Walls

At First Street Green Art Park: Santhori with Community Members, Vedran Misic, Murrz, Peter Missing and Stuart Ringholt

September 10, 2016

Back in 2008, First Street Green converted a derelict building lot at 33 E. 1st Street in Manhattan’s Lower East Side into an open art space. In collaboration with NYC Parks and Partnership For Parks, it has successfully incorporated the lot into First Park.

These days, First Street Green provides a wide range of cultural activities and programs in First Park by engaging with artists, architects, cultural groups and community members. It has also become a favorite destination for us street art aficionados, as it has evolved into an intriguing outdoor gallery featuring some of our favorite artists and introducing us to others. Pictured above is a segment of a collaborative mural created during #WeSpyNY, a community workshop conducted by Swiss pop artist Santhori. Here is a small sampling of other works that were seen earlier this month:

Bosnian artist Vedran Misic

Murrz

Bronx-born, Copenhagen-based artist, musician and activist Peter Missing, close-up of huge mural

Melbourne-based artist Stuart Ringholt

Photo credits:1-4 Lois Stavsky & 5 Tara Murray

{ 0 comments }

Baltimore-Based Nether 410 Brings his Vision to Chicago — in Let’s Talk About It at Galerie F and with Pablo Machioli on the Streets of Pilsen

September 6, 2016

Earlier this summer, Baltimore-based Nether 410 shared his talents and vision with us up in the Bronx with the TAG Public Arts Project. More recently his particular socially-conscious aesthetic made its way to Galerie F’s current show Let’s Talk About It and to the streets of Pilsen with Pablo Machioli. Pictured above is No Frontiers. Here are several more images with commentary by Nether:

Rising and Raising of the Super Block, close-up, Ink on paper canvas, 30″x22″

Between 1950 and 1969, Chicago’s housing authority built 11 enormous high rise projects for public housing, which isolated most of the extreme poor in “super-blocks.” Cabrini–Green, Henry Horner and Harold Ickes are some of these housing developments. As the economy suffered, crime rose. Many of the projects in this arguably failed ‘master-plan’ became derelict and were eventually demolished. This piece clashes an archival photo of the mayor and developers hovering over an architectural model of a super-block, with an image of the demolition one of their planned developments.

Baptized into the Movement, close-up, Digital print, 11″x17″

A young kid pouring a bottle of water over his face following being tear-gassed in Ferguson.

Candlelight Protest, Digital print, 17″X11″

From a photo I took during the first Freddie Gray candle light vigil protest. Three generations of Baltimoreans witnessing the beauty of the struggle. That evening changed the entire trajectory of the movement.

And on the streets of Pilsen with Pablo Machioli:

The Taming of the Bull

As part of a collaboration with Pablo Machioli. Painted from ground with mini rollers, a statue of Hercules wrestling a Bull in Pilsen, a South Side-neighborhood being redeveloped. The figure taming the bull is blinded by gold while the bull is being pierced by an arrow — shot through the Robert Taylor Homes — into his throat. Between 1950 and 1969, Chicago’s Housing Authority built 11 enormous high rise projects for public housing, which isolated most of the extreme poor in “super-blocks”. Many of the projects in this failed ‘master-plan’ were almost intentionally underfunded, became derelict, were demolished, and now, of course, the surrounding neighborhoods are being redeveloped for a different population

Close-up

Let’s Talk About It continues through September 18th at Galerie F. Located at 2381 N Milwaukee Ave, it is open Tuesday through Sunday, 11AM – 6PM

Images of artworks courtesy Galerie F

{ 0 comments }

Noted Brazilian Artist Mag Magrela on NYC Streets and at Galeria on Manhattan’s Lower East Side

August 31, 2016

Noted Brazilian artist Mag Magrela recently spent a month in New York City. In partnership with AnnexB — a company focused on promoting Brazilian art in NYC — Mag Magrela painted several murals in different neighborhoods and presented her first NYC solo exhibit, Pindorama in Flames, at Galeria, a delightful gallery/cafe located at 43 Clinton Street on Manhattan’s Lower East Side. Pictured above is Sem mais. The broken boat: eu tenho sue o pedaço que agora é meu in Long Island City. Here are several more outdoor murals:

“Pequenos atos de contra ataque,” Astoria, Queens with the Welling Court Mural Project

“Dá a cara à tapa,” Bushwick

“A paixão das ancas,” Brooklyn Brush X Mural Project

And from her exhibit Pindorama in Flames, at Galeria featuring works created during her NYC residency:

Linha de frente

“Suadade de sertão encantado” — with figure painted live to the right

“Meu murk” – the artist’s signature performance-installation at Brooklyn Brush, Brooklyn, New York

The exhibit at Galeria — featuring a range of works that address the dichotomy between the ideal Utopian world and the bitter real one — continues through September 15th.

Note: Mag Magrela is a featured artist in Alexandra Henry‘s documentary film Street Heroines.

Photos: 1, 3, 4 & 7 courtesy AnnexB; 2, 5 & 6 Lois Stavsky

{ 0 comments }

At the Graffiti Hall of Fame in East Harlem with Pro 176, PFunk, Rath, Quik, Scratch, Hops1, Poet and more

August 29, 2016

The 15th edition of the NYC Graffiti Hall of Fame, presented by Joey TDS and James Top, was launched this past weekend inside the famed East Harlem schoolyard on 106th Street and Park Avenue. Pictured above is by French graffiti artist Pro176. Here are several more artworks captured yesterday:

Rhode Island-based PFunk at work

Local writer Rath

New York City-based graffiti legend Quik

NYC-based, Stockholm native Scratch, the sole female to paint this year!

NYC-based Hops1

NYC-based Poet

Keep posted to our Facebook page for more images of new Graffiti Hall of Fame murals.

Photos by Lois Stavsky

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

{ 5 comments }

The TAG Public Arts Project in the Bronx with: Nether 410, Damien Mitchell, Barlo, Daze, TOZ & BR Flesh Beck Crew, Sole Rebel, Ralph Serrano and Mr. Prvrt with A Visual Bliss

August 28, 2016

Founded and curated by SinXero, the TAG Public Arts Project — a A 501(c)3 Not for Profit in NY State — continues to bring a wonderfully diverse range of public artworks to the South Central section of the Bronx. Pictured above is a mural recently painted by Baltimore-based artist Nether 410. Here are a few others — fashioned by local, national and international artists — that I came upon this past Friday while exploring the streets on and off Westchester Avenue along the 6 line.

Brooklyn-based Australian artist Damien Mitchell, close-up

Hong Kong-based Italian artist Barlo, close-up

The legendary NYC-based Daze

With Brazilian artists TOZ & BR from the Flesh Beck Crew to his left, close-up

NYC-based Sole Rebel

NYC-based Puerto Rican artist Ralph Serrano

Rochester-based Mr. Prvrt and NYC-based A Visual Bliss, close-up

Photo credits: 1 Courtesy SinXero; 2-8 Lois Stavsky

{ 0 comments }

Neely Shearer on In Heroes We Trust: Street Artists and Their Heroes

August 25, 2016

Conceived and curated by Native Californian Neely Shearer, In Heroes We Trust: Street Artists and Their Heroes features the musings and artworks of 60 international artists on the theme of heroism. After reading the elegantly engaging book — with its foreword by Ron English and preface by Jef Aerosol — I posed a few questions to Neely.

What inspired this book/project?

One of my clients happens to be the CEO of a publishing company, Knock Knock. After purchasing some artwork, she suggested that I do a book based on the concept of my shop, In Heroes We Trust

Why did you choose to focus on street artists?

I had already been working on projects with artists and decided to make my new shop a mash-up of fashion and street art. Street artists have always had my respect, and they quite amuse me. They are a certain type of character – bold, independent, determined. That’s inspiring to me. The walls of my shop have been painted, stenciled and wheat-pasted by street artist friends. I had asked them to do their own personal heroes, keeping their own original style.

What inspired the particular title — In Heroes We Trust— of both the shop and the book?

I came up with it some years ago driving solitary along an ocean road listening to the David Bowie song ‘Heroes’. It really speaks to me at core level – the idea of being a Hero. Not in a grand gesture way, but in terms of living life daily as a Hero to oneself, and ultimately to others. Being human isn’t always easy, but if we can do our best to be the best versions of ourselves and share that with others, perhaps we can all get along better, live fuller.

