This is the eighth post in an occasional series featuring artwork on NYC shutters:
Sweet Toof on the Bowery for the LISA Project
With Darkclouds
Ben Eine in the Mott Haven section of the Bronx
Ramiro Davaro in the Bronx for the Tag Public Arts Project
Kashink in Bushwick
The Drif on the Lower East Side for the LISA Project
Buff Monster on the Bowery
Photos 1, 2, and 7 by Tara Murray; 3 and 4 by Lois Stavsky; 5 and 6 by Dani Reyes Mozeson
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Nic 707‘s InstaFame Phantom Art continues to share a range of art — from tags by legendary writers to works by global artists — with NYC subway riders. Here are some images captured on a recent ride from East Tremont in the Bronx to Brighton Beach in Brooklyn.
Veteran UK graffiti writer, Pulse
Bogota native Praxis
The legendary TAKI 183
Graffiti pioneer Skeme of Style Wars fame
Mulit-media artist Michael Cuomo
Photos by Lois Stavsky
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Founded by John Matos aka Crash and Robert Kantor and directed by Anna Matos, WallWorks NY is a wonderful new gallery space at 39 Bruckner Boulevard in the South Bronx. While visiting its current — and final — unofficial exhibit, Open Gallery, we had the opportunity to speak to Anna.
When did WallWorks NY open?
We had our first “unofficial” opening exhibition, First Taste, on September 12. Its focus was on promoting street art and graffiti as a viable art form within galleries and museums. Among the many local and international artists whose works were featured were: Daze, Futura, Nick Walker, Stash and TATS CRU members: Bio, Nicer and BG 183. This was followed by Point. Focus. Click. featuring photos – that had never been exhibited before — by such photographers as Henry Chalfant, Martha Cooper, Joe Conzo, David Gonzalez, Lisa Kahane, Francisco Reyes II and Ricky Flores.
This current exhibit, Open Gallery, introduces us to many new artists.
Yes. It’s our final show before our official opening next month. Along with works by emerging local artists in Open Gallery, are artworks in various media by artists from around the country – many of whom had never exhibited their works in a gallery setting before.
How have these “unofficial” openings gone?
The response has been great. And the success that we’ve achieved so far is more than we could have imagined!
Why did you choose to open a gallery in the South Bronx?
Why not the South Bronx? Its history is so rich, and hopefully we will encourage people to visit it.
What is WallWork’s NY’s mission?
In the experimental and explorative vein of Fashion MODA, we want to exhibit new and exciting work from both emerging and established artists.
How did this space come to be?
My father, Crash, had dreamed for a long time of opening a gallery, and I loved the idea of directing one. On our trips into the city, we repeatedly passed this empty space on Bruckner Boulevard – that we saw as a potential site for a gallery. After discussing it with an art dealer in Paris last summer, my father said, “Let’s do it!” And then a partnership with entrepreneur Robert Kantor made it possible for my father to realize his dream.
What experiences and skills do you bring to your position as gallery director?
I grew up around art. As a child, I regularly accompanied by father to his studio – where I would sit and draw. For a long time, in fact, I thought I would be an artist. But as a senior in high school, I discovered that I was more interested in the concepts behind the art than in creating art. I then majored in Art History with a double minor of Philosophy and Black Studies at Fairfield University, and after graduating from college, I studied Art Business at FIT. And in addition to several internships, including one as Special Project Manager the Jonathan LeVine Gallery, I served as a liaison for my father, assisting him in everything from creating a strong social media presence to installing and selling art. I see myself as someone who is committed to each artist’s personal development and financial success — as well as to the success of the gallery.
What’s ahead?
Our official launch takes place on next Saturday, January 10, with Ikonoklasts, featuring never-before-seen works by three legendary NYC artists: A-One, Dondi White and Rammallzee. Following Ikonoklasts will be our first solo show featuring works on canvas by Nicer of TATS CRU.
That sounds wonderful! We are looking forward!
Interview conducted by City-as-School intern Zachariah Messaoud and edited by Lois Stavsky; photos by Lois Stavsky
Photos
1. TATS CRU
2. Anna Matos, gallery director
3. Such Styles
4. Buz163
5. Funqest
Note: Open Gallery continues until January 7 at 39 Bruckner Boulevard in the Bronx.
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With Sheryo and the Yok completing the missing letter — S — , the B-U-S-H-W-I-C-K mural at the Bushwick Collective is now complete. Here are some images:
Sexer at work after completing the letter ‘B.’ Letter ‘U’ by David Louf aka June1 to its right
Sheryo and the Yok, the letter ‘S’
Dasic Fernandez at work on the letter ‘H’
Billy Mode at work on the letter ‘W’
Eelco ’Virus’ Van den Berg, the letter ‘I’, with Bushwick Collective founder and curator Joe Ficalora to its right
John Matos aka Crash, the letter ‘C’
Zimad at work on the final letter, ‘K’
With some additions
Photo credits: 1, 4 & 7 by Dani Reyes Mozeson; 2, 3, 5, 6 & 8 by Lois Stavsky
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Back in September, a huge orange carrot surfaced on the streets of Williamsburg. We soon discovered it was the work of the Italian artist Nemo Tibi Amat, whose distinctly curious aesthetic was on view at Exit Room NYC at the time. Eager to find out more about it all, we posed some questions to her.
Why a carrot? What does the carrot represent?
