Walls

Hottea on His Recent NYC Installation, Gentrification and “UUGGHH”

December 6, 2014

Last month, Minneapolis-based artist Eric Rieger aka Hottea came to NYC with a message. Here’s what he has to say about his installation on the iconic, recently-purchased building on Bowery and Spring Street:

Can you tell us something about this specific site? What is its significance to you?

This building used to be the old Germania Bank and was built in 1898-99. Today it is no longer a bank, but a residence. For such a big building you would think that there is more than one tenant. Not the case. There is only one family living there, and that is the family of Jay Maisel. Unfortunately, this is not for much longer. He reportedly sold the property for 50 million dollars. That is quite the profit considering he bought it for around 100k. Over the years that Jay and his family lived there, they refused to clean its exterior walls. The outcome was a collage of graffiti, wheatepastes and stickers. This building is significant to me because it made me think of a different way of installing my work.

Why did you choose to install the word “UUGGHH?”

I wanted this piece to be about the recent purchase of the building and the decision to turn it into a condo development/private gallery space. I have seen gentrification taking place all over the world, and NYC is no stranger to it. There are so many iconic buildings that are lost due to the desire for “New.”

What about the process of the installation? How did you go about it? How long did it take?

The process was done in three parts. I did a lot of organizing in my hometown of Minneapolis, such as ordering lumber, reserving a moving truck, etc. The second part was gathering all the materials once in NYC and building the lettering. This proved to be much more complicated than I was expecting. Many of the supplies were hauled via the subway and once on site, there was little room to work. We used an abandoned lot, but got kicked out so we just worked in front of where I was staying. Not much room at all. The third and final part was hauling the letters on site and installing. The whole process from beginning to end took about two weeks.

What kinds of responses has your installation received?

A lot of people were curious when I was installing. They were curious as to what it meant and who it was for. I think a lot of people assume that if you are wearing a reflective vest and working during the day, that you must be doing something for a brand or for the city. This installation was done to remember what NYC once used to be. I was never able to experience it first-hand, but through images and video I was able to sense the energy and spirit behind the work being done. The reactions have been like mine. UUGGHH, not another building lost to gentrification.

And for a wonderful documentation of it all, check out this video.

All photos courtesy Hottea

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JMZ Walls Brings Color and Intrigue to the JMZ Line with Jay Shells, Fumero, Danielle Mastrion, Claw Money, BK Foxx, Zukie and more

December 5, 2014

In its mission to “make the JMZ lines more colorful – one wall, one gate, one space at a time,” JMZ Walls has brought not only color, but intrigue and charm, to Broadway and Myrtle and its immediate vicinity. Here is a sampling:

Jay Shells

@ducklings

Fumero

Danielle Mastrion‘s homage to Michael Brown, the unarmed black teen shot dead in Ferguson, Missouri

Claw Money

BK Foxx

Zukie

Photo of Claw Money by Dani Reyes Mozeson; all others by Lois Stavsky

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A Feast of Beasts on NYC Streets, Part IV: Eelco ‘Virus,’ Ramon Brito, Eder Muniz, Mr. Prvrt, Mike Makatron, Dan Witz and Never

December 2, 2014

This is the fourth in a series of occasional posts featuring the range of creatures that share our streets with us.

Rotterdam-based Eelco ‘Virus’ Van den Berg at the Bushwick Collective

Miami-based Ramon Brito aka garabatoarte in Bushwick

Brazilian artist Eder Muniz in Bushwick

Rochester-based Mr. Prvrt in Bushwick

Australian artist Mike Makatron in Williamsburg

Dan Witz at the Bushwick Collective

Never at Welling Court in Astoria, Queens

Photo credits: 1, 4-6 by Dani Reyes Mozeson; 2, 3 & 7 by Lois Stavsky

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Girls on Walls, Part XIV: Dasic, Ben Angotti, Fusca & Kazy, Swoon, Ree2 & Teck1 and Alice Mizrachi

November 16, 2014

This is the 14th in an occasional series of posts featuring images of girls — and women — who grace our public spaces:

Dasic in Bushwick

Ben Angotti in Bushwick

Mexican artist Fusca and French artist Kazy in Bedford-Stuyvesant

Swoon in Red Hook

Ree2 and Teck1 in Washington Heights

Alice Mizrachi in the Rockaways

Photos: 1, 2 & 4 by Dani Reyes Mozeson; 3 & 5 by Lois Stavsky and 6 by Tara Murray

Note: StreetArtNYC will be on vacation through December 1. Follow what’s happening here in NYC on our Facebook page.