How did you decide which artists to include?

I had my favorites, of course, and I did a lot of research. I looked for the talent, the message behind the work and the artist’s integrity.

Did this project pose any particular challenges to you?

I had to keep my nose to the wheel to track many of them down, as their contact info wasn’t always easily accessible.

How did the artists respond — as it’s not the usual question posed to them?

Most artists seemed excited about the project right away. In a few cases, an artist had said No at first; however, with more communication between us, we came to understand one another and what this was about. The artists get hit up a lot by various projects and surely it’s not always clear what’s what and who’s who. They need to protect themselves. It was definitely a wonderful learning experience in communication. And I had such a great team at Knock Knock – my editors Jamie Stern and Erin Conley, who were of great support and positivity behind the scenes. They really trusted me to do my thing, and that meant a lot.

Did any artist responses particularly surprise you?

Yes, one in particular. One artist’s manager wrote back quite a strict reply saying that the artist would never do such a book for the benefit of promoting my shop. I explained that this was a real gift for all of us that the publisher had offered us. Basically — a book showcasing them and their work on another, more personal, level. Sure, the book will shine light on what my shop is doing – which is to promote artists. And I am thrilled about that! I’m similar to them in that I’m a one-person show… getting by on what I love to do. Collaborating and supporting one another is really IT. It’s how we move forward, follow our passions and live what we are here to do.

What was the outcome? Did you successfully convince this particular artist’s manager?

Yes! That artist did join the project and is featured in the book.

How has the response been to the book? All of us here who have seen it love it.

From what I’ve seen firsthand, people think it is a beautiful little book of inspiration. And the artists who have seen it have said they are honored to be included with so many other artists whom they admire. For me, that was surely my hope. I wanted to present the best of the best and for all the artists to feel proud of their work in the company of their peers.

Who are some of your personal heroes?

In high school, I kept a photo of Joan Rivers with Boy George on my locker door. I loved that they both caused such controversy by being outrageous. I know Joan got pretty crazy into the insults later in her career. However, she opened up so many doors for women in the entertainment industry and beyond; in her generation women held back, but she didn’t. And Boy George just rocked his style and sexuality like no one. He let freaks be freaks! The two of them were good friends and that was also pretty cool – kind of two people you wouldn’t expect together. I’m interested in these kinds of people who don’t give a f*#k about normality. They break barriers for the rest of us. Today we have Martha Stewart and Snoop together – and I love it. It’s a great example of people connecting beyond age, race, upbringing and past lives.

Images

Interview by Lois Stavsky

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

{ 0 comments }

Steven Cogle on His Distinct Outsider Aesthetic, His Influences, Welling Court Mural Project, His Upcoming Documentary Film and More

August 24, 2016

Recognized for his folksy outsider aesthetic, Brooklyn native Steven Cogle has shared his talents on public spaces for the past few years at the Welling Court Mural Project. I recently met up with him.

When did you first begin drawing?

I was five or six when I started drawing cartoons.

Any inspirations back then?

I was a big fan of Charles Schultz.’s Peanuts comic strip, and I also loved Bugs Bunny.

Did your family have any response to your early drawings? Did they encourage you?

Not really! But my classmates did. I was always drawing characters for them.

What about your teachers?

I took an art class when I was a student at George Gershwin Junior High School in East New York. I couldn’t say, though, that my teacher encouraged me. But when I discovered Lee J. Ames’ How to Draw books in the library, I used them to teach myself how to draw.

Did you go on to study art in a formal setting?

No. I’m self-taught.

How would you describe your particular aesthetic? It’s been referred to as Neo-Expressionism.

My artwork reflects me – tribal Africa crossed with urban blight. Growing up in East New York, I witnessed a lot of tragedy and loss, along with hope and survival. As I layer the painting on the canvas, I am also layering the experiences that I saw.

Have any specific artists influenced you?

Eric Orr became a mentor to me, and explained the business side of art to me. And I was influenced by Picasso’s versatility, Basquiat’s palette and Clemente’s spirituality.

What about galleries? When did you first show your work in a gallery setting?

