Street Artists

Curated earlier this month by the infinitely creative Chip Love, the walls on Troutman and Seneca — on the Queens side of the Ridgewood-Bushwick border — seethe with style and swirl with rhythm. The image featured above was fashioned by the legendary Greg Lamarche. Several more recent walls designed for this project, labeled #troutmanrock, follow:

Veteran writer Bisuno

Queens-based Diego

Bro000ski does Snoopy vs the Red Baron

Veteran style writer Strider

The distinctly-talented Paris-born, NYC-based Seb Gorey

Graff masters Arbor and Dmote aka Shank

Veteran writer and graffiti historian Spar One 

Hence’s homage to Ridgewood

Photo credits: 1-3; 5, 6, 8 & 9 Lois Stavsky; 4 & 7 courtesy #troutmanrock curator Chip Love

Note: Chip Love is now at work curating a series of walls in Jamaica, Queens. ‘looking forward to seeing those!

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Based in Patras, Greece, Art in Progress — a non-profit cultural organization — is the force behind the city’s dynamic annual International Street Art Festival of Patras | ArtWalk. Its recently-held fifth edition has further enhanced the city’s urban fabric, as well as its reputation as a vital center of street art.

The hugely-impressive mural featured above was fashioned collaboratively by the Art in Progress team under the guidance and painting execution of Kleomenis Kostopoulos (KLE), ArtWalk‘s artistic director. It is dedicated to the 100th birthday of the late Melina Mercouri, a Greek symbol of culture and activism. What follows are several more murals that recently surfaced in Patras during ArtWalk 5.

The Naples-based NSN997 street art collective “dedicated to creating images that speak of society trying to represent the complexity of it”

Close-up

London-based Jay Kaes who is intent as a muralist “to contribute something positive to society”

Noted Cyprus-based artist Edmon 1419 at work as he pays tribute to the esteemed composer Ludwig van Beethoven in honor of his 250th birthday

Completed mural

You can find out more about Art in Progress here and follow its ventures on Instagram here.

All photos courtesy Art in Progress

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With street artists fiercely focusing now on addressing the social, economic and racial inequalities that the pandemic has only accentuated, Bill Posters’ new book, The Street Art Manual, is particularly timely. It is a paean to the spirit of art as activism.

For the past decade, Bill Posters — an award-winning artist, author and agitator — has worked alongside other artists and activists to create some of the world’s most illicit and impressive art projects. In The Street Art Manual, he earnestly, but playfully, presents practical guidance and advice on creating street art that challenges the inequitable status quo.

Providing tactics for successfully mounting campaigns that infiltrate the public sphere with everything from graffiti, stencils and pasteups to huge murals, projectiles and guerrilla projections, Poster discusses and describes in detail the necessary materials and techniques each mission demands. He also provides an extensive list of DO’s and DON’T’s for each of the distinct genres of street art. Should you subvert advertisements, for example, you are advised to “look like an employee of an outdoor-ad company” and not to “go out at a time that is different from when the real worker goes out to work.”

While many of the interventions featured are unsanctioned and can — if not carried out cautiously — involve a range of risks, not all are. One of the mediums included in The Street Art Manual is mural art. Large-scale murals — which so many of us have come to identify with corporate interests and gentrification — can also enrich neighborhoods. Artists painting outdoor murals have the opportunity and space to raise awareness of critical issues, celebrate distinct cultures and engage local folks. It is a way for artists, contends Posters, to give back to others while awakening consciousness.

The Italian artist Millo, for example, painted an 11-story-tall mural in the center of Santiago symbolizing “the hope that we must all find in relation to protecting the environment and reversing the ecological destruction that is causing our climate to collapse.”