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A Visit to 106 Bayard with: Cycle, Part One, Dr. Revolt, Wolf 1 AOK, Futura, Lady Pink, Team, Whisper, Pure TFP and more

November 15, 2014

Straddling the border between Williamsburg and Greenpoint, the building at 106 Bayard Street was transformed this past spring into a 3,000-square foot outdoor canvas. The 70’s and 80’s NYC subway and graffiti movement was the theme of the inaugural 106 Bayard mural project, curated by Gee Dajani and Keene Carse. Here are a few more images from both the exterior and interior of 106 Bayard captured when we recently revisited the spot.

Part One, Dr. Revolt, Wolf 1 AOK and Futura

Lady Pink

A wide view from across the street with Part One, Dr. Revolt, Wolf 1 AOK, Futura and Team

And inside — Whisper and Pure TFP, segment of huge mural

Created and sponsored by Cirkers Fine Art Storage & Logistics, 106 Bayard will be transformed once again this coming spring.

Note: First photo features the legendary Cycle with Jackson and artwork by Williamsburg Charter High School students.

Photo credits: 1, 4 & 5 by Dani Reyes Mozeson; 2 & 3 by Lois Stavsky

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Hi-ARTS Presents JR’s Inside Out Mi Gente / Oyáte kiŋ Photo Art Project — opening this evening in East Harlem

November 14, 2014

Opening this evening from 6-9pm at the Hi-Arts Gallery on 304 East 100^th Street is JR’s Inside Out Mi Gente/ Oyáte kiŋ Art Project — focusing on and uniting two communities: NYC’s East Harlem and South Dakota’s Pine Ridge Reservation. Here are a few images captured yesterday while visiting the exhibit, curated by Carlos Mare:

Closer-up

And more

And outside with murals by Alice Mizrachi and Part One

Photos by Dani Reyes Mozeson

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Le Collektor Fashions Moveable Art Galleries with Hoodies Designed by Sonni, Chris Uphues, Joseph Meloy and more

November 13, 2014

An innovative line of hoodies with interchangeable, collectible art-inspired hoods provides a new canvas for artists, including some of NYC’s street artists. Curious about it all, we posed some questions to Amisha Patel, the founder and CEO of Le Collektor.

What inspired you to bring the art that we see on our city’s streets and galleries to hoodies?

The outcry and public debate around the whitewashing of 5Pointz reminded me of what street art is all about. It’s such a pure form of self-expression — truly democratic in nature. At its root is a desire to be seen and heard. And while I think it’s great for artists that street art has been recognized by traditional art collectors and galleries, we wanted to find a way to bring its democratic spirit to its original fans – people on the streets. The hoodie – a streetwear classic – seemed a great way to do it.

How did you select the particular artists who are participating in this venture?

We approached it as if we were curating a group show that artists would want to attend. We wanted to showcase distinct styles that could be seen in cities around the world. We also wanted to work with artists who were on board with what we’re trying to do. Our inaugural artists – Nick Gazin, Chris Uphues, Sonni, Dru Brennan, EWOK, David R. Head, Jr. and Joseph Meloy – have been amazingly supportive, and we very much appreciate that they trust a new brand with their work.

How have the artists responded to your mission?

The artists love the idea. It gives them a direct way to connect to fans — especially those who aren’t in cities that have street art scenes. Everyone also really loves the way the hoodies turned out.

Which artists – based here in NYC – are you featuring?

Joseph Meloy, Nick Gazin, Sonni, Chris Uphues and David R. Head, Jr

How can artists join this project?

We’d love to grow our list of collaborators! Artists can email me directly at amisha@lecollektor.com

Can you tell us something about the hoodie itself? Who will be manufacturing it?

