Exhibits

David Hollier Solo Exhibit, Ladies and Gentlemen, Continues Through this Weekend at Sideshow in Williamsburg, Brooklyn

July 14, 2017

I discovered David Hollier‘s distinctly provocative aesthetic a few years back when I came upon his huge murals of such luminaries as Nelson Mandela and John F Kennedy on the streets of Brooklyn. Earlier this year, I saw his intriguing work on the 69th floor of the World Trade Center. And, yesterday, I had the opportunity to visit his solo exhibit, Ladies and Gentlemen, at Sideshow Gallery in Williamsburg, Brooklyn and pose a few questions to him.

When did you first start integrating text into your artwork?

I began in 2010.

What inspired you to do so?

Before incorporating text into my artwork, I was working with lines. I then started repeating words within the works. And when a friend commissioned me to create a portrait of her husband using words, I incorporated a brief biography into the portrait. The response was so positive that I continued working in this style. By 2012 I’d given the collection the name Imago Verbosa, meaning a picture made of words in Latin.

What media or tools do you use in fashioning these portraits?

I sometimes use a vintage typewriter. I also use acrylic paint. Huge photographic images are often projected and copied onto a range of surfaces.

How do you choose the subjects of your work? Ranging from Susan B. Anthony to Jay Z, they cross generations, nationalities and sensibilities. Among them are many musicians and politicians.

Yes! I generally select icons. But some are commissioned, and those are selected for me.

We’ve come upon quite a few of your works on the streets of Brooklyn. Do you prefer working in your studio or working on the streets?

They’re different experiences, and I like both. But the streets can be more challenging.

Do you have a formal art education?

Yes. I studied Visual Art and Public Art at the University of Northumbria in Newcastle, and I earned a Masters degree in Computer Imaging and Animation from London Guildhall University.

I’m fascinated by your choice of text infused into each portrait, as many have strong social implications. This exhibit is quite impressive. Do you devote yourself full-time to your artwork?

I divide my time between painting and teaching. I’ve taught at Parsons since 2006.

Congratulations on this! And we especially look forward to seeing more of your public artworks on the streets of NYC.

Note: A CLOSING RECEPTION takes place, tonight, Friday from 6 until 9pm. The show ends of Sunday, July 16th. Sideshow Gallery is located at 319 Bedford Avenue in Williamsburg, Brooklyn.

Images

1 Taylor Swift, Text: “Never Grow Up,” Acrylic on board, 48″ x 48″

2 Jimi Hendrix, Text: “Fire,” “Voodoo Child” and “Are you Experienced?” Acrylic on canvas, 60″ x 60″

3 Star Stuff, Text: from Carl Sagan’s “Cosmos,” Acrylic on canvas, 72″ x 60″

4 The artist with Susan B. Anthony, Text: from “Women’s Rights to the Suffrage,” Acrylic on board, 27″ x 40″

Photos by Lois Stavsky; interview by Lois Stavsky with Bonnie Astor

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LA-Based Artist Mikael B Solo Exhibit, Reality Shift, to Open July 15 at Gregorio Escalante Gallery

July 11, 2017

With roots in the graffiti milieu of southwest Copenhagen, where he painted hundreds of walls under his alias KETS, Mikael B has since developed a signature identity fusing elements of wild style graffiti, fine art and graphic design. Aptly titled Reality Shift, Mikael B‘s upcoming exhibit presents an alternate reality bursting with bold colors and boundless energy. Pictured above is the artist at work in his studio as he prepares for his solo exhibit opening Saturday evening from 7-10pm at Gregorio Escalante Gallery. Several more images of the artist’s work follow:

Time Bending

Breaking Out

Close-up

Skyfall

Located at 978 Chung King R0ad in Los Angeles, Gregorio Escalante Gallery is open Wednesday — Sunday from 1pm — 6pm and by appointment.

All photos courtesy Gregorio Escalante Gallery

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Speaking with Apostrophe NYC Co-Founder Ki Smith at Mana Contemporary in Jersey City

July 8, 2017

While visiting Ryan Bock‘s solo exhibit at Apostrophe NYC‘s Mana Contemporary studio space last month, I had the opportunity to speak to Ki Smith who — together with his brother Sei — founded Apostrophe NYC back in 2012. For the past several months Base 12, Apostrophe NYC‘s 12 emerging artists, have been working in a 8000-square-foot space through a one-year residency program at Mana Contemporary in Jersey City.

This is such an ideal space. How did this residency come your way?

Mana actually reached out to us after seeing the wide press coverage we received in response to our guerrilla-style pop-up exhibits.

Your pop-up shows were certainly unconventional! It’s not surprising that they — particularly your intervention at the Whitney Museum — generated so much media attention. It was your pop-up exhibits at the Kosciuszko Street stop on the J Line, in fact, that initially attracted my attention. When I first met you, you were based in Bushwick.

