Early last month, on some of this year’s coldest days, a group of dedicated artists — once again — transformed the exterior of East 1st Street’s once-neglected trailer into an intriguing outdoor canvas. Here are a few of the images that will continue to greet passersby through April 10:
Michael DeNicola’s tribute to the late actor Philip Seymour Hoffman
Vernon O’Meally, Edapt, Foxxface and Numb DSI
Edapt and Foxxface
Photos by Dani Reyes Mozeson and Lois Stavsky
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With luscious colors and spirited strokes, Maya Hayuk has brought her distinct visual rhythms to the wall on Houston Street and the Bowery in Lower Manhattan.
Earlier on
Maya takes a break
Close-up of completed wall
The completed mural with its delicious drips
Photos by Dani Reyes Mozeson
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This is the twelfth in a series of posts featuring images of girls — and women — who grace New York City’s public spaces:
Brazilian artist Eli Sudbrack in Williamsburg, Brooklyn
Danielle Mastrion in Williamsburg, Brooklyn
Veng and Chris, RWK in Little Italy
Katie Yamasaki with Groundswell youth in Park Slope, Brooklyn
Sest 2 on Manhattan’s Lower East Side
Fin DAC & Christina Angelina — tribute to Lou Reed in Williamsburg, Brooklyn
Photo of Fin DAC & Christina Angelina by Dani Reyes Mozeson; of Chris & Veng, RWK by Tara Murray; all others by Lois Stavsky
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With influences ranging from traditional Korean art to the skateboard culture he embraced at an early age, Yoon Hyup has developed a distinct aesthetic that has recently made its way into downtown Manhattan. We came upon him at work earlier this month outside rag & bone on Elizabeth Street off Houston, where he was painting a mural on a particularly frigid day! I recently had the opportunity to speak to him.
You’ve painted on a range of surfaces and in a variety of places. You’ve exhibited your work in galleries, and you continue to paint on the streets. What initially drew you to the streets? When did it all begin?
I began skateboarding when I was nine years old. That was my introduction to the culture. And then in the mid 90’s, I discovered hip-hop and graffiti magazines at a nearby US Army base.
What was the graffiti/street art culture in Korea like at the time?
It was quite unsophisticated. The spray cans were very basic, and there were few colors available. Canvases consisted of tunnels or alleys that the writers claimed as their spots.
What inspired you to share your talents on the streets?
I was inspired by photos I saw of the artworks that Basquiat and Futura and other artists at the Fun Gallery had painted on the streets of downtown Manhattan back in the day. And then while attending the Art Institute in my late teens, I learned everything — from where to buy spray paint to how to master particular techniques — from ‘Bluce 666’.
You went on to study Graphic Design at Hanseo University. Did your formal art education help you develop as an artist?
When I was a sophomore, I decided to take a break from the university and check out the “real world.” During that time, I did a lot of exhibitions, and I began collaborations with businesses like Nike and MTV. There was so much I had to figure out on my own and solve myself. I would say that a formal education helps, but experience in the “real world” is crucial to an artist’s success.
Tell us a bit about your recent mural outside rag & bone in Nolita. How did that happen? It is one of our favorite spots in town! And your mural looks splendid here!
I had submitted my portfolio to rag & bone, and soon afterwards, I was invited to paint. I think I was lucky to be selected.
Your style is quite distinct. Could you tell us something about it?
Many traditional Korean forms, such as vine clouds and wind clouds, surface in my paintings. I often paint with the five colors associated with my native country – red, blue, yellow, black and white. It is my homage to my heritage. It is how I honor my roots.
You’ve shown your work in gallery settings, as well as in public spaces. How do you feel about the movement of street art into galleries?
It’s fine so long as the artists continue to create artwork on public spaces.
And what about the corporate world? You’ve collaborated with such corporations as Nike and Tommy Hilfiger. How do you feel about that?
I don’t have a problem with it, so long as I can be true to my own vision.
Is there anyone – in particular – with whom you would like to collaborate?
I would have loved to paint with Kandinsky. I’m particularly fond of him.
I can see that! Your work is a bit of a fusion between street art and fine art. How has your art evolved in the past few years?
I feel that I paint more naturally. My style is becoming looser and freer. My cloud forms have become more abstract.
Do you work with a sketch-in-hand? Or do you just let it flow?
I work with a general layout. But my handstyle flows freely.
Are you generally satisfied with your finished pieces?
Not really! I’m always challenging myself.
Have you any other passions or interests?
I love skateboarding. I’ve been doing it since I was nine. And I love music. My mother, who was president of a music institute, has taught me to appreciate all kinds of music. Both skateboarding and music, along with art, are essential in my life.
What’s ahead?
I’ve been developing a new body of work and will soon be collaborating with a talented Korean toy maker.
Interview conducted and edited by Lois Stavsky; first photo by Lois Stavsky; all others courtesy of the artist. 1. new mural outside rag & bone; 2. Unlimited Path, Krink on wood, 2013; 3. Nike Air Max 90 Premium Tape – Multi Color Camo, 2013; 4. For “Haechi Parade, spray paint on sculpture, 2009; 5. Rhythm and Flow (Primary’s Masks), Acrylic, ABS Resin, 2013
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I first met Viajero this past summer while he was fashioning a mural on East 111 Street for Los Muros Hablan NYC. I became an instant fan of his distinct aesthetic. A few months later, I caught up with him at the Julia De Burgos Cultural Center for its Dia De Los Muertos 2013 art exhibit.