We wanted our hoodie to be the go-to so we made sure that it was worthy of the art on its hoods. It’s being made by a factory in Los Angeles that we found through our friends at Bleick Studio who work with some of the best streetwear brands out there:

Super soft 13 oz. brushed Sherpa fleece locally knitted in Los Angeles
Flat-locked seams for extra durability
Ribbed side panels for a close fit and extra warmth
Pre-washed and shrunk to fit
Classic ribbed bomber collar to wear jacket without a hood
Rope drawcords with custom metal tips
Hidden phone pocket with headphone port

Why did you launch a Kickstarter? Can you tell us something about it?

Big brands use artists’ work all the time, but we want to build our brand around the artwork in a way that it will provide artists with meaningful income directly from their fans. Kickstarter seemed the perfect platform to engage directly with artists’ fans and with the creatively-minded community we want to build around Le Collektor. It’s about bringing big ideas to life, and — really more than any other company out there — it has created a new class of everyday patrons of the arts – which is in line with our company’s mission. So far, it’s been very exciting to see all of the support and love for what we’re doing. We’re a Kickstarter staff pick, and artists have written in from all over saying they’d love to be part of the movement.

Note: You can check out and support Le Collektor’s Kickstarter here.

Photo credits: 1. Sonni on Bushwick rooftop, Lois Stavsky; 2. Sonni in the East Village, Tara Murray; 3. Sonni hood, courtesy of Le Collecktor; 4. and 5. Chris Uphues in Williamsburg, Lois Stavsky; 6. Chris Uphues hood, courtesy of Le Collecktor; 7. Joseph Meloy at Welling Court, Dani Reyes Mozeson; 8. Joseph Meloy for the Centre-fuge Public Art Project, Tara Murray; 9. Joseph Meloy hood, courtesy of Le Collecktor

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The X-Spot Arrives in East Harlem with Custom Graffiti Art and more by Topaz, Jerms, Treat Street…

November 11, 2014

Topaz – one of the most active members of the hip-hop and 5Pointz communities – began customizing T-shirts when he was in junior high school. His most recent venture is the X-Spot, a unique space at 2 East 116^th Street in East Harlem. We recently visited him and had the opportunity to speak to both Topaz and Jay, the manager of Production X.

How did you guys come up with the idea to open such a space?

We grew up together in Rego Park, Queens, and we’ve been working together for years. We’ve actually had two stores before – one in Paterson, New Jersey and the other in South Carolina. We wanted to do something different from what we’d done in the past.

In what ways is this venture different?

Our emphasis here is on providing services and maintaining a gallery. It is production-based. Although we sell graffiti art on canvases, select magazines — like the latest issue of Flashbacks — and CD’s, our space here is not primarily a store or shop.

What are some of the services that you provide?

We provide clients with all forms of graphic design — customized murals, logos, portraits, canvases, T-shirts and more.

It sounds – and looks – great! Whom do you see as your principal clientele?

At this point, it is largely the hip-hop community – rappers and entertainers. But, ideally, the general public, especially as graffiti continues to gain respect and recognition as an art form.

This is such a great location! It’s right off 5^th Avenue in East Harlem and down the block from the 2 and 5 subway lines. How did you guys come up with such a great locale?

A lucky set of circumstances – as Jay’s cousin had previously worked at this location.

The artwork on display here is primarily by you, Topaz, Jerms and Treat Street NY. Are you open to other artists participating in your projects?

Absolutely. Talented and committed artists can stop by our space or drop us an email at ProductionX@aol.com or LordRoccolypse@aol.com.

Photo credits: 1. and 2. Topaz by City-as-School intern Tyler Dean Flores; 3. Jerms by Lois Stavsky; 4. Jerms, Topaz & Blone by Lois Stavsky; 5. Treat Street with Jay (X-Productions) by Lois Stavsky; 6. Treat Street, as commissioned by Derek Jeter’s nephew, by Lois Stavsky and 7. Poet, Pace, Jerms, Sav, Ice and more by Dani Reyes Mozeson

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In Prospect Heights, Brooklyn: Meres, See TF, NME & Danielle Mastrion

November 8, 2014

Gracing Prospect Heights — a short walk from the Brooklyn Museum — is a wondrous wall fashioned last month by Meres One, See TF, Danielle Mastrion and NME. Here are a few more images:

NME and Meres

See TF

Danielle Mastrion

Photos by Dani Reyes Mozeson; the first photo features Meres One and See TF

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Speaking with Matthew Denton Burrows

November 6, 2014

A wonderfully talented fine artist and illustrator, Matthew Denton Burrows began sharing his distinct vision with us on public spaces in January 2013. We recently had the opportunity to interview Matthew whose first solo exhibit opens tomorrow at 8pm at Greenpoint Gallery.