Yes. But as a result of the opportunity that Mana offered us, several of us have since moved to Jersey City. And we love it here! Mana is a very unique place and is located in a great area that’s just a short walk from Little India and all its great restaurants.

With your distinct styles and sensibilities, you guys all seem to work so well together.

Since starting the Base 12 project we have all gotten to know each other quite well and I feel like every one has gained a lot of respect for each other’s work and practices. And with 12 of us working together to navigate the contemporary art world, we are able to accomplish so much more than if we were working individually — 12 times as much!

Here at Mana each Base 12 artist has been publishing a book to accompany his or her exhibit. That’s quite impressive.

I feel like making books and records of exhibitions is really important and something that very few smaller galleries do for artists, so we decided that we had a good opportunity to create a new company Apostrophe NYC Books. And in classic Apostrophe style we do everything in house, from printing to binding to working with the artists to designing and hand silkscreening the covers. Making books is another great way to share art, and because of the especially quick turnaround on the shows we are currently doing, it’s also a great way to memorialize shows that people might miss the opportunity to visit.

What’s ahead?

The following solo exhibits are scheduled: Charlie Hudson on July 8th; Kolter Hodgson on July 22nd; Alana Dee Haynes on August 5th; Morell Cutler on August 19th; Julia Powers on September 2nd; Caslon Bevington on September 16th and James Reyes on September 30th. And next Saturday night, July 15th, is the opening of Base 12: Little Big Show, a group exhibit that critiques assumptions of virtual versus “real” representation with two allied narratives in sequential galleries: the first in an exhibition of miniature digital reproductions, the second in a series of original artworks.

That sounds very exciting! I can’t wait to see what’s ahead for you all!

Note: Tonight is the opening of Charlie Hudson‘s solo exhibit.

Images

1 Ryan Bock artwork — with Apostrophe NYC co-founder Ki Smith

2 Julia Powers

3 Kolter Hodgson

4 James Reyes

5 Charlie Hudson

Photos and interview by Lois Stavsky

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From the Streets: An Exhibition of Urban Art Continues through July 15 at ArtsWestchester with Tkid, Wane, Daze, Carlos Mare, BG 183, Damon, Dasic, Li-Hill & more

July 4, 2017

Scrupulously researched and splendidly presented, From the Streets: An Exhibition of Urban Art at ArtsWestchester is the perfect homage to the graffiti culture and the modern street art movement it spurred. Curated by Marc Leader of 212 ARTS and Melissa McCaig-Welles of Curator 19.90, it presents murals, paintings, photography, sculpture and installations from graffiti writers who first made their mark on our subways to contemporary multi-disciplinary artists. Picture above is by the legendary TKid 170. Here are several more images I captured while visiting the landmark exhibit.

The wonderfully prolific Wane COD

Legendary NYC artists Chris Ellis aka Daze and Carlos Mare aka Mare 139

BG 183, close-up from huge mural by the Mural Kings, Tats Cru

Damon Johnson, close-up

Chilean muralist Dasic Fernandez

Multidisciplinary artist Li-Hill, “Time Marches On”

Among the many special events in association with From the Streets: An Exhibition of Urban Art is the upcoming July 14 screening of Saving Banksy, the story of one art collector’s attempts to save a Banksy painting from destruction and the auction block. ArtsWestchester is located at 31 Mamaroneck Ave, a short walk from the White Plains Metro North station. The exhibit ends Sunday, July 15 at ArtsWestchester. It would be great if it could then travel, as it deserves a wide audience.

Photos by Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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New York Edition of Urban Art Fair at Spring Studios, Part II: Revolt, Quik, JonOne, LA2, Swoon, Swiz, Alexis Duque, Nick Walker & Crash

July 2, 2017

The first New York edition of the Urban Art Fair continues through 3pm tomorrow afternoon at Spring Studios in Tribeca. The artworks pictured above are collaborative works by NYC graffiti pioneers Revolt and Lin Felton aka Quik at the Green Flowers Art Gallery booth. What follows are several more images of urban artworks, representative of a range of styles, genres and techniques.

NYC native, Paris-based JonOne with Fabien Castainer

Lower East Side-based LA2 with Dorian Grey Projects

Swoon with Taglialatella Galleries

French artist Swiz with David Bloch Gallery

NYC-based multi-media artist Alexis Duque with H Gallery

Nick Walker with Galerie Brugier-Rigail

Bronx-based graffiti legend John Matos aka Crash for Spring Studios

The Urban Art Fair continues at 50 Varick Street today until 9pm and tomorrow, Monday, from 11am to 3pm. Ticket information is available here.

