Walls

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Founded and curated by SinXero, the TAG Public Arts Project — a A 501(c)3 Not for Profit in NY State — continues to bring a wonderfully diverse range of public artworks to the South Central section of the Bronx. Pictured above is a mural recently painted by Baltimore-based artist Nether 410. Here are a few others — fashioned by local, national and international artists — that I came upon this past Friday while exploring the streets on and off Westchester Avenue along the 6 line.

Brooklyn-based Australian artist Damien Mitchell, close-up 

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Hong Kong-based Italian artist Barlo, close-up

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The legendary NYC-based Daze

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With Brazilian artists TOZ & BR from the Flesh Beck Crew to his left, close-up

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 NYC-based Sole Rebel

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NYC-based Puerto Rican artist Ralph Serrano

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Rochester-based Mr. Prvrt and NYC-based A Visual Bliss, close-up

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 Photo credits: 1 Courtesy SinXero; 2-8 Lois Stavsky

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Conceived and curated by Native Californian Neely ShearerIn Heroes We Trust: Street Artists and Their Heroes features the musings and artworks of 60 international artists on the theme of heroism. After reading the elegantly engaging book — with its foreword by Ron English and preface by Jef Aerosol — I posed a few questions to Neely.

What inspired this book/project?

One of my clients happens to be the CEO of a publishing company, Knock Knock. After purchasing some artwork, she suggested that I do a book based on the concept of my shop, In Heroes We Trust

Why did you choose to focus on street artists?

I had already been working on projects with artists and decided to make my new shop a mash-up of fashion and street art. Street artists have always had my respect, and they quite amuse me. They are a certain type of character  – bold, independent, determined. That’s inspiring to me. The walls of my shop have been painted, stenciled and wheat-pasted by street artist friends. I had asked them to do their own personal heroes, keeping their own original style.

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What inspired the particular title — In Heroes We Trust— of both the shop and the book?

I came up with it some years ago driving solitary along an ocean road listening to the David Bowie song ‘Heroes’. It really speaks to me at core level – the idea of being a Hero. Not in a grand gesture way, but in terms of living life daily as a Hero to oneself, and ultimately to others. Being human isn’t always easy, but if we can do our best to be the best versions of ourselves and share that with others, perhaps we can all get along better, live fuller.

How did you decide which artists to include? 

I had my favorites, of course, and I did a lot of research. I looked for the talent, the message behind the work and the artist’s integrity.

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Did this project pose any particular challenges to you?   

I had to keep my nose to the wheel to track many of them down, as their contact info wasn’t always easily accessible.

How did the artists respond — as it’s not the usual question posed to them?

Most artists seemed excited about the project right away. In a few cases, an artist had said No at first; however, with more communication between us, we came to understand one another and what this was about. The artists get hit up a lot by various projects and surely it’s not always clear what’s what and who’s who. They need to protect themselves. It was definitely a wonderful learning experience in communication. And I had such a great team at  Knock Knock – my editors Jamie Stern and Erin Conley, who were of great support and positivity behind the scenes. They really trusted me to do my thing, and that meant a lot.

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Did any artist responses particularly surprise you?

Yes, one in particular. One artist’s manager wrote back quite a strict reply saying that the artist would never do such a book for the benefit of promoting my shop. I explained that this was a real gift for all of us that the publisher had offered us. Basically — a book showcasing them and their work on another, more personal, level. Sure, the book will shine light on what my shop is doing – which is to promote artists. And I am thrilled about that! I’m similar to them in that I’m a one-person show… getting by on what I love to do. Collaborating and supporting one another is really IT. It’s how we move forward, follow our passions and live what we are here to do.

What was the outcome? Did you successfully convince this particular artist’s manager?

Yes! That artist did join the project and is featured in the book.

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How has the response been to the book? All of us here who have seen it love it.

From what I’ve seen firsthand, people think it is a beautiful little book of inspiration. And the artists who have seen it have said they are honored to be included with so many other artists whom they admire. For me, that was surely my hope. I wanted to present the best of the best and for all the artists to feel proud of their work in the company of their peers.

Who are some of your personal heroes?

In high school, I kept a photo of Joan Rivers with Boy George on my locker door. I loved that they both caused such controversy by being outrageous. I know Joan got pretty crazy into the insults later in her career.  However, she opened up so many doors for women in the entertainment industry and beyond; in her generation women held back, but she didn’t.  And Boy George just rocked his style and sexuality like no one. He let freaks be freaks! The two of them were good friends and that was also pretty cool – kind of two people you wouldn’t expect together. I’m interested in these kinds of people who don’t give a f*#k about normality. They break barriers for the rest of us. Today we have Martha Stewart and Snoop together – and I love it. It’s a great example of people connecting beyond age, race, upbringing and past lives.

