friday at 12pm. We visited yesterday evening and got a glimpse of the installation in progress. Here are a few close-ups:

Another image by curator N Carlos J