Because it makes me smile, and it makes other people smile. I think of it as a kind of Carrot Therapy. Also, the carrot fits wonderfully into our urban architecture. It can be vertical or horizontal; it can be whole or chopped. There will always be a place for it.
When was your carrot first born?
Everything was born some years ago. At the beginning, I used to paint a fat radish instead of the letter O when I wrote my name. Then when I began doing rollers, I replaced the letters with the carrot. Even a child who can’t read can recognize a carrot.
What about the carrot on a cross that I saw over at Exit Room? What does that represent?
It’s the sacrifice. Anyone who aims to change the world by fighting against the system — with his or her own powers — is a Jesus on Earth. He wasn’t the only one crossed, as so many were, are and continue to be in many other ways. He’s just the most famous, because apparently his father was a god! The real crucified carrots that I use represent the inevitable decay of the body. After death, there is no resurrection.
And your burqa? It’s such an intriguing, powerful image. What does it represent?
Since I began painting — back in 1995 — I’ve had to deal with hiding and covering myself. I’m fascinated by the relationship between one’s interior self and the exterior world. And I love playing with the concept of protecting your body by hiding it. Covering your face can be a choice, but sometimes it is a necessity — a rule that others impose on you. Through my burqas, masks and balaclavas, I also tell stories that range from personal experiences I’ve had with real people to secret urban legends. If you scratch away the plasticine on my scratch card artworks, you can win my face.
What about your characters? Can you tell us something about them?
The characters themselves tell me how to draw them. You would have to ask them.
What is like being a female in a male-dominated world?
I don’t think about it. If you know who you are and where you are, you can manage just about everything going on around you. Most of the time, I paint on my own, and most of my friends are guys. I think I’m lucky, as I feel free from those mental prisons that a lot of girls feel enclosed in. I don’t, though, support the feminist way of thinking as it only increases the separation between us.
What is your impression of NYC?
Everything is really messed up, and I do love it.
Interview by Lois Stavsky with assistance by Daniela Croci aka Zoe; Photos 1, 2, and 5 courtesy of the artist; 3 and 4 by Lois Stavsky
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Also occupying NYC streets is an intriguing array of skulls, skeletons and assorted eerie creatures, Here’s a sampling:
Vexta in the East Village
N Carlos J in Bushwick
Damien Mitchell in the Bronx for Tag Public Arts Project
Nicole Salgar & Chuck Berrett in Bushwick for JMZ Walls
Steiner in Bushwick
Bishop203 in Bushwick
Epic Uno in Bushwick for the Tag Public Arts Project
Photos: 1 & 6 by Dani Reyes Mozeson; 2, 4, 5 & 7 by Lois Stavsky; 3 by Tara Murray
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A visit to the South Bronx neighborhood of Hunts Point this past Monday led to the discovery of some of its recently-surfaced graffiti murals. Here is a sampling:
All photos by Tara Murray
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Co-owned by artists Sarah Wang and Shaina Yang, City Bird is a creative space recently launched on the Lower East Side. While visiting its current exhibit Natural High yesterday, I had the opportunity to speak to Shaina Yang and find out a bit about the gallery and its mission.
I love the eclectic mix of art in this exhibit. Can you tell us something about City Bird’s mission?
We see ourselves as a unique space in which we are free to unleash our creativity in a playful manner. There is no one to tell us what to create or how to create it. It is up to us — the artists!
When was City Bird born?
Our inaugural exhibit opened on November 7. It was curated by the Under1roof Project.
Many of the artists on exhibit – such as Kingbee, Wizard Skull and Dek 2DX— are also active on the streets. How did you meet each other?
Many of us know each other from the collective, Con Artist, and many of Con Artist’s members also get up on the streets. Lady Millard’s Under1roof Project also brought us together in a collaborative manner. Basically, it was friends and friends of friends!
I’d imagine that renting and maintaining a space like this on the Lower East Side could be expensive. How do you raise the money to do this?
When there are no exhibits here, we rent out the space to pop-up shows, poetry readings and a range of creative events.
What’s ahead?
A mix of imaginative exhibits featuring work by a range of artists, including street artists. We are already booked through the spring. You are in for some surprises!
City Bird is located at 191 Henry Street on Manhattan’s Lower East Side.
Images:
1. Pablo Power
2. Chris Mendoza, close-up
3. Lady Millard, close-up
4. Kingbee
5. Wizard Skull
6, Dek 2DX
First image courtesy of the gallery; all others photographed by Lois Stavsky
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This is the tenth in a series of occasional posts featuring the diverse range of trucks and vans that strike our streets.
Photos: 1 by Dani Reyes Mozeson; 2-4, 6 & 7 by Lois Stavsky; 5 by Lenny Collado aka BK Lenny and 8 by Tara Murray
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A graffiti writer and b-boy back in the 70’s, California-based Doze Green crafts extraordinary artwork that exudes all the energy, exuberance and irreverence of the New York City streets that were once his. Out of Nowhere, his current exhibit and fifth solo show at Jonathan LeVine, continues through Saturday at 557C West 23rd Street. Here are a few more images:
Set with Osirian Strap (Penis Envy), mixed media on canvas
Napoleon Bonefart, mixed media on wood
H Thrice, mixed-media on canvas
The Initiate, mixed media on canvas
The Jonathan LeVine Gallery is open from 11am to 6pm.
Photos of images by Dani Reyes Mozeson; first image is Prophet in the Desert, mixed-media on canvas
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