The walls of Bushwick, Brooklyn — off the L train’s Morgan Avenue and Jefferson Street stops — have become a canvas not only for the most innovative street art to surface in NYC, but also for some of its freshest writing styles.
Deem and Rubin415
Rubin415
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Often affixed to street signs and sometimes just pasted onto public surfaces, Russell King’s images — sometimes amusing and always alluring — have become an integral part of New York City’s visual landscape. This past week, Street Art NYC met and spoke with the artist in downtown Manhattan.
When did you first begin hitting the streets?
When I was 14, I tried doing graffiti, but I had such a despicable handwriting that I soon gave up. I even followed my friend’s advice and tried copying some of the girls’ nice handwritings, but it was hopeless.
We began noticing your images on the streets about two years ago. What inspired you to get your pieces up in the public sphere? We’ve seen them on stickers, paste-ups and as impressive installations.
Matt Siren, whom I’ve known for years, invited me to collaborate with him on a piece for a show in Greenpoint a while back. That was the beginning. Then I began to see the streets as the ideal alternative to galleries. More people get to see my artwork on the streets than they’d ever see it on gallery walls. And it’s a way of getting the message out to galleries, “I don’t need you for exposure.”
Have you any favorite spots?
Anywhere is just fine, but I especially like the blocks between Houston and Delancey on the Lower East Side.
What materials do you like to work with?
Metal and ink are probably my favorites. And I love working with spraypaint for the backgrounds.
At first we used to see social commentary, along with your images. These days it’s mostly portraits of women – quite a range of them. What happened to the words?
I felt that I was preaching to the choir. The folks who liked the street art didn’t need the messages, and the others just didn’t get it. I prefer presenting the public with an alluring image—or series of images like the ones I’m working on now — instead.
Who are these women who keep surfacing on your pieces? And why women?
I started drawing women as an attempt to win back my ex. She was the first image I ever did on a piece. It didn’t work. Now I just draw women in a lame attempt to draw women to me.
We’ve noticed some of your collaborations with Royce Bannon. Have you collaborated with other artists?
I’ve also collaborated on pieces with Matt Siren and Mike Die.
Have you any favorite pieces of your own?
Always the last one that I’ve completed.
Have you ever been arrested or had any confrontations with police?
No. When they stop me, I feign stupidity. Really, why should it be legal to bolt a bike onto a pole, but not a piece or art that others can enjoy?
When did you first become interested in art?
I suppose I was always interested, but I squelched my passion for many years. I will never forget the words of my third grade teacher. “Art is bad,” she said. “Do not become an artist. You can’t make money from art.”
We’re glad you got over that! Have you any formal art training or are you self-taught?
I majored in Art as an undergraduate at Long Island University and then studied Drawing and Sculpture at the NY Academy of Art.
Any favorite artists?
Jacopo Pontormo, the Florentine painter and portraitist, is always an inspiration. And I also love the American illustrator, J. L. Leyendecker.
Have you ever exhibited your artwork in a gallery or private space?
I have a few pieces now at Woodward Gallery’s “Rather Unique” exhibit, curated by Royce Bannon. And I’m preparing for an upcoming exhibit in Reno, Nevada. I’ve also sold artwork through Sotheby’s.
Any other hobbies? Or passions?
Well, I’m an avid Jets fan with season’s ticket. But that’s because I love punishment.
What do you see yourself doing in 5 years?
Same thing I’m doing now – just more of it!
Well, good luck! And we look forward to seeing more of your work here on the streets of NYC.
Photos by Street Art NYC, Tara Murray & RK
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Based these days in Brooklyn, New York, Imminent Disaster has been gracing NYC walls and galleries with her exquisite wheatpastes, woodcuts, intricate paper cuts and screen prints for the past few years. Here’s a glimpse of both:
In Red Hook
In Bushwick
At KESTING/RAY through February 5th at 30 Grand Street in NYC’s SoHo district
Photos by Street Art NYC
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An early master of the graffiti movement, Daze’s first pieces surfaced on the walls and trains of NYC in the late 1970’s. Since, his artwork has been exhibited internationally and can be found in the permanent collections of museums around the world. Yet, Daze still gets up in the streets, where his work was recently spotted in the South Bronx and in Greenpoint, Brooklyn.
In the South Bronx
In Greenpoint
photos by Street Art NYC & Samantha Sabatino
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While Roa’s huge, wondrous black and white murals continue to grace massive walls in New York City, one of his smaller pieces can be seen mounted onto the walls of the Jonathan LeVine Gallery in Manhattan’s Chelsea gallery district. Hybrid Thinking a group exhibition curated by Marc and Sara Schiller of Wooster Collective, features Roa’s signature animals painted on multiple panels. We were riveted.
In Williamsburg
In Bushwick
At the Jonathan LeVine Gallery
With doors open
photos by Street Art NYC
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Some of the most mesmerizing and enigmatic pieces by the Perre twins aka How and Nosm can be found on the walls of Hunts Point’s industrial district in the South Bronx. Here are a few close-ups:
Photos by Street Art NYC
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Legendary Chilean artist Nelson Rivas aka Cekis has been busy in Brooklyn, gracing the streets of Clinton Hill and downtown Brooklyn with his signature characters and bright hues.