Images

1. The London Police, All Hail Sir David Bowie. From In Heroes We Trust, published by Knock Knock LLC © 2016

2. Jef Aerosol, The Sitting Kid. From In Heroes We Trustpublished by Knock Knock LLC © 2016

3. Pichiavo, Trojan Heroes. From In Heroes We Trustpublished by Knock Knock LLC © 2016

4. HulaKahu. From In Heroes We Trustpublished by Knock Knock LLC © 2016

Interview by Lois Stavsky 

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Recognized for his folksy outsider aesthetic, Brooklyn native Steven Cogle has shared his talents on public spaces for the past few years at the Welling Court Mural Project.  I recently met up with him.

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When did you first begin drawing?

I was five or six when I started drawing cartoons.

Any inspirations back then?

I was a big fan of Charles Schultz.’s Peanuts comic strip, and I also loved Bugs Bunny.

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Did your family have any response to your early drawings? Did they encourage you?

Not really! But my classmates did. I was always drawing characters for them.

What about your teachers?

I took an art class when I was a student at George Gershwin Junior High School in East New York.  I couldn’t say, though, that my teacher encouraged me.  But when I discovered Lee J. Ames’ How to Draw books in the library, I used them to teach myself how to draw.

Did you go on to study art in a formal setting?

No. I’m self-taught.

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How would you describe your particular aesthetic? It’s been referred to as Neo-Expressionism.

My artwork reflects me – tribal Africa crossed with urban blight. Growing up in East New York, I witnessed a lot of tragedy and loss, along with hope and survival. As I layer the painting on the canvas, I am also layering the experiences that I saw.

Have any specific artists influenced you?

Eric Orr became a mentor to me, and explained the business side of art to me.  And I was influenced by Picasso’s versatility, Basquiat’s palette and Clemente’s spirituality. 

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What about galleries? When did you first show your work in a gallery setting?

In 2004 my work made its way into two Brooklyn spaces and into an exhibit at the Chelsea Center for the Arts in Manhattan. I’ve since exhibited in several galleries in Brooklyn and in Manhattan, and my work is in collections across the globe. My dream is to see my work in a museum setting.

I first discovered your artwork in Astoria, Queens, where you painted with the Welling Court Mural Project. This year, in fact, you collaborated with Al Diaz.  You don’t generally paint in public spaces. What brought you to Welling Court?

I’m fond of Garrison Buxton, the project’s organizer, and I love the make-up of the neighborhood. I’ve painted there for the past four years.

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Have you any favorite artists among those active on our streets?

I like the way Chris RWK and Joe Iurato bring me back to my childhood. And there are several Staten-Island based artists I especially like: ErinKelli, John Exit and Kwue Molly.

What’s ahead? 

I’ve been working on a film to be released in 2017. It tells my story, while showcasing a range of creative artists. I plan to move to Italy by the end of this summer, and I wanted to document my life here. And, of course, more painting is ahead.

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Why the move? 

It’s time for a change!

Yes, change is good! Good luck with it all! 

Photo credits: 1 Lidia Santana; 3, 4-6 courtesy of the artist; 2 Lois Stavsky; interview conducted and edited by Lois Stavsky

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Not A Crime‘s summer-long street art campaign for education equality continues to enhance the streets of Harlem. Featured above is Paris-based Astro’s first mural in NYC.  Here are several more that have surfaced since the spring:

Chilean artist Cekis, close-up

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South African artist Ricky Lee Gordon

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 Australian artist Rone, close-up of Nasim Biglari

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Brazilian artist Alexandre Keto, close-up

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 Harlem’s legendary Franco the Great

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 South Carolina – based Patch Whisky at work

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Close-up from Patch Whisky‘s completed mural

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Brooklyn-based Elle at work

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Close-up from Elles completed mural

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An expansion of last year’s NYC-based mural campaign covering four boroughs and New Jersey, the #NotACrime Street Art Campaign for Education Equality is curated by Street Art Anarchy.  Now in its second year, the #NotACrime campaign was founded by Maziar Bahari to expose Iran’s human rights violations.

Note: Keep posted to our Facebook page for additional murals from Not A Crime‘s street art campaign for education equality by Erik Burke, Tats CruCol Wallnuts and more. You can also check out videos of artists at work and more on the Education Is Not a Crime Facebook page.

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Photo credits: 1, 4 – 6 & 8 Tara Murray; 2, 3 & 10 Lois Stavsky; 9 & 7 bytegirl

Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Held in a huge South Bronx warehouse, No Commission features the artworks of over two dozen first-rate established and emerging artists. Curated by the Dean Collection and directed by Swizz Beatz, the four-day event — currently underway — is designed to support artists by offering them free space and 100% of the sale of their artwork. Among the artists featured are several whose works have also surfaced on our streets. Pictured above is Okuda. Here are several more:

John Ahearn does Bio, Tats Cru

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Zio Ziegler

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Pablo Power

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 Faile

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Swoon 

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Nina Chanel

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And on the exterior: Nicer, Tats Cru, close-up from huge mural fashioned collaboratively with Sexer, BG 183, Crash and Bio

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Photo credits: 1-3, 6-8 Lois Stavsky;  4 & 5 Sara C Mozeson

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In addition to its dozens of outstanding murals, Montreal teems with intriguing graffiti and street art — fashioned by both local and visiting artists. Pictured above is Enzo Sarto. Here are a few more we captured last week:

Wax Head

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Mastrocola

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Chris Dyer

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Shalak and Smoky

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Earth Crusher

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Zek 156

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And beginning today Montreal’s annual Under Pressure Graffiti Festival continues the transformation of the city into a visual wonderland.

