public art

This is the 14th in a series of occasional posts featuring the range of faces that have surfaced in NYC open spaces:

New Zealand-based Owen Dippie in collaboration with Al Diaz aka SAMO in Bushwick

Tel Aviv-based Solomon Souza

Huge segment of complete mural on the facade of the Brooklyn Commons on Marcus Garvey Boulevard

Brooklyn-based Ben Angotti in First Street Green Park for the Inspire Change Festival

Brooklyn-based Danielle Mastrion with Dorothy Gale, close-up from huge mural in First Street Green Park for the Inspire Change Festival

Photos by Lois Stavsky

{ 0 comments }

The following guest post is by Houda Lazrak

While in Vienna, I had the chance to meet and talk with Jakob Kattner, founder of Calle Libre, the impressive mural festival that has been enlivening Vienna’s 6th and 7th district walls since 2014.

How would you describe Calle Libre? And why the Spanish name?

I would describe Calle Libre as a festival of urban aesthetics. My doctoral thesis focused on urban art in South America. I researched it there for 14 months, and this festival is my way to give back to the artists who helped me — who let me live with them and document their lives.

Where in South America did you do your street art research?

Colombia was the first country I visited. Stinkfish became a friend. He introduced me to the local scene, which really paved the way for me to explore further. I then went to Brazil, where I found a unique urban art style whose history is unfamiliar to most people. And, finally, Argentina. There I could feel how the weight of dictatorial history had impacted the street art scene but, also, how artists finally found their freedom.

How has Calle Libre evolved since 2014?

 We have broadened the programing every year. It started with live painting at the Danube Canal, along with an exhibition. We then added workshops at mumok. And the following year, we hosted film screenings, organized performances and presented artist talks. We also started doing annual signed screen print editions in collaboration with Limited Edition Art Prints aka LEAP. Among the artists we work with are Millo, Alfalfa, Inkman, Rodrigo Branco and Stinkfish. And in 2017, we launched guided tours.

What would you say is your main mission?

Intercultural exchange through art. We always include South American and local artists.

Is this your full time job?

I run a creative advertising agency called Warda Network. We produce creative, video and digital content. Actually, the agency does the documentation for Calle Libre, but the festival is its own separate nonprofit entity.

That’s why your online documentation is so great! Can you tell us something about your background?

I studied fine art and cultural theory. I am also a rapper. I’ve always wanted to work with moving images. I directed my own music video and that’s how I met my current partner at Warda Network.

Who is your team? Who helps you produce Calle Libre?

We are a team of seven. My fiancé, Laura, and I are the curators. When we started, it was just the two of us — and we still can’t believe how we managed to create an entire festival! Today, we rely on our team.

How many murals have you produced so far? 

 More than 35 but I am not sure how many are still up.

How have people reacted to Calle Libre?

It has been all positive feedback, especially from people who live near the walls that are painted during the festival. There is always a person from the team at each wall, and we have heard great things. We’ve also had funny incidents.

Such as?

When Mantra painted his 3D butterflies, someone asked us how he was able to put glass over such a big wall. And when Nychos painted a naked woman with a parrot on her shoulder in his signature Jugendstil-inspired style, a woman — whose house window faced the mural — asked why he was drawing her.

Do you focus on specific neighborhoods?

Each year we try to include new districts, but the 6th and 7th are where we have the most walls. It’s also where most of us live. These districts like the impact we’ve had, so we have good relationships with them. We try to pair artists with walls in relevant contexts. For example, the mural by Stinkfish — featuring a father carrying his child — is located on a kindergarten school property.

Have you collaborated with any museums in Vienna aside from mumok.?

The Albertina Museum contacted us about a possible collaboration on a Keith Haring exhibition. When we received the news, it was like we were knighted!

How do you get the funding to produce such a significant festival?

We get public funding from the city. We also received money from the European Union our first year. We apply for project grants, and we collaborate with local partners, based on where the walls are. It’s like playing the lottery! We never know how the next festival will be funded. We work for free and we love what we do, but it’s nice when the city and citizens give back. Every time we walk past the walls, we feel a sense of gratification.

Who are some of your favorite local artists?

Perk Up, Skirl, Frau Isa

What has been your biggest challenge since you first launched Calle Libre?

Convincing building owners to let us paint the walls! That’s definitely the hardest part.

Are there any artists on your wish list?

Inti, Pixel Pancho, Herakut, Os Gemeos. I also want to bring talented artists from South America who are not yet well-known in Europe.

I’m looking forward to seeing what’s next!