In 2004 my work made its way into two Brooklyn spaces and into an exhibit at the Chelsea Center for the Arts in Manhattan. I’ve since exhibited in several galleries in Brooklyn and in Manhattan, and my work is in collections across the globe. My dream is to see my work in a museum setting.

I first discovered your artwork in Astoria, Queens, where you painted with the Welling Court Mural Project. This year, in fact, you collaborated with Al Diaz. You don’t generally paint in public spaces. What brought you to Welling Court?

I’m fond of Garrison Buxton, the project’s organizer, and I love the make-up of the neighborhood. I’ve painted there for the past four years.

Have you any favorite artists among those active on our streets?

I like the way Chris RWK and Joe Iurato bring me back to my childhood. And there are several Staten-Island based artists I especially like: ErinKelli, John Exit and Kwue Molly.

What’s ahead?

I’ve been working on a film to be released in 2017. It tells my story, while showcasing a range of creative artists. I plan to move to Italy by the end of this summer, and I wanted to document my life here. And, of course, more painting is ahead.

Why the move?

It’s time for a change!

Yes, change is good! Good luck with it all!

Photo credits: 1 Lidia Santana; 3, 4-6 courtesy of the artist; 2 Lois Stavsky; interview conducted and edited by Lois Stavsky

{ 0 comments }

#NotACrime Street Art Campaign for Education Equality Brings Mural Art to Harlem: Astro, Cekis, Ricky Lee Gordon, Rone, Alexandre Keto, Franco, Patch Whisky, Elle and more

August 22, 2016

Not A Crime‘s summer-long street art campaign for education equality continues to enhance the streets of Harlem. Featured above is Paris-based Astro’s first mural in NYC. Here are several more that have surfaced since the spring:

Chilean artist Cekis, close-up

South African artist Ricky Lee Gordon

Australian artist Rone, close-up of Nasim Biglari

Brazilian artist Alexandre Keto, close-up

Harlem’s legendary Franco the Great

South Carolina – based Patch Whisky at work

Close-up from Patch Whisky‘s completed mural

Brooklyn-based Elle at work

Close-up from Elle‘s completed mural

An expansion of last year’s NYC-based mural campaign covering four boroughs and New Jersey, the #NotACrime Street Art Campaign for Education Equality is curated by Street Art Anarchy. Now in its second year, the #NotACrime campaign was founded by Maziar Bahari to expose Iran’s human rights violations.

Note: Keep posted to our Facebook page for additional murals from Not A Crime‘s street art campaign for education equality by Erik Burke, Tats Cru, Col Wallnuts and more. You can also check out videos of artists at work and more on the Education Is Not a Crime Facebook page.

Photo credits: 1, 4 – 6 & 8 Tara Murray; 2, 3 & 10 Lois Stavsky; 9 & 7 bytegirl

Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

{ 0 comments }

Swizz Beatz, BACARDI and the Dean Collection Bring No Commission to the South Bronx with: Okuda, John Ahearn, Zio Ziegler, Pablo Power, Faile, Swoon, Nina Chanel and more

August 13, 2016

Held in a huge South Bronx warehouse, No Commission features the artworks of over two dozen first-rate established and emerging artists. Curated by the Dean Collection and directed by Swizz Beatz, the four-day event — currently underway — is designed to support artists by offering them free space and 100% of the sale of their artwork. Among the artists featured are several whose works have also surfaced on our streets. Pictured above is Okuda. Here are several more:

John Ahearn does Bio, Tats Cru

Swoon

And on the exterior: Nicer, Tats Cru, close-up from huge mural fashioned collaboratively with Sexer, BG 183, Crash and Bio

Photo credits: 1-3, 6-8 Lois Stavsky; 4 & 5 Sara C Mozeson

{ 0 comments }

Street Art NYC in Montreal, Part III: Enzo Sarto, Wax Head, Mastrocola, Chris Dyer, Shalak & Smoky, Earth Crusher and Zek156

August 10, 2016

In addition to its dozens of outstanding murals, Montreal teems with intriguing graffiti and street art — fashioned by both local and visiting artists. Pictured above is Enzo Sarto. Here are a few more we captured last week:

Wax Head