When I came upon you at work on your mural for Los Muros Hablan, you mentioned that it was your first time painting in the streets. What was it like? Would you do it again?
It was a great experience. I loved working in a public space where I could interact with folks who passed by. Some stopped simply to observe, and others asked questions. And it was wonderful to have the opportunity to bring my vision to the streets of East Harlem – where my grandparents lived when they came from Puerto Rico. And, yes, I would love to do it again.
Could you tell us something about the Diaspora Mural? Who does it depict? What does it represent?
The subject of the mural is a young boy from Puerto Rico. The traditional mask that he is wearing symbolizes his cultural roots. Although I grew up here in NYC, I’m particularly interested in the immigrant experience and the notion of identity.
Your work is quite amazing. Do you have a formal art education?
When I was 12, I began taking specialized lessons at the Pratt Institute. I attended the Arts Students League of New York at age 18. I then earned a Bachelor of Fine Arts from the New World School of Art in Miami, Florida and a second BFA in Graphic Design from the New York Institute of Technology here in NYC.
Was all this formal training worthwhile?
I would say so. I have my own distinct style, but the art education I received drew it out of me and helped me refine it. Yes, my formal training was worthwhile.
Have any particular folks inspired you?
My grandfather was a painter. I have great admiration for him. He taught himself how to read and write in three different languages. My brother is a sculptor, and my uncle is an architect. I grew up among folks who inspired me.
What about cultures? What are some of the cultures that have influenced you?
I’ve traveled extensively through Africa, the Caribbean and Central America. I feel most connected to culture when spending time in countries and cities that hold onto their indigenous traditions. It is these indigenous cultures that have been my primary influence. I acknowledge and honor my indigenous roots in my artwork.
Have you exhibited your work in gallery settings?
Yes. I’ve shown my work in solo and group shows in the United States and in Puerto Rico.
How has the “art world” responded to you? Has it been receptive to your vision?
It has been. I feel that I’ve been able to find my own corner.
Any favorite artists?
My grandfather. He used to paint on coconuts falling from trees. Swoon is a particular favorite among street artists. And I love Whittfield Lovell – his portraits and his installations.
How has your work evolved — particularly in the past few years?
I’ve become increasingly engaged with the community.
Have you any particular theme that you attempt to convey in your work?
I’m interested in memory — in preserving it — especially in relation to our struggles. I like giving new life to found objects that embody cultural memory.
What do you see as the role of the artist in society?
For myself as an artist – it is to offer experiences to people that take them out of their comfort zone. I want folks to think and not blindly follow trends.
And we certainly look forward to seeing your vision on our streets again!
Interview by Lois Stavsky; photo of Viajero on East 111 Street by Dani Reyes Mozeson; photo of completed Diaspora Mural courtesy of the artist; final two photos of artwork at the Julia De Burgos Cultural Center by Lois Stavsky
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The now-iconic trailer on First Street and First Avenue is undergoing yet another transformation. For its current cycle, Cycle 11, the Centre-fuge Public Art Project invited artists who’ve painted there this past year to return. Here are a few images captured earlier in the week from the still-in-progress huge, energetic collage of distinct styles.
Matthew Denton Burrows at work; Damien Miksza on left; Phetus on right
Phetus with Nicole Salgar & Chuck Berrett on right
CS-Navarrete at work
Royce Bannon with Miishab on right
Elle, Damien Mitchell and Korn
Keep posted to our Facebook page for more photos of the completed pieces.
Photo of CS-Navarrete at work by Lois Stavsky; all others by Dani Reyes Mozeson
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Working together with Groundswell teens who had been affected by Hurricane Sandy, Swoon has been busy gracing the famed wall at Bowery and Houston with an elegant Sandy-themed mural. The mural’s official unveiling takes place tomorrow, Tuesday, October 29th. Here are some images of the work in progress:
Neenee
Another close-up
Groundswell youth at work
The mural as seen on Thursday
Photos 4 and 5 by Tara Murray; all others by Dani Reyes Mozeson
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Just over the river — about ten minutes away from Manhattan — a street art scene is flourishing in Jersey City. Here’s a sampling of what was seen yesterday:
Italian artist Pixel Pancho paints in celebration of the 23rd Annual Jersey City Artists Studio Tour
MOR on the exterior of Hudson County Art Supply
Dulk from Valencia, Spain
Mr. Mustart, Serringe, Distort and Then One
S.A.G.E Collective, segment of huge mural
Hawaiian native Ekundayo, close-up
Photos by Lois Stavsky
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Based in Córdoba, Argentina, Elian fashions mesmerizing abstract compositions on huge walls. In late summer, Los Muros Hablan brought Elian and his sumptuous style to the South Bronx. While he was here in NYC, we had the opportunity to meet up.
When and where did you first get up?