Of particular interest to us street art aficionados is Post’s summary of each art form’s history. Wheat-pasting or poster-bombing can be traced back to 2000 BCE when papyrus was used to create promotional posters and flyers — formerly called bills — in such places as ancient Arabia, China, Greece, Rome and Egypt.  And we learn that yarn bombing, an increasingly popular international mode of public guerrilla expression, originally started in Houston, Texas in 2005 by a woman named Magda Sayeg who went on to gather a crew, Knitta Please.

Illustrated by Matt Bonner and published by Laurence King Publishing, Bill Posters’ The Street Art Manual delights, informs and provokes. It also renews our faith in street art as a tool for progressive social change in these fragile times.

Released globally today, September 3, the book is available here.

Images courtesy Laurence King Publishing.

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In early May — before the brutal death of George Floyd and the ongoing protests that followed it — members of the The Bowery Union began installing images of artworks on Soho’s shuttered spaces. As The Street Art Project progressed, artists from outside of NYC began to contribute their talents, as well.

Over a dozen of the boards have since been salvaged and are now on view at The Bowery Union‘s spacious gallery space at 329 Broome Street. And along with them are works by these same artists on a range of surfaces.

The two large portraits featured above — Barack Oh Mama and Regina George Washington — were fashioned by NYC-based artist and writer Isabella Cortez. And making its way in between them is the now-familiar face created by Jessi Flores aka Stealth Art. Several more images seen on my recent visit to The Bowery Union follow:

Brooklyn-based Cavier, “From Dust to Dawn”

Tomaso Albertini, Duel RIS and Swoon; Swoon’s image was initially made for  the ‘Create Art for Earth‘ campaign 

 NYC-based Oscar Lett, “In Still Waters”

NYC-based Miishab, “Heaven’s Gate,” to the left of Romanian artist Gagyi Botond, “Silence 2.0”

NYC-based Adrian Bermeo, “Bustelo Boy #2”

Dominican-American artist Indie 184, “Take Back Your Power”

All are invited tomorrow (Tuesday) evening for an artist’s talk featuring Doc Hammer at 7pm and to the exhibition’s opening reception on Thursday at 8. Check here for specific details.

Photos by Lois Stavsky

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Following the murder of George Floyd, the spirit of resistance that once characterized Lower Manhattan once again permeated its streets, as the boarded-up stores became canvases for politically driven murals.  Several of these artworks no longer on the streets are on view in a splendid exhibition — curated by Sono Kuwayama, Bob Holman and Howl! Happening — at Howl! on 6 East 1st Street. Others remain on the streets. The image featured above, Black Trans Lives Matter,  was fashioned with acrylic and house paint on plywood by Maya EdelmanScooter LaForge, and Sono Kuwayama.

Several more images follow — from both the Howl! exhibition and its neighboring blocks.

Multidisciplinary artist Lissa Baur, “Injustice Anywhere Is a Threat,” Acrylic on plywood, on view at Howl! 

Mrs. Skittles, Grace H. Gutekanst and Robert Blodgett, “Little Boy Blue,” Acrylic on plywood, on view at Howl! 

Colombian/American artist Felix Morelo,GOOD LUCK SPOT,” Acrylic on plywood, on view at Howl! 

Michael Walling and DLA, as seen on East 4th Street

Irena Kenny & Sono Kuwayama, as seen on East 4th Street

The noted painter Izhar Patkin, as seen on Cooper Square

The exhibition continues at Howl! through Sunday, August 23, from 11 AM–6 PM,  Thursday–Sunday.

Photos of images by Lois Stavsky

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Several artists — whose works I had discovered on plywood in Soho — recently shared their visions and talents in Harlem, as they painted portraits inspired by the wondrous photography of Barron Claiborne

The image featured above — a portrait of the photographer  — was fashioned by the wonderfully talented Brendan T Mcnally. Additional images follow from several artists, who collectively identify as the Soho Renaissance Factory.