Images

1 Stinkfish

2 Kashink

3 Mr Woodland

4 HNRX

Mantra

6 Millo

7 Koz Dos

Interview and images by Houda Lazrak

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

en-play-badge 2

{ 0 comments }

The following guest post is by Houda Lazrak

Since the International Public Art Festival (IPAF) produced the first mural and street art festival on Isla Holbox in 2014, the island — an off-the-beaten-path tropical destination located on the north coast of the Yucatán Peninsula — has been home to several dozen public artworks. The image featured above is the work of  the celebrated Mexican artist Edgar Saner. Several more murals that greeted me during a recent trip to Mexico’s Yucatán Peninsula follow:

Mexican artist and musician Ekza One

Peruvian artist Jade Rivera

The Mexican graffiti and street art collective Pinta o Muere

As part of the protected nature reserve Yum Balam, the island’s local culture is deeply connected to its nonhuman inhabitants and Isla Holbox makes special efforts to follow environmentally conscious practices. The island’s diverse wildlife life and some of its marine folklore are reflected on the walls of its sandy car-free streets. Below is a small selection of these murals scattered throughout Holbox:

Canadian artist Labrona

Mexican artist Luna Vega

Montreal-based artist and IPAF Festival co-founder Ruben Carrasco 

Photos by Houda Lazrak

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

en-play-badge 2

{ 0 comments }

Founded and curated by Miami-based Registered Artist, the Second Annual aWall Mural Projects took place in Miami from Dec 1-9 bringing a diversely rich range of artworks to The Santa Clara Elementary School in Allapattah. Featured above is the hugely talented Asian artist Sheep Chen at work on a delightfully playful, brightly hued mural. Several more images — all captured by travel and street photographer Karin du Maire aka Street Art Nomad — at Allapattah’s Santa Clara Elementary School follow:

Project curator Registered Artist

South Africa-based Sonny Sundancer

UK-based My Dog Sighs 

New York-based Tom Bob and Texas-born Asian artist Emily Ding

Emily Ding, closer-up

And New York-based Key Detail at work

Photos by Karin du Maire aka Street Art Nomad

{ 0 comments }

While in San Jose for this year’s POW! WOW! festival, travel and street photographer Karin du Maire aka Street Art Nomad had the opportunity to explore the city’s intriguingly diverse street art. Featured above is the work of LA-based artist El Mac, Sophie Holding the World Together, commissioned in 2017 by San Jose Museum of Art in collaboration with The Propeller Group and Empire Seven Studios. Several more images follow:

 West Coast-based mixed-media artist  Andrew Schoultz, curated by Empire Seven Studios

Philadelphia-based Nosego, curated by Empire Seven Studios

Bay area- based Kristin Farr for POW! WOW! 2017

Bay area-based artists Lacey Bryant and Ben Henderson, segment of larger mural for POW! WOW! 2017

Sainer of Poland’s Etam Cru, curated by Empire Seven Studios

Native-American artist Jaque Fragua, curated by Empire Seven Studios

Oakland-based Jet Martinez & Amsterdam-based Adele Renault for POW! WOW! 2017

Photos by Karin du Maire aka Street Art Nomad

{ 0 comments }

Introducing the general public to an eclectic range of outstanding street artists from across the globe while boosting the development of the local street art scene, the third Russian biennale Artmossphere is now near completion. A particular highlight of this year’s Artmossphere was Shepard Fairey’s huge outdoor mural, Tunnel Vision, inspired by the bold aesthetics of Russian Constructivism. Several more images — representative of the wonderfully diverse artwork that made its way into Artmossphere 2018 — follow:

Shepard Fairey at work earlier on with a little help from his friends

Amsterdam-based Adele Renault at work on one of her signature birds with the legendary Martha Cooper capturing it all

Brooklyn-based assemblage artist Hyland Mather at work as he repurposes discarded materials into an intriguing installation

Swedish graphic designer Finsta’s completed installation

NYC’s masterful FAUST

Berlin’s 1Up Crew’s installation”Burner Phones”

Photo credits: Vasiliy Kudryavtsev

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

en-play-badge 2

{ 0 comments }

POW! WOW!, the international art movement that celebrates culture, music and art in cities throughout the globe, continues this week to enhance the city of San Jose. The image featured above was painted by Ivan Gonzalez. Several more works — many in progress and all captured by travel and street photographer Karin du Maire aka Street Art Nomad — follow:

Local artist Drew Flores at work — on ladder — with a little help from his friend

Dragon 76 and Woes — along with local students — posing in front of their mural

Iranian brothers, Icy and Sot at work on “Ladders to Nowhere,” a metaphor for the inhumane  US prison system, which makes it almost impossible for a released prisoner to move up in society

Korean artist Sixcoin at work on “Gulliver”

West Coast-based Apexer at work

Hawaii-based Kamehanaokalā aka Cory Taum at work

Photos by Karin du Maire aka Street Art Nomad

{ 0 comments }

Founded and directed by Jasper Wong, POW! WOW! is an international art movement that celebrates culture, music and art in cities throughout the globe, as it engages the broader community.