Ten years ago. I was 15 when I started tagging and bombing in Córdoba.
What inspired you at the time?
My friends were doing it, and so I tried it. I’m dyslexic, and I had always struggled with writing. But with a spray can in hand, it felt right. It was the first time I ever felt at home writing.
How does your family feel about what you’re doing?
Everyone is supportive. My mother bought me my first spray can.
What percentage of your time is devoted to art?
All of it.
Do you have a formal art education?
I studied graphic design. But I don’t like “institutions.”
Do you work with a sketch in hand, or just let it flow?
I always work with a sketch in hand.
Are you generally satisfied with your finished piece?
Yes.
How has your art evolved through the years?
It evolved from 3d graffiti to flat images. One can go only so far with graffiti.
When you look back at what you did two years ago, how do you feel about it?
It was too limited. There wasn’t enough concept behind it.
What other cities have you painted in besides those in Argentina?
I’ve painted in Berlin, Barcelona, Madrid, Paris, Santiago and Lima. And in the U. S. in Miami, Atlanta, and here in New York City.
Have you a favorite city?
Lima. I loved the food and the people.
What is the riskiest thing you ever did?
Painting trains, climbing heights and living every day.
What inspires you these days?
City life. Everything I see. The garbage, broken pavement…NYC is amazing!
Are there any particular cultures or movements that have influenced your aesthetic?
Pop-art, Russian constructivism, neo-plasticism, minimalism.
Have you any favorite artists?
Among my favorite artists who paint in public spaces are MOMO, Jaz, and El Tono. Other artists I love include Sol LeWitt, Mondrian and Pablo Siquier.
How do you feel about the role of the Internet in this movement?
It’s a necessary tool, as it allows us to see what others are doing, and it gives me an opportunity to get my work out to a larger audience.
What do you see as the role of the artist in society?
I think of the artist as a cultural engine, an agent for change. The artist initiates a dialogue between the city’s walls and its inhabitants.
How do you feel about the role of the photographer and blogger in all this?
I like it. It creates additional opportunities for artists to reach people. It is necessary for our culture.
How does the street art culture here in NYC differ from the one back home in Buenos Aires
Back home, you generally don’t need permission to paint. People are grateful to you for sharing your talents with them. Here everything is a business. Back home, people are more interested in ideas.
How do you feel about the movement of street art to galleries and museums?
I’m not sure how I feel. My gallery is the city. And it is the most democratic place for me to share my work.
What’s ahead?
Working hard at my craft, engaging in huge public projects and giving back to the community.
Interview by Lois Stavsky; photos courtesy of the artist
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Based in Argentina where he shares a studio with artists Jaz and Ever, Pastel recently participated in the urban arts festival, Los Muros Hablan, here in NYC. His splendid mural in the South Bronx is representative of his distinct aesthetic, which fuses his passions and talents for architecture, painting and muralism. I had the opportunity to speak to him briefly last month before he returned to his native Buenos Aires.
When did you first get up in a public space?
When I was 14 or 15, I began tagging in my Buenos Aires neighborhood with markers that I made from tampons and tar. But then when I broke my knee playing soccer and I could no longer dream of playing professionally, I began painting walls. That was in 2002.
Have you a formal art education?
I studied architecture at the University of Buenos Aires.
But you aren’t working primarily as an architect these days; are you?
No, I don’t like the structure of business, and I don’t see the need for more construction in cities. There are too many buildings already.
What percentage of your time is devoted to art?
Almost all of my time. About 20% is devoted to architecture, but I would like to devote 100% of it to my own art.
What is the riskiest thing you ever did?
Living my life as an artist. In Argentina, it’s way expensive and uncertain.
I suppose that’s the life of an artist anywhere! How does your family feel about what you’re doing now?
At the beginning they didn’t understand it; now they love it.
Do you prefer working alone or collaborating with others?
I like both, and they’re both different experiences. I especially love collaborating with Elian. We just look at each other, and we know! A real symbiosis. Our styles are different, but we can fuse them to create one image. Two paintings become one.
What is your ideal working environment?
I grew up in the city, and I love it, but I probably prefer being away from the city. Maybe in a tropical space.
Do you work with a sketch, or do you just let it flow?
I begin with a sketch and progress to a watercolor. I then paint on a canvas and finally on a wall. I try to use the wall as the final stage of a study.
Are you generally satisfied with your finished piece?
I try to be, but I’m never quite. There are always things to improve.
How has your work evolved through the years?
It’s changed radically. It’s far more conceptual these days with a philosophical mix. I need to have a concept behind the painting. I don’t paint just to paint. I need the work to tell something
How do you feel about the role of the Internet in all this?
It’s the new Jesus. You need to trust in somebody or something.
What about the photographers and bloggers?
I love them. They’re essential. We need them.
Is there much of a graffiti/street art divide in Buenos Aires?
They are two different worlds, but we all get along.
What’s ahead?
More painting, more new projects and loving more and more what I do.
Interview by Lois Stavsky; first photo of Pastel in the South Bronx by Lois Stavsky; following two photos of Pastel in Buenos Aires and final two of Pastel in Atlanta, Georgia, courtesy of the artist.
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