Photo credits: 1, 3, 7 & 8 Karin du Maire; 2, 4-6 Sara C Mozeson

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Urban Art Fair Launches at Spring Studios with Noe Two, Mr Cenz, Hopare, Logan Hicks, Dain, Prefab77, Dan Witz & more

June 30, 2017

Last evening, the first edition of the New York Urban Art Fair opened its doors at Spring Studios in Tribeca. It continues through Monday, July 3, with three dozen international exhibitors showcasing a diverse range of urban art, along with live painting and book signings. Pictured above is the Parisian artist Noe Two — represented by Les Galeries Bartoux — at work. What follows are several more images — all captured by travel and street art photographer Karin du Maire at yesterday’s launch.

London-based Mr Cenz, also represented by Les Galeries Bartoux

Paris-based Hopare, represented by Galerie 42b

NYC-based Logan Hicks with WallWorks NY

Brooklyn-based Dain with Joshua Geyer in collaboration with Street Art Direct

UK-based Prefab77 and NYC’s Dan Witz with Jonathan LeVine Projects; Jonathan LeVine pictured

The Urban Art Fair is open at 50 Varick Street today until 10pm; tomorrow from 11am to 10pm; Sunday from 11am to 9pm and Monday from 11am to 3pm. Ticket information is available here.

Photos by Karin du Maire

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Adam Lucas aka Hanksy on His Recent Venture at the Historic Essex Street Market on Manhattan’s Lower East Side

June 28, 2017

This past weekend, the now-abandoned Essex Street Market at 140 Essex was the site of Market Surplus, an exhibit featuring ten huge striking murals in a range of styles — from meticulously rendered photorealistic to brightly colored expressionistic. Largely site-specific, they were the perfect homage to a soon-to-be-demolished historic Lower East Side building. While visiting late Sunday afternoon, I had the opportunity to pose a few questions to its curator, Adam Lucas aka Hanksy.

This is quite impressive. When did you begin working on it?

It all started a week and a half ago.

That’s quite remarkable. It must have been quite an intense week and a half! What moved you to curate it?

Essex Crossing has been committed from early on to bringing public art projects to this neighborhood. Awhile back, they tapped me to help them accomplish this. When they offered me this building as a site for this exhibit, I took the opportunity to curate Market Surplus.

It seems like so much effort for a weekend event. It’s wonderful, but I wish it weren’t over so quickly!

Large murals like these generally have long lives. But I actually like the twist on permanence. Bringing these kinds of murals indoors for this transitory exhibit turns the notion of permanence on its head.

How did you decide which artists to engage?

I reached out to artists I know and like — who were in town. And some of the artists recommended other artists.

There are quite a few references to the neighborhood in these works.

Yes. Among them is NDA‘s painting of Luis and his son Felix of the Luis Meat Market that is housed at the Essex Street Market. A key mission of the exhibit was capturing the spirit of the Lower East Side.

I love the variety of styles and sensibilities featured here. Each is distinctly wonderful!

My intention was to present a range of styles. That was one of my criteria in selecting artists.

With Market Surplus behind you and now part of the history of the Lower East Side, what is next?

In two weeks, my work will be featured in a pop-up show at the Krause Gallery here on the Lower East Side. Later in the summer I will be painting a mural for the L.I.S.A Project. And there is much more to come!

It sounds great! And congratulations on this weekend’s exhibit.

Images

1. NDA

2. Adam Lucas aka Hanksy

3. Sonni

4. Faust

5. BK Foxx

Photo credits: 1, 2, 3 & 5 Lois Stavsky; 4 Karin du Maire; interview conducted and edited by Lois Stavsky

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The Legendary West Coast Artist GATS in “Against the Grain” at SPOKE ART NYC Through June 25 and on the Streets of Little Italy

June 18, 2017

A huge fan of the Oakland-based street artist GATS since I first saw his iconic mask imagery across the globe several years ago, I was delighted to view his artwork here in NYC — both in the brilliantly conceived and curated exhibit Against the Grain at SPOKE ART NYC and on the streets of Little Italy. Pictured above is a segment of a huge mural featured in Against the Grain. Here are several more images — all fashioned on found objects — from the exhibit:

Death by Pebble, Acrylic on 1960’s skateboards, 4 of 8

Traveler, Acrylic on found wooden case (top); Trackside, acrylic on spraycan (bottom)

Stripes, Acrylic on found shipwreck

Eliminator, Enamel on vintage sprayer

And on the streets of Little Italy — with the L.I.S.A Project

Close-up

Against the Grain continues at SPOKE ART NYC through June 25th. The gallery is located at 210 Rivington Street on Manhattan’s Lower East Side and is open Wednesday through Sunday from 11:00 am – 7:00 pm.