Artist/activist Amir Diop 

Glass & light artist Light Noise 

Multimedia artist Sule 

And joining the artists representing the Soho Renaissance Factory — producer and DJ Xtassy Beats

Konstance Patton aka KonArtStudio

Photos by Lois Stavsky

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When I visited Soho last Monday, it was hardly the rich wonderland it was several weeks ago. Yet, several new pieces greeted me, and I enjoyed revisiting some of my favorite murals that have, somehow, survived. The image featured above is the work of the delightfully talented artists Adam Fu and Duel RIS. Several more images — a few captured earlier —  follow:

The legendary Duel RIS

NYC-based multimedia artist Nick C. Kirk

The prolific NYC graffiti pioneer Hektad — captured 6.29

NYC-based multimedia artist Fabio Esteban 

NYC-based multidisciplinary artist Ilina Mustafina 

Photos by Lois Stavsky

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While revisiting Underhill Walls in Prospect Park, Brooklyn this past week, I was greeted by several delightfully intriguing murals that I hadn’t captured on my earlier visit in May. The image featured above was fashioned by Queens-native Jeff Rose, Colombian artist Calicho Arevalo, and Brooklyn-based krassness. Several more artworks from this model community arts-based project, curated and managed by Jeff Beler, follow:

Local artist Justin Winslow’s magical world

Gowanus-based Dylan Bauver‘s geometric Cosmos

 Dylon Thomas Burns offers a glimpse of heaven

Manhattan-based  Marivel Mejia pays homage to our health care workers

Stem YNN and Aloe Adventures take on — in comic book-style — our surreal times as we are “dodgin’ more than corona”

Underhill Walls is located at the corner of St. Johns Place and Underhill Avenue in Prospect Heights, Brooklyn.

Photo credits: 1 -4 & 6, Lois Stavsky and 5 Sara Ching Mozeson

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While many of the original artworks that had surfaced on the boarded-up stores in Soho are no longer on view, others continue to emerge. Featured above are works by NYC-based politically-conscious artist Sule and Brooklyn-based artist Manuel Alejandro Pulla. What follows are several more artworks I came upon earlier this week, along with a few captured within the past month.

Also by Sule, “My Color Is Not a Crime”

Artist/activist Amir Diop in collaboration with Eyes That Love Art, “Take Me to a Place Where I Won’t Be Judged by My Weight, I Won’t Be Labeled as a Nerd– Where Black Lives Matter”

NYC-based multidisciplinary artist DVNNY,  “Let Us Live,” — a plea from the transgender community

Jordanian-American multidisciplinary artist Ridikkuluz pays homage to the 30–year-old Egyptian LGBTQ activist Sarah Hegazi — arrested and tortured in Cairo for raising the LGBT flag at a concert — who died last month by suicide while living in exile in Canada — to the left of LEXXX‘s plea to “Free the Ninos”

Isabelle with Vincent Van Gogh quote: “Art is to Console Those Who Are Broken by Life”

Brooklyn-based Czech artist Irena Kenny, “We are the change that we seek.”

To be continued next week!

Photo credits: 1, 3 – 7 Lois Stavsky; 2 Sara Ching Mozeson

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When I returned to Soho earlier this week, I was thrilled to discover several pieces — including a few collaborations — new to me. The image featured above, “Our Nation’s Claim to Justice,” was fashioned by Colombian artist Calicho Arevalo and Queens-native Jeff Rose. Several more artworks that have recently surfaced on Soho’s boarded-up stores follow:

Multidisciplinary artists Alice Mackay (center) and Marco Villard 

The legendary NYC writer/artist Duel RIS 

Venezuelan artist Alberto Barreto and multimedia artist AV

Ukrainian-born, NYC-based multidisciplinary artist Si Golraine at work

Brooklyn-based multidisciplinary artist Konstance Patton

Amir Diop, Brendan T Mcnally and Light Noise collaborate on mural in memory of graffiti writer Michael Stewart who died at the hands of the NYPD in  1983

To be continued next week!

Photo credits: 1, 2, 4 – 7 Lois Stavsky; 3 Sara Ching Mozeson

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