In 2017 — its inaugural festival in San Jose, California — it added 20 murals to the city’s landscape  It is back again this week with new public murals, musical gatherings, educational programming and a range of diverse activities. Featured above is a close-up of a huge mural in progress by the extraordinarily talented twin brothers How and Nosm. Several more images from earlier this week — all captured by travel and street photographer Karin du Maire aka Street Art Nomad — follow:

The entire How and Nosm wall in progress

West Coast-based Sean Boyles  and his wife, Roan Victor

Montreal-based French duo Scien and Klor of the 123Klan

Self-taught West Coast wire sculptor Spenser Little

Bay area artists Skinner and Jesse Hernandez

Local artist Shrine

Photos by Karin du Maire aka Street Art Nomad 

{ 0 comments }

 

The Audubon Mural Project, a collaboration between the National Audubon Society and  Gitler & ____ Gallery, continues to enhance Hamilton Heights — the late John James Audubon’s upper Manhattan neighborhood — with a range of public artworks featuring images of of climate-endangered birds. Since I’d last documented this project, dozens of new murals have surfaced. The image pictured above features a pinyon jay, painted by Vermont native Mary Lacy. Several more follow:

Brooklyn-based Frank Parga, Gyrfalcon

Bronx-native Andre Trenier, Black-Billed Magpie

Kristy McCarthy aka DGale and Pelumi Khadijat Adegawa, Glossy Ibis    

London-based ATM, Townsend’s Warbler

Brooklyn-based George Boorujy, Yellow-Throated Warbler

Tel Aviv-based Klone, Brewer’s Blackbird

If you are an artist and you would like to participate in this project, you can e-mail amp@gitlerand.com. And to find out how to help sponsor a mural, check here.

Photos by Lois Stavsky

{ 0 comments }

Two brilliantly conceived and beautifully executed murals – one by Sonny Sundancer and the other by ASVP – surfaced last month on the exterior walls of IS 318 in East Williamsburg, Brooklyn. Sonny’s mural– at the corner of Lorimer Street and Throop Avenue – depicts a Yawanawa girl from Acre, Brazil, along with a jaguar, representative of a species that is sacred to the indigenous peoples and at risk of extinction. ASVP‘s black and white tower mural — painted on the opposite wall — features an elephant, bear, tiger and more, all interdependent and threatened or endangered in some capacity.

While visiting the school last week for the murals’ dedication and ribbon cutting, I had the opportunity to pose a few questions to Greenpoint Innovations founder Stephen Donofrio, who had organized the The Point NYC project.

These hugely impressive murals are one component of The Point NYC initiative. Just what is The Point NY?

It is a collaborative venture — among Comics Uniting Nations, Greenpoint Innovations, Hypokrit Theatre Company, Rattlestick Playwrights Theater and UNICEF — that brings together artists, producers, educators and local environmentalists for a series of artistic productions and events. Among these are: a comic book, public murals, a theatrical experience, open dialogue and an educational toolkit.

What is its ultimate mission?

Its mission is to respond to the human impact of climate change and to exercise the power we all have, particularly the youth, to take action for a better future.

And what inspired the direction that this project has taken?

It was inspired by a comic book story —Tre, by Sathviga ‘Sona’ Sridhar — about a climate change superhero. Sona had become passionate about climate change when her town in Chennai, India was flooded and when she heard about the Climate Comic Contest by UNICEF and Comics Uniting Nations, she decided to submit her art.

How did you connect with Sonny Sundancer and ASVP? Their murals are perfect for this project, as they are exquisite and brilliantly reflect environmental issues.

Karin du Maire introduced me to Sonny, and I met ASVP at the Moniker Art Fair in Greenpoint this past spring. Both Sonny and ASVP were ideal to work with, as they are not only wonderful artists, but caring people.

Were you presented with any particular challenges in seeing the project through?

Coordinating with the Department of Education was somewhat of a task. And then discovering that a segment of the wall that Sonny had completed had been coated to protect it from any lasting paint was another challenge. But – with considerable effort — we overcame them both!

How have the members of the local community responded to these two murals?

The response has been overwhelmingly positive. They love them.

And thank you for initiating this project!

Photo credits: 1 & 2 Lois Stavsky; 3 Karin du Maire aka Street Art Nomad; interview conducted and edited by Lois Stavsky; 

{ 0 comments }