Olafur-Eliasson-lego-Construction-High-Line -NYC

For the past several months, visitors of all ages to the High Line have been busily constructing and reconstructing an imaginary cityscape. Presented by Danish-Icelandic artist Olafur Eliasson, the collectivity project, an installation of two tons of white LEGO® bricks, is part of the High Line’s open-air group exhibition, Panorama. Here are a few images that we captured:

Selecting the bricks

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Encountering some frustration

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Building with LEGO blocks

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Fashioning the cityscape

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A city-in-progress

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The collectivity project continues daily 10:00 AM to 7:00 PM on the High Line at West 30th Street through Wednesday.

Photo credits: 1, 3 & 5 Dani Reyes Mozeson; 2 & 6 Tara Murray; 4 City-as-School intern Stefan Vargas

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The following post is by Houda Lazrak, a contributor to StreetArtNYC and an M.A. candidate in Museum Studies at NYU: 

Vhils, the Weird and Alaniz-street-art-berlin

Since 1994, YAAM, the Young African Art Market in Berlin, has served a myriad of purposes — from a home away from home for refugees to an open air gallery for graffiti and street artists. The following photos are of works I recently saw in this space that has evolved into a model of social and cultural integration:

The Berlin-based Weird Crew

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Close-up

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Berlin-based Sokar Uno

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With German artist Juliah

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Istanbul-based Gamze Yalcin and Brazilian artist Manoel Quitério

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Mexican artist Paola Delfin

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Note: Featured in the first image are Vhils, the Weird Crew and Alaniz

All photos by Houda Lazrak

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eric-orr-robot-head

Best known for his iconic Robothead and his subway collaborations with Keith Haring, South Bronx native Eric Orr can now be found most days in his new Hunts Point studio. I recently had the opportunity to meet up with him there.

What a great space! When did you begin working here?

It’s been four months now. It couldn’t be more perfect, as it’s just a short ride from my house and convenient to just about everything.

eric-at-work

How does working in a studio differ from working in your apartment?

It’s an entirely different experience. There’s a lot less traffic here. I can leave my paint on the floor and know that it will still be there when I return. I have the freedom to create without having to put things away. And my family is happy too! No more fumes and no more paint in their way!

How does having your own space impact your work as an artist?

Bigger thoughts and bigger pieces. I’m planning to design huge sculptures and paint on larger surfaces. Can you imagine what I’d be doing now if I had a space like this 40 years ago!

Dennesa-Andrea Usher-and-Eric-Orr-collab

You are currently participating in Leave a Message, a group exhibit — curated by Tes One at St. Petersburg’s Morean Arts Center. What’s next?

I’m showing in Unveiling Visions: The Alchemy of the Black Imagination, an art and design exhibit — curated by John Jennings and Reynaldo Anderson — at the Schomburg Center’s Latimer Edison Gallery. On exhibit are photos of the 1984 Eric Orr and Keith Haring subway drawings, along with an original 1986 cover of my Rappin Max Robot comic book. I will also be exhibiting five new Robothead masks recently created in the new studio space. Then later this year I will have a solo exhibit at WallWorks Gallery.

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What about the upcoming New York Comic Con? Can we expect to see you there?

Yes! I will have hand-embellished mini posters of the cover of my Rappin Max Robot #1 comic book available for purchase. I will also be speaking on the Hip-Hop & Comics: Cultures Combining panel discussion with Depth of Field‘s, Patrick Reed on October 8, 2015 at 11 AM.

I am looking forward to it all! 

Note: Unveiling Visions: The Alchemy of the Black Imagination opens tomorrow evening, Friday, September 25, at the Schomburg Center’s Latimer Edison Gallery, 515 Malcolm X Boulevard in Harlem.

unveiling-at-schomburg center

 Photo credits: 1 & 3, courtesy of the artist; 2 & 4 Lois Stavsky; interview by Lois Stavsky

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Brimming with stylish graffiti, witty stencil art and a wonderfully eclectic mix of murals, Bristol has it all!  Here is a small sampling of images that we captured earlier this month:

Bristol-based Sepr

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Bristol native Nick Walker

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Bristol’s legendary Banksy, “Well-Hung Lover”

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Bristol-based Philth and UK artist N4T4

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Bristol-based Jody Thomas

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Bristol-based Epok

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Bristol-based Soker

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 Photo credits: 1, 4-7 Tara Murray; 2 & 3 Lois Stavsky

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sp38-escape-legalize-freedom-urban-poetry-the-quin-NYC

The noted French artist SP38 made his NYC debut this past week at the Quin Hotel on West 57th Street. Curated by DK Johnston, SP38‘s exhibit, Escape (Legalize Freedom), features the artist’s iconic text-based works that continue to surface across the globe. While visiting the Quin Thursday evening, I had the opportunity to speak to the artist.

You are currently based in Berlin. What brought you there? And what prompted you to stay?

I first came to Berlin 20 years ago.  There was so much empty space at the time, and the city — after the German reunification —  was especially welcoming to artists. Before moving to Berlin, I had been living in artist squats in Paris.

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The streets are the principal canvas for your urban poetry. Why the streets?