Photo credits: 1 Lois Stavsky; 2-7 Tara Murray

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Pictured above is Argentine artist Felipe Pantone, painted for this year’s Mural Festival. Here are several more murals we captured on our visit to Montreal last week:

UK-based D*Face, 2016

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Montreal-based Xavier Raymond aka X-Ray, 2016

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Australian artist Reka, 2013

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Toronto native Troy Lovegates aka Other, 2013

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Tel Aviv-based Klone, 2016

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Belgian artist Roa, 2013

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Note: LOST PARADISE, a solo exhibit featuring the work of Xavier Raymond aka X-Ray will be on display at Montreal’s Station 16 Gallery from August 18th to September 10th.

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Photo credits: 1, 6 & 7  Tara Murray; 2-5 Lois Stavsky

Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Since 2013, Montreal has been hosting MURAL, an annual public art festival featuring a wonderful array of murals by both local and international artists. Here is a small sampling of what we saw while wandering on and off Boulevard Saint-Laurent this past week:

Montreal-based Five Eight, 2016

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Melbourne-based Meggs, 2016

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NYC-based Buff Monster, 2016

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Brazilian collective Acidum Project, close-up, 2016

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Chilean artist Inti, 2014

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France native Mateo, 2016

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Photo credits: 1-3, Lois Stavsky; 4, 5 & 7 Tara Murray and 6 Sara C Mozeson

Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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All-City Express, a hugely impressive interactive art exhibitionmade its world premiere last weekend at Randall’s Island’s Panorama. Under the curatorial direction of 5Pointz Creates leaders Meres One and Marie Flageul, Lady Pink, Tkid 170Toofly, Meres One, Jerms, Topaz, and See tf painted live, covering digital subway cars with original artwork. Fusing graffiti’s underground roots with innovative video technology, the project was developed by Brooklyn-based AST Studios with Tangible Interaction. Here are a few images captured in the course of this three-day cutting-edge homage to traditional graffiti art.

Five of the 5Pointz Creates crew with Marie Flageul in foreground — on green screen

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Lady Pink and Toofly at work on green screen

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And with completed piece as viewed on virtual subway train

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See tf and Python with completed piece on green screen

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Jerms and Topaz  as a mix of technologies brings them at work onto a NYC train in real time

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T-Kid with completed piece on green screen

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And as viewed on virtual train

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Meres One at work on green screen

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Digital tagging by AST Studios; graffiti software by Tangible Interaction & advanced motion capture by PhaseSpace

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And the trains roll by throughout NYC with AST Studios‘ life-like visual effects and editorial content by Possible Productions

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Photo credits: 1, 3-10 Nic Lyte and 2 Rachel Fawn; videos produced by AST Studios

Note: This blog will be on vacation through Sunday, August 7. You can follow us on Facebook and on Instagram.

Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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We’ve been huge fans of Stik and his distinctively singular — now iconic — character since he first visited NYC several years ago. We are delighted that his first book that was released in the UK last year is now available here throughout the US.

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Featured in STIK are dozens of artworks ranging from unsanctioned pieces on the streets of East London — painted when the artist was homeless — to huge international murals across the globe. All are fashioned from six lines and two dots, the style Stik began when he had to paint quickly to evade the authorities.

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Described by the artist as “a journal of the progression of the Stik Project,”  STIK is a fascinating journey into the artist’s consciousness and aesthetic. Stik’s strong social mindfulness and acute political awareness are evident in this first collection of his works, as he increasingly devotes his talents and energies to a range of causes, often working in collaboration with children and members of vulnerable communities.

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With over 200 heavy gloss pages and an exclusive, limited edition print, the book — published by Penguin — has now made its way into bookstores across the globe.

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You can meet Stik and purchase a signed copy of his book with an orange or teal print — exclusive to the first US edition of the book — tomorrow, Thursday evening from 6-8pm at Strand Books, 828 Broadway on the corner of 12th Street.

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Anyone who buys a copy of STIK or brings in a pre-purchased copy of the book for Stik to sign at Strand Books is eligible to enter a lottery to win a pair of artist’s unfolded, card stock Stik posters, signed by Stik himself. The posters, one orange and one blue, are number one of only five artist’s proofs and depict the same image seen on the book’s cover.

All photos courtesy Stik and Penguin Press

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