We first discovered you over at East First Street when you were painting for the Centre-fuge Public Art Project. Can you tell us something about that? How did it come about?

When I was in grad school at SVA, I was the only one in my program who was into street art. I loved the concept of sharing one’s art in a public space. And one of my professors who knew about Centre-fuge suggested I contact the folks running it. And so I applied, and in February 2013, I painted my first public piece on a huge trailer off First Street.

What was that experience like?

It was nerve-wracking! I generally work with pen and ink and colored pencils on paper in my studio. It was a new experience, and strangers were observing me at work over the course of five days. But I was instantly hooked! The interaction with the community was addictive!

We’ve since seen your artwork elsewhere.

Yes, I’ve painted in Bushwick, at the Northside Festival in Williamsburg and in Miami.

Your artworks on paper are quite different from what we’ve seen on the streets. They’re intricately detailed and extraordinarily complex, both visually and conceptually. When did you first begin drawing?

I’ve always been drawing! When I was in elementary school, I used to get into trouble for drawing so many people with guns!

You work just about full-time as an artist these days. At what point did you decide that you wanted art as a profession? And are you happy with that decision?

At the end of my sophomore year at Lehigh University, I decided to major in art. And, yes, I’m definitely happy with that decision. I love what I do, and I’ve sold a substantial amount of work.

You’ve had a formal art education. Can you tell us something about it? And was it worthwhile?

I received a BFA from Lehigh University, where I had the school’s first-ever solo art show just a year into my degree. Back in New York City, I earned an MFA in Illustration at the School of Visual Arts. My formal education is worthwhile only because I was first self-taught.

How do your parents feel about what you are doing these days?

They’re very supportive. My mom is an artist and she loves street art!

What percentage of your time is devoted to art?

All of it! When I’m not creating my own art, I work as project manager and assistant curator of the Centre-fuge Public Art Project. And I am also the CEO and co-founder of the recently launched company, Dripped on Productions.

Has your aesthetic been influenced by any particular cultures?

A multitude of cultures, particularly marginal ones.

What inspires you these days – both in the studio and on the streets?

I’m always inspired by the energy of my native city, NYC! But current events, my experiences, my travels, and alternative cultures also fuel my creativity. And I’m an avid reader. When I read that Rio had won the bid for the Olympics, and the World Cup, for example, I did extensive research that evolved into a body of artwork.

What are some of the particular issues that concern you?

I’m especially interested in matters related to the environment, social inequality and the impact of technology.

How, then, do you feel about the increased link between art, particularly street art, and corporate or for-profit enterprises?

I think the link, which seems to be growing stronger, is a positive thing. I think it will help enhance the movement in terms of fans, but there is always a danger when a pure artistic expression — such as street art — binds with the corporate world. The corporate world has the ability to suck the creative purity out of things. But artists need to be paid like anyone else, and if an artist can find a link where they still feel integrity and creative freedom, I would support it.

How has your work evolved in the past few years?

I feel that I’m influenced more and more by street art.

Have you ever collaborated with another artist?

No! But I’d really like to.

Do you work with a sketch in hand?

No. I have a general idea of what I want to do and my work evolves organically.

What do you see as the role of the artist in society?

To expose others to a more interesting world. To remind people that something exists beyond their everyday lives.

What’s ahead?

My first solo exhibit, Are You Aware of The Ongoing Experiment will be held tomorrow, Friday, November 7, at Greenpoint Gallery from 8 -12 pm. I am headed to Art Basel next month. And in January I am participating in a group show in Aspen, Colorado.

Interview by Lois Stavsky with City As School intern Tyler Dean Flores; photos: 1 and 4, courtesy of the artist; 2, Tara Murray; 3, 5, and 6, Lois Stavsky

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