It is the best way for me to get my message across to the world.  The streets allow me to reach so many people.

Among your statements that have surfaced in public spaces are: “ESCAPE,” “OCCUPY,”  “SLAVES,”  “VIVE LA BOURGEOISIE,” “NO PROPAGANDA,”  “NO MONEY NO ART” and “I DON’T WANT TO BE U’RE FRIEND ON FACEBOOK.”  The name of this exhibit here at the Quin, in fact, is ESCAPE (Legalize Freedom). What is your intent in putting these messages out there?

I am interested in provoking a reaction. I want folks to think about what is happening. And I use humor and sarcasm because I also want to make them laugh.

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Have you any favorite surfaces?

I love old doors and new walls. I focus on how my message will work within its immediate environment, as well as its general surroundings.

Besides Berlin, where else have you gotten up? And how have folks responded to your work?

I’ve brought my urban poetry to Seoul, Ragoon, Montreal, Bristol, Santiago and the Philippines. The response has always been positive!

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How has your work evolved since you first started sharing it on public spaces?

As I get older, it has become cleaner and more simple. I especially like writing on white paper.

What about NYC? What is your impression of our city?

I love it! It is a mix of everything cool!

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Escape (Legalize Freedom) remains on view at The Quin Hotel, 101 West 57th Street at Sixth Avenue.

Photo credits: 1, 3 and 5 via artist’s Instagram; 2 and 4 (close-up from video wall) at the Quin by Lois Stavsky; interview by Lois Stavsky

Note: Images 3 & 5 on the streets of Berlin

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This is Part II of street art and graffiti images — reflecting a wildly diverse range of aesthetic and cultural sensibilities — that we came upon in London last week:

Belgian artist Joachim and Bogota-based Stinkfish

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Chilean artist Otto Schade

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London-based Cityzen Kane, close-up from 3D installation in memory of his son

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UK-based Phlegm, close-up

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Irish artist Conor Harrington

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The legendary Berlin Wall artist Thierry Noir

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Brazilian artist Cranio and UK-based My Dog Sighs

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Bristol-based Spzero76 and London-based Captain Kris at work in Shoreditch

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Brazilian artist Bailon

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Photo credits: 1 – 3, 5 – 8 Tara Murray; 4 & 9 Lois Stavsky

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Drawing artists from across the globe, alongside its diverse mix of local artists, London’s walls reflect a wildly varied range of aesthetic sensibilities. Here’s a sampling of what we viewed last week:

London-based David Walker and Barcelona native Pez to the side

"David Walker and Pez"

London-based Stik in front of long-running mural

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French artist Vinie

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 Argentinian artist Martin Ron

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 Chilean artists Jekse & Cines

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Puerto Rican artist Alexis Diaz and Argentinean artist Elian

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Dutch duo TelmoMiel

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Note: Part II to follow

Photo credits:  1 – 3 Tara Murray; 4 – 7 Lois Stavsky

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Shepard-Fairey-street-art-Jersey-City

Coinciding with On Our Hands, his solo exhibit of mixed media paintings opening tomorrow evening at Chelsea’s Jacob Lewis Gallery, Shepard Fairey is bringing his distinct aesthetic to two Mana Contemporary spaces in Jersey City.  The following photos were captured earlier this week by Audrey Connolly aka byte girl at the Mana Ice House, 581 Monmouth Street:

At work with spray can in hand

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Shepard-Fairey-street-art-action-Jersey-City

On a brief, contemplative break

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And at work with his crew

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The mural in its final stages — representing Shepard Fairey’s aesthetic vision fusing Russian Constructivism, Chinese Communist propaganda and Americana

Shepard-Fairey-street-art-Mana-contemporary-Jersey-City

All photos by bytegirl

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This is the tenth in an occasional series of posts featuring the range of faces in different media that have surfaced in NYC public spaces:

New Zealand-based Owen Dippie in Bushwick, Brooklyn

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UK-based multimedia artist Ryan Gander on the High Line

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Alice Mizrachi, captured at work this past June in the East Village

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How & Nosm and Tristan Eaton in Williamsburg, Brooklyn

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German artist Hendrik Beikirch aka ECB in Bushwick, Brooklyn

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Bogota-based Australian artist Crisp in Brooklyn

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Chris Soria and Joel Bergner aka Joel Artista in Bushwick, Brooklyn

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Hong Kong-based Caratoes in Bushwick, Brooklyn

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Photo credits: 1, 4 & 5 Lois Stavsky; 2 & 8 Dani Reyes Mozeson; 3, 6 & 7 Tara Murray

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fin-dac-street-art-dublin

On our brief visit to Dublin, Ireland, we discovered a vibrant street art and graffiti scene teeming with infectious images. Here are a few more:

Cork, Ireland native Fin DAC, whose aesthetic we first came upon in Williamsburg, Brooklyn

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Dublin-based James Earley, close-up

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Dublin-based Fink

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Irish illustrator and painter Dan Leo

Dan Leo

South African native MARCAMIX aka bryite1one

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Belfast-based Friz

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Irish graffiti artists Koce and Vents

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Photo credits: 1, 2, 4, 6 & 8 Tara Murray; 3, 5 & 7 Lois Stavsky

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