In Clinton Hill — in progress
In downtown Brooklyn
Photos by Street Art NYC & Dani Mozeson
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For the past year, Atlanta native NEVER has been gracing the walls of New York City with a range of artwork from first-rate graffiti pieces to stylish street art murals. Recently Street Art NYC had the opportunity to speak with him.
We’ve been wondering about your name, NEVER. It must have a story!
After I’d been writing for a few years, my friends started to make fun of me for being so overly critical of everything I do. They started calling me “Mr. Never Satisfied.” That name stuck.
We started noticing your work here about a year ago – when we met you at 5Pointz. What brought you to New York City?
I grew up just outside of Atlanta. It’s a great city but also a very small city. I got tired of it and eventually decided it was time to move on. I couldn’t even walk into a random grocery store without bumping into five folks I knew.
How do you feel about Brooklyn – where you are living now?
I love it. I love its diversity, and New York City is a constant source of inspiration.
Anything about New York City you don’t like?
There are far too many cops here. I rarely had trouble with cops down in Atlanta, but here they hassle me all the time. While throwing out the trash, I was accused of drinking in public. Then they accused me of painting graffiti because they noticed some paint on my arms. I do a lot of painting at my job so it’s very rare for me to actually NOT have paint on me. One of my friends here spent a night in jail for having a sharpie on him. He isn’t even a writer.
You seem to seamlessly blur the line between graffiti and street art. How did it all begin?
I’ve always been good at drawing since I was a kid. Then I hit my skater punk days and stopped drawing for a while. I began tagging on things when I was 14 or so. A girl in high school cheated on me, and I got a laugh out of writing the word “Trust” everywhere. At the time I didn’t think it was something I was going to get so hooked on, and I definitely did not think of all the politics behind what I was doing. After a few “name changes,” I did my first actual “piece” under a bridge when I was 16.
We’re curious about your owl. It seems to surface in all of your pieces.
A little over a year ago — just before I moved to NY — I got stuck in a hospital room in Atlanta overnight with a nasty staph infection while “recovering” from knee surgery. I was in a drugged-up state sitting in a hospital bed in a depressing hallway, and for whatever reason I felt compelled to draw a sad little handicapped owl. After that night I decided I liked the thought of making that a recurring character for me.
Have you a formal art education?
I studied graphic design at a university in Atlanta. But to anyone who thinks that getting a formal art education makes you a legitimate artist, you are dead wrong!
Have any specific artists inspired you?
I love Aryz. He inspired me to pick up an extension pole! I also love How and Nosm, Daim, Roa, Nychos, and Os Gemeos. Honestly there are way too many others. But any artist I had to study about in school lost credibility….except for, maybe, Duchamp. That dude was pretty hilarious. I always had a tendency to reject information that I felt was being “fed” to me.
As you actively collaborate with both graffiti writers and street artists, what differences have struck you between the two?
I grew up in the graffiti community and find it a source of constant inspiration. I generally don’t like to differentiate between graffiti and street art. It’s really all in the same realm to me. But there are differences. Generally, there’s too much tension, jealousy, and hate among writers. I now find myself more among “street artists.” But before anyone coined the term “street art,” I had plenty of friends who I painted with who fit the “street artist” description, and at the time I just saw them as a person I painted with who didn’t do letters. I also enjoy painting legal walls. To a lot of the writers back in Atlanta, I’ve turned into an “art fag.” But that’s okay. I’m proud, in fact, to be called an “art fag.”
Any other differences you’ve observed?
Another big difference is that a lot of writers have no interest in getting any messages across. It’s a lot more about technical skills and/or having balls to do crazy things. Most of my graffiti friends don’t like any kind of political references in their pieces. But if you are going to call yourself a “street artist,” then you are a fool if you don’t pay respect to graffiti, whether you like it or not. The way I see it, the lines between graffiti and street art will continue to blur.
Have you ever created artwork that is overtly political?
I despise corporate crime. And when I went through a phase of creating portraits, I was obsessed with Ken Lay, the main guy behind the Enron scandal. I couldn’t stop painting portraits of him. I did it for about two years, just before the Enron trials started. My graff friends hated it, but it managed to get attention from people who otherwise did not follow graff.
How have people here responded to your art?
I’m not very up on what people think. I do what I do regardless of what people think of it. It’s nice to get the occasional compliment here and there, but at the end of the day I am doing what I do to stay sane.
Have you painted outside of the U.S.?
I’ve painted in Barcelona, Berlin, Venice, Milan, and Tuscany. I hope to travel more once I get myself a little more financially stable.
What is your ideal space to paint?
I love empty buildings with awesome textures and walls with history that I can work my pieces around.
Any memorable experiences while getting up on the streets?
Many back in Atlanta — amidst the crackheads, prostitutes and perverts. There are way too many funny stories to go into. I’ve also stumbled on to a couple of meth labs and discovered a bag of heroin stashed in a cinder block.
We’ve found almost a dozen walls of yours in Bushwick. Have you a day job?
I pick up work in a carpentry shop. I help build things for movie sets and fashion shoots. I also prowl around for graphic design work. I have not had a “normal” job with a set schedule in over seven years now. I’m kind of hoping to find some stability these days.
What about the future? What do you see yourself doing in five years or so?
Painting more ugly walls, I guess. I’m not sure.
Well, you are certainly beautifying them. We’re looking forward to seeing many more!
Photos by Street Art NYC & Dani Mozeson
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