gallery exhibition

Celebrated across the globe for his inventive stencil art, Joe Iurato continues to inspire and delight us with his innovatively conceived  and beautifully executed artwork. On exhibit at Castle Fitzjohns through this week is “Bottles + Cans,” an exhibition of new works, along with a life-size instillation of a Bistro. Pictured above is Modern Love (Sunset), 2018 spray paint on wood cut out, reclaimed wood. Several more images captured at the exhibit follow:

He Was Here a Second Ago, 2018 spray paint on wood cut out, reclaimed wood

It’s All Downhill From Here, 2018 spray paint on wood cut out, reclaimed wood

Watering Can (Peace), 2018 spray paint on wood cut out, reclaimed wood

Street Stories and Rhymes, 2018 spray paint on wood cut out, reclaimed wood

James ‘right to sing the blues, 2018 spray paint on wood cut out, reclaimed wood

Installation, Bottles + Cans, mixed media

Castle Fitzjohns is located at 98 Orchard Street on Manhattan’s Lower East Side.

Photos by Lois Stavsky

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We first came upon Alexis Duque‘s tantalizing aesthetic several years ago, when we discovered a meticulously detailed wheatpaste of his on Manhattan’s Lower East Side. We’ve been huge fans ever since. His rich and inventive sensibility is now on view in Paradise Lost— a solo exhibition opening tonight, March 7, and continuing through March 31 — at Paul Calendrillo New York.  Pictured above is Calaveras X, rendered with acrylic on canvas against a background inspired by post-colonial floor tiles of traditional Latin American homes — as seen by the artist on his many visits to his native country, Colombia. Several more masterfully crafted images, all suggestive of a world in which Paradise is lost, follow:

Truck, Acrylic on canvas, 2017, 16″ x 12″

Diana, Acrylic on canvas, 2017, 24″ x 16″

Slum, Acrylic on canvas, 2013, 31.5 x 23.5

And one of several sculptures on exhibit —

Dwelling, Cardboard, modeling paste, ink and acrylic, 2018, 20″ H x 10″ W x 10″ D

Paul Calendrillo New York is located at 547 West 27th St, Suite 600, in Chelsea and is open 11:00am to 6:00pm Tuesday – Saturday with extended hours on Thursdays that offer an opportunity to meet the artist. Tonight’s opening reception takes place from 6:00 to 8:00pm.

Photos of images: 1-4, Lois Stavsky & 5 Tara Murray

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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With his boldly elegant visual language, Spanish artist J Demsky has been reinventing the alphabet for over 20 years. Here in NYC, he has recently brought his talents to our streets. And through February 10, his distinct aesthetic remains on view in OFF THE WALL, a duo exhibition with sculptor Brad Howe, at GR Gallery, 255 Bowery.

Pictured above is a mural painted by J Demsky in Manhattan. Following are two more murals that J Demsky has graced us with:

At the Welling Court Mural Project in Astoria

In Ridgewood

And two of several artworks newly crafted by J Demsky on view at GR Gallery:

Electricworm, Synthetic enamel on ACP, 45.2″ x 59″ 

Multistellar 1Synthetic enamel on ACP, 33.4″ x 48″

Located at 255 Bowery between East Houston and Stanton Streets, GR Gallery is open daily from 11 am to 6 pm.

All images courtesy GR Gallery

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Opening this coming Saturday, September 23, at Los Angeles’ Corey Helford Gallery is D*Face’s only U.S. solo show this year. The legendary UK-based artist — who has recently shared his talents with us New Yorkers in Downtown Manhattan with the Lisa Project NYC, at Coney Art Walls and at the Bushwick Collective — set out to resurrect romance in the contemporary era. Aptly titled Happy Never Ending, D*Face creates a family of dysfunctional characters, as he takes on such issues as illusive intimacy and conspicuous consumerism.

Regarding his new works, D*Face states: “For me this work is about the tragedy of losing someone you love. Not just in the physical sense of death but also in the metaphorical way that romance has become such an artificial thing in recent years. Courtship used to be a craft, something careful and considered; marriage was an everlasting bond of trust and commitment. Today, though, romance is comparable to a shop bought commodity – instantly attainable at the touch of a button or swipe of a screen. In a constant search for someone or something better, people treat others as if they were mere objects – infinitely attainable and instantly disposable.”

He continues: “With this new series of work I wanted to re-kindle the lost romance of a bygone era, back when, even in death, the memory of a loved one could last an eternity and a marriage went beyond just a symbolic gesture. For the show I want to construct a mini chapel where we can actually hold a real ceremony and a graveyard in which I want people to leave momentos to the people they have lost. If romance is truly dead, then I want to resurrect it for the modern age.”

By rethinking, editing and subverting imagery — such as currency, advertising and comic books — drawn from decades of materialistic consumption, D*Face transforms these now iconic motifs, figures and genres in order to gain new insight into today’s values.

Happy Never Ending‘s opening reception will be held this Saturday from 7-11pm in Gallery 1 at Corey Helford Gallery. The exhibit remains on view and is open to the public through October 21st.

Photo credit: Spraying Bricks, in-process shots from D*Face’s studio 

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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A huge fan of the Oakland-based street artist GATS since I first saw his iconic mask imagery across the globe several years ago, I was delighted to view his artwork here in NYC — both in the brilliantly conceived and curated exhibit Against the Grain at SPOKE ART NYC and on the streets of Little Italy. Pictured above is a segment of a huge mural featured in Against the Grain. Here are several more images — all fashioned on found objects — from the exhibit:

Death by Pebble, Acrylic on 1960’s skateboards, 4 of 8

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Traveler, Acrylic on found wooden case (top); Trackside, acrylic on spraycan (bottom)

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Stripes, Acrylic on found shipwreck

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Eliminator, Enamel on vintage sprayer

gats-reclaimed-fire-extinguisher

 And on the streets of Little Italy — with the L.I.S.A Project

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 Close-up

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Against the Grain continues at SPOKE ART NYC through June 25th. The gallery is located at 210 Rivington Street on Manhattan’s Lower East Side and is open Wednesday through Sunday from 11:00 am – 7:00 pm.

Photo credits: 1, 3-7 Lois Stavsky; 2 Karin du Maire

Note: Hailed in a range of media from Wide Walls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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