Photo credits: 1, 3-7 Lois Stavsky; 2 Karin du Maire

Note: Hailed in a range of media from Wide Walls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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The CAMO Show at More Points Bx: Tats Cru, Sienide, Rhonda Rae, Al Diaz, Steven Cogle, Yes One, Eric Orr, Serve and more

June 17, 2017

Opening tonight at More Points Bx in the Hunts Point section of the Bronx is Fight 4 Your Write: The CAMO Show, an exhibit of intriguing art in a range of media and styles suggestive of the notion of camouflage. While previewing the exhibit yesterday, I spoke briefly to More Points Bx directors and curators, Sienide and Eric Orr.

What inspired you to curate this exhibit?

We wanted to bring our friends together, while sharing different styles and techniques of art — all beautiful and unconventional and on a common theme.

What are some of the techniques represented here?

There are so many. Among them are: stencil art, aerosol art, mixed media, painting, printing, sketching, drawing with markers…More Points Bx even has its first oil painting featured here.

Can you tell us a bit about the exhibit’s theme?

It’s our theme — the concept of camouflage. As graffiti writers, there is much we hide. And much of what we write is only for us to decipher.

How did you decide which artists to feature?

We got the word out among our friends, and we reached out to others on social media.

There’s quite a range of artists here — from several younger emerging ones to many established legends. How many artists are featured in the exhibit?

There are 36. Dozens of people reached out to us.

After the exhibit officially opens, how much longer will it remain on view?

It will stay up for a bit over a month — 36 days to be exact!

How can folks arrange to see it if they miss the opening or if they wish to view it a second time? There’s so much to see!

One of us is here at 527 Faile Street just about all afternoons and evenings. We can also be reached by email at mrmorepoints@gmail.com.

What can folks who attend the exhibit’s opening expect — besides the great art and great company?

Music for the evening will be powered by DJ JAZZY JAY with special guests, and drinks will be provided by Port Morris Distillery. Come out and help us kick off the new season!

Images

1 BG 183, Tats Cru

2 Sienide, Rhonda Rae and Al Diaz

3 Al Diaz

4 Bio Tats Cru, Steve Cogle and Nicer Tats Cru

5 Yes One

6 Eric Orr

7 Serve

Photos and interview by Lois Stavsky

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Charlie Ahearn on SCRATCH ECSTASY at P.P.O.W in Chelsea

June 15, 2017

Scratch Ecstasy, an exhibition of work in a range of media by visual artist and legendary filmmaker Charlie Ahearn, continues through June 24 at P.P.O.W in Chelsea. A chronicler of the rise of hip-hop and street art culture, Ahearn has documented the movement since the 80’s through photography, film and slide shows. The following is adapted from an interview conducted by travel and street photographer Karin du Maire with Charlie at the gallery:

Can you tell us something about the title of your current show, Scratch Ecstasy? To what does it refer?

Yes! The word “scratch” actually has a double meaning. It refers to scratching on a surface, but it also refers to a technique pioneered by Grand Wizzard Theodore of a needle going back and forth on a record — which creates a very jazzy, electronic effect.

And what about the word “Ecstasy” in the title? What is its reference?

It’s a reference to a real place in a real time — the Ecstasy Garage, where I was listening to not only Grand Wizzard Theodore scratch his music, but also to Chief Rocker Busy Bee on the microphone or Grand Master Cass, along with many other artists who were performing there. I spent a lot of time at the Ecstasy Garage doing a slide show and watching different hip-hop performances, largely to an audience of high school kids. It was a very out-of-the-way place.

What was your mission back then?

It is similar to the mission of this show — to create a record of what was going on so that people today can pinpoint certain people and places that should get recognition and be remembered.

What about your own paintings that are on exhibit here? Can you tell us something about the process?

It started with me doing the painting on canvas with the forms that would be in it. The colors I chose reflect the bright fluorescent colors that were prominent in inexpensive flyers that the kids would hand out to get others to show up.

And what about the slide show that is going on?

It is the slide show that I gave at the Ecstasy Garage with Grand Wizzard Theodore as the DJ. As presented here with the music, it is a reflection of what was going on back there at the time. I gave it at the Ecstasy Garage as a kind of way of working on Wild Style — the slides in a particular order to tell a story, and it all ended up in the movie, one way or another.

Thank you for preserving and sharing so much history with us.

Note: P.P.O.W will be screening Charlie’s 1979 kung fu film, The Deadly Art of Survival, tomorrow, Friday evening, at 7pm. The gallery is located at 535 West 22nd St, 3rd Floor, in Chelsea.

Images

1 Charlie Ahearn at P.P.O.W — as interviewed by Karin Du Maire — with Data Rock, silkscreen on canvas

2 Scratch Ecstasy, silkscreen on canvas

3 The World of Hip Hop, silkscreen on canvas

4 Nathan, silkscreen on canvas

5 Howard the Duck, Lee Quinones, LES mural

Photo credits: 1 & 2 Karin Du Maire; 3, 4 & 5 (still from slide show) Lois Stavsky; interview conducted by Karin Du Maire and edited by Lois Stavsky

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